Four strong winds that blow lonely, seven seas that run high,
All these things that won't change, come what may.
Well our good times all are gone, and I'm bound for movin' on,
I'll look for you if I'm ever back this way.
Think I'll go down to Alberta, weather's good there in the fall,
Got some friends that I could go to workin' for.
Still I wish you'd change your mind, if I asked you one more time,
But we've been through that a hundred times or more.
Four strong winds that blow lonely, seven seas that run high,
All these things that won't change, come what may.
Well our good times all are gone, and I'm bound for movin' on,
I'll look for you if I'm ever back this way.
If I get there 'fore the snow flies, and if things are goin' good,
You could meet me if I sent you down the fare.
But by then it would be winter, not much for you to do,
And those winds sure blow cold, way out there.
Four strong winds that blow lonely, seven seas that run high,
All these things that won't change, come what may.
Well our good times all are gone, and I'm bound for movin' on,
I'll look for you if I'm ever back this way.
2. The Weight
The Band
Capo II
Verse
G
Bm
C
G
I pulled into Nazareth, was feelin' 'bout half past dead.
I just need some place where I can lay my head.
"Hey mister, can you tell me where a man might find a bed?"
He just grinned and shook my hand, "No" was all he said.
G
Bm
C
G
Bm
C
Take a
load off
Fanny,
take a
load for
free
G
Bm
C
C
C
Take a
load off
Fanny,
and...
and... and...
C
G
G/F#
Em
G/D
C
You put the load right on
me
I picked up my bags, I went lookin' for a place to hide.
When I saw Carmen and the Devil walkin' side by side.
I said "Hey Carmen, come on let's go downtown."
She said "No, I've got to go, but my friend can stick around."
Take a load off Fanny, take a load for free, Take a load off Fanny,
And... and... and... You put the load, put the load right on me
Go down Miss Moses, there's nothin' that you can say.
It's just old Luke, and Luke's waitin' on the judgement day.
"Well, Luke, my friend, what about young Anna Lee?"
He said "Do me a favor son, won't you stay and keep Anna Lee company."
Take a load off Fanny, take a load for free, Take a load off Fanny,
And... and... and... You put the load, put the load right on me
Crazy Chester followed me, and he caught me in the fog.
He said "I'll fix your rack if you'll take Jack my dog."
I said "Wait a minute Chester, you know I'm a peacful man."
He said "That's okay boy, won't you feed him when you can."
Take a load off Fanny, take a load for free, Take a load off Fanny,
And... and... and... You put the load, put the load right on me
Get your cannonball now to take me down the line.
My bag is sinking low, and I do believe it's time.
To get back to Miss Fanny, you know she's the only one,
Who sent me here with her regards for everyone.
Take a load off Fanny, take a load for free, Take a load off Fanny,
And... and... and... You put the load, put the load right on me
C9
Em7/B
Edim/Bb
A7sus4
Dm/C
3. Jesse
Janis Ian / Joan Baez
C9
Em7/B
Edim/Bb
A7sus4
A7
Jesse come home, there's a
hole in the bed where we
slept; now it's growing
cold.
Dm
Dm/C
G7
C
E
Jesse your face in the
place where we lay by the
hearth all apart it
hangs on my
heart
A7
Dm
And I'm
leaving the light on the
stairs.
G7
C
A7
Dm
G7
C
No I'm not
scared; I wait for
you,
hey
Jesse I'm
lonely come
home!
Jesse the stairs in the halls, recalling Your step; and I remember too.
All the pictures are fading and shaded in grey And I still set a place on the table at noon
And I'm leaving the light on the stairs.
No I'm not scared; I wait for you, hey Jessie I'm lonely come home!
Jesse the spread on the bed, It's like when you left, I kept it for you.
All the blues and the greens have been recently cleaned And are seemingly new; hey Jess, me and you.
We'll swallow the light on the stairs.
I'll fix up my hair, we'll sleep unawares, hey Jesse, I'm lonely, come home!
4. In My Life
Lennon, McCartney / the Beatles: Rubber Soul (1965)
E
B
E
B
/ /
/
/ /
/
E
E6
E7
A6
Am
E
There are
places I'll re
member
- all my
li- -
ife though
some have changed,
E
E6
E7
A6
Am
E
Some for
ever not for b
etter;
some have
go- -
one and
some remain.
E6
A6
D
E
All these
places had their
moments, with
lovers and friends I
still can recall,
E6
A6
Am
E
B
Some are
dead and some are
living, in
my life I've l
oved them all.
E
E6
E7
A6
Am
E
But of
all these friends and
lovers,
there is
no
one com
pares with you,
E
E6
E7
A6
Am
E
And these
memories lose their
meaning,
when I
think of
love as
something new.
E6
A6
D
E
Though I
know I'll never lose af
fection for
people and things that
went before,
E6
A6
Am
E
B
I
know I'll often stop and think a
bout them, in
my life I'll
love you more.
(Piano/Harpsichord solo)
E
E6
E7
A6
Am
E
E6
A6
D
E
Though I
know I'll never lose af
fection for
people and things that
went before,
E6
A6
Am
E
B
I
know I'll often stop and think a
bout them, in
my life I'll
love you more.
