JGLMSet160227

Late Monday Consol Theater (27.02.2016)

_ 1. Teil _

1. Worried Man Blues

trad.

	G	G7
It	takes a worried man to	sing a worried song,

	C	G
It	takes a worried man to sing a worried	song!

	G	G7
It	takes a worried man to	sing a worried song,

	Am	D7	D	G
I'm worried	now but I	won't be	worried	long

Klausdieter

	G	G7
I	went across the river, and	I laid down to sleep.

	C	G
I	went across the river, and I laid down to	sleep.

	G	G7
I	went across the river, and	I laid down to sleep.

	Am	D7	D	G
When I woke	up I had	shackles	on my	feet!

It takes a worried man to sing a worried song - It takes ...

Martin

Twenty-nine links of chain around my leg,

I had, twenty-nine links of chain around my leg!

Twenty-nine links of chain around my leg,

And on each link An initial of my name!

It takes a worried man to sing a worried song - It takes ...

Jürgen

I asked the judge, What's gonna be my fine?

"Twenty-one years On the Rocky Mountain line."

It takes a worried man to sing a worried song - It takes ...

Peter

The train pulled in, a sixteen coaches long.

The girl I love, she's on that train and gone.

It takes a worried man to sing a worried song - It takes ...

Alle

I looked down the track, as far as I could see,

I looked down the track, as far as I could see.

Little Baby's hand was waving after me.

It takes a worried man to sing a worried song - It takes ...

	Am	(n.c.)	G
I'm worried	now but I	won't be worried	long!

2. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

	\|:	Am			G	F	G		:\|
		////	/		/	////	/	/

	Am	G	F	G	Am
	"There must be some	kind of way	out of here,"	/ / / /	/

	G	F	G	Am
Said the	joker to the	thief:	/ / / /	/

"There's too much confusion,

I can't get no relief.

Businessmen, they drink my wine;

Plowmen dig my earth.

None of them along the line -

Know what any of it is worth!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

“No reason to get excited,”

The thief, he kindly spoke:

“There are many here among us

Who feel that life is but a joke.

But you and I, we’ve been through that,

And this is not our fate!

So let us not talk falsely now,

the hour is getting late!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

Outside in the distance

A wildcat did growl.

Two riders were approaching,

And the wind began to howl.

All along the watchtower

Princess kept the view

While all the women came and went

Barefoot servants too

All along the watchtower

Capo I

3. Midnight Special

Huddie Leadbetter

	G#	C#	G#
	Well, you wake up in the	morning Hear the ding-dong	ring

	D#7	G#	G#7
Go marching to the	table, See the same old	thing!

	G#	C#	G#
	Well, it's on the	table, Knife and fork and a	pan!

	D#7	G#	G#7
If you say anything a-	bout it You're in trouble with the	man

	C#	G#
\|: Let the minight	special Shine it's light on	me;

	D#7	G#	G#7
Let the midnight	special Shine it's everloving light on	me!	:\|

	G#	C#	G#
	If you ever go to	Houston, Boy you'd better walk	right.

	D#7	G#	G#7
You better not	stagger And you better not	fight.

	C#	G#
'Cause the Sheriff will ar	rest you And he'll carry you	down;

	D#7	G#	G#7
You can bet your bottom	dollar: You're Sugarland	bound!

Let the minight special ...

	G#	C#	G#
	Yonder came Doc'	Melton, Just the day	before,

	C#	G#
And he gave me a	tablet, when he opend the	door.

	G#	C#	G#
	But there never was a	doctor Trav'llin' over the	land,

	G#	C#	G#
	that could cure the	fever of a convict	man.

Let the minight special ...

	G#	C#	G#
	Yonder comes Miss	Rosie, Tell me, how do you	know?

	D#7	G#
I can tell it by her	apron And the dress she	wore.

	C#	G#
Umbrella on her	shoulder, Piece of paper in her	hand.

	D#7	G#
She's a-sayin' to the	captain: "I want my lifetime	man!"

Let the minight special ...

4. Joanna

Jon Allen / Sweet Defeat (2011)

	G		C		G		C		G	C
									From the dying arms of twilight, let's	run into the night.

	G	C
Let's	fly like straight shot arrows across the	sky.

	G	C
From the	ashes of an old life, let's	catch this newborn flame;

	G	C
	Hold it close and never let it	die.

	Am7	D	G	C
	Go with me Jo	anna,	go with me in	time;

	Am	D	G
A	pair of chancers	on an open	road.

	Am7	D	G	C
	We'll train our feet to	follow the	footprints of our	dreams.

	Am	D	G	G		C		G		C
	Put your hand in	my hand and let's	go.

Let's sail upon the evening, now the wind is getting high.

Let's go outside and drink the air like wine.

This time we'll make a clean break; there'll be no looking back.

We'll leave these streets of sorrow far behind.

Go with me Joanna, go with me in time;

Let's get away before we get too old.

We'll cut across the border, into unclaimed land.

Put your hand in my hand and let's go.

Bridge:

	Em	C	D	Em	C	D
	Somewhere there's a	place to	be;	Where all we have is	all we	need.

only guitar

	G	C
	Maybe there's a reason that	lies beyond these walls;

	G	C
	Maybe there's a meaning to be	found.

