Jai Guru Deva - Om - |: Nothing's gonna change my world :| (4x)
C
Am
Em
Sounds of laughter
shades of light are
ringing through my open ears
Dm7
Fm
Ex
citing and in
viting me
C
Am
Em
Limitless un
dying love which
shines around me like a million
Dm7
G7
suns: It calls me on and on a
cross the universe
Jai Guru Deva - Om - |: Nothing's gonna change my world :| (4x)
D
Jai Guru Deva - Jai Guru Deva - Jai Guru Deva...
G+d
C9
Fadd9
142. A Hard Day's Night
The Beatles
Fadd9
n.c.
G+d
C9
G+d
F
G+d
It's been A
Hard
Day's
Night and I've been
working like a
dog.
C9
G+d
F
G
It's been A Hard
Day's
Night I should be
sleeping like a
log.
C
D
G+d
C9
G+d
But when I
get home to you I find the
things that you do will make me
feel
al -
right!
n.c.
G+d
C9
G+d
F
G+d
You know I
work
all
day to get you
money to buy you
things.
C9
G+d
F
G
And It's worth it just to
hear you
say you're gonna
give me ev'ry
thing.
C
D
G+d
C9
G+d
So why on
earth should I moan, 'cause when I
get you alone you know it
feels
al -
right.
Bridge:
Bm
Em
Bm
When I
home
ev'rything seems to be
right
G
Em
C
D
When I'm
home
feeling you holding me
tight,
tight, yeah!
n.c.
G+d
C9
G+d
F
G+d
It's been A
Hard
Day's
Night and I've been
working like a
dog.
C9
G+d
F
G
It's been A Hard
Day's
Night I should be
sleeping like a
log.
C
D
G+d
C9
G+d
But when I
get home to you I find the
things that you do will make me
feel
Oh -
Kay!
Solo
|:
G+d
C9
G+d
F
G+d
:|
C
D
G+d
C9
G+d
So why on
earth should I moan 'Cause when I
get you alone you know it
feels
al-
right!
Bridge:
Bm
Em
Bm
When I
home
ev'rything seems to be
right
G
Em
C
D
When I'm
home
feeling you holding me
tight,
tight, yeah!
n.c.
G+d
C9
G+d
F
G+d
It's been A
Hard
Day's
Night and I've been
working like a
dog.
C9
G+d
F
G
It's been A Hard
Day's
Night I should be
sleeping like a
log.
C
D
G+d
C9
G+d
But when I
get home to you I find the
things that you do will make me
feel
al -
right!
G+d
C9
G+d
C9
Fadd9
You know I
feel
al -
right, You know I feel
al -
right
143. In My Life
Lennon, McCartney / the Beatles: Rubber Soul (1965)
E
B
E
B
/ /
/
/ /
/
E
E6
E7
A6
Am
E
There are
places I'll re
member
- all my
li- -
ife though
some have changed,
E
E6
E7
A6
Am
E
Some for
ever not for b
etter;
some have
go- -
one and
some remain.
E6
A6
D
E
All these
places had their
moments, with
lovers and friends I
still can recall,
E6
A6
Am
E
B
Some are
dead and some are
living, in
my life I've l
oved them all.
E
E6
E7
A6
Am
E
But of
all these friends and
lovers,
there is
no
one com
pares with you,
E
E6
E7
A6
Am
E
And these
memories lose their
meaning,
when I
think of
love as
something new.
E6
A6
D
E
Though I
know I'll never lose af
fection for
people and things that
went before,
E6
A6
Am
E
B
I
know I'll often stop and think a
bout them, in
my life I'll
love you more.
(Piano/Harpsichord solo)
E
E6
E7
A6
Am
E
E6
A6
D
E
Though I
know I'll never lose af
fection for
people and things that
went before,
E6
A6
Am
E
B
I
know I'll often stop and think a
bout them, in
my life I'll
love you more.
Am
E
B
B7
E
In
my life I'll love you
more.
144. The Continuing Story of Bungalow Bill
Lennon & McCartney / Beatles: White Album (1968)
C
G
C
Fm
C
Fm
G
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
A
E7
A
Dm
A
Dm
E7
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
Am
C
Fm
G
He
went out tiger
hunting with his
elephant and gun.
Am
C
Fm
G
In case of
accidents he
always took his mom.
Em
G
Am
Fm
-
He's the
all american
bullet headed
saxon mother's
son!
-
-
C
G
C
Fm
C
Fm
G
All the children sing
:
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
A
E7
A
Dm
A
Dm
E7
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
Am
C
Fm
G
Deep in the
jungle where the
mighty tiger lies
Am
C
Fm
G
Bill and his
elephant were
taken by surprise.
Em
G
Am
Fm
-
So Captain
Marvel zapped him
right between the
eyes!
-
-
C
G
C
Fm
C
Fm
G
All the children sing
:
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
A
E7
A
Dm
A
Dm
E7
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
Am
C
Fm
G
The children
asked him if to
kill was not a sin?
Am
C
Fm
G
"Not when he
looked so fierce" his
mommy butted in!
Em
G
Am
Fm
-
If looks could
kill it would have been
us instead of
him!
-
-
|:
C
G
C
Fm
C
Fm
G
All the children sing
:
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
A
E7
A
Dm
A
Dm
E7
:|
Hey
Bungalow
Bill,
what did you
kill,
Bungalow
Bill?
C
G
C
Fm
C
Fm
G
A
E7
A
Dm
A
Dm
E7
(wh
istle
)
-
145. Norwegian Wood
Lennon, McCartney / the Beatles (1965)
E
A
E
A
E
A
E
A
E
I
once had a
girl
or should I
say
she once had
me?
E
A
E
A
E
A
G
A
E
She
showed me her
room
isn't it
good
Norwegian
wood?
Em
A
She
asked me to stay and she told me to sit any
where.
Em
F#m
B7
So
I looked around and I noticed there wasn't a
chair.
E
A
E
A
E
A
E
I
sat on a
rug
biding my
time
drinking her
wine
E
A
E
A
E
A
E
We
talked until
two
and then she
said
it's time for
bed
|:
E
A
E
A
E
A
E
:|
Em
A
She
told me she worked in the morning and started to
laugh
Em
F#m
B7
I
told her I didn't and crawled off to sleep in the
bath
E
A
E
A
E
A
E
And
when I
awoke
I was
alone
this bird had
flown
E
A
E
A
E
A
E
So
I lit a
fire
isn't it
good
Norwegian
wood
146. When I'm Sixty-Four
Lennon, McCartney / the Beatles (1967)
C
G7
C
G7
When I get older, losing my hair, many years from
now,
C
will you still be sending me a Valentine, birthday greetings,
bottle of wine?
C7
F
If I'd been out 'til quarter to three,
would you lock the
door?
Ab7
C
A7
D7
G7
C
Will you still
need me,
will you still
feed me,
when I'm
sixty-
four?
Am
G
Am
E7
Am
You'll be older,
too. (Aaah-
aah)
Dm
F
G7
C
G7
And if you
say the word,
I could
stay with
you.
C
G7
I could be handy, mending a fuse, when your lights have
gone.
C
You can knit a sweater by the fireside, sunday mornings,
go for a ride.
C7
G7
Doing the garden, digging the weeds,
who could ask for
more?
Ab7
C
A7
D7
G7
C
Will you still
need me,
will you still
feed me,
when I'm
sixty-
four?
Am
G
Am
Every summer we can rent a cottage in the Isle of
Wight, if it's not to
dear.
E7
Am
We shall scrimp and
save. (and
save)
Dm
F
G7
C
G7
Grandchildren
on your knee,
Vera,
Chuck, and
Dave.
C
G7
Send me a postcard, drop me a line stating point of
view.
C
Indicate precisely what you mean to say, yours sincerely
wasting away.
C7
G
Give me your answer, fill in a form -
mine forever
more.
Ab7
C
A7
D7
G7
C
G7
C
Will you still
need me,
will you still
feed me,
when I'm
sixty-
four?
147. Maxwell's Silver Hammer
Lennon, McCartney / the Beatles: Abbey Road (1969)
D
B7
Em
Joan was quizzical,
studied pataphysical
science in the home,
A7
D
A
late night all alone with a test tube,
oh, oh, oh,
oh.
D
B7
Em
Maxwell Edison,
majoring in medicine,
calls her on the phone.
A7
D
A
Can I take you out to the pictures,
Jo-o-o-o
an?
E7
A7
But,
as she's getting ready to go, a
knock comes from the door:
D
E7
Bang! Bang! Maxwell's silver hammer came
down upon her head.
A7
Em
A7
D
Clang! Clang! Maxwell's silver hammer made
sure that
she was
dead.
D
B7
Em
Back in school again,
Maxwell plays the fool again,
teacher gets annoyed.
A7
D
A
Wishing to avoid an unpleasant
sce-e-e-
ene.
D
B7
Em
She tells Max to stay
when the class has gone away,
so he waits behind.
A7
D
A
Writing fifty times "I must not be
so-o-o-
o.
E7
A7
But,
when she turns her back on the boy, he
creeps up from behind:
D
E7
Bang! Bang! Maxwell's silver hammer came
down upon her head.
A7
Em
A7
D
Clang! Clang! Maxwell's silver hammer made
sure that
she was
dead.
D
B7
Em
P.C. thirtyone
said "We've caught a dirty one.",
Maxwell stands alone.
A7
D
A
Painting testimonial pictures,
oh - oh, oh -
oh.
D
B7
Em
Rose and Valerie,
screaming from the gallery,
say he must go free.
A7
D
A
The
judge does not agree And he tells them
so-o-o-
o.
E7
A7
But,
as the words are leaving his lips, a
noise came from behind:
D
E7
Bang! Bang! Maxwell's silver hammer came
down upon his head.
A7
Em
A7
D
Clang! Clang! Maxwell's silver hammer made
sure that
he was
dead.
Am7/G
Am/F#
E/b
E/c#
E/b
E/e
148. While My Guitar Gently Weeps
George Harrison
Intro:
Am
Am7/G
Am/F#
F
Am
G
D
E7
Am
Am7/G
Am/F#
F
I
look at you
all see the
love there that's
sleeping
Am
G
D
E7
While my gui
tar gently
weeps
Am
Am7/G
Am/F#
F
I
look at the
floor and I
see it needs
sweeping
Am
G
C
E7
Still my gui
tar gently
weeps
barre:
A
C#m
F#m
C#m
Bm
E/b
E/c#
E/d
E/e
I don't know
why
nobody
told you -
how to unfold your
love
A
C#m
F#m
C#m
Bm
E/b
E/c#
E/d
E/e
I don't know
how
someone contr
olled you -
They bought and sold
you
Am
Am/G
Am/F#
F
I
look at the
world and I
notice it's
turning
Am
G
D
E7
While my
guitar gently
weeps
Am
Am/G
Am/F#
F
With
every mis
take we must
surely be
learning
Am
G
C
E7
Still my
guitar gently
weeps
Solo over verse
A
C#m
F#m
C#m
Bm
E/b
E/c#
E/d
E/e
I don't know
how
you were di
verted -
You were perverted
too
A
C#m
F#m
C#m
Bm
E/b
E/c#
E/d
E/e
I don't know
how
you were in
verted -
No one aler
ted you
Am
Am7/G
Am/F#
F
I
look at you
all see the
love there that's
sleeping
Am
G
D
E7
While my gui
tar gently
weeps
Am
Am7/G
Am/F#
F
Am
G
D
E7
..Look at you
all
-
Still my gui
tar gently
weeps
Solo to the end...
149. Strawberry Fields Forever for Dummies
Lennon, McCartney/the Beatles: Magical Mystery Tour (1967)
C
Gm
A
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
F
A
F
C
And
nothing to get
hung about -
Strawberry Fields for
ever
G
Bm
Dm
Am
Am/G
F
Living is
easy with
eyes closed,
Misunder
standing all you
see .
F
G
C
Am
F
G
C
It's getting
hard to be some
one but it all works
out,
It doesn't
matter much to
me.
C
Gm
A
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
F
A
F
C
And
nothing to get
hung about -
Strawberry Fields for
ever
G
Bm
Dm
Am
Am/G
F
No one I
think is in
my tree,
I mean it
must be high or
low;
F
G
C
Am
F
G
C
That is, you
can't you know tune
in but it's all
right,
That is, I
think it's not too
bad.
C
Gm
A
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
F
A
F
C
And
nothing to get
hung about -
Strawberry Fields for
ever
G
Bm
Dm
Am
Am/G
F
Always
know, some
times think it's me,
But you know I
know when it's a
dream.
F
G
C
Am
F
G
C
I think a "
No" will be a "
Yes", but it's all
wrong,
That is, I
think I dis
agree.
C
Gm
Let me take you down, 'cause I'm going
to Strawberry Fields
A
F
A
F
C
Nothing is real, and
nothing to get
hung about -
Strawberry Fields for
ever
F
C
F
C
Strawberry Fields for
ever -
Strawberry Fields for
ever
150. I Am The Walrus
Lennon, McCartney/the Beatles: Magical Mystery Tour (1967)
(intro)
B
A
D
G
F
Bb
E
E7
D
D7
|
/ / / / | / /
/
/ |
/ /
/
/ |
/ / / / |
/ / / / |
/ / / / |
/ / / / |
A
A/G
C
D
E
A
A/G
I am he as
you are he as
you are me and
we are
all to
gether
C
D
A
See how they run like pigs from a gun see
how they fly; I'm
crying!
A
A/G
D/F#
Fmaj7
G
A
A/G
Sitting on a cornflake
waiting for the
van to
come.
F
B
Corporation tee shirt, stupid bloody Tuesday,
Man you've been a naughty boy you let your face grow long!
C
D
E
I am the
egg-man, they are the
egg-men, I am the
Walrus - Goo goo g'joob!
A
A/G
C
D
E
A
A/G
Mister city
p'liceman sitting
pretty little
p'lice men in a
row;
C
D
A
See how they fly like Lucy in the Sky see
how they run: I'm
crying!
Dsus4
A
E
D
D7
I'm cry-
ing I'm
crying - I'm
cry-
ing!
A
A/G
D/F#
Fmaj7
G
A
A/G
Yellow matter custard
dripping from a
dead dog's
eye.
F
B
Crab a locker fishwife, pornographic priestess,
Boy you been a naughty girl you let your knickers down!
C
D
E
B
A
D
G
F
Bb
E
E7
D
D7
I am the
egg-man, they are the
egg-men, I am the
Walrus - Goo goo g'joob!
B
A
G
F
E
Sitting in an
English
garden waiting
for the
sun.