Am
E
B
B7
E
In
my life I'll love you
more.
5. All My Loving
The Beatles
Em
A7
D
Bm
Close your
eyes and I'll
kiss you - To
morrow I'll
miss you,
G
Em
C
A
Re
member I'll a
lways be
true.
Em
A7
D
Bm
And then
while I'm
away - I'll write
home every
day,
G
A7
D
And I'll
send all my
loving to
you.
Bm
F#7
D
Bm
F#7
D
All my
loving -
I will send to
you; All my
loving,
Darling, I'll be
true.
Em
A7
D
Bm
I'll pre
tend that I'm
kissing - The
lips I am
missing
G
Em
C
A
And
hope that my
dreams will come
true.
Em
A7
D
Bm
And then
while I'm a
way I'll write
home every
day,
G
A7
D
and I'll
send all my
loving to
you.
Bm
F#7
D
Bm
F#7
D
All my
loving -
I will send to
you; All my
loving,
Darling, I'll be
true.
Em
A7
D
Bm
Close your
eyes and I'll
kiss you - To
morrow I'll
miss you,
G
Em
C
A
Re
member I'll a
lways be
true.
Em
A7
D
Bm
And then
while I'm
away - I'll write
home every
day,
G
A7
D
And I'll
send all my
loving to
you.
Bm
F#7
D
Bm
F#7
D
All my
loving -
I will send to
you; All my
loving,
Darling, I'll be
true.
6. And Your Bird Can Sing
Lennon & McCartney / the Beatles: Revolver (1966)
E
F#m
A
E
E
You tell me that you've got every thing you want - And your bird can sing,
F#m
A
E
But you don't get
me -
You don't get
me!
E
You say you've seen seven wonders - And your bird is green!
F#m
A
E
But you can't see
me -
You can't see
me!
bridge
G#m
G
B
C#
When your prize po
sessions
start to weigh you
down,
E
F#m
B
Look in my di
rection - I'll be 'round - I'll be '
round!
E
F#m
A
E
(Guitar solo)
G#m
G
B
C#
When your bird is
broken
Will it bring you
down?
E
F#m
B
You may be a
woken - I'll be 'round - I'll be
round!
E
Tell me that you've heard every sound there is - And your bird can swing!
F#m
A
E
But you can't hear
me -
You can't hear
me!
E
F#m
A
E
E
E
A
(Guitar solo)
7. Memphis Tennessee
Chuck Berry / Chuck Berry: Back in the U.S.A (1959)
G
D
Long-
distance information, get me Memphis, Tennessee.
Help me find the party who tried to get in touch with me.
G
She
could not leave her number, but I know who placed the call.
D7
C
G
'Cause my uncle took a
message and he
wrote it on the
wall.
Help me, information, get in touch with my Marie.
She's the only one who called me here from Memphis, Tennessee.
Her home is on the south side, high upon the ridge;
Just a half a mile from the Mississippi bridge.
Solo
Help me, information, more than that I cannot add,
Only that I miss her and all the fun we had.
But we were pulled apart because her mom would not agree,
Tore apart our happy home in Memphis, Tennessee.
Last time I saw Marie she was wavin' me goodbye;
With hurry-home drops on her cheeks that trickled from her eyes.
Marie is only six years old; information please:
Try to put me through to her in Memphis, Tennessee!
8. Speedy Gonzales
Kaye, Hill, Lee / Pat Boone (1962)
It was a moonlight night in old Mexico
I walked along between some old adobe haciendas
Suddenly, I heard the plaintive cry of a young Mexican girl:
D
Bm
G
A7
La la
la, la la la la la la
la
La la la la la la
la
La la la la la la
la
D
Bm
You'd better come home, Speedy Gon
zales - Away from Cannery
Row
G
A7
Stop all your
drinkin' - With that floozie named
Flo
D
Bm
Come on home to your a
dobe - And slap some mud on the
wall
G
A7
D
The roof is leakin' like a
strainer
-
There's lots of roaches in the
hall
G
D
Speedy Gon
zales (Speedy Gonzales) - Why don't you come
home?
G
A
Speedy Gon
zales (Speedy Gonzales) - How come you leave me all a
lone?
Hey, Rosita! I have to go shopping downtown for my mother. She needs some tortillas and chili peppers!
D
Bm
G
A7
La la
la, la la la la la la
la
La la la la la la
la
La la la la la la
la
D
Bm
Your dog is gonna have a
puppy - And we're runnin' out of
Coke
G
A7
No enchiladas in the
icebox - And the television's
broke
D
Bm
I saw some lipstick on your
sweatshirt - I smell some perfume in your
ear
G
A7
D
Well, if you're gonna keep a-
messin'
-
Don't bring your business back-a
here
G
D
Speedy Gon
zales (Speedy Gonzales) - Why don't you come
home?
G
A
Speedy Gon
zales (Speedy Gonzales) - How come you leave me all a
lone?
Hey, Rosita, come quick! Down at the Cantina they've got some green stamps with tequila!