	G	(+bass)	C
'	Cause I	can't escape this feeling, this	vision in my mind,

	G	C
Of the	day we put down roots in virgin	ground.

Go with me Joanna, go with me in time;

I'll take you where the wild flowers grow.

We'll ride on through the darkness, and get there with the dawn;

Put your hand in my hand - let's go.

Capo II

5. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

	Intro:	D	A		G		A		D

peter

	D	A	G	A	D
Some say	love it is a	river that	drowns the ten	der	reed,

	D	A7	G	A	D
Some say	love it is a	razor that	leeds your	soul to	bleed.

	F#m	Bm7	G	A7sus4		A7
Some say	love it is a	hunger an	endless aching	need,

	A7	D	A	G	A	D
	I say	love it is a	flower and	you it's	only	seed.

+jürgen

	D	A	G	A	D
It's the	heart afraid of	breaking that	never	learns to	dance,

	A	G	A	D
It's the dream afraid of	waking but	never	takes the	chance.

	F#m	Bm7	G	A7sus4		A7
It's the	one who won't be	taken who	cannot seem to	give,

	D	A	G	A	D
And the	soul afraid of	dying that	never	learns to	live

solo

all

	D	A	G	A	D
When the	night has been too	lonely and the	road has	been too	long,

	D	A	G	A	D
And you	think that love is	only for the	lucky	and the	strong.

	F#m	Bm7	G	A7sus4		A7
Just	remember in the	winter, far	beneath the bitter	snows,

	D	A	G	A	(n.c.)	D
Lies the	seed that with the	sun's love in the	spring	bec	omes the	rose.

KD: Capo IV MB: Capo VI

8 Takte guitar => + Bass/Cajon

6. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

Intro riff

	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	F#6	:\|
		// /	/	/	//	/	/	/	/	/

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see a	bad	moon a-	risin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	trouble's	on the	way.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	earth	quakes and	lightnin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	bad	times	today.

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	F#	F#6	F#	F#6	F#
	There's a	bad moon on the	rise!

I hear hurricanes a blowin'

I know the end is comin' soon.

I feel the river's overflowin'

I hear the voice of rage and ruin.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	Solo:	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	:\|

	B	F#	C#	B	F#	F#6	F#	F#6	F#	Intro riff

Hope you got your things together.

Hope you're quite well prepared to die.

Looks like we're in for nasty weather.

One eye is taken for an eye.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	C#	B	F#	(Intro Riff)
	There's a	bad moon on the	rise!

G--------------------------| D--4--4--------4--4--2--4--| A--------4--2--------------| E--------------------------|

KD Capo IV - MB: Capo II

7. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

	Intro:	\|:	C#m	B	A	B	:\|

Verse 1: (Willie Nelson / Martin)

C#m

C#m7

/ / /

I was a

highway

man

long the

coach roads

I did

ride,

Sword

and

pistol

by my

side,

	F#m	/	C#m	/	B	/	A	/ / /
	Many	a	young maid	lost her	baubles	to my	trade,

	F#m	/	C#m	/	B	/	A	/ / /
	Many	a	soldier	shed his	lifeblood	on my	blade,

C#m

/ | / /

/ / /

| / / / /

The

basterds

hung me

in the

spring of

twenty-

five,

But

I am

still a

live...

Verse 2: (Kris Kristofferson / Klausdieter)

	C#m	B	A	C#m7	B	A	B
	I was a	sailor, I was	born upon the	tide,	With the	sea I did a	bide,

	F#m	C#m	B	A
	I sailed a	schooner round the	horn of Mexi	co,

	F#m	C#m	B	A
	I went a	loft and furled the	main sail in a	blow,

	C#m		B	A	C#m	E	B
		And when the	yards broke off they	said that	I've got	killed, But I am living	still...

Verse 3: (Waylon Jennings / Jürgen)

	C#m	B	A	C#m7	B	A	B
	I was a	dam builder,	across the river deep and	wide,	Where steel and	water did col	lide,

	F#m	C#m	B	A
	A place called	Boulder on the	wild Colora	do,

	F#m	C#m	B	A
	I slipped and	fell into the	wet concrete be	low,

	C#m		B	A	C#m	E	B
		They buried	me in that gray	tomb that	knows no	sounds, But I am still a	round...

E/D#

C#m7

E/G#

F#m

/ / /

I'll always be a

round, and a

round

	solo: \|:	C#m	B	A	B	:\|

Verse 4: (Johnny Cash / Peter)

	C#m	B	A	C#m7	B	A	B
	I'll fly a	starship '	cross the universe di	vide,	And when I	reach the other	side,

	F#m	C#m	B	A
	I'll find a	place to rest my	spirit if I	can,

	F#m	C#m	B	A
	Perhaps I	may become a	highwayman a	gain,

	C#m		B	A	C#m	E	B
		Or I may	simply be a	single	drop of	rain, But I will re	main...

E/D#

C#m7

E/G#

F#m

/ / /

And I'll be back a

gain, and a

gain

Capo IV

8. Fare Thee Well, Miss Carousel

Townes Van Zandt / Townes Van Zandt: Townes Van Zandt (1969)

only guitars

	intro:	E	G#m	A	G#m	F#m	B	A

	A	E	G#m	A	G#m	F#m
	Well, the	drunken clown still	hanging 'round, But it's	plain the	laughters	all died down;

	B	A	E
The	tears you tried so	hard to hide are	flowing.