F
B7
If the sun don't
come you get a tan from standing in the English rain
C
D
E
I am the
egg-man, they are the
egg-men, I am the
Walrus - Goo goo g'joob!
A
A/G
C
D
E
A
A/G
Expert, texpert,
choking smokers,
don't you think the
joker laughs at
you?
C
D
A
See how they smile like pigs in a sty, see
how they snied: I'm
crying!
A
A/G
D/F#
Fmaj7
G
A
A/G
Semolina Pilchard
climbing up the
Eiffel
Tower.
F
B
Element'ry penguin singing Hare Krishna.
Man you should have seen them kicking Edgar Allan Poe!
C
D
E
I am the
egg-man, they are the
egg-men, I am the
Walrus - Goo goo g'joob!
Goo goo g'joob! Goo goo goo...
151. Octopus's Garden
Richard Starkey / the Beatles: Abbey Road (1969)
E
C#m
I'd like to be
under the sea
A
E
B7
In an
Octopus's
Garden in the
shade.
E
C#m
He'd let us in,
knows where we've been,
A
E
B7
In his
Octopus's
Garden in the
shade.
C#m
B
I'd ask my friends to come and see
A
B7
An Octopus's
Garden with me.
E
C#m
I'd like to be
under the sea
A
B7
E
In an
Octopus's
Garden in the
shade.
We would be warm below the storm
In our little hideaway beneath the waves.
Resting our head on the sea bed
In an Octopus's Garden near a cave.
We would sing and dance around
Because we know we can't be found.
I'd like to be under the sea
In an Octopus's Garden in the shade.
Solo
We would shout and swim about
The coral that lies beneath the waves.
Oh, what joy for every girl and boy
Knowing they're happy and they're safe.
We would be so happy, you and me.
No one there to tell us what to do.
I'd like to be under the sea
In an Octopus's Garden with you.
In an Octopus's Garden with you.
In an Octopus's Garden with you.
#begin
||:
152. Here Comes the Sun
George Harrison / the Beatles: Abbey Road (1969)
G
Cmaj7
Here comes the sun, do do do do.
A7
G
C
G
C
G
D7
G
G7
Here comes the
sun, and I say; it's
all right
G
C6
D7
Little darling,, it's been a
long, cold, lonely
winter.
G
C6
D7
Little darling, it feels like
years since it's been
here.
Here comes the sun, do do do do.
Here comes the sun, and I say, it's all right.
Little darling, the smiles returning to their faces.
Little darling, it feels like years since it's been here.
Here comes the sun, do do do do.
Here comes the sun, and I say, it's all right.
Bridge
Bb
F
C
G
D7
Su-
un,
sun,
sun, here it
comes!
Su-un, sun, sun, here it comes!
Su-un, sun, sun, here it comes!
Little darling, I feel that ice is slowly melting.
Little darling, it feels like years since it's been clear.
Here comes the sun, do do do do.
Here comes the sun, and I say, it's all right.
Sun, sun, sun, here it comes.
Sun, sun, sun, here it comes...
153. Yesterday
Lennon & McCartney / Beatles: Help (1965)
F
Em7
A4
Dm
C
Bb
Yesterday,
all my
troubles seemed so
far away.
C
F
Now it
looks as though they're
here to stay.
C
Dm
G
Bb
F
Oh
I be-
lieve in
yester
day.
Suddenly, I'm not half the man I used to be.
There's a shadow hanging over me.
Oh yesterday came suddenly.
A4
A7
Dm
C
Bb
C
F
Why
she
had
to
go I don't
know she wouldn't
say
A4
A7
Dm
C
Bb
C
F
I
said
some
thing
wrong now I
long for yester
day.
Yesterday, love was such an easy game to play.
Now I need a place to hide away,
oh I believe in yesterday.
Why she had to go I don't know she wouldn't say
I said something wrong now I long for yesterday.
Yesterday, love was such an easy game to play.
Now I need a place to hide away,
oh I believe in yesterday.
Hm Hm Hm Hm...
154. The Letter
Wayne Carson Thompson / the Box Tops (1967); Joe Cocker (1970)
(n.c.)
Give me a ticket for an aeroplane, Ain't got time to take the fastest train.
Am
Lonely days are gone, I'm a-goin' home, My baby just wrote me a
letter.
Intro:
perc.
Am
(Bass-Intro)
|
/ / / / |
/
/ / / |
Am
F
G
D
Give me a ticket for an
aeroplane,
Ain't got time to take the
fastest train.
Am
F
E7
Am
Lonely days are gone,
I'm a-goin' home, My
baby just wrote me a
letter.
Am
F
G
D
I don't care how much money I
gotta spend,
Got to get back to my
baby again!
Am
F
E7
Am
Lonely days are gone,
I'm a-goin' home, My
baby just wrote me a
letter.
C
G
F
C
G
G
Well she
wrote me a
letter Said she
couldn't
live with
out me no more.
C
G
F
C
G
E7
Listen mister
can't you see I
got to get
back to my
baby once more. -
Anyway.
Am
F
G
D
Give me a ticket for an
aeroplane,
Ain't got time to take the
fastest train!
Am
F
E7
Am
Lonely days are gone,
I'm a-goin' home, My
baby just wrote me a
letter.
C
G
F
C
G
G
Well she
wrote me a
letter Said she
couldn't
live with
out me no more.
C
G
F
C
G
E7
Listen mister
can't you see I
got to get
back to my
baby once more.
Anyway.
Am
F
G
D
Give me a ticket for an
aeroplane,
Ain't got time to take the
fastest train
Am
F
E7
Am
Lonely days are gone,
I'm a-goin' home, My
baby just wrote me a
letter!
Am
F
G
D
I don't care how much money I
gotta spend,
Got to get back to my
baby again.
Am
F
E7
Am
Lonely days are gone,
I'm a-goin' home, My
baby just wrote me a
letter - I said,
(n.c.)
Am
My
baby just wrote me a
letter.
155. We Gotta Get out of this Place
B. Mann, C. Weil / Animals
Bass Intro & Repeat over Verse:
G ---------------------|
D ---0---3--2---0------|
A ------------------3--|
E -3---3---------------|
In this dirty old part of the city
Where the sun refuse to shine
G
F
G
People tell me there ain't no use in tryin'
G
F
G
Now my little girl you're so young and pretty
G
F
G
And One thing I know is true
G
F
G
You'll be dead before your time is due - I know
Watched my daddy in bed a-dyin'
watched his hair did turn a-gray
He's been working in slavery his life away, oh yes I know!
He's been workin' so hard, yeah
I've been working too, babe
Every Night and Day, Yeah, Yeah, Yeah, Yeah!
C
F
G
We gotta get
out of this
place
C
D
G
If it's the last thing we
ever
do
C
F
G
We gotta get
out of this
place
Am
|:
C
Bb
F
G
:|
Girl there's a better life for me and You
My little girl you're so young and pretty
And one thing I know is true
You'll be dead before your time is due
See my daddy in bed a-dying
See his hair a turning grey
He's been working in slavery his life away
I know he's been workin' so hard
(Yeah!) I've been workin' too, babe
(Yeah!) Every day, babe
(Yeah!) Whoooa! (Yeah, yeah, yeah, yeah!)
We gotta get out of this place...
Somewhere, baby - Somehow, I know it!
We gotta get out of this place...
Believe me, baby - I know it, baby!
You know it, too...
156. Sky Pilot
Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals
(a capella)
He blesses the boys as they stand in line
They smell of gun grease and their bayonets they shine
He's there to help them all that he can
To make them feel wanted, he's a good holy man
G
C
G
G
C
G
Am
G
Sky -
pi
lot,
Sky -
pi
lot!
How high can you
fly?
Am
G
You'll
never (never) (never) reach the
sky!
Am
C
He
smiles at the young soldiers, tells
them it's all right
Am
C
He
knows of their fear in the
forthcoming flight
Am
C
Soon there'll be blood and
many will die
Am
D
Mothers and fathers back
home they will cry
Sky-pilot, Sky-pilot! How high can you fly?
You'll never (never) (never) reach the sky!
He mumbles a prayer and it ends with a smile
The order is given, they move down the line
But he stay'll behind and he'll meditate
But it won't stop the bleeding or ease the hate
As the young men move out into the battle zone
He feels good, with God you're never alone
He feels so tired and he lays on his bed
Hopes the men will find courage in the words that he said
Sky-pilot, Sky-pilot! How high can you fly?
You'll never (never) (never) reach the sky!
Interlude (guitar, pipes, strings)
G
|
C
(repeat 4x)
|
Db
(repeat 4x)
|
.
.
.
/ / / / / / /
/
/ / / / / / /
/
You're soldiers of God, you must understand
The fate of your country is in your young hands
May God give you strength, do your job real well
If it all was worth it, only time it will tell
In the morning they returned with tears in their eyes
The stench of death drifts up to the skies
A young soldier so ill looks at the Sky Pilot
Remembers the words, "Thou shalt not kill"
|: Sky-pilot, Sky-pilot! How high can you fly?
You'll never (never) (never) reach the sky! :|
Am
C
G
You'll
never (never)
(never) reach the
sky...
157. San Franciscan Nights
Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals
Intro: v v v v v v v v v v v v v
-----------------|---------|-----------------|-------------
-----------------|---------|-----------------|-------------
-----------------|---------|-----------------|-------------
-----------------|---------|-----------------|-------------
-----------------|---------|-----------------|-3*---------- *doubled w/bass
-0-----3-2--0----|---------|-0-----3-2---0---|-------------
Spoken:
Em
This following program is dedicated to the city and people of San Francisco
Who may not know it, but they are beautiful - and so is their city
This is a very personal song, so if the viewer cannot understand it -
particularly those of you who are European residents - save up
all your bread and fly Trans-Love Airways to San Francisco, USA
Then maybe you'll understand the song
It will be worth it - if not for the sake of this song
But for the sake of your own peace of mind
C
Em/B
Am
G
/
/ / /
/ /
/ /
C
Em/B
Am
G
C
Em/B
Am
G
Strobe light's
beam
creates
dreams
Walls
move
minds do
too
D
F
C
On a
warm San Fran
ciscan
night
C
Dm
F
C
D
F
C
Old child,
young child,
feel all
right On a
warm San Fran
ciscan
night
Angels sing, leather wings Jeans of blue, Harley-Davidsons too
On a warm San Franciscan night
Old angels, young angels feel all right On a warm San Franciscan night
Fm
Em
I wasn't born there -
Perhaps I'll die there
F
G
G/F
G/D
G/B
G/G
There's no place left to
go
-
San Francisco...
Instrumental break
D
F
C
C
D
F
C
Dm
F
C
/ /
/ /
/ / / /
/ /
/ /
/ /
/ /
/ /
/ /
/ / / /
Cop's face is filled with hate Heavens above, he's on a street called Love
When will they ever learn
Old cop, young cop feel all right On a warm San Franciscan Night
The children are cool - They don't raise fools
It's an American dream - Includes Indians, too
158. When I Was Young
Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals
RIFF: (Em) v v v v
e ------------12-14-12---10-12-10---9--10--9----|-7--
B ------------10-12-10---8--10-8----7--8---7----|-5--
G ----------------------------------------------|----
D ----------------------------------------------|----
A ----------------------------------------------|----
E ----------------------------------------------|----
|:
Em
(riff)
:|
Em
D
The
rooms were so much
colder then;
Em
D
Em
D
My
father was a
soldier then; And
times were very
hard
Em
(riff)
Em/D
Em
(riff)
When I was
young
- When
I was
young
I smoked my first cigarette at ten;
And for girls I had a bad yen;
And I had quite a ball - When I was young
G
Em
When
I was young it was
more important
G
Em
D
Pain more painful,
laughter much louder,
yeah
Em
(riff)
D
Em
(riff)
When I was
young
- When
I was
young
I met my first love at thirteen
She was brown and I was pretty green
And I learned quite a lot
When I was young - When I was young
Instrumental break
Gm
F
Gm
F
Gm
F
Gm
/ / / /
/ / / /
/ / / /
/ / / /
/ / / /
/ / / /
/ / / / / / / /
Bb
Gm
When
I was young it was
more important
Bb
Gm
F
Pain more painful,
laughter much louder,
yeah
Gm
(riff)
When I was
young
Gm
F
Gm
F
My
faith was so much
stronger then;
I believed in
fellow men
Gm
F
Gm
And I was so much
older then - When I was
young
F
Gm
When I was
young - When I was young...
159. I Walk the Line
Johnny Cash (1956)
Intro:
E
A
D
A
E
B7
E
E
B7
E
I keep a
close watch on this heart of
mine
B7
E
I keep my
eyes wide open all the
time.
A
E
I keep the
ends out for the tie that
binds
B7
E
A
Because you're
mine, I walk the
line!
A
E7
A
I find it
very, very easy to be
true
E7
A
I find my-
self alone when each day is
through
D
A
Yes, I'll
admit that I'm a fool for
you
E7
A
D
Because you're
mine, I walk the
line!
D
A7
D
As sure as
night is dark and day is
light
A7
D
I keep you
on my mind both day and
night
G
D
And happi-
ness I've known proves that it's
right
A7
D
A
Because you're
mine, I walk the
line!
A
E7
A
You've got a
way to keep me on your
side
E7
A
You give me
cause for love that I can't
hide
D
A
For you I
know I'd even try to turn the
tide
E7
A
E
Because you're
mine, I walk the
line!
E
B7
E
I keep a
close watch on this heart of
mine
B7
E
I keep my
eyes wide open all the
time.
A
E
I keep the
ends out for the tie that
binds
B7
E
Because you're
mine, I walk the
line!
160. A Thing Called Love
Jerry Hubbard / Johnny Cash
C
Bb
F
G
Huuh
Laah A Thing called
Love
C
Six-foot-
six, he stood on the ground,
He weighed two hundred and thirty-five pounds,
F
G
C
But I saw that
giant of a man brought
down to his knees by
love.
C
He was the kind of a man that would gamble on luck,
Look you in the eye and never back up,
F
G
C
But I saw him
cryin' like a little whipped
pup' because of
love.
C
F
You can't see it with your eyes; hold it in your
hand;
Em
Am
But like the
wind that covers our
land;
F
G
Strong enough to
rule the heart of any man, This thing called
love.
C
F
It can lift you
up; never let you
down;
Em
Am
Take your
world and turn it all
around.
C
G
C
Ever since
time nothing's ever been
found, That's stronger than
love.
Bb
F
G
Huuh
Laah A Thing called
Love
Most men are like me, they struggle in doubt,
They trouble their minds, they in and they out,
Too busy with livin' to worry about a little word like love.
But when I see a mother's tenderness,
As she holds her young close to her breast,
Then I thank God that the world's been blessed, With a thing called love.
