JGLMSet130421

Late Monday Kulturbrunch Unna (21.4.)

1. Teil

1. Horse With No Name

America

	Em	D6add9
	On the first part of the	journey

I was lookin at all the life

There were plants and birds and rocks and things

There were sand and hills and rings

The first thing I met was a fly with a buzz

and the sky with no clouds

the heat was hot and the ground was dry

but the air was full of sound

	Em9	Dmaj9
	I've been through the desert on a	horse with no name

it felt good to be out of the rain

in the desert you can remember your name

'cause there ain't no one for to give you no pain

la la la la lalala la la la la la

After two days in the desert sun

my skin began to turn red

After three days in the desert fun

I was looking at a river bed

And the story it told of a river that flowed

made me sad to think it was dead

I've been through the desert ...

After nine days I let the horse run free

'cause the desert had turned to sea

there were plants and birds and rocks and things

there were sand and hills and rings

The ocean is a desert with it's life underground

and the perfect disguise above

Under the cities lies a heart made of ground

but the humans will give no love

I've been through the desert ...

G--------------|-------------| D--------------|-------------| A--7--5--7--5--|-7-----5-----| E--------------|----7-----5--|

2. It never rains in Southern California

Albert Hammond

	Bm	E	A
Got on	board a west-bound	seven-forty-	seven,

	Bm	E	A
didn't	think before de	ciding what to	do.

	Bm	E
All, that	talk of oppor	tunities,

	A	F#m	Bm	E	A
	TV-breaks and	movies rang	true,	sure rang	true.

	Bm	E	A
Seems it	never rains in	Southern Cali	fornia.

	Bm	E	A
Seems I've	often heard that	kind of talk be	fore.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

	Bm	E	A	F#m
Out of	work I'm out of my	head, out of	self-respect, I'm out of	bread,

	Bm	E	A
I'm under	talked, I'm under	fed, I wanna go	home.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

Will you tell the folks at home, I nearly made it.

Got offers but don't know which one to take.

Please don't tell'em, how you found me,

don't tell me how they found me,

gimmie a break, gimmie a break.

Seems it never rains in Southern California.

Seems I've often heard that kind of talk before.

It never rains in California, but girl don't they warn you,

it pours, man, it pours.

Out of work I'm out of my head, out of self-respect, I'm out of bread,

I'm undertalked, I'm underfed, I wanna go home.

It never rains in Califonia, but girl don't they warn you,

it pours, man, it pours.

3. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

	\|:	Am			G	F	G		:\|
		////	/		/	////	/	/

	Am	G	F	G	Am
	"There must be some	kind of way	out of here,"	/ / / /	/

	G	F	G	Am
Said the	joker to the	thief:	/ / / /	/

"There's too much confusion,

I can't get no relief.

Businessmen, they drink my wine;

Plowmen dig my earth.

None of them along the line -

Know what any of it is worth!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

“No reason to get excited,”

The thief, he kindly spoke:

“There are many here among us

Who feel that life is but a joke.

But you and I, we’ve been through that,

And this is not our fate!

So let us not talk falsely now,

the hour is getting late!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

Outside in the distance

A wildcat did growl.

Two riders were approaching,

And the wind began to howl.

All along the watchtower

Princess kept the view

While all the women came and went

Barefoot servants too

All along the watchtower

4. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

Intro

	Em	C	D	G
	I wanna	live,	I wanna	give,

	Em	C	D	G
	I've been a	miner for a	heart of	gold.

	Em	C	D	G
	It's these ex	pressions	I never	give

	Em	G
	that keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	G
	Keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	C	D	G
	I've been to	Hollywood,	I've been to	Redwood,

	Em	C	D	G
	I'd cross the	ocean for a	heart of	gold,

	Em	C	D	G
	I've been in	my mind,	it's such a	fine line

	Em	G
	that keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old,

	Em	G
	Keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	D	Em
	Keep me searchin' for a	heart of	gold,

	D	Em
You keep me searchin' and I'm	growin'	old.

	D	Em
Keep me searchin' for a	heart of	gold,

	G	C	Bm	Am	G
I've been a miner for a	heart of gold	.