	E	G#m	A	G#m	F#m
	And a blind man with his	knife in hand Has con	vinced him	self that he	understands -

	B	A	E
I	wish him well, Miss Carousel, but	I gotta be a	going.

+ bass & cajon

	C#m	G#m	C#m	G#m
	Won't you come and	get me when You're	sure that you don't	need me then

	C#m	G#m	A	G#m	B
I'll	stand outside your	window - And I	proudly call your	name!

	E	G#m	A	G#m	F#m
Well the	lady's been told that	all her gold Is	worth so	much, she	can't be sold;

	B	A	E
No	time to weep, she'll	later sleep to	morrow.

	E	G#m	A	G#m	F#m
	When she carries her face to the	market place And	bets it	on the	open enrage -

	B	A	E
She can	ring her bells, Miss Carousel, but the	singing brings me	sorrow.

	C#m	G#m	C#m	G#m
	Won't you come and	get me when You're	sure that you don't	need me then

	C#m	G#m	A	G#m	B
I'll	stand outside your	window - And I	proudly call your	name!

	E	G#m	A	G#m	F#m
Well it's	always done, every	mothers sun Is	surely	grown, and	never run;

	B	A	E
	So they fight with	all their might	inside them.

	E	G#m	A	G#m	F#m
	When the battles been fought 'n	they've all been taught That the	trick is	just not	being caught;

	B	A	E
	Will you give 'em hell, Miss Carousel, When they're	begging you to	hide them.

	C#m	G#m	C#m	G#m
	Won't you come and	get me when You're	sure that you don't	need me then

	C#m	G#m	A	G#m	B
I'll	stand outside your	window - And I	proudly call your	name!

only guitars

	E	G#m	A	G#m	F#m
All the	castle walls	grown so tall,	Seems there	ain't no	hope at all -

	B	A	E
To	reach the top even	though you stopped your	breathin'.

	E	G#m	A	G#m	F#m
	But I ain't gonna try to	make you cry, The	teardrops	couldn't	find your eye,

	B	A	E
It's	all been swell, Miss Carousel, the	time has come for	leaving!

1st: whisper

	\|:		C#m	G#m	C#m	G#m
			Won't you come and	get me when You're	sure that you don't	need me then

	C#m	G#m	A	G#m	B		:\|
I'll	stand outside your	window - And I	proudly call your	name!

Bass: Intro Verse Chorus | E G#m A G#m F#m B A E | E / G#m / A G#m F B / A / E / | | C#m / G#m / C#m / G#m / | C#m / G#m / A / G#m / / / B / / /:| G|------------------------------|----------------------------------| |-------------------------|-----------------------------------| D|-------4-6--6-7-6---4---------|------6---6-7-6---4-------7-7-----| |-------------------------|-------------7-7-------------------| A|---7-7------------------4-6-7-|--7-7-------------------------7-7-| |-4---4-------4---4-------|-4---4-----------------------------| E|-7----------------------------|----------------------7-7---------| |-------4---4-------4---4-|-------4---4------4--4-4-4-7-7-7-7-|

9. Roll in My Sweet Baby's Arms

trad.

	G	D
	Roll in my sweet baby's arms, Roll in my sweet baby's	arms!

	G	C
Gonna	lay 'round this shack till the	mail train comes back,

	D	G
And	roll in my sweet baby's	arms!

	G	D
I	ain't gonna work on the railroad, Ain't gonna work on the	farm.

	G	C
Gonna	lay 'round this shack 'til the	mail train comes back

	D	G
And	roll in my sweet baby's	arms!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Where were you last Friday night - While I was lying in jail?

Walking the street with another man, Wouldn't even go my bail!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

I know your parents don't like me - They turn me away from your door.

If I had my life to live over - I wouldn't go there no more!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Mama was a beauty operator, Sister could weave and spin.

Daddy's got an interest in an old cotton mill - Watch that money roll in.

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Sometimes there's a change in the ocean, Sometimes there's a change in the sea.

Sometimes there's a change in my own true love - But there'll never be a change in me.

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

10. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

	Am	C	D	F	-	G	Am	C		D
In the	white room	with black	curtains			near the	stations.

Blackroof

country,

no gold

pavements

tired

starlings,

Silver

horses

run down

moonbeams

in your

dark eyes.

Dawnlight

smiles

on your

leaving

my con

tentment.

	F	G	D	F	E
	I'll	wait in this	place where the	sun never	shines.

	G	D	F	G	A	A
	Wait in this	place where the	shadows	run from them	selves.

You said no strings could secure you at the stations.

Platform ticket, restless diesels, goodbye windows.

I walked into such a sad time at the station.

As I walked out felt my own need just beginning.

I'll wait in the queue when the trains come back.

I'll wait for you where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

At the party she was kindness in the hard crowd.

Consolation from the old wound now forgotten.

Yellow tigers crouched in jungles in her dark eyes.

She's just dressing, goodbye windows, tired starlings.