D
Bm
G
A7
La la
la, la la la la la la
la
La la la la la la
la
La la la la la la
la
9. Jackson
Johnny Cash & June Carter
C
We got married in a fever hotter than a pepper sprout
C7
We've been talking 'bout Jackson
ever since the fire went out
C
F
C
I'm going to
Jackson, gonna mess a
round!
F
G7
C
Yeah, I'm going to
Jackson,
look out Jackson
town!
C
Go on down to Jackson, go ahead and wreck your health.
C7
Go play your hand, you big talking man, and make a
big fool of yourself!
C
F
C
Yeah, go to
Jackson, go comb your
hair!
F
G7
C
Yeah, I'm gonna
snow ball Jackson,
see if I
care.
C
When I breeze into that city, people gonna stop and bow.
C7
All them women gonna make me
teach 'em what they don't know how.
C
F
C
Aaw, I'm going to
Jackson, turn aloose of my
coat,
F
G7
C
Yeah, I'm going to
Jackson, good
bye, that's all she
wrote.
C
I'm gonna laugh at you in Jackson, and I'll be dancin' on a pony keg.
C7
They'll lead ya' round town like a scalded hound, with your
tail tucked between your legs!
C
F
C
Yeah, go to
Jackson, you big talking
man,
F
G7
C
and I'll be waiting in
Jackson, be
hind my japan(Japan)
fan.
C
We got married in a fever hotter than a pepper sprout.
C7
We've been talking 'bout Jackson
ever since the fire went out.
C
F
C
I'm going to
Jackson, and that's a
fact
F
G7
C
yeah, I'm going to
Jackson,
ain't never comin'
back!
10. Don't Think Twice, It's All Right
Bob Dylan / The Freewheelin' Bob Dylan (1963)
C
G7
Am
F
C
G7
It
ain't no use to
sit and wonder
why, babe,
if you don't know by
now.
C
G7
Am
D7
G
And it
ain't no use to
sit and wonder
why, babe,
It'll never do, some
how.
C
C7
When your
rooster crows at the
break of dawn,
F
D7
Look out your window and
I'll be gone.
C
G
Am
F
C
G
C
You're the
reason I'm
travelling
on, But,
don't think
twice, it's all
right.
C
G7
Am
F
C
G7
And it
ain't no use in
turnin' on your
light, babe,
The light I never
knowed.
C
G7
Am
D7
G
And it
ain't no use in
turnin' on your
light, babe,
I'm on the dark side of the
road.
C
C7
But I
wish there were something you would
do or say;
F
D7
To try and make me change my
mind and stay.
C
G
Am
F
C
G
C
We never
did too much
talkin' any
way.
Don't think
twice, it's all
right.
C
G7
Am
F
C
G7
No it
ain't no use in
callin' out my
name, gal,
Like you never done be
fore.
C
G7
Am
D7
G
And it
ain't no use in
callin' out my
name, gal,
I can't hear you any
more.
C
C7
I'm a-
thinkin' and a-wonderin'
Walking down the road,
F
D7
I
once loved a woman, a
child I am told.
C
G
Am
F
C
G
C
I
give her my
heart but she
wanted my
soul,
Don't think
twice, it's all
right.
G7
Am
F
C
G7
So lo-o-
ong, honey
babe,
Where I'm bound, I can't
tell.
C
G7
Am
D7
G
Goodbye is
too good a
word, babe,
So I'll just say, "fare thee
well".
C
C7
I ain't
sayin' you treated
me unkind,
F
D7
You
could have done better, but,
I don't mind.
C
G
Am
F
C
G
C
You just kinda
wasted my
precious
time,
Don't think
twice, it's all
right.
11. I Shall Be Released
Bob Dylan/Bob Dylan: Greatest Hits Vol. II (1970)
E
F#m
G#m
F#m
B
E
They say ev’rything can be re
placed,
Yet ev’ry
distance
is not
near;
E
F#m
G#m
F#m
B
E
So I remember ev’ry
face,
Of ev’ry
man who
put me
here.
E
F#m
G#m
F#m
B
E
I
see my light come
shining,
from the
west un
to the
east
E
F#m
G#m
F#m
B
E
Any day now,
any day now,
I
shall
be re
lased
E
F#m
G#m
F#m
B
E
They say ev’ry man needs pro
tection,
They say
ev’ry
man must
fall.
E
F#m
G#m
F#m
B
E
Yet I swear I see my re
flection,
Some
place so high
above this
wall.
E
F#m
G#m
F#m
B
E
I
see my light come
shining,
from the
west un
to the
east
E
F#m
G#m
F#m
B
E
Any day now,
any day now,
I
shall
be re
lased
E
F#m
F#m
B
E
Standing next to me in this
lonely crowd, Is a man
who swears
he’s not to
blame.
E
F#m
F#m
B
E
All day long I hear him shout
so loud, Crying
out that
he was
framed.
E
F#m
G#m
F#m
B
E
I
see my light come
shining,
from the
west un
to the
east
E
F#m
G#m
F#m
B
E
Any day now,
any day now,
I
shall
be re
lased
12. Belle Isle
trad. / Bob Dylan: Self Portrait (1970)
C
F
C
G
C
One
evening for pleasure I
rambled to view the
fair fields
all a
lone.