Capo I

5. Midnight Special

Huddie Leadbetter

	G#	C#	G#
	Well, you wake up in the	morning Hear the ding-dong	ring

	D#7	G#	G#7
Go marching to the	table, See the same old	thing!

	G#	C#	G#
	Well, it's on the	table, Knife and fork and a	pan!

	D#7	G#	G#7
If you say anything a-	bout it You're in trouble with the	man

	C#	G#
\|: Let the minight	special Shine it's light on	me;

	D#7	G#	G#7
Let the midnight	special Shine it's everloving light on	me!	:\|

	G#	C#	G#
	If you ever go to	Houston, Boy you'd better walk	right.

	D#7	G#	G#7
You better not	stagger And you better not	fight.

	C#	G#
'Cause the Sheriff will ar	rest you And he'll carry you	down;

	D#7	G#	G#7
You can bet your bottom	dollar: You're Sugarland	bound!

Let the minight special ...

	G#	C#	G#
	Yonder came Doc'	Melton, Just the day	before,

	C#	G#
And he gave me a	tablet, when he opend the	door.

	G#	C#	G#
	But there never was a	doctor Trav'llin' over the	land,

	G#	C#	G#
	that could cure the	fever of a convict	man.

Let the minight special ...

	G#	C#	G#
	Yonder comes Miss	Rosie, Tell me, how do you	know?

	D#7	G#
I can tell it by her	apron And the dress she	wore.

	C#	G#
Umbrella on her	shoulder, Piece of paper in her	hand.

	D#7	G#
She's a-sayin' to the	captain: "I want my lifetime	man!"

Let the minight special ...

Capo II

6. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

	Intro:	D	A		G		A		D

peter

	D	A	G	A	D
Some say	love it is a	river that	drowns the ten	der	reed,

	D	A7	G	A	D
Some say	love it is a	razor that	leeds your	soul to	bleed.

	F#m	Bm7	G	A7sus4		A7
Some say	love it is a	hunger an	endless aching	need,

	A7	D	A	G	A	D
	I say	love it is a	flower and	you it's	only	seed.

+jürgen

	D	A	G	A	D
It's the	heart afraid of	breaking that	never	learns to	dance,

	A	G	A	D
It's the dream afraid of	waking but	never	takes the	chance.

	F#m	Bm7	G	A7sus4		A7
It's the	one who won't be	taken who	cannot seem to	give,

	D	A	G	A	D
And the	soul afraid of	dying that	never	learns to	live

solo

all

	D	A	G	A	D
When the	night has been too	lonely and the	road has	been too	long,

	D	A	G	A	D
And you	think that love is	only for the	lucky	and the	strong.

	F#m	Bm7	G	A7sus4		A7
Just	remember in the	winter, far	beneath the bitter	snows,

	D	A	G	A	(n.c.)	D
Lies the	seed that with the	sun's love in the	spring	bec	omes the	rose.

7. Joanna

Jon Allen / Sweet Defeat (2011)

	G		C		G		C		G	C
									From the dying arms of twilight, let's	run into the night.

	G	C
Let's	fly like straight shot arrows across the	sky.

	G	C
From the	ashes of an old life, let's	catch this newborn flame;

	G	C
	Hold it close and never let it	die.

	Am7	D	G	C
	Go with me Jo	anna,	go with me in	time;

	Am	D	G
A	pair of chancers	on an open	road.

	Am7	D	G	C
	We'll train our feet to	follow the	footprints of our	dreams.

	Am	D	G	G		C		G		C
	Put your hand in	my hand and let's	go.

Let's sail upon the evening, now the wind is getting high.

Let's go outside and drink the air like wine.

This time we'll make a clean break; there'll be no looking back.

We'll leave these streets of sorrow far behind.

Go with me Joanna, go with me in time;

Let's get away before we get too old.

We'll cut across the border, into unclaimed land.

Put your hand in my hand and let's go.

Bridge:

	Em	C	D	Em	C	D
	Somewhere there's a	place to	be;	Where all we have is	all we	need.

only guitar

	G	C
	Maybe there's a reason that	lies beyond these walls;

	G	C
	Maybe there's a meaning to be	found.

	G	(+bass)	C
'	Cause I	can't escape this feeling, this	vision in my mind,

	G	C
Of the	day we put down roots in virgin	ground.