I'll sleep in this place with the lonely crowd,

Lie in the dark where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em	Am
	Ah	Ah	Ah	Ah -	Ah	Ah	Ah	Ah	Ah	Ah

Solo:

	\|:	Am	C	D	F	-	G	:\|

repeat & fade out

Capo: II - KD(Ukulele): IV

11. Waking up in the Morning (I need You)

Klausdieter Herb / Late Monday (2013)

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

	E	A	E
	No one who makes my	breakfast, No	one who cleans my house.

	E	A	E	B	E
	No one who does my	shopping And	drives off	every	louse.

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

	E	A	E	B
	No one who makes me	happy, No	one who removes my	stuff.

	E	A	E	B	E
	No one who serves me	gladly And	loves me	in the	buff.

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

	E	A	E	B
	Oh, baby, what's	on with you, Why	do you drive me	down?

	E	A	E	B	E
	Do a bit of	soulsearching, You	won't find a	better one in	town.

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

guitar solo

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

	E	A	E	B
	Oh, baby, I	miss you, Who	will preheat my	bed?

	E	A	E	B	E
	Oh, baby, come	back to me, Or	soon I	will be	dead.

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

	E	A	E	B
	Waking up in the	morning,	waking up in the	night.

	E	A	E	B	E
	There lies no one be	side him, In his	life nothing's	going	right.

Capo II

12. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

Intro: harp

	A	Bm	C#m	Bm	E	A
	They say everything can be re	placed -	That every	distance	is not	near.

	A	Bm	C#m	Bm	E	A
	So I remember every	face -	Of every	man who	put me	here.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	E	A
	They say every man needs pro	tection,	They say every	man must	rise and	fall.

	A	Bm	C#m	Bm	E	A
	Yet I swear I see my re	flection,	Placed so	high a	bove this	wall.

	A	Bm	C#m	Bm	E	A
I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

harp solo

	A	Bm	C#m	Bm	E	A
	Right here next to me in this	lonely crowd,	There's a	man who	swears he's not to	blame.

	A	Bm	C#m	Bm	E	A
	All day long I hear him	cry so loud,	Callin'	out that	he's been	framed.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

Capo II

13. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Bm		D	E	Bm	D	E	Bm
		I	hurt my	self to	day - to	see if	I still	feel.

	D	E	Bm	D	E	Bm
I	focus	on the	pain - the	only	thing that's	real.

	D	E	Bm	D	E	Bm
The	needle	tears a	hole - the	old fa	miliar	sting.

	D	E	Bm	D	E	A	Bm
Try to	kill it	all a	way - but I re	member	every	thing	!

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A	D
	I will let you	down -	I will make you	hurt	!

Solo

	Bm	...	D

	D	E	Bm	D	E	Bm
	I wear this	crown of	thorns - u	pon my	liars	chair

	D	E	Bm	D	E	Bm
	Full of	broken	thoughts -	I can	not re	pair

	D	E	Bm	D	E	Bm
Be	neath the	stains of	time - the	feelings	disap	pear

	D	E	Bm	D	E	A	Bm
	You are	someone	else -	I am	still right	here	.

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A
	I will let you	down -	I will make you	hurt!

	Bm	G	D	A
	If I could start a	gain -	A million miles a	way

	Bm	G	D	A
	I would keep my	self -	I would find a	way

14. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

	G	Bm	C	Am
	From Hank to	Hendrix, I	walked these streets with	you.

	Em	G	C	Am
	Here I am with this	old guitar,	doing what I	do.

	G	Bm	C	Am
	I always ex	pected that	you would see me	through.

	Em	G	C	Am	G
	I never believed in	much, but	I believed in	you.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

	G	Bm	C	Am
	From Marilyn to	Madonna, I	always loved your	smile,

	Em	G	C	Am
	Now we're headed for the	big divorce,	California	style.

	G	Bm	C	Am
	I found myself	singin'	like a long lost	friend

	Em	G	C	Am	G
	The same thing that	makes you live can	kill you in the	end.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

harp solo:

	G	Bm	C	Am
	Sometimes it's dis	torted	not clear to	you.

	Em	G	C	Am
	Sometimes the	beauty of love just	comes ringin'	through.

	G	Bm	C	Am
	New glass in the	window,	new leaf on the	tree,

	Em	G	C	Am	G
	new distance	between us	you and	me.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

_ 2. Teil _

Capo II

15. Slip Slidin' Away

Paul Simon (1977)

intro:

F#m

	A	F#m
Slip sliding a	way, slip sliding a	way

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way

	F#m	A
Whoah and I know a	man, he came from my	hometown.

	D	E	D	D7
He wore his	passion for his	woman like a thorny	crown.

	A	F#m
He said	Dolores, I live in	fear.

	A	E	D	E	A
My love for	you's so over	powering, I'm	afraid that I	will dis	appear.

	A	F#m
Slip sliding a	way, slip sliding a	way!

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way.

I know a woman, (who) became a wife;

These are the very words she uses to describe her life.

She said a good day ain't got no rain

She said a bad day is when I lie in the bed; And I think of things that might have been

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

And I know a father who had a son.

He longed to tell him all the reasons for the things he'd done.

He came a long way just to explain;

He kissed his boy as he lay sleeping, Then he turned around and he headed home again

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

harp solo

Whoah God only knows, God makes his plan.

The information's unavailable to the mortal man.

We're workin' our jobs, collect our pay.