F
G
G
Down by the banks of
Loch Eiron where
beauty and pleasure were
known.
a
e
a
G
I
spied a fair maid at her
labour which
caused me to stay for a
while.
C
a
e
F
f
C
And I thought of a
goddess of
beauty
bloomin bright
star of bright
isle.
C
a
e
F
G
C
I
humbled
myself to her
beauty "Fair
maiden, where
do you be-
long?
C
a
e
d
F
G
Are
you from
heaven de
scended a
biding in
cupids fair
throne?"
a
e
a
e
"Young
man, I will tell you a
secret It's
true I'm a maid that is
poor.
C
a
F
f
And to
part from my vows and my
promise Is
more than my heart can
endure.
C
e
a
e
G
There
fore I re
main at my ser
vice And
go through all my hardship and
toil
C
e
a
F
G
C
And
wait for the
lad that has
left me All
alone on the
banks of belle
isle".
C
a
e
F
G
C
"Young
maiden I
wish not to
banter It's
true I come
here in dis
guise.
C
e
a
d
G
I came
here to ful
fill our last
promise And
hope to give you a sur
prise.
a
G
a
e
G
I've
known you're a maid I love
dearly And you've
been in my
heart all the
while.
C
e
a
F
G
C
For
me there is
no other
damsel Than my
bloomin bright
star of belle
isle".
13. One too many Mornings
Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)
C
Am
F
C
C
Am
G7
C
C
Am
F
C
Down the
street the dogs are
barkin' - And the
day is a-gettin'
dark.
C
Am
F
G7
As the
night comes in a-
fallin', The
dogs'll lose their
bark.
C
G7
F
C
An' the
silent night will
shatter - From the
sounds inside my
mind,
C
Am
F
G7
C
F
G7
C
For I'm
one too many
mornings - And a
thousand
miles be
hind.
C
Am
F
C
From the
crossroads of my
doorstep - My
eyes they start to
fade,
C
Am
F
G7
As I
turn my head back
to the room - Where my
love and I have
laid.
C
G7
F
C
An' I
gaze back to the
street, The
sidewalk and the
sign;
C
Am
F
G7
C
And I'm
one too many
mornings - An' a
thousand
miles be
hind.
harp solo
C
Am
F
C
It's a
restless hungry
feeling - That don't
mean no one no
good,
C
Am
F
G7
When
ev'rything I'm a-
sayin' - You can
say it just as
good.
C
G7
F
C
You're
right from your
side, I'm
right from
mine.
C
Am
F
C
F
G7
C
We're both
just too many
mornings - An' a
thousand miles
behind.
14. Hotel California
Felder, Henley & Frey / the Eagles
Bm
F#
On a dark desert highway,
cool wind in my hair;
A
E
Warm smell of colitas,
rising through the air.
G
D
Up ahead in the distance,
I saw a shimering light.
Em
F#
My head grew heavy and my sight grew dim,
I had to stop for the night.
Bm
F#
There she stood in the doorway;
I heard the mission bell,
A
E
And I was thinking to myself: this could be
heaven or this could be hell!
G
D
Then she lit up a candle
and she showed me the way;
Em
F#
There were voices down the corridor;
I thought I heard them say:
G
D
"
Welcome to the Hotel Califor
nia!
F#
Bm
Such a lovely place (such a lovely place), such a
lovely face.
G
D
Plenty of room at the Hotel Califor
nia!
Em
F#
Any
time of year (any time of year), you can
find it here."
Her mind is Tiffany twisted, she got the Mercedes Benz.
She got a lot of pretty, pretty boys, that she calls friends.
How they dance in the courtyard, sweet summer sweat
Some dance to remember, some dance to forget!
So I called up the captain, "Please bring me my wine." He said:
"We haven't had that spirit here since nineteen sixty-nine."
And still those voices are calling from far away,
Wake you up in the middle of the night, just to hear them say:
"Welcome to the Hotel California!
Such a lovely place (such a lovely place), such a lovely face.
They're livin' it up at the Hotel California;
What a nice surprise (what a nice surprise), bring your alibis-"
Mirrors on the ceiling, the pink champagne on ice, and she said:
"We are all just prisoners here, of our own device."
And in the master's chambers, they gathered for the feast.
They stab it with their steely knives - but they just can't kill the beast!
Last thing I remember, I was running for the door.
I had to find the passage back to the place I was before.
"Relax," said the night man, "We are programmed to receive.
You can check out any time you like, but you can never leave!"
"Welcome to the Hotel California!
Such a lovely place (such a lovely place), such a lovely face.
They're livin' it up at the Hotel California;
What a nice surprise (what a nice surprise), bring your alibis-"
15. It never rains in Southern California
Albert Hammond
Gm
C
F
Got on
board a west-bound
seven-forty-
seven,
Gm
C
F
didn't
think before de
ciding what to
do.
Gm
C
All, that
talk of oppor
tunities,
F
Dm
Gm
C
F
TV-breaks and
movies rang
true,
sure rang
true.