Go with me Joanna, go with me in time;

I'll take you where the wild flowers grow.

We'll ride on through the darkness, and get there with the dawn;

Put your hand in my hand - let's go.

KD: Capo V

8. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	D	G	D	C	G
	Come all without,	come all with	in - You'll not see n	othing like the	Mighty	Quinn

	G	C	G	C
	Ev'rybody's	building	ships and	boats

	G	C	G	C
	Some are building	monuments,	others jotting down	notes.

	G	C	G	C
	Ev'rybody's	in despair,	ev'ry girl and	boy

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna jump for	joy.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
I	like to do just	like the rest, I	like my sugar	sweet

	G	C	G	C
But	jumping queues and	making haste, just	ain't my cup of	meat.

	G	C	G	C
	Ev'ryone's	beneath the trees, feeding	pigeons on a	limb

	G	D	C	G
But when	Quinn the Eskimo	gets here, All the	pigeons gonna rum to	him.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

Bass-Solo

/ |

Oh,

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
	Let me do what I	wanna do, I	can recite 'em	all

	G	C	G	C
Just	tell me where it	hurts and I'll	tell you who to	call.

	G	C	G	C
	Nobody can	get no sleep, there's	someone on ev'ryones	toes.

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna wanna	doze.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty	Quinn

2. Teil

9. Worried Man Blues

trad.

	G	G7
It	takes a worried man to	sing a worried song,

	C	G
It	takes a worried man to sing a worried	song!

	G	G7
It	takes a worried man to	sing a worried song,

	Am	D7	D	G
I'm worried	now but I	won't be	worried	long

Klausdieter

	G	G7
I	went across the river, and	I laid down to sleep.

	C	G
I	went across the river, and I laid down to	sleep.

	G	G7
I	went across the river, and	I laid down to sleep.

	Am	D7	D	G
When I woke	up I had	shackles	on my	feet!

It takes a worried man to sing a worried song - It takes ...

Martin

Twenty-nine links of chain around my leg,

I had, twenty-nine links of chain around my leg!

Twenty-nine links of chain around my leg,

And on each link An initial of my name!

It takes a worried man to sing a worried song - It takes ...

Jürgen

I asked the judge, What's gonna be my fine?

"Twenty-one years On the Rocky Mountain line."

It takes a worried man to sing a worried song - It takes ...

Peter

The train pulled in, a sixteen coaches long.

The girl I love, she's on that train and gone.

It takes a worried man to sing a worried song - It takes ...

Alle

I looked down the track, as far as I could see,

I looked down the track, as far as I could see.

Little Baby's hand was waving after me.

It takes a worried man to sing a worried song - It takes ...

	Am	(n.c.)	G
I'm worried	now but I	won't be worried	long!

10. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

	Am	C	D	F	-	G	Am	C		D
In the	white room	with black	curtains			near the	stations.

Blackroof

country,

no gold

pavements

tired

starlings,

Silver

horses

run down

moonbeams

in your

dark eyes.

Dawnlight

smiles

on your

leaving

my con

tentment.

	F	G	D	F	E
	I'll	wait in this	place where the	sun never	shines.

	G	D	F	G	A	A
	Wait in this	place where the	shadows	run from them	selves.

You said no strings could secure you at the stations.

Platform ticket, restless diesels, goodbye windows.

I walked into such a sad time at the station.

As I walked out felt my own need just beginning.

I'll wait in the queue when the trains come back.

I'll wait for you where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

At the party she was kindness in the hard crowd.

Consolation from the old wound now forgotten.

Yellow tigers crouched in jungles in her dark eyes.

She's just dressing, goodbye windows, tired starlings.

I'll sleep in this place with the lonely crowd,

Lie in the dark where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em	Am
	Ah	Ah	Ah	Ah -	Ah	Ah	Ah	Ah	Ah	Ah

Solo:

	\|:	Am	C	D	F	-	G	:\|

repeat & fade out

Capo II

11. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

Intro: harp

	A	Bm	C#m	Bm	E	A
	They say everything can be re	placed -	That every	distance	is not	near.