Believe we're gliding down the highway, when in fact we're slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

KD: Capo III MB: Capo V

16. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

	C	Am	F	C
Down the	street the dogs are	barkin' - And the	day is a-gettin'	dark.

	C	Am	F	G7
As the	night comes in a-	fallin', The	dogs'll lose their	bark.

	C	G7	F	C
An' the	silent night will	shatter - From the	sounds inside my	mind,

	C	Am	F	G7	C	F	G7	C
For I'm	one too many	mornings - And a	thousand	miles be	hind.

	C	Am	F	C
From the	crossroads of my	doorstep - My	eyes they start to	fade,

	C	Am	F	G7
As I	turn my head back	to the room - Where my	love and I have	laid.

	C	G7	F	C
An' I	gaze back to the	street, The	sidewalk and the	sign;

	C	Am	F	G7	C
And I'm	one too many	mornings - An' a	thousand	miles be	hind.

harp solo

	C	Am	F	C
It's a	restless hungry	feeling - That don't	mean no one no	good,

	C	Am	F	G7
When	ev'rything I'm a-	sayin' - You can	say it just as	good.

	C	G7	F	C
You're	right from your	side, I'm	right from	mine.

	C	Am	F	C	F	G7	C
We're both	just too many	mornings - An' a	thousand miles	behind.

17. My My, Hey Hey (Out of the Blue)

Neil Young & Jeff Blackburn / Neil Young & Crazy Horse: Rust Never Sleeps (1978)

	Am	G	Fmaj7	Am	G	Fmaj7

	Am	G	Fmaj7	Am	G	Fmaj7
	My	My, Hey	Hey -	Rock and	roll is here to	stay.

	C	G	Am	F	Am	G	Fmaj7
	It's better to	burn out than to	fade a	way -	My	My, Hey	Hey.

	Am	G	Fmaj7
	Out of the	blue and into the	black.

	Am	G	Fmaj7
	They give you	this, but you pay for	that.

	C	G	Am	F
	And once you're	gone you can	never come	back.

	Am	G	Fmaj7
When you're	out of the	blue And into the	black.

solo:

Fmaj7

	Am	G	Fmaj7
	The king is	gone but he's not for	gotten.

	Am	G	Fmaj7
	Is this the	story of Johnny	Rotten?

	C	G	Am	F
	It's better to	burn out than it	is to	rust.

	Am	G	Fmaj7
	The king is	gone but he's not for	gotten.

	Am	G	Fmaj7	Am	G	Fmaj7
	Hey	Hey, My	My -	Rock and	roll will never	die.

	C	G	Am	F	Am	G	Fmaj7
	There's more to the	picture than	meets the	eye -	Hey	Hey, My	My.

Martin: Capo III

18. Wild West End

Mark Knopfler / Dire Straits: Dire Straits (1978)

	4x	F	F	Gm7	A#	F	F	Gm7	A#
						Steppin' out to	Angellucci's,	for my coffee beans

	F	F	Gm7	A#
	checking out the	movies,	and the magazines

	F	F	Gm7	A#
	waitress she	watches me,	crossing from the Barocco bar

	F	F	Gm7	A#
	I'm getting a	pickup,	for my	steel guitar

	F	F	Gm7	A#
I saw you	walking out,		Shaftsbury	Avenue

	F	F	Gm7	A#
	excuse me	talking, I wanna		marry you

	F	F	Gm	A#
	this is	seventh heaven street to me,	don't you be so	proud

	F	F	Gm7	A#
	You're just another	angel,		in the crowd.

	F	F	Gm7	A#			F	F	Gm7	A#
And I'm	walking in the	wild west end			-		Walking in the	wild west end

	F	F	Gm7	A#	Cm	A#	G#	F	D#	F
	Walking with your	wild best friend

Now my conductress on the number nineteen, she was a honey (she was a honey)

pink toenails and hands all dirty with the money

greasy greasy greasy hair, easy smile

made me feel nineteen, for awhile

and I went down to Chinatown

in the backroom it's a man's world, all the money go down

Duck inside the doorway, duck to eat

just ain't no way, you and me, we can't beat

And I'm walking in the wild west end - Walking in the wild west end

Walking with your wild best friend

Now the gogo dancing girl, yes I saw her

the deejay, he say, "Here's Mandy for Ya"

I feel all right to have seen her do that stuff

She's dancing high, I move on by, the close-ups can get rough

when you're walking in the wild west end - walking in the wild west end

	3x	Cm	A#	G#	F	D#	F
Walking with your wild best friend

KD Capo III / MB Capo VIII

19. The Continuing Story of Bungalow Bill

Lennon & McCartney / Beatles: White Album (1968)

C#m

	Fm	G#	C#m	D#
He	went out tiger	hunting with his	elephant and gun.

	Fm	G#	C#m	D#
	In case of	accidents he	always took his mom.

	Cm	D#	Fm	C#m	-
He's the	all american	bullet headed	saxon mother's	son!

	-	-	G#	D#	G#	C#m	G#	C#m	D#
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	F	C7	F	A#m	F	A#m	C7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Fm	G#	C#m	D#
	Deep in the	jungle where the	mighty tiger lies

	Fm	G#	C#m	D#
	Bill and his	elephant were	taken by surprise.

	Cm	D#	Fm	C#m	-
	So Captain	Marvel zapped him	right between the	eyes!