Gm
C
F
Seems it
never rains in
Southern Cali
fornia.
Gm
C
F
Seems I've
often heard that
kind of talk be
fore.
Gm
C
F
Dm
It never
rains in Cali
fornia, but
girl don't they
warn you,
Gm
C
F
it
pou-
ours, man, it
pours.
Gm
C
F
Dm
Out of
work I'm out of my
head, out of
self-respect, I'm out of
bread,
Gm
C
F
I'm under
talked, I'm under
fed, I wanna go
home.
Gm
C
F
Dm
It never
rains in Cali
fornia, but
girl don't they
warn you,
Gm
C
F
it
pou-
ours, man, it
pours.
Will you tell the folks at home, I nearly made it.
Got offers but don't know which one to take.
Please don't tell'em, how you found me,
don't tell me how they found me,
gimmie a break, gimmie a break.
Seems it never rains in Southern California.
Seems I've often heard that kind of talk before.
It never rains in California, but girl don't they warn you,
it pours, man, it pours.
Out of work I'm out of my head, out of self-respect, I'm out of bread,
I'm undertalked, I'm underfed, I wanna go home.
It never rains in Califonia, but girl don't they warn you,
it pours, man, it pours.
A#m
C#7
3
F#
F7
F#m
Fsus7
16. Sunny
Bobby Hebb / Bobby Hebb (1966)
Am
C7
F
E7
Sunny,
yesterday my
life was filled with
rain.
Am
C7
F
E7
Sunny,
you smiled at me and
really eased the
pain.
Am
C7
Now the
dark days are done and the
bright days are near,
F
Fm
My
sunny one shines
so sincere,
Esus7
E7
Am
C7
F
E7
Sunny, one so
true, - I love
you.
Sunny, thank you for the sunshine bouquet.
Sunny, thank you for the love you brought my way.
You gave to me your all and all,
And now I feel ten feet tall,
Am
C7
Sunny, one so true, - I love
you.
A#m
C#7
F#
F7
Sunny,
thank you for the
truth you let me
see.
A#m
C#7
F#
F7
Sunny,
thank you for the
facts from A to
Z.
A#m
C#7
My
life was torn like-a
windblown sand, then
F#
F#m
A
rock was formed when
we held hands,
Fsus7
F7
A#m
C#7
Sunny, one so
true, - I love
you.
Bm
D7
G
F#7
Sunny,
thank you for that
smile upon your
face.
Bm
D7
G
F#7
Sunny,
thank you for that
gleam that flows from
grace.
Bm
D7
You're my spark of
nature's fire,
G
Gm
You're my sweet com
plete desire,
F#sus7
F#7
Bm
D7
Sunny, one so
true, - I love
you.
Cm
D#7
G#
G7
Sunny,
yesterday all my
life was filled with
rain.
Cm
D#7
G#
G7
Sunny,
you smiled at me and
really, really eased the
pain.
Cm
D#7
Now the
dark days are done and the
bright days are near,
G#
G#m
My
sunny one shines
so sincere,
Gsus7
Gt
Cm
D#7
Sunny, one so t
rue, - I love
you.
Cm
Cm
D7
I love
you.
17. Better Things
Ray Davies / The Kinks: To the Bone (1996)
D
F#m
G
A
D
F#m
Here's
wishing you the
bluest sky
G
A
D
hoping something
better comes to
morrow,
F#m
Hoping all the
verses rhyme,
G
A
And the
very best of
choruses too.
Bm
F#m
Follow all the
doubt and sadness
D
E
A
G
I know that better
things are on their
way.
Here's hoping that the days ahead
Won't be as bitter as the ones behind you.
Be an optimist instead,
And somehow happiness will find you.
Forget what happened yesterday,
I know that better things are on their way.
G
D
G
A
It's really good to see you
rocking out and
having
fun,
D
G
A
Living like you've
just be
gun.
D
G
A
Accepting life for
what it
brings,
D
G
A
D
F#m
I hope tomorrow
you find
better
things.
G
A
D
F#m
G
A
I hope tomorrow
you find better
things.
Here's wishing you the bluest sky
And hoping something better comes tomorrow.
Hoping all the verses rhyme,
And the very best of choruses too.
Follow all the drudge and sadness
I know that better things are on the way.
I know you've got a lot of good things happ'ning up ahead.
The past is gone, it's all been said.
So here's to what the future brings,
I hope tomorrow you find better things.
I hope tomorrow you find better things.
18. Easy
Lionel Ritchie / Commodores: Commodores (1977)
G
Bm7
Am7
Am7/D
I know it sounds
funny but I just can't
stand the pain.
G
Bm7
Am7
Am7/D
Girl I'm
leaving you tom
orrow.
G
Bm7
Am7
Am7/D
It seems to
me girl, you know I done
all I can.
Ab
Bm7
Am7
Am7/D
You see, you
beg, stole and I
borrowed.
G
Bm7
Am7
That's why I'm e
asy, (aaaah, a
aaah, aaaah, a
aaah)
Am7/D
F
C
I'm
easy like sunday
mo-
orning.