You can't see it with your eyes...
Ever since time nothing's ever been found,
That's stronger than love...
161. Jackson
Johnny Cash & June Carter
C
We got married in a fever hotter than a pepper sprout
C7
We've been talking 'bout Jackson
ever since the fire went out
C
F
C
I'm going to
Jackson, gonna mess a
round!
F
G7
C
Yeah, I'm going to
Jackson,
look out Jackson
town!
C
Go on down to Jackson, go ahead and wreck your health.
C7
Go play your hand, you big talking man, and make a
big fool of yourself!
C
F
C
Yeah, go to
Jackson, go comb your
hair!
F
G7
C
Yeah, I'm gonna
snow ball Jackson,
see if I
care.
C
When I breeze into that city, people gonna stop and bow.
C7
All them women gonna make me
teach 'em what they don't know how.
C
F
C
Aaw, I'm going to
Jackson, turn aloose of my
coat,
F
G7
C
Yeah, I'm going to
Jackson, good
bye, that's all she
wrote.
C
I'm gonna laugh at you in Jackson, and I'll be dancin' on a pony keg.
C7
They'll lead ya' round town like a scalded hound, with your
tail tucked between your legs!
C
F
C
Yeah, go to
Jackson, you big talking
man,
F
G7
C
and I'll be waiting in
Jackson, be
hind my japan(Japan)
fan.
C
We got married in a fever hotter than a pepper sprout.
C7
We've been talking 'bout Jackson
ever since the fire went out.
C
F
C
I'm going to
Jackson, and that's a
fact
F
G7
C
yeah, I'm going to
Jackson,
ain't never comin'
back!
162. Folsom Prison Blues
Johnny Cash/Johnny Cash (1955)
E
I
hear the train a-comin'; it's rollin' 'round the bend,
E
E7
And
I ain't seen the sunshine since I
don't know when,
A7
E
I'm
stuck at Folsom Prison and time keeps draggin'
on.
B7
E
But that
train keeps a-rollin' on down to San An
tone.
E
When
I was just a baby my momma told me: "Son,
E
E7
Always be a good boy; don't
ever play with guns."
A7
E
But I
shot a man in Reno, just to watch him
die.
B7
E
When I
hear that whistle blowin', I hang my head and
cry.
E
I
bet there's rich folk eatin' in a fancy dining car.
E
E7
They're
prob'ly drinkin' coffee and
smokin' big cigars.
A7
E
But I
know I had it comin', I know I can't be
free.
B7
E
But those
people keep a-movin', and that's what tortures
me.
E
Well if they
freed me from this prison, if that railroad train was mine,
E
E7
I
bet I'd move it all a little
farther down the line.
A7
E
Far from Folsom Prison, that's where I want to
stay.
B7
E
And I'd
let that lonesome whistle blow my blues a
way.
163. One
Bono, Adam Clayton, The Edge, Larry Mullen /Johnny Cash (2000)
Am
D
F
G
/
/
/
/
/
/
/
/
Am
D
F
G
Am
Is it getting
better
Or do you feel the
same
D
F
G
Will it make it
easier on you now
You got someone to
blame
C
Am
F
You say
One love
- One life
-
C
When it's one need
- in the night
Am
It's one love - We got to
share it -
F
C
It
leaves you baby - If you don't
care for it!
Am / D / F / G
Did I disappoint you, Or leave a bad taste in your mouth?
You act like you never had love; And you want me to go without!
Well it's too late - tonight -
To drag the past out - into the light
We're one - but we're not the same -
We got to carry each other - carry each other
-One-
Have you come here for forgiveness, Have you come to raise the dead?
Have you come here to play Jesus To the lepers in your head?
Did I ask too much - more than a lot?
You gave me nothing - now it's all I got!
We're one - but we're not the same!
We hurt each other - then we do it again!
You say:
Bridge
C
Am
Love is a temple.
Love the higher law.
C
Am
Love is a temple.
Love the higher law.
C
G
You ask me to enter.
But then you make me crawl.
F
And I can't be holding on
To what you got
C
When all you got is
hurt
One love - One blood - One life - You got to do what you should
One life - With each other - Sisters - Brothers
One life - But we're not the same
We got to carry each other - Carry each other
One - One.
164. Wanted Man
Johnny Cash, Bob Dylan / Johnny Cash
(Capo III)
C
D
G
G7
F
C
C
D
Wanted
man in California, Wanted
man in Buffalo,
G
G7
F
C
Wanted
man in Kansas
City, Wanted
man in Ohi
o,
C
D
Wanted
man in Mississippi, Wanted
man in ol' Cheyenne,
G
G7
F
C
Wher
ever you might
look tonight You might
see this wanted
man!
C
D
I might
be in Colorado, Or
Georgia by the sea;
G
G7
F
C
Working
for some man who
may not know At
all who I might
be.
C
D
If you
ever see me coming And if
you know who I am
G
G7
F
C
Don't you
breathe it to no
body 'Cause you
know I'm on the
lamb.
C
D
Wanted
man by Lucy Watson, Wanted
man by Jeannie Brown,
G
G7
F
C
Wanted
man by Nellie
Johnson, Wanted
man in this Tex-
town.
I've had all that I wanted Of a lot of things I've had
And a lot more than I needed Of some things that turned out bad.
I got sidetracked in El Paso, Stopped to get myself a map.
Went the wrong way in Pleura with Juanita on my back.
Then I went to sleep in Shreveport, Woke up in Abilene,
Wonderin' why the hell I'm wanted At some town half way in between.
Wanted man in Albuquerque, Wanted man in Syracuse,
Wanted man in Tallahassee, Wanted man in Baton Rouge.
There's somebody set to grab me Anywhere that I might be,
And wherever you might look tonight You might get a glimpse of me.
Wanted man in California, Wanted man in Buffalo,
Wanted man in Kansas City, Wanted man in Ohio.
Wanted man in Mississippi, Wanted man in ol' Cheyenne,
Wherever you might look tonight You might see this wanted man!
165. Further On Up The Road
Bruce Springsteen / Johnny Cash: American V - A Hundred Highways (2006)
Oh, Suzie Q, oh Suzie Q, Oh Suzie Q, baby I love you, Suzie Q!
I like the way you walk, I like the way you talk.
I like the way you walk, I like the way you talk, Suzie Q!
Oh, Suzie Q, oh Suzie Q, Oh Suzie Q, baby I love you, Suzie Q!
SOLO 3:
E7
PART II:
E7
D
C7
E7
D
C7
E7
SOLO 4:
E7
D
C7
E7
D
C7
B7
E7
D
C7
E7
168. Les champs élysées
Pierre Delanoe / Joe Dassin
intro:
Dm
G7
C
Am
Dm
G
C
C
E7
Am
C7
Je m'
baladais sur l'
avenue,
le coeur ouvert à l'
inconnu.
F
C
D7
G7
J'
avais envie de
dire bonjour à n'
importe
qui
C
E7
Am
C7
N'
importe qui et
ce fut toi, je
t'ai dit n'
importe quoi,
F
C
Dm
G7
C
Il
suffisait de
te parler, pour t'
appri
voi
ser.
C
E7
Am
C7
F
C
D7
G7
Aux
Champs-Ély
sées,
--
aux
Champs-Ély
sées!
C
E7
Am
C7
Au soleil,
sous la pluie,
à midi ou
à minuit,
F
C
Dm
G7
C
Il y a tout ce que
vous voulez aux
Champs-
Ély
sées.
C
E7
Am
C7
Tu m'as dit "J'ai
rendez-vous dans
un sous-sol a
vec des fous,
F
C
D7
G7
Qui
vivent la
guitare à la main, du
soir au ma
tin".
C
E7
Am
C7
A
lors je t'ai ac
compagnée, on
a chanté, on
a dansé
F
C
Dm
G7
C
Et l'
on n'a même
pas pensé à
s'em
bras
ser
Aux Champs-Élysées, -- aux Champs-Élysées!
Au soleil, sous la pluie, à midi ou à minuit,
Il y a tout ce que vous voulez aux Champs-Élysées.
C
E7
Am
E7
Hi
er soir deux
inconnus et
ce matin sur l'
avenue,
F
C
D7
G7
Deux
amoureux tout
étourdis par
la longue
nuit.
C
E7
Am
C
Et
de l'Étoile à
la Concorde, un
orchestre à
mille cordes,
F
C
Dm
G7
C
Tous
les oiseaux du
point du jour, chan
tent
l'a
mour
Aux Champs-Élysées...
G5
C5/9
169. Catch the Wind
Donovan
G5
C5/9
In the
chilly hours and
minutes
G5
C5/9
of un
certainty I
want to be
G5
C
D
G
D
in the warm hold
of your
lovin'
mind.
G5
C5/9
To
feel you all a
round me,
G5
C5/9
and to
take your hand a
long the sand,
G5
C
D
G
D
Ah,
but I may as well
try and
catch the
wind.
Am
Em
C
D
D7
De de de dee, de
De de de dee, de
De de de dee, de
Dee de
Dee
When sundown pales the sky
I want to hide a while behind your smile
And ev'rywhere I'd look, your eyes I'd find.
For me to love you now
would be the sweetest thing, t'would make me sing,
Ah, but I may as well try and catch the wind.
De de de dee...
When rain has hung the leaves with tears
I want you near to kill my fears
To help me to leave all my blues behind.
Standin' in your heart
is where I want to be and long to be,
Ah, but I may as well try and catch the wind.
170. Atlantis
Donovan Leitch
spoken
C
D
The continent of Atlantis was an island
which lay before the great flood
F
In the
area we now call the Atlantic Ocean.
C
G
C
So great an area of land, that from
her western
shores, those beautiful sailors
D
journeyed to the
south and the North Americas with ease,
F
C
in their
ships with painted sails.
G
C
D
To the east
Africa was a neighbor across
a short strait of sea miles.
F
C
G
The great Egyptian age is but a rem
nant of the At
lantian culture.
C
The antedeluvian Kings colonised the world;
D
Fmaj7
All the Gods who play a part in the
mythological dramas in all legends
C
G
from all
lands were from fair Atlantis.
C
D
Knowing her fate, Altantis sent out ships to all corners
of the earth.
D
Fmaj7
On board were the twelve, the poet,
the physician, the farmer, the scientist,
C
G
the magi
cian, and the other so called
Gods of our legends.
C
Tho' Gods they were!
D
And as the elders of our
time choose to remain blind,
D
Fmaj7
C
let us rejoice and let us
sing and dance and ring in the news.
G
Hail Atlantis
!
C
D
Fmaj7
C
G
Way down below the
ocean,
where I wanna
be, she may
be!
Way down...
repeat and fade out
171. Colours
Donovan Leitch / Donovan: Fairytale (1965)
D
Yellow is the colour of my true loves hair -
G
D
in the
morning when we
rise;
G
D
in the
morning when we
rise:
A
G
D
G
D
That's the
time, that's the
time I love the
best.
Blue is the colour of the sky-y-y -
in the morning when we rise;
in the morning when we rise:
That's the time, that's the time I love the best.
Green is the colour of the sparklin' corn -
in the morning when we rise;
in the morning when we rise:
That's the time, that's the time I love the best.
Mellow is the feelin' that I get -
when I see her Mmhmm;
when I see her A-ha:
That's the time, that's the time I love the best.
guitar
Freedom is a word I rarely use -
Without thinkin' Mmhmm;
without thinkin' Mmhmm:
of the time, of the time when I've been loved.
172. Hurdy Gurdy Man
Donovan Leitch / Donovan: Hurdy Gurdy Man (1968)
G
Bm
C
D
Thrown like a star in
my vast sleep I
open my eyes to t
ake a peep
G
Bm
C
D
To find that I was
by the sea
gazing with tran
quility
F
C
G
'Twas
then that the Hurdy
Gurdy Man came
singing songs of love.
F
C
G
n.c.
G
Then when the Hurdy
Gurdy Man came
singing songs
of
love.
F
C
G
G
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
F
C
G
G
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
F
C
G
G
F
C
G
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
G
Bm
C
D
Histories of
ages past
unenlightened
shadows cast.
G
Bm
C
D
Down through all e
ternity the
crying of hu
manity.
F
C
G
'Tis
then that the Hurdy
Gurdy Man comes
singing songs of love.
F
C
G
n.c.
G
Then that the Hurdy
Gurdy Man comes
singing songs
of
love.
Hurdy gurdy, hurdy gurdy, hurdy gurdy gurdy he sang...
3rd verse by George Harrison
G
Bm
C
D
When the truth gets
buried deep Be
neath a thousand
years of sleep,
G
Bm
C
D
Time demands a
turn-around And
once again the
truth is found:
F
C
G
A
wakening the Hurdy
Gurdy Man Who comes
singing songs of love.
F
C
G
n.c.
G
A
wakening the Hurdy
Gurdy Man Who comes
singing songs
of
love.
Hurdy gurdy, hurdy gurdy, hurdy gurdy gurdy he sang...
173. The Little Tin Soldier
Donovan Leitch / Donovan: (1967)
/ / / / / / / / / / / / / / / /
Intro: e |--7--5--3--2--0--------|--7--5--3--2--0--------|-----3--------3--|--------3----------3--|
B |--0--0--0--0--0--3--2--|--0--0--0--0--0--3--2--|--1--0--------0--|--------0----------0--|
G |--0--0--0--0--0--0--0--|--0--0--0--0--0--0--0--|--0--0--------0--|--------0----------0--|
D |-----------------0--0--|-----------------0--0--|--0--0--0--0--0--|--0--0--0----0--0--0--|
A |-----------------------|-----------------------|-----2--0--0--2--|--0--0--2----0--0--2--|
E |-----------------------|-----------------------|-----3--3--3--3--|--3--3--3----3--3--3--|
G
Em
C
D
Once in a town in the
Blackforest a
little white toy shop
stood,
G
Em
C
D
And a
little tin soldier with
only one leg
lived in a castle of
wood.
C
D
C
D
And
across the room on an
other shelve stood a
tiny glass
case,
G
Em
C
D
And a
tiny ballerina
lived in there
-
all in a dress of
lace.
C
D
C
D
And
from where the little tin
soldier stood they could
see each other so
clear,
G
Em
C
D
And the
little tin soldier watched
over her
with a love so deep and
dear.
Gm
Bm
Gm
Bm
Then one day,
sadness came.
The tiny ballerina was
sold.
Gm
Bm
Am
The little tin soldier was thrown away, and
into the gutter he
rolled.
Am
Em
Am
Em
The water carried him
to the sea and
many far-off
lands;
Am
Em
Am
Em
He made many
children happy as he
passed through their tiny
hands
G
Em
G
Em
And
then one day they
met again in a
town in the land of
Eire.