	-	-	G#	D#	G#	C#m	G#	C#m	D#
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	F	C7	F	A#m	F	A#m	C7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

C#m

	Fm	G#	C#m	D#
	The children	asked him if to	kill was not a sin?

	Fm	G#	C#m	D#
	"Not when he	looked so fierce" his	mommy butted in!

	Cm	D#	Fm	C#m	-
	If looks could	kill it would have been	us instead of	him!

	-	-		G#	D#	G#	C#m	G#	C#m	D#
	All the children sing	:		Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	F	C7	F	A#m	F	A#m	C7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	G#	D#	G#	C#m	G#	C#m	D#
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	F	C7	F	A#m	F	A#m	C7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

C#m

A#m

(wh

istle

)

|: verse :| | - | chorus | | G|-------------|------------|---|---------------------|---------------------| Bass D|-------------|-------3----|---|-6-----6-----6-------|-3-----3-----3-------| A|-------4---6-|-3--6-----4-|---|----6-----4-----4--6-|----3-----1-----1--3-| E|-1--4--------|------------|---|---------------------|---------------------|

KD: Capo V MB: Capo III

20. Sail Away to the Sea

Dave Cousins / Sandy Denny & the Strawbs: All Our Own Work (1973) / the Once (2010)

only guitars

	F#	C#	D#m	F#	B	F#
The	hands on the	clock keep	turning a	round, They	point to the time of the	day.

	F#	C#	D#m	F#	B	F#
The	time means	nothing with	you by my	side, Though	some time I'll be on my	way.

+Martin

	B	F#	B	F#
	Down the road to	where I must go, There's	nothing between you and	me.

	F#	C#	D#m	F#
I'll	take a	boat down the	river, my	love,

	B	F#	B	F#
And	sail away to the	sea; I'll	sail away to the	sea.

bass+cajon

	F#	C#	D#m	F#	B	F#
	What will you	take to re	member me	by? I've no	money to buy you a	smile.

	F#	C#	D#m	F#	B	F#
I	can't say the	words to	bid you fare	well, So I'll	carry them with me a	while.

all

	B	F#	B	F#
	Down the road to	where I must go, There's	nothing between you and	me.

	F#	C#	D#m	F#
I'll	take a	boat down the	river, my	love,

	B	F#	B	F#
And	sail away to the	sea; I'll	sail away to the	sea.

	F#	C#	D#m	F#	B	F#
You'll	wave good	bye 'till I	pass out of	sight - As you're	waving goodbye for	good.

	F#	C#	D#m	F#	B	F#
I	can't even	take you	part of the	way, I	only wish that I	could.

	B	F#	B	F#
	Down the road to	where I must go, There's	nothing between you and	me.

	F#	C#	D#m	F#
I'll	take a	boat down the	river, my	love,

+Martin

	B	F#	B	F#
And	sail away to the	sea; I'll	sail away to the	sea.

all

	B	F#	B	F#
And	sail away to the	sea; I'll	sail away to the	sea.

Bass: Verse Chorus |: F# C# D#m F# B / F# / :| |: B / F# / :| F# C# D#m F# |: B / F# / :| G|----------------4------------| |--4--4---------|--------------|--4--4--------| D|--4---------4---------4------| |--------4--4---|-4---------4--|--------4--4--| A|-----4--6--------------------| |---------------|----4--6------|--------------| E|-----------------------------| |---------------|--------------|--------------|

Chorus JG: D#... PK:D#...

MB: Capo II KD: Capo V

21. Faith in Myself

B. J. Morbitzer?, P. Krause / Late Monday (2015)

	D	A	G	D
	Outside my	window - A	new day I	see,

	Bm	G	A
And only I can de	termine - What	kind of day it will	be.

	D	A	G	D
	It can be	busy and	sunny; Laughing, and	gay,

	Bm	G	A
Or boring and	cold, Un	happy and	grey.

	D	A	G	A
(But)	I have	faith in myself - And be	lieve what I	say,

	D	A	G	-	G	A	bass:	A	-	B	C#
	And I perso	nally intend - To make the	best	-	of each	day.

	D	A	G	D
My	own state of	mind - Is the de	termining	key,

	Bm	G	A
For I am only the	person - I	let myself	be.

	D	A	G	D
	I can be	thoughtful - And do	all I can to	help,

	Bm	G	A
Or be	selfish - - And	think just of my	self.

	D	A	G	A
(But)	I have	faith in myself - And be	lieve what I	say,

	D	A	G	-	G	A	bass:	A	-	B	C#
	And I perso	nally intend - To make the	best	-	of each	day.

	D	A	G	D
	I can en	joy what I do - And make it	all seem	fun,

	Bm	G	A
Or gripe and com	plain - And make it	hard on some	one.

	D	A	G	D
	I can be	patient with those - Who may	not under	stand,

	Bm	G	A
Or belittle and	hurt them - As	much as I	can.

	D	A	G	A
(But)	I have	faith in myself - And be	lieve what I	say,

	D	A	G	-	G	A	bass:	A	-	B	C#
	And I perso	nally intend - To make the	best	-	of each	day.

22. Folsom Prison Blues

Johnny Cash/Johnny Cash (1955)

	E
I	hear the train a-comin'; it's rollin' 'round the bend,

	E	E7
And	I ain't seen the sunshine since I	don't know when,

	A7	E
I'm	stuck at Folsom Prison and time keeps draggin'	on.