G
Bm7
Am7
That's why I'm e
asy, (aaaah, a
aaah, aaaah, a
aaah)
Am7/D
F
C
G
I'm
easy like sunday
mo-
o--
orning.
Fmaj7
Em7
Dm7
I wanna be
high,
so
high
Fmaj7
Em7
Dm7
I wanna be
preaching all the
things I do all
right.
Fmaj7
Em7
Dm7
I wanna be
free,
just
me
Bb
F
Bb
G
Bm7
Am7
That's why I'm e
asy, (aaaah, a
aaah, aaaah, a
aaah)
Am7/D
F
C
I'm
easy like sunday
mo-
orning.
G
Bm7
Am7
That's why I'm e
asy, (aaaah, a
aaah, aaaah, a
aaah)
Am7/D
F
C
G
I'm
easy like sunday
mo-
o--
orning.
19. Stumblin' In
Suzi Quatro
Am
D
G
Em
Our love is alive and so we begin
Foolishly layin' our hearts on the table,stumblin'in
Our love is a flame burnin' within
Now and then fire light will catch us, stumblin'in
ER
Wherever you go, whatever you do
You know these reckless thoughts of mine are followin' you
SIE
I've fallen for you, whatever you do
'Cause baby you've shown me so many things that I never knew
BEIDE
Whatever it takes, baby, I'll do it for you
Our love is alive and so we begin
Foolishly layin' our hearts on the table,stumblin'in
Our love is a flame burnin' within
Now and then fire light will catch us, stumblin'in
ER
You were so young, ah, but I was so free
SIE
I may have been young but baby, that's not what I wanted to be
ER
Well you were the one
SIE
Oh why was it me?
ER
'Cause baby you've shown me so many things that I'd never seen
BEIDE
Whatever you need, baby, you got it from me
Our love is alive and so we begin
Foolishly layin' our hearts on the table,stumblin'in
Our love is a flame burnin' within
Now and then fire light will catch us, stumblin'in
Stumblin' in, I'm stumblin' in
Foolishly layin' our hearts on the table, stumblin'in
ER
Ah, stumblin' in, mmm, stumblin' in
Now and then fire light will catch us, stumblin'in
SIE
Oh, stumblin' in, I'm stumblin' in
Foolishly layin' our hearts on the table, stumblin'in
20. Mrs. Robinson
Paul Simon / Simon & Garfunkel: Bookends (1968)
E7
A
D
G
C
Am
E7
De de
de de
de de
de de
de de
de de
de-eh
D
G
Em
And here's to
you, Mrs.
Robinson,
G
Em
C
Am
D
Jesus loves you
more than you will
know,
wo wo
wo.
D
G
Em
God bless you
please Mrs.
Robinson,
G
Em
C
Am
Heaven holds a
place for those who
pray,
hey hey hey.
E7
We'd like to know a little bit about you for our files.
A
We'd like to help you learn to help yourself.
D
G
C
Am
Look around you,
all you see are
sympathetic
eyes.
E7
D
Stroll around the grounds un
til you feel at home.
And here's to you, Mrs. Robinson,
Jesus loves you more than you will know, wo wo wo.
God bless you please, Mrs. Robinson,
Heaven holds a place for those who pray, hey hey hey.
E7
Hide it in a hiding place where no one ever goes,
A
Put it in your pantry with your cupcakes.
D
G
C
Am
It's a little
secret, just the
Robinsons' af
fair.
E7
D
Most of all you've got to
hide it from the kids.
Koo koo ka choo, Mrs. Robinson,
Jesus loves you more than you will know, wo wo wo.
God bless you please, Mrs. Robinson,
Heaven holds a place for those who pray, hey hey hey.
E7
Sitting on a sofa on a Sunday afternoon,
A
Going to the candidates debate.
D
G
C
Am
Laugh about it,
shout about it,
when you've got to
choose.
E7
D
Any way you look at it you
lose.
D
G
Em
Where have you
gone Joe Di
Maggio,
G
Em
C
Am
D
A nation turns its
lonely eyes to
you,
woo woo woo
D
G
Em
What's that you
say, Mrs.
Robinson,
G
Em
C
Am
E7
Joltin' Joe has
left and gone
away,
hey hey hey, hey hey
hey.