G
Em
C
Am
D
And as the
clocks on the wall struck the
midnight hour they
jumped in
to the
fire.
G
Em
G
Em
And
in that fire
they shall stay, Lord, for
ever and a
day.
G
Em
C
D
intro
'Cause that
fire, oh Lord, is the
fire of love, just
like the
peace of
thy.
174. The Universal Soldier
Buffy St. Marie/Donovan
Intro: C Am D Dsus4 D D9 D
e |-----------------0---2---3----2---0---2--|
B |-------------1---1---3---3----3---3---3--|
G |-0--0--------2---2---2---2----2---2---2--|
D |-2--0--2--0--2-------0-------------------|
A |-------3--2--0-------0-------------------|
E |-----------------------------------------|
C
D
G
Em
He's
five feet
two, and he's
six feet
four,
C
D
G
G/A
G
he
fights with
missiles and with
spears.
C
D
G
Em
He's
all of thirty-
one, and he's
only seven
teen,
C
(intro)
Am
D
Dsus4
D
D9
D
he's been a
soldier
for a thousand
years.
C
D
G
Em
He's a
Catholic, a
Hindu, and
atheist, a
Jain,
C
D
G
G/A
G
a
Buddhist, and a
Baptist, and a
Jew.
C
D
G
Em
And he
knows he shouldn't
kill, and he
knows he always
will,
C
(intro)
Am
D
Dsus4
D
D9
D
kill you for
me, my
friend, and me for
you.
And he's fighting for Canada, he's fighting for France,
he's fighting for the USA.
And he's fighting for the Russians, and he's fighting for Japan,
and he thinks we'll put an end to war this way.
And he's fighting for democracy, he's fighting for the Reds,
he says, it's for the peace of all.
He's the one who must decide, who's to live and who's to die,
and he never sees the writing on the wall.
But without him how would Hitler have condemned them at Dachau,
without him Caesar would have stood alone.
He's the one who gives his body as a weapon of the war,
and without him all this killing can't go on.
He's the universal soldier and he really is to blame,
his orders come from far away no more,
they come from here and there and you and me -
and brothers can't you see,
this is not a way we put an end to war.
175. Sunshine Superman
Donovan Leitch / Donovan (1966)
Capo I
C7
Sunshine came softly through my - a-window today.
C7
Could've tripped out easy a-but I've - a-changed my ways.
F
It'll take time I know it - but in a while:
C7
You're gonna be mine - and I know it, we'll do it in style!
G7
F
C7
'Cause I made my mind up you're
going to be mine! I'll tell you right
now:
Any trick in the book now baby; oh, that I can find!
Superman or Green Lantern ain't got a-nothin' on me.
I can make like a turtle and dive for a-pearls in the sea.
Ah-you can just sit there thinkin' on your velvet throne, Yes,
About all the rainbows say you can - a-have for your own
'Cause I made my mind up you're going to be mine! I'll tell you right now:
Any trick in the book now baby; oh, that I can find!
Everybody's hustlin' just to have a little scene.
When I say we'll be cool I think that you know what I mean!
We stood on the beach at sunset, do you remember when?
I know a beach where baby - a-it never ends!
When you've made your mind up forever to be mine. Mm-hm-hm-hm.
I'll pick up your hand and slowly blow your little mind!
'Cause I made my mind up: you're going to be mine! I tell you right now:
Any trick in the book now, baby, oh, that I can find!
Solo
C7
F
C7
G7
F
C7
Superman or Green Lantern ain't got a-nothin' on me.
I can make like a turtle and dive for your pearls in the sea. Yep.
Ah-you-you-you can just sit there a-thinkin' on your velvet throne,
About all the rainbows say you can - a-have for your own;
When you've made your mind up forever to be mine: Mm-hm-hm-hm.
I'll pick up your hand and slowly blow your little mind!
When you've made your mind up forever to be mine: I'll pick up your hand;
I'll pick up your hand and slowly blow your little mind!
Blow your little mind...
176. Remember the Alamo
Jane Bowers/Donovan: What's Bin Did And What's Bin Hid (1965)
C
G
C
F
C
C/D
C
A
hundred and
eighty were
challenged by
Travers to
die,
C
G
C
F
C
C7
by a
line that he
drew with his
sword as the
battle drew
nigh.
F
C
F
C
Every
man that stepped over the
line was for glory, and
he that was left better
fly,
G
C
F
C
C7
and over the
line crossed one
hundred and
seventy
nine.
F
Em
Hey, up Santa Anna, they're killing your soldiers be
low,
F
C
F
G
C
So the
rest of Texas will
know,
and re
member the
Alamo.
C
G
C
F
C
C/D
C
Jim
Bowie lay
dying, his
blood and his
powder were
dry,
G
C
F
C
C7
but his knife had been
willing to
take him a
few in re
ply.
F
C
F
C
Young Davey Crockett lay
laughing and dying, the
blood and the sweat in his
eye,
G
C
F
C
C7
for Texas and
freedom a
man was more
willing to
die.
F
Em
Hey, up Santa Anna, they're killing your soldiers be
low,
F
C
F
G
C
So the
rest of Texas will
know,
and re
member the
Alamo.
C
G
C
F
C
C/D
C
A
courier
came, to
bellow once
bloody and
loud.
G
C
F
C
C7
And found only
skin and
bones where he
once left a
crowd.
F
C
F
C
Fear
not, little darling, of
dying, if the
world is sovereign and
free,
G
C
F
C
C7
well, we'll fight to the
last as
long as
liberty
be.
F
Em
Hey, up Santa Anna, they're killing your soldiers be
low,
F
C
F
C
So the
rest of Texas will
know,
and remember the
Alamo.
F
G
C
And re
member the
Alamo!
177. Donna Donna
Aaron Zeitlin & Shalom Secunda -- english: Arthur Kevess & Teddi Schwartz
Donovan: What's Bin Did and What's Bin Hid (1965)
Am
E
Am
E
Am
Dm
Am
E
On a w
agon
bound for m
arket,
There's a
calf with a
mournful
eye.
Am
E
Am
E
Am
Dm
E
Am
High ab
ove him
there's a s
wallow
Winging s
wiftly t
hrough the
sky.
G
Am
G
Am
How the winds are
laughing, They
laugh with all their
might,
G
Am
E
Am
Laugh and laugh the
whole day through, And
half the summer's
night.
E
Am
G
Am
Dona, dona, dona,
donna;
Dona, dona, dona,
do.
E
Am
E
Am
Dona, dona, dona,
donna;
Dona, dona, dona,
do.
"Stop complaining," said the farmer, "Who told you a calf to be,
Why don't you have wings to fly with, Like the swallow so proud and free?"
How the winds are laughing, They laugh with all their might,
Laugh and laugh the whole day through, And half the summer's night.
Dona, dona, dona, donna; Dona, dona, dona, do.
Dona, dona, dona, donna; Dona, dona, dona, do.
Calves are easily bound and slaughtered, Never knowing the reason why,
But whoever treasures freedom, Like the swallow has learned to fly.
How the winds are laughing, They laugh with all their might,
Laugh and laugh the whole day through, And half the summer's night.
You get an even suntan, on your back and on your legs
When the snow falls you're found in St. Moritz
With the others of the jet-set
And you sip your Napoleon Brandy
But you never get your lips wet
But where do you go to..
Your name is heard in high places
You know the Aga Khan
He sent you a racehorse for christmas
And you keep it just for fun, for a laugh ha-ha
They say that when you get married
It'll be to a millionaire
But they don't realize where you came from
And I wonder if they really care, they give a damn
But where do you go to..
I remember the back streets of Naples
Two children begging in rags
Both touched with a burning ambition
To shake off their lowly brown tags, yes they try
So look into my face Marie-Claire
And remember just who you are
Then go and forget me forever
'Cause I know you still bear the scar, deep inside, yes you do
I know where you go to my lovely
When you're alone in your bed
I know the thoughts that surround you
'Cause I can look inside your head
219. Guantanamera
Jose Marti, Pete Seeger
Intro |: D Em A A :|
D
Em
A
D
Em
A
Yo soy un
hombre sin
cero,
de donde
crece la
palma
D
Em
A
G
A
Yo soy un
hombre sin
ce
ro, de donde
crece la palm
a
D
Em
A
D
Em
A
Y antes de
morirme
quie
ro echar mis
versos de
alm
a
G
A
D
A
Guantanamera,
guajira
guantaname
ra
D
Em
A
D
Em
A
Guantana
me-e-e
ra, guajira
guantana
me-e-
ra
|: Mi verso es de un verde claro y de un carmin encendido :|
Mi verso es un ciervo herido que busca en el monte amparo
Chorus
|: Con los pobres de la tierra quiero yo mi suerte echar :|
El arroyo de la sierra me complace mas que el mar
Chorus
220. Turn, Turn, Turn
Pete Seeger
A
D
A
E
A
D
A
E
To every
thing,
turn,
turn,
turn, There is a
season,
turn,
turn,
turn,
D
E7
A
And a
time for every pur
pose under
heaven.
E
A
E
A
A time to be
born, a time to
die; A time to
plant, a time to
reap;
E
A
D
E7
A
A time to
kill, a time to
heal; A time to
laugh, a
time to
weep.
A
E
To everything, turn, turn, turn, There is a season, turn,
turn,
turn,
D
E7
A
And a
time for every pur
pose under
heaven.
A time to build up, a time to break down; A time to dance an time to mourn;
A time to cast away stones, A time to gather stones together.
To everything...
A time of love, a time of hate; A time of war, a time of peace;
A time you may embrace, A time to refrain from embracing.
To everything...
A time to gain, a time to lose; A time to rend a time to sew;
A time to love, a time to hate; A time for peace, I swear it's not too late.
To everything...
221. Lazy Sunday
Ronnie Lane & Steve Marriott/Small Faces: Ogden's Nut Gone Flake (1968)
INTRO
A
D
G
E
A
D
E
/ , / ,
/ /
/ , / ,
/ / - -
/ , / ,
/ /
////////
A
E
G
D
A
Ah,
wouldn't it be
nice, to
get on with me
neighbours?
E
G
D
A
But they make it very
clear, they've
got no room for
ravers.
D
They stop me from groovin', they bang on me wall!
E
They're doing me crust in, it's no good at all!
A
D
A
C
F
G
A
E
G
D
A
Lazy
Sunday after
noon! I've got no
mind to worry. I
close my
eyes and drift
away.
A
E
G
D
A
Here we all
are
sittin' in a
rainbow
.
A
E
G
D
A
(Gor' blimey)
hello Mrs.
Jones,
how's old Bert's lum
bago?
(He mustn't grumble)
D
I'll sing you a song with no words and no tune,
E
To sing in your party while you suss-out the moon! Oh,
A
D
A
C
F
G
A
E
G
D
A
Lazy
Sunday after
noon! I've got no
mind to worry. I
close my
eyes and drift
away.
A
E
G
D
A
Root-de-doo-de-
doo, a-
root-de-doot-de
doy day.
E
G
D
A
A-root-de doot de
dum, a-
root-de-doo-de-
doody.
D
There's no one to hear me, there's nothing to say;
E
And no one can stop me from feeling this way, yeah!
A
D
A
C
F
G
A
E
G
D
A
Lazy
Sunday after
noon! I've got no
mind to worry. I
close my
eyes and drift
away.
A
D
A
C
Lazy
Sunday after
noon! I've got no
mind to worry.
F
G
A
C#m
F#m
D
E
A
Close my
eyes and drift
a,
close my
eyes and drift
away. Close my
eyes and drift
away.
F
G
A
C#m
F#m
D
E
A
Dbm
G
D
Dm
E
I close my
eyes and drift
a,
close my
eyes and drift
away. close my
eyes and drift
away
.
F
G
A
C#m
F#m
D
E
A
I close my
mind and drift
a,
close my
mind and drift
away. close my
eyes and drift
away.
Fade Out
222. The Universal
Steve Marriott & Ronnie Lane / the Small Faces: Autumn Stone (1968)
A
There’s such a lot of good ways to be bad
D
A
And
so many bad ways to be good - haven’t paid my
rent yet.
B7
E7
A
I tell them sorry but I
haven’t got the money any
more!
F#
B7
E7
Just for today I thought I’d leave home alone, hold
hands with day;
D
A
And if
I’m so bad, why don’t they take me a
way?
A
Just like what you hear with a shell pressed to your ear:
D
D7
A
That’s the
sea in the trees in the
morning! Hello the
universal!
B7
E7
A
Good morning Steve, well
you won’t believe me to
day.
F#
B7
E7
Working doesn’t seem to be the perfect thing for me so I’ll co
ntinue to play
D
A
And if
I’m so bad why don’t they take me a
way?
D
Dsus4
D
A
B7
E7
A
A
Well a hippy trippy name dropper came through my door.
D
He said "I
just bumped into Mick, he told me you know where to score?"
A
B7
E7
A
No not
me friend,
I mind my own
and my own minds
me.
F#
B7
E7
Well my love is at the foot of your hand -
come what may.
D
A
But if
June comes first please won’t you take me a
way?
223. My Friend Jack
Geoff Gill, Mal Luker, Nick Rowley, Zeke Lund / the Smoke: It's Smoke Time (1967)
A
-
C
-
D
-
F
-
E
A
G
A
G
My friend Jack eats
sugar lumps,
My friend Jack eats
sugar lumps,
A
C
D
A
Sugar
man hasn't
got a
care!
A
C
D
F
-
E
He's been
travelling
every
where:
A
D
A
D
Been on a
voyage across the
ocean, Heard the sweet
sounds of wheels in
motion,
C
F
E
He's seen the
hawk fly high to
hail the setting
sun.
A
G
A
G
My friend Jack eats
sugar lumps,
My friend Jack eats
sugar lumps,
A
C
D
A
Sugar
man hasn't
got a
care!
A
C
D
F
-
E
He's been
travelling
every
where:
A
D
A
D
He’s seen the
people in the
city, And the bright
lights, they're awful
pretty,
C
F
E
He's followed
dusty tracks in
to eterni
ty.
bridge
F
C
-
F
C
Eatin' sugar
cane in Cuba,
tried to grow it
in Japan,
F
C
F
E
On the West Coast
he's real famous,
kids all call him
Sugarman.
A
G
A
G
My friend Jack eats
sugar lumps,
My friend Jack eats
sugar lumps,
A
C
D
A
Sugar
man hasn't
got a
care!
A
C
D
F
-
E
He's been
travelling
every
where:
A
D
A
D
Been on a
voyage across the
ocean, Heard the sweet
sounds of wheels in
motion,
C
F
E
He's seen the
hawk fly high to
hail the setting
sun.