	B7	E
But that	train keeps a-rollin' on down to San An	tone.

	E
When	I was just a baby my momma told me: "Son,

	E	E7
	Always be a good boy; don't	ever play with guns."

	A7	E
But I	shot a man in Reno, just to watch him	die.

	B7	E
When I	hear that whistle blowin', I hang my head and	cry.

	E
I	bet there's rich folk eatin' in a fancy dining car.

	E	E7
They're	prob'ly drinkin' coffee and	smokin' big cigars.

	A7	E
But I	know I had it comin', I know I can't be	free.

	B7	E
But those	people keep a-movin', and that's what tortures	me.

	E
Well if they	freed me from this prison, if that railroad train was mine,

	E	E7
I	bet I'd move it all a little	farther down the line.

	A7	E
	Far from Folsom Prison, that's where I want to	stay.

	B7	E
And I'd	let that lonesome whistle blow my blues a	way.

Capo II

23. Wagon Wheel

Bob Dylan, Ketcham Secor / Old Crow Medicine Show: Old Crow Medicine Show (2004)

	\|:	A	E	F#m	D	A	E	D	:\|

	A	E	F#m	D
	Headed down south to the	land of the pines, And I'm	thumbin' my way into	North Caroline.

	A	E	D
	Starin' up the road - And pray to	God I see	headlights.

	A	E	F#m	D
I	made it down the coast in	seventeen hours,	Pickin' me a bouquet of	dogwood flowers,

	A	E	D
And I'm a	hopin' for Raleigh - I can	see my baby to	night.

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

	A	E	D	A	E	F#m	D	A	E	D
	Hey,	mama	rock me!

	A	E	F#m	D
	Runnin' from the cold	up in New England I was	born to be a fiddler in an	old-time stringband.

	A	E	D
My	baby plays the guitar -	I pick a banjo	now.

	A	E	F#m	D
Oh, the	North country winters keep a	gettin' me now, Lost my	money playin' poker so I	had to up and leave.

	A	E	D
But I	ain't a turnin' back - To	livin' that old life	no more!

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

F#m

Hey,

mama

rock me!

	A	E	F#m	D
	Walkin' to the south	out of Roanoke - I caught a	trucker out of Philly. Had a	nice long talk.

	A	E	D
But	he's a headed west from the	Cumberland Gap - To	Johnson City, Tennessee

	A	E	F#m	D
And I	gotta get a move on	before the sun, I hear my	baby callin' my name and I	know that she's the only one.

	A	E	D
And	if I die in Raleigh - At	least I will die	free!

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D	A	E	D	A
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -	Hey,	mama	rock me!

Bass A / / / | E / / / | F#m / / | D / / + / | A / / / | E / / / | D / / + / | D / / + / | G|---------|---------|---------|-----------|---------|---------|-----------|-----------| D|-----2---|-----2---|-----4---|-0---------|-----2---|-----2---|-0---------|-0---------| A|-0-------|-2-------|-4-------|---2-0-0-2-|-0-------|-2-------|---2-0-0-2-|---2-0-0-2-| E|---------|---------|---------|-----------|---------|---------|-----------|-----------|

_ Zugaben _

KD: Capo V

24. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	D	G	D	C	G
	Come all without,	come all with	in - You'll not see n	othing like the	Mighty	Quinn

	G	C	G	C
	Ev'rybody's	building	ships and	boats

	G	C	G	C
	Some are building	monuments,	others jotting down	notes.

	G	C	G	C
	Ev'rybody's	in despair,	ev'ry girl and	boy

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna jump for	joy.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
I	like to do just	like the rest, I	like my sugar	sweet

	G	C	G	C
But	jumping queues and	making haste, just	ain't my cup of	meat.

	G	C	G	C
	Ev'ryone's	beneath the trees, feeding	pigeons on a	limb

	G	D	C	G
But when	Quinn the Eskimo	gets here, All the	pigeons gonna rum to	him.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

Bass-Solo

/ |

Oh,

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
	Let me do what I	wanna do, I	can recite 'em	all

	G	C	G	C
Just	tell me where it	hurts and I'll	tell you who to	call.

	G	C	G	C
	Nobody can	get no sleep, there's	someone on ev'ryones	toes.

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna wanna	doze.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty	Quinn

Capo III

25. Venus

Robbie van Leeuwen / Shocking Blue (1969)

Intro (clean guitar)

D7sus4

//// // / / //// // / /

// /

//// // // //// // / /

// /

	Gm	C	Gm	C
A	goddess on a	mountain	top

	Gm	C	Gm	C
was	burning like a	silver	flame,

	Gm	C	Gm	C
the	summit of	beauty and	love,

(bass riff)

and

Venus was her

name!

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire - at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

(Solo1)

	Gm	C	Gm	C
Her	weapons are her	crystal	eyes

	Gm	C	Gm	C
	making every	man	mad

	Gm	C	Gm	C
	Black as the	dark night	she was,

(bass riff)

got what

no one else

had!

WOW!