21. Something Stupid
Nancy Sinatra, Frank Sinatra
G
Em
I know I stand in
line
G
Em
Until you
think you have the
time
Am
D
Am
D
To spend an
evening with
me
Am
D
And
if we go some
place to dance
Am
D
I
know that there's a
chance
G
Em
G
Em
You won't be
leaving with
me
G
And
afterwards we drop into a quiet little place
C
Eb
And have a
drink or two
Am
D
And
then I go and
spoil it all
Am
D
G
Em
G
Em
By
saying something
stupid like "I
love you"
G
I can
see it in your eyes
That you still despise the same old lines
C
You heard the
night before
A
And
though it's just a line to you
For me it's true
D
It never seemed so
right before
I practice everyday
To find some clever lines to say
To make the meaning come true
But then I think I'll wait
Until the evening gets late
And I'm alone with you
The time is right
Your perfume fills my head
The stars get red and oh, the night's so blue
And then I go and spoil it all
By saying something stupid like "I love you"
The time is right
Your perfume fills my head
The stars get red and oh, the night's so blue
And then I go and spoil it all
By saying something stupid like "I love you"
"I love you"
"I love you"
"I love you"
22. Tin Soldier
Steve Marriot / the Small Faces: the Autumn Stone (1969)
E
G
D
A
E
G
D
A
E
G
D
A
E
G
D
A
E
I - am a
little tin soldier that
wants to jump
into your
fire
E
G
D
A
C#m
you are a
look in your eye a
dream passing
by in the
sky
D
F
A
F#m
But I don't under
stand that all I
need is treat me like a
man
A
F#m
D
'cause I ain't no
child - take me like I
am
E
D
E
D
E
I got to
know that I be
long to you - Do any
thing that you
want to do
D
E
D
C
B
sing any
song that you
want me - to sing to
you
|:
E
G
A
G
:|
E
G
A
G
E
G
A
G
/
//
/
//
I don't
need no
-
aggra
vation
E
G
A
G
I just got to
make you
-
got to live it
E
G
A
G
E
I just got to
make you
just my oc
cu
pation
D
E
D
E
I got to
know that I be
long to you - do any
thing that you
want to do
D
E
D
C
B
I sing any
song that you
want me to sing to
you
E
G
D
A
E
All
I need is your
whispered hello -
smiles melting the
snow nothing
heard.
E
G
D
A
C#m
your
eyes are
deeper than time -
say a love that won't
rhyme without
words
D
F
A
F#m
so now I've lost my
way - I need
help to show me things to
say
D
A
F#m
give me your
love before mine fades a
way
E
D
E
D
E
I got to
know that I be
long to you - Do any
thing that you
want to do
D
E
D
I sing any
song that you
want me - to sing to
you
E
A
E
D
E
A
E
D
A
B
Oh
no
- Oh
no
-
I just want some reaction -
someone to give me satisfaction
C
D
E
all I want to do is
sit with you! 'Cause I
love you!
23. Happy Together
Gary Bonner - Alan Gordon / the Turtles
Dm
Imagine
me and you, I do
C
I think about you
day and night, it's only right
Bb
A7
To think about the
girl you love and hold her tight - So happy to
gether
I should call you up, invest a dime
And you say you belong to me and ease my mind
Imagine how the world could be, so very fine - So happy together
D
C
D
C
I can see me
lovin' nobody but
you for all my
life
D
C
D
C
When you're with me,
baby the skies will be
blue for all my
life
Me and you and you and me
No matter how they thrust the dice, it has to be
The only one for me is you, and you for me - So happy together
I can see me lovin' nobody but you for all my life
When you're with me, baby the skies will be blue for all my life
Me and you and...
D
C
D
C
Ba-ba-ba-ba
ba-ba-ba-ba ba-ba-
ba ba-ba-ba-
ba
D
C
D
C
Ba-ba-ba-ba
ba-ba-ba-ba ba-ba-
ba ba-ba-ba-
ba
Me and you and... ...So happy together
Dm
A7
Dm
A7
Dm
So happy to
gether
- How is the
weather
A7
Dm
A7
Dm
So happy to
gether
- We're happy to
gether
A7
Dm
A7
Dm
So happy to
gether
- Happy toge
ther
A7
Dm
A7
So happy to
gether
- So happy to
gether
Dm
ba-ba-ba-ba ba-ba-ba-
ba...
24. Harvest
Neil Young / Neil Young: Harvest (1972)
D
A
D
A
D
A
D
A
D
A
G
D
A
Did I
see you
down in a
young girl's
town with your mother in so much
pain?
G
A
Bm
E
D
I was
almost
there at the
top of the
stairs with her
screamin' in the rain.
D
A
G
D
A
Did she wake you
up to
tell you
that it was only a change of
plan?
G
A
Bm
E
D
Dream up, dream
up, let me
fill your
cup with the
promise of a man.
D
A
G
D
A
Did I
see you
walking
with the
boys though it was not hand in
hand?
G
A
Bm
E
D
A
D
And was
some black
face in a
lonely
place when
you could under
stand?
A
D
A
G
D
A
Did she
wake you
up to
tell you
that it was only a change of
plan?
G
A
Bm
E
D
A
D
Dream up, dream
up, let me
fill your
cup with the
promise of a
man.
A
D
A
G
D
A
Will I
see you
give more than
I can
take? Will I only harvest
some?
G
A
Bm
E
D
As the
days fly
past will we
lose our
grasp or
fuse it in the sun?
A
D
A
G
D
A
Did she
wake you
up to
tell you
that it was only a change of
plan?
G
A
Bm
E
D
A
D
Dream up, dream
up, let me
fill your
cup with the
promise of a
man
25. Hallelujah
Leonard Cohen / Jeff Buckley
Intro
C
Am
C
Am
C
Am
C
Am
Well, I
heard there was a
secret chord, That
David played, and it
pleased the Lord
F
G
C
G
But
you don't really
care for music,
do ya?