A
G
A
G
My friend Jack eats
sugar lumps,
My friend Jack eats
sugar lumps,
A
C
D
A
Sugar
man hasn't
got a
care!
A
C
D
F
-
E
He's been
travelling
every
where:
A
G
A
G
My friend Jack eats
sugar lumps,
My friend Jack eats
sugar lumps...
224. Father and Son
Cat Stevens
Father:
G
D
C
Am7
It's not
time to make a
change, just re
lax, take it
easy
G
Em
you're still
young, that's your
fault,
Am
D
there's so
much you have to
know
G
D
C
Am7
Find a
girl, settle
down, if you
want, you can
marry
G
Em
Am
D
Look at
me, I am
old, but I'm
happy
G
B
C
Am7
I was
once like you are
now, and I
know that it's not
easy
G
Em
Am
D
to be
calm when you've
found something
going on
G
B
But take your
time, think a
lot,
C
Am7
think of
everything you've
got
G
Em
for you will
still be here to
morrow,
D
G
C
but your
dreams may
not
Son:
G
B
How can
I try to ex
plain,
C
Am7
when I
do he turns a
way again
G
Em
Am
D
It's
always been the
same, same old
story.
G
B
C
Am7
From the
moment I could
talk, I was
ordered to
listen
G
Em
D
G
now there's a
way and I
know that I
have to
go away.
D
C
G
C
I
know I
have to
go
Father:
G
D
C
Am7
It's not
time to make a
change, just re
lax, take it
slowly
G
Em
you're still
young, that's your
fault,
Am
D
there's so
much you have to
go through
G
D
C
Am7
Find a
girl, settle
down, if you
want, you can
marry
G
Em
Am
D
Look at
me, I am
old, but I'm
happy
Son:
G
B
All the
times that I've
tried keeping
C
Am7
all the things I
knew inside
G
Em
Am
D
It's
hard but it's
harder to i
gnore it
G
B
If they were
right, I'd a
gree,
C
Am7
but it's
them they know not
me
G
Em
D
G
now there's a
way and I
know that I
have to
go away.
D
C
G
I
know I
have to
go
225. Wild World
Cat Stevens
(intro)
Am
D/G
Cmaj7/F
Dm/E
Am
D
G
Now that I've
lost every thing to
you,
Cmaj7
F
You say you
want to start something
new,
Dm
E
And it's
breaking my heart you're
leaving - baby I'm grieving.
Am
D
G
But if you want to
leave take good
care
Cmaj7
F
Hope you have a
lot of nice things to
wear
Dm
E
G
G
But then a
lot of nice things turn
bad out
there
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
It's hard to get
by just upon a
smile
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
Dm
E
And
I'll always re
member you like a
child girl
Am
D
G
You know I've seen a
lot of what the world can
do
Cmaj7
F
And it's
breaking my heart in
two
Dm
E
Cause I
never want ot see you
sad girl - Don't be a bad girl
Am
D
G
But if you want to
leave take good
care,
Cmaj7
F
Hope you make a
lot of nice friends out
there
Dm
E
G
But just re
member there's a lot of bad
and be
ware
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
It's hard to get
by just upon a
smile
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
Dm
E
And
I'll always re
member you like a
child girl
Am
D
G
Cmaj7
F
Dm
E
(Break)
(solo)
Baby I love you . . .
Am
D
G
But if you want to
leave take good
care,
Cmaj7
F
Hope you make a
lot of nice friends out
there
Dm
E
G
But just re
member there's a lot of bad
and be
ware
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
It's hard to get
by just upon a
smile
C
G
F
Ooh
baby baby it's a
wild world
G
F
C
And
I'll always re
member you like a
child girl
226. Moon Shadow
Cat Stevens
D
G
D
Oh, I'm bein' followed by a moon shadow,
moon shadow, moon
shadow.
D
G
D
Leapin' and hoppin' on a moon shadow,
moon shadow, moon
shadow.
G
D
G
D
G
D
Em
A7
And
if I
ever
lose my
hands,
lose my
plaugh,
lose my
land.
G
D
G
D
Em
A7
D
Bm
Em
A7
D
Oh,
if I
ever
lose my
hand, oh
I - -
I - -
i - -
i - -
won't have
to work no
more.
And if I ever lose my eyes, if my colours all run dry.
Yes if I ever lose my eyes, oh I - - i - - i - - i - - won’t have to cry no more.
Oh, I'm bein' followed by a moon shadow, moon shadow, moon shadow.
Leapin' and hoppin' on a moon shadow, moon shadow, moon shadow.
And if I ever lose my legs, I won’t moan and I won’t beg.
yes, if I ever lose my legs, oh I - - i - - i - - i - - won’t have to walk no more.
And if I ever lose my mouth, all my teeth north and south,
Yes if I ever lose my mouth, oh I - - i - - i - - i - - won’t to have to talk no more
Bridge:
E7
A
E
A
Did it take long to
find me? I
ask the faithful
light.
E
A
E7
A
D
Did it take long to
find me and
are you gonna stay the
-
night?
Oh, I'm bein' followed by a moon shadow, moon shadow, moon shadow.
Leapin' and hoppin' on a moon shadow, moon shadow, moon shadow.
227. Sailing
Gavin Sutherland / Rod Stewart
C
Am
F
C
I am
sailing, I am
sailing home a
gain 'cross the
sea.
D
Am
Dm
G
C
G7
I am
sailing stormy
waters, to be
near you,
to be
free.
C
Am
F
C
I am
flying, I am f
lying like a
bird 'cross the
sea.
D
Am
Dm
G
C
G7
I am
flying passing
high clouds, to be
near you,
to be
free.
C
Am
F
C
Can you
hear me, can you
hear me, thru the
dark night far
away?
D
Am
Dm
G
C
G7
I am
dying, forever
trying to be
with you;
who can
say?
C
Am
F
C
Can you
hear me, can you
hear me, thru the
dark night far
away?
D
Am
Dm
G
C
G7
I am
dying, forever
trying to be
with you;
who can
say?
C
Am
F
C
We are
sailing, we are
sailing home
again 'cross the
sea.
D
Am
Dm
G
C
G7
We are
sailing stormy
waters, to be
near you,
to be
free.
G7
Dm
G
C
To be
near you,
to be
free.
G7
Dm
G
C
To be
near you,
to be
free.
228. Lady in Black
Hensley / Uriah Heep: Salisbury (1971)
Am
She
came to me one morning, one lonely sunday morning,
G
Am
Her
long hair flowing in the
mid-winter wind.
Am
I
know not how she found me, for in darkness I was walking,
G
Am
And
destruction lay around me from a
fight I could not win.
Am
G
Am
G
Am
Ahahaaa
Haahah,
Ahahaaa
Haha
Ha!
She asked me: "Name my foe then". I said: "The need within some men
To fight and kill their brothers without thought of love or God".
And I begged her give me horses to trample down my enemies,
So eager was my passion to devour this waste of life.
Ahahaaa Haahah, Ahahaaa Haha Ha!
But she would not think of battle that reduces men to animals,
So easy to begin and yet impossible to end.
For she the mother of all men had counciled me so wisely that
I feared to walk alone again and asked if she would stay.
Ahahaaa Haahah, Ahahaaa Haha Ha!
"Oh lady lend your hand," I cried, "Oh let me rest here at your side."
"Have faith and trust in me," she said and filled my heart with life.
There is no strength in numbers. I've no such misconception.
But when you need me be assured I won't be far away.
Ahahaaa Haahah, Ahahaaa Haha Ha!
Thus having spoke she turned away and though I found no words to say
I stood and watched until I saw her black cloak disappear.
My labor is no easier, but now I know I'm not alone.
I find new heart each time I think upon that windy day.
And if one day she comes to you drink deeply from her words so wise.
Take courage from her as your prize and say hello for me.
Ahahaaa Haahah, Ahahaaa Haha Ha!
Ahahaaa Haahah, Ahahaaa Haha Ha...
229. Bobby Brown
Frank Zappa / Frank Zappa: Sheik Yerbouti (1979)
C
Am
Hey there, people, I'm Bobby Brown - They
say I'm the cutest boy in town.
Dm7
G7
My
car is fast, my teeth is shiney - I
tell all the girls they can kiss my heinie.
C
Am
Here I am at a famous school - I'm
dressin' sharp 'n' I'm acting cool.
Dm7
G7
I got a
cheerleader here - wants to help with my paper -
Let her do all the work 'n' maybe later I'll rape her.
F
Em
Am
Oh
God I am the American dream, I
do not think I'm
too extreme.
Dm7
G
G7
G
An' I'm a
handsome sonofa
bitch - I'm
gonna get a good job'n' be real rich! (
get a good, get a good ...)
C
Am
Women's liberation came
creepin' all across the nation;
Dm7
G7
I
tell you people, I was not ready when I
fucked that dyke by the name of Freddie.
C
Am
She
made a little speech then - aaw, she
tried to make me say when.
Dm7
G7
She had my
balls in a vice, but she left the dick I
guess it's still hooked on, but now it shoots too quick.
F
Em
Am
Oh
God I am the American dream, But
now I smell like
Vaseline.
Dm7
G
G7
G
An' I'm a
miserable sonofa
bitch - Am I a
boy or a lady? I don't know which! (
I wonder, wonder ...)
C
Am
So I
went out'n' bought me a leisure suit I
jingle my change, but I'm still kinda' cute
Dm7
G7
Got a
job doin' radio promo an'
none of the jocks can even tell I'm a homo
C
Am
E
ventually me'n' a friend sorta
drifted along into S and M
Dm7
G7
I can
take about an hour on the tower of power
long as I get's little golden shower
F
Em
Am
Oh
God I am the American dream - With a
spindle up my butt till it
makes me scream
Dm7
G
G7
An' I'll do
anything to get a
head - I
lay awake nights sayin', "Thank you, Fred"
F
Em
Am
Oh
God, Oh God, I'm so fantastic!
Thanks to Freddie, I'm a
sexual spastic
|:
Dm7
G
G
:|
And my
name is Bobby
Brown -
Watch me now; I'm goin' down
230. Layla
Eric Clapton
Intro:
Dm
Bb
C
Dm
Solo
C#m
G#m
What will you do when you get
lonely,
C#m
C
D
E
with nobody
waiting
by your
side?
F#m
B
E
A
You've been
running and
hiding much too
long.
F#m
B
E
A2
You know, it's
just your foolish
pride.
Dm
Bb
C
Dm
Lay
la,
you
got me on my
knees.
Dm
Bb
C
Dm
Lay
la,
I’m
begging darling
please.
Dm
Bb
C
Dm
A
C
Lay
la,
darling, won't you ease my worried
mind?
Tried to give you consolation;
Your old man won't let you down.
Like a fool, I fell in love with you;
Turned the whole world upside down.
Layla, you got me on my knees...
Let's make the best of the situation,
before I finally go insane.
Please don't say we'll never find a way
and tell me all my love's in vain.
Layla, you got me on my knees...
Solo
Layla, you got me on my knees...
Outro
231. Tears in Heaven
Eric Clapton
Intro:
A
E
F#m
D
E
A
A
E
F#m
A
Would you
know my
name,
D
A
E
if I
saw you in
heaven.
A
E
F#m
Would it
be the
same,
D
A
E
if I
saw you in
heaven.
F#m
C
Em
F#
I must be
strong
and carry
on
Bm
E
A
Cause I
know I don’t
belong here in
heaven
A
E
F#m
D
E
A
Would you hold my hand,
if I saw you in heaven.
Would you help me stand,
if I saw you in heaven.
I'll find my way through night and day
'Cause I know I just can't stay here in heaven.
Bridge:
C
G/H
Am
Time can
bring you
down.
D
G
F#m, Em7, F#m
Time can
bend you
knees.
C
G/H
Am
Time can
break your
heart.
D
G
F#m
E
Have you
beggin'
please,
beggin'
please.
Solo
Beyond the door, there's peace I'm sure
And I know there'll be no more tears in heaven
Would you know my name...
'Cause I know I don't belong here in heaven
232. Wonderful Tonight
Eric Clapton
|:
G
D
C
D
C
G
:|
G
D
It's late in the
evening,
C
D
she's wondering what
clothes to wear.
G
D
She puts on her
make up
C
D
And
brushes her
long blond hair,
C
D
G
G/F#
Em
and
than she
asks me "
Do I
look al
right?"
C
D
G
And I say "
Yes, you look
wonderful to
night."
D
C
D
|:
G
D
C
D
C
G
:|
We're going to a party, and every man turns to see,
this beautiful lady, who's walking around with me.
And than she asks me "Do you feel alright?"
And I say "Yes, I feel wonderful to night."
Bridge:
C
D
G
Em
I feel
wonderful be
cause I see the
love light in your
eyes,
C
D
C
D
and the
wonder of it
all is that you
just don't rea
lize
G
How much I love
you.
G
D
C
D
C
G
Solo
It's time to go home now, and I've got an acheing head.
So I give her the car key, and she helps me to bed.
And than I tell her, As I turn out the light,
I say: "My darling, you were wonderful tonight."
G
D
C
D
C
G
233. Zombie
Dolores O'Riordan / the Cranberries: No Need to Argue (1994)
|:
Em
C
G/B
D/F#
:|
Em
C
G/B
D/F#
Another
head hangs lowly,
child is slowly
taken,
Em
C
G/B
D/F#
And the violence
caused such silence,
who are we mis
taken.
Em
C
But you
see it's not me, it's not
my family.
G/B
D/F#
In your
head, in your head, they are figh
ting,
Em
C
With their
tanks and their bombs and their
bombs and their guns,
G/B
D/F#
in your
head, in your head, they are cry
ing.
Em
C
G/B
D/F#
In your
head, in your
head, zombie,
zombie, zom
bie.
Em
C
G/B
D/F#
What's in your
head, in your
head, zombie,
zombie, zom
bie.
|:
Em
C
G/B
D/F#
:|
Em
C
G/B
D/F#
Another mo
ther's breaking
heart is taking o
ver.
Em
C
G/B
D/F#
When the violence
causes silence,
we must be mis
taken.
Em
C
It's the
same old theme since
nineteensixteen.
G/B
D/F#
In your
head, in your head, they're still
fighting.
Em
C
With their
tanks and their bombs and their
bombs and their guns,
G/B
D/F#
In your
head, in your head, they're
dying.
Em
C
G/B
D/F#
In your
head, in your
head, zombie,
zombie, zom
bie.
Em
C
G/B
D/F#
What's in your
head, in your
head, zombie,
zombie, zom
bie.