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

Bridge

	C	(riff2) (riff2)	D	(riff2) (riff2)

	Gm	C	Gm	C	Gm	C	Gm	C	(+Lead3)
	Aaaaaaa	aaaah	-aaaaaaa	ah-aaaa	ah-aaaaa	-aaa-aa	ah

(bass riff)

Aaaaaaa

aaaah

-aaaaaaa

ah-aaaa

ah-aaaaa

-aaa-aa

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

Bass-riff G------------------------| D------------------------| A------------3--5--5--3--| E--3--3-h-6--------------|

MB Capo IV

26. Helpless

Neil Young / Crosby, Stills, Nash & Young: Déjà Vu (1970)

	Intro:		B	F#	E	B	F#	E

	B	F#	E	B	F#	E
	There is a	town in north On	tario	With dream	comfort memory to	spare,

	B	F#	E	B	F#	E
	And in my	mind I	still need a place to go,	All	my changes were	there.

	B	F#	E	B	F#	E
	Blue, blue	windows behind the	stars,	Yellow	moon on the	rise.

	B	F#	E	B	F#	E
	Big birds	flying across the	sky	Throwing sha	dows on our	eyes.

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E	B	F#	E
	Ba	by can you hear me	now?	The	chains are locked and	tied across the door.

	B	F#	E
	Ba	by, sing	with me somehow!

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less!

Solo

	B	F#	E	B	F#	E

	B	F#	E	B	F#	E
	Blue, blue	windows behind the	stars,	Yellow	moon on the	rise.

	B	F#	E	B	F#	E
	Big birds	flying across the	sky	Throwing sha	dows on our	eyes.

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less!

	B	F#	E
	Helpless,	helpless, help	less...

Chorus: JG F# ... E; KD: B A# B G#

27. Knockin' on Heaven's Door

Bob Dylan

	G		D		Am7		G		D		C

Am7

Oooh

	G	D	Am7
	Mama take this	badge off of	me,

	G	D	C
	I can't	use it any	more.

	G	D	Am7
	It's getting	dark, too dark for me to	see;

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Mama, put my	guns in the	ground.

	G	D	C
	I can't	shoot them any	more.

	G	D	Am7
	That long black	cloud is comin'	down.

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7	G	D	C
	Ooh -	ooh -	ooh - ooh	Ooh -	ooh -	ooh ...

Bass

G / / / D / / / Am7 / / / G / / / D / / / C / / D G-0---0-0-|---------|------------|-0---0-0-|---------|-------------| D---------|-0---0-0-|------------|---------|-0---0-0-|----------0--| A---------|---------|-0----2-3-2-|---------|---------|-3--2--0-----| E---------|---------|------------|---------|---------|-------------|

All Along The Watchtower	2
Bad Moon Rising	6
Faith in Myself	21
Fare Thee Well, Miss Carousel	8
Folsom Prison Blues	22
From Hank to Hendrix	14
Helpless	26
Hurt	13
I Shall Be Released	12
Joanna	4
Knockin' on Heaven's Door	27
Midnight Special	3
My My, Hey Hey (Out of the Blue)	17
One too many Mornings	16
Roll in My Sweet Baby's Arms	9
Sail Away to the Sea	20
Slip Slidin' Away	15
The Continuing Story of Bungalow Bill	19
The Highwayman	7
The Mighty Quinn	24
The Rose	5
Venus	25
Wagon Wheel	23
Waking up in the Morning (I need You)	11
White Room	10
Wild West End	18
Worried Man Blues	1

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JGLMSet160227

Late Monday Consol Theater (27.02.2016)

_________________ 1. Teil _________________

1. Worried Man Blues

trad.

2. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

3. Midnight Special

Huddie Leadbetter

4. Joanna

Jon Allen / Sweet Defeat (2011)

5. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

6. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

7. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

8. Fare Thee Well, Miss Carousel

Townes Van Zandt / Townes Van Zandt: Townes Van Zandt (1969)

9. Roll in My Sweet Baby's Arms

trad.

10. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

11. Waking up in the Morning (I need You)

Klausdieter Herb / Late Monday (2013)

12. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

13. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

14. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

_________________ 2. Teil _________________

15. Slip Slidin' Away

Paul Simon (1977)

16. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

17. My My, Hey Hey (Out of the Blue)

Neil Young & Jeff Blackburn / Neil Young & Crazy Horse: Rust Never Sleeps (1978)

18. Wild West End

Mark Knopfler / Dire Straits: Dire Straits (1978)

19. The Continuing Story of Bungalow Bill

Lennon & McCartney / Beatles: White Album (1968)

20. Sail Away to the Sea

Dave Cousins / Sandy Denny & the Strawbs: All Our Own Work (1973) / the Once (2010)

21. Faith in Myself

B. J. Morbitzer?, P. Krause / Late Monday (2015)

22. Folsom Prison Blues

Johnny Cash/Johnny Cash (1955)

23. Wagon Wheel

Bob Dylan, Ketcham Secor / Old Crow Medicine Show: Old Crow Medicine Show (2004)

_________________ Zugaben _________________

24. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

25. Venus

Robbie van Leeuwen / Shocking Blue (1969)

26. Helpless

Neil Young / Crosby, Stills, Nash & Young: Déjà Vu (1970)

27. Knockin' on Heaven's Door

Bob Dylan

_ 1. Teil _

_ 2. Teil _

_ Zugaben _