	A	Bm	C#m	Bm	E	A
	So I remember every	face -	Of every	man who	put me	here.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	E	A
	They say every man needs pro	tection,	They say every	man must	rise and	fall.

	A	Bm	C#m	Bm	E	A
	Yet I swear I see my re	flection,	Placed so	high a	bove this	wall.

	A	Bm	C#m	Bm	E	A
I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

harp solo

	A	Bm	C#m	Bm	E	A
	Right here next to me in this	lonely crowd,	There's a	man who	swears he's not to	blame.

	A	Bm	C#m	Bm	E	A
	All day long I hear him	cry so loud,	Callin'	out that	he's been	framed.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

Capo II

12. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Bm		D	E	Bm	D	E	Bm
		I	hurt my	self to	day - to	see if	I still	feel.

	D	E	Bm	D	E	Bm
I	focus	on the	pain - the	only	thing that's	real.

	D	E	Bm	D	E	Bm
The	needle	tears a	hole - the	old fa	miliar	sting.

	D	E	Bm	D	E	A	Bm
Try to	kill it	all a	way - but I re	member	every	thing	!

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A	D
	I will let you	down -	I will make you	hurt	!

Solo

	Bm	...	D

	D	E	Bm	D	E	Bm
	I wear this	crown of	thorns - u	pon my	liars	chair

	D	E	Bm	D	E	Bm
	Full of	broken	thoughts -	I can	not re	pair

	D	E	Bm	D	E	Bm
Be	neath the	stains of	time - the	feelings	disap	pear

	D	E	Bm	D	E	A	Bm
	You are	someone	else -	I am	still right	here	.

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A
	I will let you	down -	I will make you	hurt!

	Bm	G	D	A
	If I could start a	gain -	A million miles a	way

	Bm	G	D	A
	I would keep my	self -	I would find a	way

13. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

	G	Bm	C	Am
	From Hank to	Hendrix, I	walked these streets with	you.

	Em	G	C	Am
	Here I am with this	old guitar,	doing what I	do.

	G	Bm	C	Am
	I always ex	pected that	you would see me	through.

	Em	G	C	Am	G
	I never believed in	much, but	I believed in	you.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

	G	Bm	C	Am
	From Marilyn to	Madonna, I	always loved your	smile,

	Em	G	C	Am
	Now we're headed for the	big divorce,	California	style.

	G	Bm	C	Am
	I found myself	singin'	like a long lost	friend

	Em	G	C	Am	G
	The same thing that	makes you live can	kill you in the	end.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

harp solo:

	G	Bm	C	Am
	Sometimes it's dis	torted	not clear to	you.

	Em	G	C	Am
	Sometimes the	beauty of love just	comes ringin'	through.

	G	Bm	C	Am
	New glass in the	window,	new leaf on the	tree,

	Em	G	C	Am	G
	new distance	between us	you and	me.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

KD: Capo II MB: -

14. Death of a Clown

Ray Davies, Dave Davies / the Kinks: Something Else by the Kinks (1967)

	D		A		G		D		A		A7

	D	A	A7
My	makeup is dry and it	cracks on my	chin

	G	D	A
I'm	drowning my sorrows in	whiskey and	gin

	D	A	A7
The	lion tamer's whip doesn't	crack any	more

	G	D	A
The	lions they won't bite and the	tigers won't	roar

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
The	old fortune teller	lies dead on the	floor

	G	D	A
	Nobody needs fortunes	told any	more

	D	A	A7
The	trainer of insects is	crouched on his	knees

	G	D	A
And	frantically looking for	runaway	fleas

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
	La la la la la la	la la la	la

	G	D	A
	La la la la la la	la la la	la

	G	Em	C	F	G	D	A
	La la la	La la la	La la la	La -	let's all drink to the	death of a	clown

15. Roll in My Sweet Baby's Arms

trad.

	G	D
	Roll in my sweet baby's arms, Roll in my sweet baby's	arms!

	G	C
Gonna	lay 'round this shack till the	mail train comes back,

	D	G
And	roll in my sweet baby's	arms!

	G	D
I	ain't gonna work on the railroad, Ain't gonna work on the	farm.

	G	C
Gonna	lay 'round this shack 'til the	mail train comes back

	D	G
And	roll in my sweet baby's	arms!