Em
C
G/B
D/F#
234. Mad World
Orzabal / Gary Jules
Em
G
D
A
All around me are fa
miliar faces,
worn out places,
worn out faces.
Em
G
D
A
Bright and early for their
daily races,
going nowhere,
going nowhere.
Em
G
D
A
And their tears are filling
up their glasses,
no expression,
no expression.
Em
G
D
A
Hide my head, I want to
drown my sorrow,
no tomorrow,
no tomorrow.
Em
A
Em
And I find it kind of
funny, I find it kind of
sad.
A
Em
The dreams in which I'm
dying are the best I've every
had.
A
Em
I find it hard to
tell you, cause I find it hard to
take.
A
When people run in
circles, it's a very, very
Em
G
A
Em
G
A
Em
G
A
Em
G
A
Mad
World;
mad
world;
mad
world;
mad
world!
Children waiting for the day they feel good, Happy birthday, happy birthday.
Made to feel the way that every child should, sit and listen, sit and listen.
Went to school and I was very nervous, no one knew me, no one knew me.
Hello teacher, tell me what's my lesson; look right through me, look right through me.
And I find it kind of funny, I find it kind of sad.
The dreams in which I'm dying are the best I've every had.
I find it hard to tell you, cause I find it hard to take.
When people run in circles, it's a very, very
Mad World; mad world; mad world; mad world!
235. 1, 2, 3, 4 (I Love You)
Plain White T's
Intro
One, two, one-two-three-four
D
Give me more loving than I’ve ever had
A
Make it all better when I’m feeling sad
Bm
A
Tell me I’m special even though I know I’m
not
D
Make me feel good when I hurt so bad
A
Bm
Barely getting mad - I’m so glad I
found you
A
G
I love being
around you - You make it
easy
A
As easy as
One, two, one-two-three-four
D
A
Bm
A
G
D
There’s only
one thing
To Do
Three words
For
you
(I love you) I love you
D
A
Bm
A
G
D
There’s only
one way
to say Those
three words
That’s
what I’ll do
(I love you) I love you
Give me more loving from the very start
Piece me back together when I fall apart
Tell me things you never even tell your closest friends
Make me feel good when I hurt so bad
You’re the best that I’ve had
And I’m so glad I found you
I love being around you
You make it easy
It’s easy as One, two, one-two-three-four
There’s only one thing...
repeat
236. Hey There Delilah
Plain White T's
Intro: C Em C Em
C
Em
Hey there Delilah, what's it
like in New York City?
C
Em
I'm a
thousand miles away, but girl, to
night you look so pretty
Am
Am/G
F
G
Am
G
Yes you
do,
Times Square can't
shine as bright as
you, I swear it's
true
Hey there Delilah, don't you worry about the distance,
I'm right there if you get lonely, give this song another listen.
Close your eyes, Listen to my voice, it's my disguise, I'm by your side
C
C/G
Am
Am/B
C
C/G
Am
Am/B
Oh it's what you
do to
me
-
Oh it's what you
do to
me
C
C/G
Am
Am/B
C
C/G
Am
Am/B
C
C/G
Oh it's what you
do to
me
-
Oh it's what you
do to
me, What you do
to
me
Hey there Delilah, I know times are getting hard
But just believe me, girl someday I'll pay the bills with this guitar
We'll have it good, we'll have the life we knew we would, my word is good
Hey there Delilah, I've got so much left to say
If every simple song I wrote to you, would take your breath away
I'd write it all, even more in love with me you'd fall, we'd have it all
Oh it's what you do to me - Oh it's what you do to me
C
C/G
Am
Am/G
Oh it's what you do to me -
Oh it's what you
do to
me
Bridge:
F
G
A thousand miles seems pretty far, but
they've got planes and trains and cars
C
C/B
Am
Am/G
I'd
walk to you if I had no
other
way
F
G
Our friends would all make fun of us and
we'll just laugh along because
C
C/B
Am
Am/G
we
know that none of them have
felt this
way
F
G
Delilah I can promise you, that
by the time we get through
Am
G
The
world will never ever be the same and you're to
blame
Hey there Delilah, you be good and don't you miss me
Am
Am/G
Two more years and you'll be done with school and I'll be making history like I
do
F
G
Am
Am/G
You'll know it's
all because of
you
F
G
Am
Am/G
We can do what
ever we want
to
F
G
Am
G
Hey there Delil
ah here's to
you, this ones for
you
Oh it's what you do to me - Oh it's what you do to me - Oh it's what you do to me - Oh it's what you do to me
|:
C
C/G
Am
Am/B
:| (4x)
C
C/G
C
Oh
Oh
Oh
237. Cold Cold Ground
Tom Waits: Franks Wild Years (1987)
C
Am
Crest fallen sidekick in an
old cafe
C
Am
never
slept with a dream before he
had to go away
C
Am
there's a
bell in the tower uncle
Ray bought a round
F
Never
worry 'bout the army
G
G7
C
in the cold
cold
ground
Am
Cold cold
ground
C
Cold cold
ground
Am
Cold cold
ground
Now don't be a cry baby when there's wood in the shed
there's a bird in the chimeny and a stone in my bed
when the road's washed out they pass a bottle around
and waits in the arms
of the cold cold . . .
there's a ribbon in the willow and a tire swing rope
and a briar patch of berries takin' over the slope
the cat'll sleep in the mailbox and we'll never go to town
till we bury every dream
in the cold cold . . .
Gimme a Winchester rifle and a whole box of shells
blow the roof of the goat barn let it roll down the hill
the piano is firewood Times Square is a dream
I find we lay down together
in the cold cold . . .
Call the cops on the Breadloves bring a bible and a rope
and a whole box of rebel and a bar of soap
make a pile of trunk tires
and burn 'em all down bring a dollar with you baby
in the cold cold . . .
Take a weather vane rooster throw rocks at his head
stop talking to the neighbors till we all go dead
beware of my temper and the dog that I found
break all the windows
in the cold cold . . .
238. Get thee behind me, Satan
Lee Hays, Millard Lampell, Pete Seeger/Almanac Singers (1941)
A
My Boss comes up to me with a five-dollar bill,
A7
Says, "Get you some whiskey, boy, and
drink your fill."
A7
D
A
Get thee
behind me, Satan, travel on down the
line.
E7
D7
A
I am a
union man, gonna
leave you be
hind.
A red-headed woman took me out to dine,
Says, "Love me, baby, leave your union behind."
Get thee behind me, Satan, travel on down the line.
I am a union man, gonna leave you behind.
On the Fourth of July, the politicians say,
"Vote for us and we'll raise your pay."
Get thee behind me, Satan, travel on down the line.
I am a union man, gonna leave you behind.
Oh, the company union sent out a call,
They said, "Join us in the summer, we'll forget you in the fall."
Get thee behind me, Satan, travel on down the line.
I am a union man, gonna leave you behind.
If anyone should ask you your union to sell,
Just tell him where to go, send him back to hell!
Get thee behind me, Satan, travel on down the line.
I am a union man, gonna leave you behind.
239. Molly Malone
Dubliners
C
C/B
Am7
Dm
G7
In
Dublin's
fair
city, where the
girls are so
pretty,
C
C/B
Am7
Dm
G7
I
first set
my
eyes on sweet
Molly Ma
lone.
C
C/B
Am7
Dm
G7
Where she
wheeled her
wheel
barrow, through
streets broad and
nallow.
C
C/B
Am7
C
G7
C
Crying: "
Cockles
and
mussels, a
live, a
live
oh!"
C
Am7
Dm
G7
"A
live, alive
oh! A
live, alive
oh!"
C
C/B
Am7
C
G7
C
Crying: "
Cockles
and
mussels, a
live, a
live
oh!"
She was a fishmonger and sure 'twas no wonder,
for so were her father and mother before.
And they both wheeled their barrow, through streets broad and nallow.
Crying: "Cockles and mussels, alive, alive oh!"
"Alive, alive oh! Alive, alive oh!"
Crying: "Cockles and mussels, alive, alive oh!"
She died of a fever and no one could save her,
and that was the end of sweet Molly Malone.
But her ghost wheels her barrow, through streets broad and nallow.
Crying: "Cockles and mussels, alive, alive oh!"
"Alive, alive oh! Alive, alive oh!"
Crying: "Cockles and mussels, alive, alive oh!"
240. Whiskey in the Jar
trad. / the Dubliners
G
Em
As
I was going over the
far Kilgarry mountain,
C
G
Em
I
met with Captain Farrell and his
money he was
counting.
G
Em
I
first produced me pistol and I
then produced me rapier, saying
C
G
Em
"
stand and deliver for you
are the bold de
ceiver."
D
D7
knock 3x
G
Mu-sha
ring doma-du doma-
da.
Whack for the daddy-oh,
C
G
D7
G
whack for the daddy-oh, there's
whisky
in the
jar.
G
Em
I
counted out his money and it
made a pretty penny,
C
G
Em
I
put it in me pocket And I
took it home to
Jenny.
G
Em
She
sighed and swore that she
never would deceive me,
C
G
Em
But the
devil take the women for they
never can be
easy.
Mu-sha ring doma-du doma-da ...
I went into my chamber all for to take a slumber,
I dreamed of gold and girls - And for sure it was no wonder.
Me Jenny took me charges and she filled them up with water,
And set for Caotain Farrell to be ready for the slaughter:
Mu-sha ring doma-du doma-da ...
First early in the morning - Just before I rose to travel,
A-comes a band of footmen and likewise Captain Farrell.
I first produced me pistol for she stole away my rapier,
But I couldn't shoot the water for a prisoner I was taken.
Mu-sha ring doma-du doma-da ...
Now there's some take delight in the carriages a'rolling,
and others take delight in the hurley and the bowling.
But I takes delight in the juice of the barley,
and courting pretty fair-maids in the morning quite so early.
Mu-sha ring doma-du doma-da ...
If anyone can aid me it is me brother the in the army,
If I can find he's stationed in Cork or in Killarney.
And if he'll go with me we'll go rolling in Kilkenny,
And I'm sure he'll treat me better than me only sporting Jenny.
Mu-sha ring doma-du doma-da ...
Mu-sha ring doma-du doma-da ...
241. I Want To Be Loved
Willie Dixon / Muddy Waters: Hard Again (1977)
|:
C
Bb
F
F#
G
:|
/ -
/ -
/
/
/ -
C
Bb
F
F#
G
The
spark in your
eye sets my
soul
on
fire,
C
Bb
F
F#
G
Your
voice is
like an angel a
bove.
C
Bb
F
F#
G
The
touch of your
hand, woman,
drives me
in- -
sane:
C
-
-
C
But
baby
, I wants to be loved!
C
Bb
F
F#
G
I'm
crazy 'bout
every little
thing
you
do;
C
Bb
F
F#
G
I
even
cherish your
hug.
C
Bb
F
F#
G
Your
kisses so
sweet, honey,
they can't
be
beat;
C
-
-
C
But
baby
, I wants to be loved!
Solo
|:
C
F
C
G
F
C
C7
G7
:|
/ / / / | / / / / | / / / / | / / / / |
/ / / / | / / / / |
/ / / / | / / / / |
/ / / / |
/ / / / |
/ / / / |
/
/ / / |
bridge:
F
Every time I ask you for a date,
F
You don't come at all, or you're oh so late.
F
I ask you to dance a little spin.
F
G
-
G
-
You say: "
Wait a minute
, daddy,
here
come my friend!"
C
Bb
F
F#
G
I
love the way you
walk when you
pass
me
by,
C
Bb
F
F#
G
-
Even when you
tryin' to
snub
.
C
Bb
F
F#
G
The
touch of your
hand, honey,
drives me
in- -
sane,
C
-
-
C
But
baby
, I wants to be loved!
242. Turn the Page
Bob Seger / Bob Seger: Back in '72 (1973)
Em
On a long and lonely highway, east of Omaha,
D
You can
listen to the engine, moanin' out as one long song.
A
Em
You can
think about the woman, or the girl you knew the night
before;
And your thoughts will soon be wandering the way they always do.
D
When you're
riding sixteen hours and there's nothing much to do,
A
Em
You
don't feel much like travelin', you just wish the trip was
through.
D
Em
But here I
am, on the
road again.
D
Em
Here I
am, up on
stage.
D
A
Here I
go, playing the
star again.
C
D
Em
There I
go,
turn the
page.
Em
You walk into a restaurant, strung out from the road
D
And you
feel the eyes upon you, as you're shaking off the cold.
A
Em
You
pretend it doesn't bother you, but you just want to
explode,
Em
Sometimes you hear 'em talkin', other times you can't.
D
All the
same old cliches, is that a woman or a man.
A
Em
And you
always seem outnumbered, you dare not make a
stand.
But here I am, on the road again. - Here I am, up on stage.
Here I go, playing the star again. - There I go, turn the page.
Em
Out there in the spotlight, you're a million miles away.
D
Every ounce of energy you try to give away,
A
Em
And the
sweat pours from your body like the music that you
play.
Em
Later on that evening, as you lie awake in bed,
D
Echoes of the amplifiers ringin' in your head,
A
Em
And you
smoke the day's last cigarette, remembering what she
said.
But here I am, on the road again. - Here I am, up on stage.
Here I go, playing the star again. - There I go, turn the page.
243. Chicago
Graham Nash / Crosby, Stills, Nash: Four Way Street
|:
Am
Am/f
Am
:|
So Your Brother's Bound And Gagged, And They've Chained Him To A Chair,
G
Am
Won't You
Please Come To Chicago - Just To
Sing.
In A Land That's Known As Freedom How Can Such A Thing Be Fair?
G
Am
Won't You
Please Come To Chicago, For The
Help That We Can Bring.
G
F
Em
G
F
Em
D
Am
We Can
Cha -
ange The
World - Rear
ra -
ange The
World - It's
Dying - To Get
Better.
Am
Politicians Sit Yourselves Down, There's Nothing For You Here.
G
Am
Won't You
Please Come To Chicago For A
Ride.
Don't Ask Jack To Help You, 'Cause He'll Turn The Other Ear.
G
Am
Won't You
Please Come To Chicago Or Else
Join The Other Side.
G
F
Em
G
F
Em
D
We Can
Cha -
ange The
World Rear
ra -
ange The
World - It's
Dying - -If you believe in justice!
D
D
Dying - And If You Believe In Freedom!
Dying - Let A Man Live His Own Life
D
G
F
Am
Dying- Rules And Regulations, Who Needs Them
-
Open Up The Door.
Am
Somehow People Must Be Free - I Hope The Day Comes Soon.
G
Am
Won't You
Please Come To Chicago - Show Your
Face.