C
F
G
Am
F
Well, it
goes like this: the
fourth, the
fifth, The
minor fall and the
major lift,
G
E
Am
The
baffled king com
posing Halle
lujah
F
Am
F
C
G
C
Halle
lujah, Halle
lujah, Halle
lujah, Halle
lu
jah
Well, your faith was strong, but you needed proof, You saw her bathing on the roof
Her beauty and the moonlight overthrew ya
And she tied you to her kitchen chair, And she broke your throne and she cut your hair,
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Well, baby, I've been here before, I've seen this room and I've walked this floor
You know, I used to live alone before I knew ya
And I've seen your flag on the marble arch, And love is not a victory march,
It's a cold and it's a broken Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Well, there was a time when you let me know - What's really going on below,
But now you never show that to me, do ya?
But remember when I moved in you, And the holy dove was moving too
And every breath we drew was Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah
Well, maybe there is a God above - But all I've ever learned from love,
Was how to shoot somebody who outdrew ya.
And it's not a cry that you hear at night; It's not somebody who's seen the light,
It's a cold and it's a broken Hallelujah
Hallelujah, Hallelujah, Hallelujah, Hallelujah,
Hallelujah, Hallelujah, Hallelujah, Hallelujah...
26. Romeo and Juliet
Mark Knopfler / Dire Straits
intro:
|:
F
Bb
:|
F
C
Dm
C
F
A lovestruck Rome
o
sings the streets a sere
nade
F
C
Dm
C
Bb
Laying everybody
lo
w with a love
song that he
made
C
Bb
C
F
Finds a street light steps
out
into the
shade
Bb
C
Says
something like you and me babe, how a
bout it?
F
C
Dm
C
F
Juliet says hey it's Romeo,
you
nearly gave me a heart at
tack
F
C
Dm
C
Bb
He's underneath the window
,
she's singing hey la my boy
friends
back
C
Bb
C
F
you shouldn't come around
here
singing up to people like
that
Bb
C
Anyway, what you gonna do
about it?
F
C
Dm
C
Bb
Juliet
the dice was
loa
ded from the
start
F
C
Dm
C
Bb
And I b
et, and you
ex-
ploded in my
heart.
F
C
Dm
Bb
And I
forget, I for
get, the movie
song
Gm
F
Bb
C
Dm
C
F
When you gonna realize it was just
that the
time
was
wrong
Juli
et?
Come up on different streets, they both the streets of shame
Both dirty both mean, yes and even and dream was just the same
And I dreamed your dream for you and now your dream is real.
How can you look at me as if I was just another part of your deal
Well you can fall for chains of silver, you can fall for chains of gold.
you can fall for pretty strangers and the promises they hold
You promised me everything, you promised me thick and thin yeah
Now you just say oh Romeo yeah, I used to have a scene with him.
Juliet when we made love you used to cry
you said I love you like the stars above I'll love you till I die
There's a place for us, you know the movie song
When you gonna realize it was just that the time was wrong Juliet?
I can't do the talk, like they talk on the tv
I can't do a love song, like the way it's meant to be.
I can't do anything, but I'd do anything for you.
I cant't do anything but be in love with you.
And all I do is miss you and the way we used to be
All I do is keep the beat and bad company.
All I do is kiss you through the bars of a rhyme
Juliet I'd do the stars with you anytime.
Juliet when we made love you used to cry
you said I love you like the stars above I'll love you till I die
There's a place for us, you know the movie song
When you gonna realize it was just that the time was wrong Juliet?
A love struck Romeo, sings the streets a serenade.
Now he's laying everybody low, with a love song that he made.
Finds a convenient street light, steps out of the shade
Says something like you and me babe how about it.
outro:
Bb
C
Intro I (simple):
| F Dm | B | F Dm | B F |
e|-5--5--5--5---5-3-0-|--1--1--1--0--1-3-5-|-5--5--5--5---5-3-0-|--1--1--1--0--1--5-|
H|------------6-------|--------------------|------------6-------|--------------3--6-|
G|----5------5--------|------3-------------|----5------5--------|------3-------3--5-|
D|--------------------|--------------------|--------------------|--------------3--7-|
A|--------------------|--------------------|--------------------|-------------------|
E|--------------------|--------------------|--------------------|-------------------|
Intro II (complex):
| F | F Bb | F | F Bb |
e|-0h1-3-5------------5-|--------------1--0--1--|--0h1-3-5----------5-|-------5--3--0--1--|
H|-------6--------6---6-|-----------1--------3--|--------6-------6--6-|----6-----------3--|
G|-------5-----5------5-|--------2-----------3--|--------5----5-----5-|-5--------------3--|
D|-------7--7-----------|-----3-----------------|--------7-7----------|-------------------|
A|----------------------|--3--------------------|---------------------|-------------------|
E|----------------------|-----------------------|---------------------|-------------------|
Verse:
|: F | Dm Bb :|
e|--5--3--5-------------5-|-------------3---0---1--0h1--3---|
H|--------6---------5---6-|----------1----------3-----------|
G|--------5------6------5-|-------0-------------3-----------|
D|--------7---7-----------|----2----------------------------|
A|------------------------|-3-------------------------------|
E|------------------------|---------------------------------|