Am
From The Bottom Of The Ocean To The Mountains Of The Moon.
G
Am
Won't You
Please Come To Chicago No One
Else Can Take Your Place.
G
F
Em
G
F
Em
D
We Can
Cha -
ange The
World - Rear
ra -
ange The
World - It's
Dying - If You Believe In Justice
D
D
D
Dying - And If You Believe In Freedom -
Dying - Let A Man Live His Own Life
Dying
G
F
Rules And Regulations, Who Needs Them
-
Open Up The Door.
244. Cowgirl In The Sand
Neil Young
|:
Am
F
:|
Am
F
Am
Hello cowgirl in the
sand, hello cowgirl in the
sand.
F
Is this place at your com
mand?
C
G
Fmaj7
G
C
G
Fmaj7
G
Can I
stay here
for a while
?
Can I
see your
sweet, sweet
smile?
Dm
Em
C
F
Dm
Em
C
F
Old
enough, now, to
change your
name when
so many
love you, is
it the
same?
Dm
C
F
C
E7
A
It's the
woman in you that makes you want to
play this
game
Am
F
Am
Hello ruby in the
dust, hello ruby in the
dust.
F
Has your band begun to
rust?
C
G
Fmaj7
G
C
G
Fmaj7
G
After
all the
sin we've
had
I was
hoping that
we'd turn
back
Dm
Em
C
F
Dm
Em
C
F
Old
enough, now, to
change your
name when
so many
love you, is
it the
same?
Dm
C
F
C
E7
A
It's the
woman in you that makes you want to
play this
game
Am
F
Am
Hello, woman of my
dreams. hello woman of my
dreams
F
Is it not the way it
seems?
C
G
Fmaj7
G
C
G
Fmaj7
G
Purple
words on a
gray back
ground,
to be a
woman and to
be turned
down
Dm
Em
C
F
Dm
Em
C
F
Old
enough, now, to
change your
name when
so many
love you, is
it the
same?
Dm
C
F
C
E7
A
It's the
woman in you that makes you want to
play this
game
E7
A
|:
Am
F
:|
D#dim7
Capo IV
245. My Sweet Lord
George Harrison
|:
Dm
G
Dm
G
:|
C
Am
C
Am
C
A7
Dm
G
Dm
G
Dm
G
Dm
G
My sweet
Lord - mm-
mmh - my
Lord - mm-
mmh - my
Lord.
C
Am
C
Am
I really want to
see you,
really want to
be with you,
C
A7
Dm
G
really want to
see you, Lord, but it
takes so long my
Lord.
Dm
G
Dm
G
Dm
G
My sweet
Lord -
mmh - my
Lord -
mmh - my
Lord.
C
I really want to
know you, really want to go with you,
Really want to show you, Lord, that it won't take long, my Lord.
My sweet Lord - mmh - my Lord - my sweet Lord.
C
C7
A7
I really want to
see you, - really want to
see you, - really want to
see you, Lord,
D
D#dim7
B7
Em
A
Em
Really want to
see you, Lord, but it
takes so
long my
Lord,
my sweet
Lord.
|:
A
Em
:|
my sweet
Lord,
D
Bm
D
Bm
I really want to
know you,
really want to
go with you,
D
B7
Em
A
Really want to
show you, Lord, that it
won't take long, my
Lord.
My sweet Lord - mmh - my Lord - my sweet Lord.
solo
246. With a Little Help from my Friends
Lennon & McCartney / the Beatles: Sergeant Pepper's Lonely Hearts Club Band (1967)
C
G
Dm
G
C
What would you
think if I
sang out of tune, Would you
stand up and walk out on
me?
C
G
Dm
G
C
Lend me your
ears and I'll
sing you a song, And I'll
try not to sing out of
key.
C
Bb
F
C
Oh, I get
by with a little
help from my
friends,
C
Bb
F
C
Mm, I get
high with a little
help from my
friends.
C
Bb
F
C
Mm, gonna
try with a little
help from my
friends.
G
C
G
Dm
G
C
What do I
do when my
love is away, Does it
worry you to be a
lone?
C
G
Dm
G
C
How do I
feel by the
end of the day, Are you
sad because you're on your
own?
C
Bb
F
C
No, I get
by with a little
help from my
friends,
C
Bb
F
C
Mm, I get
high with a little
help from my
friends.
C
Bb
F
C
Mm, gonna
try with a little
help from my
friends.
bridge
Am
D
C
Bb
F
Do you
need any
body? - I
need some
body to
love.
Am
D
C
Bb
F
Could it
be any
body? - I
want some
body to
love.
C
G
Dm
G
C
Would you be
lieve in a
love at first sight? Yes, I'm
certain that it happens all the
time.
C
G
Dm
G
C
What do you
see when you
turn out the light? I can't
tell you but I know it's
mine.
C
Bb
F
C
Oh, I get
by with a little
help from my
friends,
C
Bb
F
C
Mm, I get
high with a little
help from my
friends.
C
Bb
F
C
Oh, Im gonna
try with a little
help from my
friends.
bridge
Am
D
C
Bb
F
Do you
need any
body? - I
need some
body to
love.
Am
D
C
Bb
F
Could it
be any
body? - I
want some
body to
love.
C
Bb
F
C
Oh, I get
by with a little
help from my
friends,
C
Bb
F
C
Mm, gonna
try with a little
help from my
friends.
C
Bb
F
C
Oh, I get
high with a little
help from my
friends.
C
Bb
F
Yes, I get
by with a little help from my
friends,
Ab
Bb
C
With a little help from my
frie-
ee-
ends.
Capo II
G11
C/G
247. For no One
Lennon & McCartney / The Beatles: Revolver (1966)
C
Em
Am
C/G
Your
day breaks, your
mind aches,
You find that
all her words
Fmaj7
Bb
C
Of
kindness linger
on - When she no
longer needs you.
C
Em
Am
C/G
She
wakes up, she
makes up,
She takes her
time
Fmaj7
Bb
C
and doesn't
feel she has to
hurry - She no
longer needs you.
Dm
A7
And in her
eyes you see
nothing -
Dm
A7
Dm
A7
No sign of
love behind the
tears - Cried for
no one.
Dm
A7
Dm
G11
G7
A love that
should have lasted
years.
C
Em
Am
C/G
You
want her, you
need her,
And yet you
don't believe her
Fmaj7
Bb
C
When she said her
love is dead - You
think she needs you...
Dm
A7
And in her
eyes you see
nothing -
Dm
A7
Dm
A7
No sign of
love behind the
tears - Cried for
no one.
Dm
A7
Dm
G11
G7
A love that
should have lasted
years.
C
Em
Am
C/G
You
stay home, she
goes out,
She says that
long ago
Fmaj7
Bb
C
She
knew someone but
now he's gone - She
doesn't need him.
C
Em
Am
C/G
Your
day breaks, your
mind aches,
There will be
time
Fmaj7
Bb
C
When all the
things she said will
fill your head - you
won't forget her.
Dm
A7
And in her
eyes you see
nothing -
Dm
A7
Dm
A7
No sign of
love behind the
tears - Cried for
no one.
Dm
A7
Dm
G11
G7
A love that
should have lasted
years.
248. Here, There and Everywhere
Lennon/McCartney
G
Bm
Bb
Am
D7
To lead a
better life -
I need my love to be here.
G
Am7
Bm
C
G
Am7
Here,
making each
day of the
year,
Bm
C
F#m7
B7
Changing my
life with a
wave of her
hand,
F#m7
B7
Em
Am
Am7
D7
Nobody
can de
ny that there's
something th
ere.
There, running my hand through her hair,
Both of us thinking how good it can be,
Someone is speaking but she doesn't know he's there.
Bridge
Bb
Gm
I want her
everywhere
Cm
D7
Gm
And if
she's beside me
I know I need
never care,
Cm
D7
But to love her
is to meet her
Ev'rywhere, knowing that love is to share.
Each one believing that love never dies,
Watching her eyes and hoping I'm always there,
Bridge
I want her everywhere
And if she's beside me I know I need never care,
But to love her is to meet her
Ev'rywhere, knowing that love is to share.
Each one believing that love never dies,
Watching her eyes and hoping I'm always there,
G
Am7
Bm
C
will be
there,
and
every
where,
G
Am7
Bm
C
G
here,
there, and
every
where.
249. Lodi
John Fogerty / Creedence Clearwater Revival: Green River (1969)
(intro)
G
D
C
G
|
/ / / / | / / / / |
/ /
/ / |
/ / / / |
G
Just about a year ago,
C
G
I
set out on the
road.
G/F#
Em
Seekin' my
fame and
fortune
Am
D
And
lookin' for a pot of
gold.
G
Em
Things got bad, and
things got worse,
C
G
I
guess you know the
tune.
D
C
G
(fill in)
Oh, Lord,
stuck in Lodi a
gain.
I rode in on a Greyhound,
I'll be walkin' out if I go.
I was just passin' through,
Must be seven months or more.
Ran out of time and money,
Looks like they took my friends.
Oh, Lord, stuck in Lodi again.
|
G
|
|
C
|
G
|
G
|
|
D
C
|
G
|
The man from the magazine
Said I was on my way.
Somewhere I lost connection,
Ran out of songs to play.
I came into town on a one-night stand,
Looks like my plans fell through.
Oh, Lord, stuck in Lodi again.
D
A
E
A
A
A
If I only had a dollar
D
A
For
every song I've
sung,
A
A/G#
F#m
And
every
time I
had to play
Bm
E
While
people sat there
drunk.
A
A/G#
F#m
You
know I'd
catch the
next train
D
A
Back to where I
live
E
D
A
Oh, Lord,
stuck in Lodi a
gain
E
D
A
Oh, Lord,
stuck in Lodi a
gain
A
D
A
A
E
D
A
G (intro) D C G (fill in)
|------------|--------------|--------------|----------|| |------------------------|----------------||
|-0--0----1--|-1/3-3--3\-0--|-1--1--1---1--|-0--------|| |------------------------|----------------||
|-0--0----2--|-2/4-4--4\-0--|-2--2--2p0-0--|-0--------|| |----0-2-2b3-------2-0---|-0--------------||
|------------|--------------|--------------|----------|| |--2-------------------2-|------2-0---0---||
|------------|--------------|--------------|----------|| |------------------------|----------2-----||
|------------|--------------|--------------|----------|| |------------------------|----------------||
250. Roll on John
Bob Dylan / Bob Dylan: Tempest (2012)
G
C
G
C
D
C
G
G
C
Doctor, doctor, tell me the time of
day.
G
Another bottle's empty, another penny
spent.
C
He turned around and he slowly walked
away.
G
They shot him in the back and down he
went.
C
D
C
G
Shine your
light, move it
on, You burn so
bright, roll on
John.
G
C
From the
Liverpool docks to the red light Hamburg
streets,
G
Down in the quarry with the Quarrymen.
C
Playing to the big crowds, playing to the cheap
seats.
G
Another day in your life on your way ‘til your journey's
end.
Shine your light, move it on, You burn so bright, roll on John.
Sailing through the tradewinds bound for the south,
Rags on your back just like any other slave.
They tied your hands and they clamped your mouth,
Wasn't no way out of that deep dark cave.
Shine your light, move it on, You burn so bright, roll on John.
I heard the news today, oh boy:
They hauled your ship up on the shore.
Now the city's gone dark, there is no more joy;
They tore the heart right out and cut it to the core.
Shine your light, move it on, You burn so bright, roll on John.
Put on your bags and get 'em packed.
Leave right now you won't be far from wrong.
The sooner you go, the quicker you'll be back.
You've been cooped up on an island far too long.
Shine your light, move it on, You burn so bright, roll on John.
Slow down, you're moving way too fast.
Come together - right now over me.
Your bones are weary, you're about to breathe your last.
Lord, you know how hard that it can be.
Shine your light, move it on, You burn so bright, roll on John.
Roll on John, roll through the rain and snow.
Take the righthand road and go where the buffalo roam.
They'll trap you in an ambush before you know,
Too late now to sail back home.
Shine your light, move it on, You burn so bright, roll on John.
Tyger, Tyger burning bright - I pray the lord my soul to keep.
In the forest of the night - Cover him over and let him sleep.
Shine your light, move it on, You burn so bright, roll on John.
251. (I Believe I'll) Dust my Broom
Robert Johnson, Canned Heat
E
E vii
E
E vii
E7 vii
A
E vii
E
B7
A
E
E
E vii
E
Well,
gonna get up in the mornin', believe I'll dust my broom.
A
E vii
E
Yeah, Gonna
get up in the mornin', believe I'll dust my
broom.
B7
A
E
Well,
now I'm kind'a tell you,
ain't got much time to
loose.
Well, gonna write a letter, I'm gonna send a telegram.
Well, gonna write a letter, I'm gonna send a telegram.
I'm gonna find my baby, you know, don't know when I am.
Well, belie-ieve, believe my time ain't long.
Well, Believe, babe-a, believe my time ain't long.
You gonna wake up in the morning, you find your good man gone.
Aah, Yeah!
Solo
Gonna call up China, to see if my babe is there.
Well, well, Baby, she's in the world somewhere.
I'm gonna find my baby, you don't know where I am.
Solo II
I don't want no woman, wants every downtown man she meets.
I don't want no woman, wants every downtown man she meets.
She ain't nothing but a doney, they shouldn't allow her on the street.
I'm gonna get up in the mornin', babe , believe I'll dust my broom.
Yeah, gonna get up in the mornin', believe I'll dust my broom.
I'm gonna tell ya baby, ain't got no time to lose.
252. Greensleeves
trad., 16th century
Dm
Bb
C
Am
Dm
A
A
las, my
love, you
do me
wrong, To
cast me off dis
courteously.
Dm
Bb
C
Am
Dm
A
Dm
For
I have
loved you
well and
long, De
lighting in
your compa
ny.
F
C
Am
Dm
A
Greensleeves was
all my
joy -
Greensleeves was
my delight,
F
C
Am
Dm
A
Dm
Greensleeves was my
heart of
gold, And
who but my
lady
greensleeves.
Your vows you've broken, like my heart, Oh, why did you so enrapture me?
Now I remain in a world apart - But my heart remains in captivity.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
I have been ready at your hand, To grant whatever you would crave,
I have both wagered life and land, Your love and good-will for to have.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
If you intend thus to disdain, It does the more enrapture me,
And even so, I still remain - A lover in captivity.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
My men were clothed all in green, And they did ever wait on thee;
All this was gallant to be seen, And yet thou wouldst not love me.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
Thou couldst desire no earthly thing, But still thou hadst it readily.
Thy music still to play and sing; And yet thou wouldst not love me.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
Well, I will pray to God on high, That thou my constancy mayst see,
And that yet once before I die, Thou wilt vouchsafe to love me.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
Ah, Greensleeves, now farewell, adieu, To God I pray to prosper thee,
For I am still thy lover true, Come once again and love me.
Greensleeves was all my joy - Greensleeves was my delight,
Greensleeves was my heart of gold, And who but my lady greensleeves.
253. Oh My Love
John Lennon / John Lennon: Imagine(1971)
|:
Am7
Bm
Am
G
:|
Am7
Bm
Am
G
Oh my lover for the
first time in my life -
my eyes are wide
open.
Am7
Bm
Am
C
G
Oh my lover for the
first time in my life -
my
eyes can
see.
Em
B7
I see the wind, oh
I see the trees,
Am
C
G
B7
Everything is
clear in my
heart.
Em
B7
I see the clouds, oh
I see the sky,
Am
C
G
Everything is
clear in our
world.
Am7
Bm
Am
G
Oh my lover for the
first time in my life -
my mind is wide
open.
Am7
Bm
Am
C
G
Oh my lover for the
first time in my life -
my
mind can
feel.
Em
B7
I feel sorrow, oh
I feel dreams,
Am
C
G
B7
Everything is
clear in my
heart.
Em
B7
I feel life, oh
I feel love,
Am
C
G
Everything is
clear in our
world.
piano oulro
Am7
Bm
Am
G
Am7
Bm
Am
G
Oh my lover for the
first time in my life -
my eyes are wide
open.
Am7
Bm
Am
C
G
Oh my lover for the
first time in my life -
my
eyes can
see.
254. Steel And Glass
John Lennon / John Lennon: Walls and Bridges (1974)
Am
(spoken)
This is
a story about your friend and mine -
Who is it, who is it, who is it?
Am
C
There you stand with your
L.A. tan
D
Fmaj7
Am
And your
New York walk and your
New York ta-a-
alk.
Am
C
Your mother left you when
you were small
D
Fmaj7
Am
But you're
gonna wish you wasn't
born at a-a-
all.
D
F
G
Am
Steel and
glass
-
Steel and
gla-a-ass.
D
F
G
Am
Steel and
glass
-
Steel and
gla-a-ass.
Am
C
D
Am
mmh -
mmh -
mmh -
mmh
Your phone don't ring, no one answers your call.
How does it feel to be off the wa-a-all?
Am
C
D
Am
Well your mouthpiece squawks as you spread your lies,
But you can't pull strings if your hands are tie-ie-ied.
Well your teeth are clean, but your mind is capped,
You leave your smell like an alley ca-a-at.
Steel and glass - Steel and gla-a-ass.
Steel and glass - Steel and gla-a-ass.
Am
C
D
Am
nah -
nah -
nah -
nah
Am
C
D
Am
D
F
G
Am
yeah -
yeah -
yeah -
yeah -
255. I am a Man of Constant Sorrow
Traditional, Carter Stanley / Soggy Bottom Boys featuring Dan Tyminski: O Brother, where art thou?
Capo I
E
E
B7
E
In constant
sorrow all through his
days.
E
A
I am a man of constant
sorrow,
B7
E
I've seen
trouble all my
day.
A
I bid farewell to old Ken
tucky,
B7
E
The place where
I was born and
raised.
B7
E
- The place where
he was born and
raised. -
For six long years I've been in trouble,
No pleasures here on earth I found.
For in this world I'm bound to ramble,
I have no friends to help me now.
- He has no friends to help him now. -
It's fare thee well my old lover,
I never expect to see you again.
For I'm bound to ride that northern railroad,
Perhaps I'll die upon this train.
- Perhaps he'll die upon this train. -
You can bury me in some deep valley,
For many years where I may lay.
Then you may learn to love another,
While I am sleeping in my grave.
- While he is sleeping in his grave. -
Maybe your friends think I'm just a stranger,
My face you'll never see no more.
But there is one promise that is given,
I'll meet you on God's golden shore.
- He'll meet you on God's golden shore. -
256. Hang Me,Oh Hang me
Trad. / Dave van Ronk: Folksinger (1963)
D
G
D
Hang Me, Oh Hang me, and
I'll Be dead and
gone.
D
Bm
G
D
Hang Me, Oh
Hang me,
I'll be dead and
gone.
D
Bm
D
Bm
Wouldn't mind the
hangin, but the
layin' in the grave so
long, poor boy.
Bb
A
D
I been
all a
round this
world.
D
G
D
I been all around cape Girardeau,
parts of Arkan
sas.
D
Bm
G
D
all round cape
Girardeau,
parts of Arkan
sas.
D
Bm
D
Bm
Got so god damn
hungry, I could
hide behind a
straw, poor boy.
I been all around this world.
D
G
D
Went up on the mountain,
there I made my
stand.
D
Bm
G
D
Went up on the
mountain,
there I made my
stand.
D
Bm
D
Bm
Rifle on my
shoulder, and a
dagger in my
hand, poor boy.
I been all around this world.
Hang Me,Oh Hang me, and I'll Be dead and gone.
Hang Me, Oh Hang me, I'll be dead and gone.
Wouldn't mind the hangin, but the layin' in the grave so long, poor boy.
I been all around this world.
D
G
D
Put the rope around my neck,
hung me up so
high.
D
Bm
G
D
Put the rope a
round my neck,
hung me up so
high.
D
Bm
D
Bm
Last words I
heard em say.
won't be long now fore you
die, poor boy.
I been all around this world.
Hang Me,Oh Hang me, and I'll Be dead and gone.
Hang Me, Oh Hang me, I'll be dead and gone.
Wouldn't mind the hangin, but the layin' in the grave so long, poor boy.
I been all around this world.
257. Black is the Colour
Trad.
Am
F
G
Am
Black is the
colour -
of my true love's
hair.
F
G
E7
Her lips are like
some -
roses
fair.
F
G
E7
She's the sweetest
smile -
and the gentlest
hands.
F
G
Am
I love the
ground -
where on she
stands.
Am
F
G
Am
I love my
love -
well she
knows.
F
G
E7
I love the
ground -
where on she
goes.
F
G
E7
I wish the
day -
it soon would
come
F
G
Am
When she and
I -
could be as
one.
Am
F
G
Am
I go to the
Clyde -
and mourn and
weep.
F
G
E7
Satis
fied -
I never can
be.
F
G
E7
I write her a
letter, -
just a few short
lines -
F
G
Am
And suffer
death -
a thousand
times.
Am
F
G
Am
For
Black is the
colour -
of my true love's
hair.
F
G
E7
Her lips are
like -
some roses
fair.
F
G
E7
She's the sweetest
smile -
and the gentlest
hands.
F
G
Am
I love the
ground -
where on she
stands.
258. I Won't Back Down
Tom Petty, Jeff Lynne/Tom Petty: Full Moon Ever (1989); Johnny Cash: American III (2000)
Em
D
G
Em
D
G
Well I
won't
back
down, no I
won't
back
down.
Em
D
C
You can
stand me
up at the
gates of hell,
Em
D
G
But I
won't
back
down.
Em
D
G
Em
D
G
I'm gonna
stand
my
ground, won't be
turned
a-
round.
Em
D
C
And I'll
keep this w
orld from
draggin' me down,
Em
D
G
Em
D
G
Gonna
stand
my
ground, and I
won't
back
down.
C
D
C
D
Hey
baby,
there ain't no easy way
out!
C
D
Em
D
G
Em
D
G
Hey,
I will
stand
my
ground, and I
won't
back
down.
Em
D
G
Em
D
G
Well I
know
what's
right, and I got
just
one
life.
Em
D
C
In a
world that
keeps on
pushin' me around,
Em
D
G
Em
D
G
But I'll
stand
my
ground, and I
won't
back
down.
C
D
C
D
Hey
baby,
there ain't no easy way
out!
C
D
Em
D
G
Em
D
G
Hey,
I will
stand
my
ground, and I
won't
back
down.
Solo
|:
Em
D
G
Em
D
G
:|
C
D
C
D
Hey
baby,
there ain't no easy way
out!
C
D
Em
D
G
Em
D
G
Hey,
I will
stand
my
ground, and I
won't
back
down.
Em
D
G
No, I
won't
back
down.
#begin
||:
259. End Of The Line
George Harrison, the Traveling Wilburys / the Traveling Wilburys: Vol. 1 (1988)
C
G7
F
Well it's all right, riding a
round in the
breeze.
C
G7
C
Well it's
all right if you live the
life you
please.
C
G7
F
Well it's all right, doing the
best you
can.
C
G7
C
Well it's
all right, as long as you
lend a
hand.
F
C
You can sit around and wait for the
phone to ring, (at the end of the line)
F
C
Waiting for someone to tell you
everything. (at the end of the line)
F
C
G7
Sit around and wonder what to
morrow will bring, (at the end of the line) - Maybe a
diamond ring.
C
G7
F
Well it's
all right, even if they
say you're
wrong.
C
G7
C
Well it's
all right, sometimes you
gotta be
strong.
C
G7
F
Well it's all right, as long as you got
somewhere to
lay.
C
G7
C
Well it's
all right, everyday is
judgement
day.
F
C
Maybe somewhere down the
road aways (at the end of the line)
F
C
You'll think of me and wonder where I
am these days. (at the end of the line)
F
C
G7
Maybe somewhere down the road when
somebody plays (at the end of the line) -
Purple haze.
C
G7
F
Well it's
all right, even when
push comes to
shove.
C
G7
C
Well it's
all right, if you got
someone to
love.
C
G7
F
Well it's all right, everything'll
work out
fine.
C
G7
C
Well it's
all right, we're going to the
end of the
line.
F
C
Don't have to be ashamed of the
car I drive, (at the end of the line)
F
C
I'm just glad to be here happy to
be alive. (at the end of the line)
F
C
G7
It don't matter if you're
by my side, (at the end of the line) - I'm
satisfied.
C
G7
F
C
G7
C
Well it's
all right, even if you're
old and
gray. - Well it's
all right, you still got
something to
say.
C
G7
F
C
G7
C
Well it's all right, remember to
live and let
live. - Well it's
all right, the best you can
do is for
give.
solo:
F
C
F
C
F
C
G7
C
G7
F
C
G7
C
Well it's all right, riding a
round in the
breeze. - Well it's
all right if you live the
life you
please.
C
G7
F
C
G7
C
Well it's all right, even if the
sun don't
shine. - Well it's
all right, we're going to the
end of the
line.
260. Tweeter and the Monkeyman
Bob Dylan, the Traveling Wilburys / the Traveling Wilburys: Vol. 1 (1988)
Am
Am
G
(
intro)
Tweeter and the Monkey Man were
hard up for cash.
F
Am
They stayed
up all night selling
cocaine and hash
Am
G
To an
undercover cop who had a
sister named Jane,
F
Am
For
reasons unexplained, she
loved the Monkey Man.
Am
G
Tweeter was a boy scout before she
went to Vietnam
F
Am
And
found it out the hard way no
body gives a damn.
Am
G
They
knew that they found freedom just a
cross the Jersey Line,
F
Am
So they
hopped into a stolen car, took
Highway 99.
Am
Em7
And the
walls came down,
all the way to hell,
D
Am
Am
D
Am
Never
saw them when they're standing, never
saw them when they fell. (
bridge)
Am
G
The undercover cop
never liked the Monkey Man,
F
Am
Even back in childhood he wanted to
see him in the can.
Am
G
Jane got married at fourteen to
a racketeer named Bill,
F
Am
She made
secret calls to the Monkey Man from a
mansion on the hill.
Am
G
It was out on Thunder Road,
Tweeter at the wheel.
F
Am
They
crashed into paradise, they could
hear them tires squeal.
Am
G
The undercover cop pulled up and said "
Everyone of you's a liar!
F
Am
If you
don't surrender now, it's gonna
go down to the wire."
Am
Em7
And the
walls came down,
all the way to hell,
D
Am
Am
D
Am
Never
saw them when they're standing, never
saw them when they fell. (
bridge)
Am
G
An ambulance rolled up, a
state trooper close behind,
F
Am
Tweeter took his gun away and
messed up his mind.
Am
G
The undercover cop was left
tied up to a tree,
F
Am
Near the
souvenir stand by the old a
bandoned factory.
Am
G
Next day the undercover cop was
hot in pursuit,
F
Am
He was
taking the whole thing personal, he didn't
care about the loot.
Am
G
Jane had told him many times it was
you to me who taught:
F
Am
In
Jersey anything's legal as
long as you don't get caught!
Am
Em7
And the
walls came down,
all the way to hell,
D
Am
Am
D
Am
Never
saw them when they're standing, never
saw them when they fell. (
bridge)
Am
G
Someplace by Rahway Prison
they ran out of gas,
F
Am
The
undercover cop had cornered them, said "
Boy, you didn't think that this could last"
Am
G
Jane jumped out of the bed, said "There's
someplace I gotta go!"
F
Am
She took a
gun out of the drawer and said "It's
best if you don't know."
Am
G
The undercover cop was found face
down in a field,
F
Am
The
monkey man was on the river bridge using
Tweeter as a shield.
Am
G
Jane said to the Monkey Man, "I'm not
fooled by Tweeter's curl!
F
Am
I
knew him long before he ever be
came a Jersey girl."
Am
Em7
And the
walls came down,
all the way to hell,
D
Am
Am
D
Am
Never
saw them when they're standing, never
saw them when they fell. (
bridge)
Am
G
Now the town of Jersey City is
quieting down again,
F
Am
I'm
sitting in a gambling club
called the "Lion's Den".
Am
G
The
TV set been blown up, every
bit of it is gone,
F
Am
Ever since the nightly news show that the
Monkey Man was on.
Am
G
I guess I'll go to Florida and
get myself some sun,
F
Am
There
ain't no more opportunity here,
everything's been done.
Am
G
Sometime I think of Tweeter, some
times I think of Jane,
F
Am
Some
times I don't think about nothing but the
Monkey Man.
Am
Em7
And the
walls came down,
all the way to hell,
D
Am
Am
D
Am
Never
saw them when they're standing, never
saw them when they fell. (
bridge)
And the walls...
Intro: |: Am | :| Bridge |: Am | | D Am :|
e|--------|---------------| |--------|---------------|-2-2---0---|
B|--------|---------------| |--------|---------------|-3-3---1---|
G|--------|---------------| |--------|---------------|-2-2---2---|
D|--------|---------------| |--------|---------------|-0-0---2---|
A|------0-|-3---0---0-0---| |------0-|-3---0---0-0---|-------0---|
E|--0-3---|-------3-------| |--0-3---|-------3-------|-----------|
:||
: