18. The Continuing Story of Bungalow Bill

Lennon & McCartney / Beatles: White Album (1968)

	C	G	C	Fm	C	Fm	G
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
He	went out tiger	hunting with his	elephant and gun.

	Am	C	Fm	G
	In case of	accidents he	always took his mom.

	Em	G	Am	Fm	-
He's the	all american	bullet headed	saxon mother's	son!

	-	-	C	G	C	Fm	C	Fm	G
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
	Deep in the	jungle where the	mighty tiger lies

	Am	C	Fm	G
	Bill and his	elephant were	taken by surprise.

	Em	G	Am	Fm	-
	So Captain	Marvel zapped him	right between the	eyes!

	-	-	C	G	C	Fm	C	Fm	G
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
	The children	asked him if to	kill was not a sin?

	Am	C	Fm	G
	"Not when he	looked so fierce" his	mommy butted in!

	Em	G	Am	Fm	-
	If looks could	kill it would have been	us instead of	him!

	-	-	\|:		C	G	C	Fm	C	Fm	G
	All the children sing	:			Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7	:\|
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

C

G

C

Fm

C

Fm

G

A

E7

A

Dm

A

Dm

E7

(wh

istle

)

-

19. Can't Buy me Love

Lennon & McCartney / the Beatles: A Hard Day's Night (1964)

	C	Em	Am	Em	Am	Dm7	G7
	Can't buy me	lo-o-	ove -	lo-o-	ove - Can't buy me lo-	ove

	C
I'll	buy you a diamond ring, my friend, if it makes you feel allright.

	F7	C
I'll	get you anything, my friend, if it	makes you feel allright.

	G7	F7	G7	F7	C
For	I don't care too	much for money - for	money can't	buy me	love!

	C
I'll	give you all I've got to give if you say you love me too.

	F7	C
I	may not have a lot to give but what I've	got I'll give to you.

	G7	F7	G7	F7	C
For	I don't care too	much for money, for	money can't	buy me	love!

	C	Em	Am	F7	C
	Can't by me	lo-o-	ove -	Ev'ry body tells me so

	Em	Am	Dm7	G7
Can't by me	lo-o-	ove -	No, no, no,	no.

	C
	Say you don't need no diamond ring and I'll be satisfied.

	F7	C
Tell	me that you want those kind of things that	money just can't buy!

	G7	F7	G7	F7	C
For	I don't care too	much for money - for	money can't	buy me	love!

	C	Em	Am	Em	Am	Dm7	G7	C
	Can't buy me	lo-o-	ove -	lo-o-	ove - Can't buy me lo-	ove -	love!

20. Day Tripper

Lennon & McCartney / the Beatles (1966)

	E7	A7	E7

	E7
	Got a good reason, for taking the easy way out.

	A7	E7
	Got a good reason,	for taking the easy way out, now.

	F#
She was a	day tripper, one way ticket, yeah!

	A7	G#7	C#	B
It took me	so	long to find	out, and I found	out!

	E7
	She's a big teaser, she took me half the way there.

	A7	E7
	She's a big teaser,	she took me half the way there, now.

	F#
She was a	day tripper, one way ticket, yeah!

	A7	G#7	C#	B
It took me	so	long to find	out, and I found	out!

Solo

	E7
	Tried to please her, but she only played one night stands.

	A7	E7
	Tried to please her, but	she only played one night stands, now!

	F#
She was a	day tripper, one way ticket, yeah!

	A7	G#7	C#	B
It took me	so	long to find	out, and I found	out!

Day Tripper, yeah! Day Tripper, Yeah! Day Tripper...

21. Eight Days A Week

Lennon, McCartney / the Beatles: Beatles for Sale (1965)

Intro

	D/ - /	D4/	D/ -	E/D / - /	E4/D /	E/D / -	G/D / - /	G4/D /	G/D / -	D /

	D	Em	G	D
	Ooh, I need your	love, babe,	guess you know it's	true.

	Em	G	D
Hope you need my	love, babe,	just like I need	you.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week.

	A	C	A	C	C7
	Eight days a week, I	lo-o-ove you -	Eight days a week, is	not enough to	show I care!

	D	Em	G	D
	Love you every	day, girl,	always on my	mind.

	Em	G	D
One thing I can	say, girl,	love you all the	time.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week.

	A	C	A	C	C7
	Eight days a week, I	lo-o-ove you -	Eight days a week, is	not enough to	show I care!

	D	Em	G	D
	Ooh, I need your	love, babe,	guess you know it's	true.

	Em	G	D
Hope you need my	love, babe,	just like I need	you.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week!

G

D

G

D

D/ - /

D4/

D/ -

E/D / - /

E4/D /

E/D / -

G/D / - /

G4/D /

G/D / -

D /

Eight days a

week!

-

Eight days a

week!

Em7

Em6

Emaug5

Em

C

C2

22. Eleanor Rigby

Lennon & McCartney / the Beatles: Revolver (1966)

	C	Em	Em7		Em6		Emaug5		Em
	Ah, look at all the lonely	people!

	C	Em	Em7		Em6		Emaug5		Em
	Ah, look at all the lonely	people!

	Em	Em7	Em6	Emaug5	C	C2		C	Em
	Eleanor Rigby, Picks up the	rice in a	church where a	wedding has	been.			Lives in a	dream.

	Em	Em7	Em6	Emaug5	C	C2		C	Em
	Waits at the window, Wearing the	face that she	keeps in a	jar by the	door.			Who is is	for?

	Em7	Em6	C	Em
	All the lonely	people, Where	do they all come	from?

	Em7	Em6	C	Em
	All the lonely	people, Where	do they all be	long?

	C	Em	Em7		Em6		Emaug5		Em
	Ah, look at all the lonely	people! -

	C	Em	Em7		Em6		Emaug5		Em
	Ah, look at all the lonely	people!

Father McKenzie, Writing the words of a sermon that no one will hear, No one comes near.

Look at him working, Darning his socks in the night when there's nobody there, What does he care?

All the lonely people, Where do they all come from?

All the lonely people, Where do they all belong?

Ah, look at all the lonely people! - Ah, look at all the lonely people!

Eleanor Rigby, Died in the church and was buried along with her name, Nobody came.

Father McKenzie, Wiping the dirt from his hands as he walks from the grave, No one was saved.

All the lonely people, Where do they all come from?

All the lonely people, Where do they all belong?

Ah, look at all the lonely people! - Ah, look at all the lonely people!

G11

C/G

23. For no One

Lennon & McCartney / The Beatles: Revolver (1966)

	C	Em	Am	C/G
Your	day breaks, your	mind aches,	You find that	all her words

	Fmaj7	Bb	C
Of	kindness linger	on - When she no	longer needs you.

	C	Em	Am	C/G
She	wakes up, she	makes up,	She takes her	time

	Fmaj7	Bb	C
and doesn't	feel she has to	hurry - She no	longer needs you.

	Dm	A7
And in her	eyes you see	nothing -

	Dm	A7	Dm	A7
	No sign of	love behind the	tears - Cried for	no one.

	Dm	A7	Dm	G11	G7
	A love that	should have lasted	years.

	C	Em	Am	C/G
You	want her, you	need her,	And yet you	don't believe her

	Fmaj7	Bb	C
	When she said her	love is dead - You	think she needs you...

	Dm	A7
And in her	eyes you see	nothing -

	Dm	A7	Dm	A7
	No sign of	love behind the	tears - Cried for	no one.

	Dm	A7	Dm	G11	G7
	A love that	should have lasted	years.

	C	Em	Am	C/G
You	stay home, she	goes out,	She says that	long ago

	Fmaj7	Bb	C
She	knew someone but	now he's gone - She	doesn't need him.

	C	Em	Am	C/G
Your	day breaks, your	mind aches,	There will be	time

	Fmaj7	Bb	C
When all the	things she said will	fill your head - you	won't forget her.

	Dm	A7
And in her	eyes you see	nothing -

	Dm	A7	Dm	A7
	No sign of	love behind the	tears - Cried for	no one.

	Dm	A7	Dm	G11	G7
	A love that	should have lasted	years.

24. Get Back

Lennon & McCartney / the Beatles: Let it Be (1970)

	Intro:		A	A	G	D
		\| :	/ / / / \|	/ /	/	/ : \|

	A	D	A	G	D
	Jojo was a man who thought he was a loner,	But he knew it couldn't	last.

	A	D	A	G	D
	Jojo left his home in Tucson, Arizona	For some California	grass.

	A	D	A	G	D
	Get back, get back! Get	back to where you once be	longed

	A	D	G	D
	Get back, get back! Get	back to where you once belonged

	A
	- Get back Jo!

	Solo:		A	A	D	A	G	D
	(Piano)	\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	A	D	A	G	D
	Get back, get back! Get	back to where you once be	longed

	A	D	G	D
	Get back, get back! Get	back to where you once belonged

	A
	- Get back Jo!

	A	D	A	G	D
	Sweet Loretta Martin thought she was a woman,	But she was another	man.

	A	D	A	G	D
	All the girls around her said she's got it comin',	But she gets it while she	can.

	A	D	A	G	D
	Get back, get back! Get	back to where you once be	longed

	A	D	G	D
	Get back, get back! Get	back to where you once belonged

	A
	- Get back Jo!

	Solo:		A	A	D	A	G	D
	(Guitar)	\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	A	D	A	G	D
	Get back, get back! Get	back to where you once be	longed

	A	D	G	D
	Get back, get back! Get	back to where you once belonged

	A
	- Get back Jo!

25. Girl

Lennon, McCartney / the Beatles (1965)

	Em	B7	Em	Em7
Is there	anybody	going to listen	to my	story

	Am	C	G		B7
	all about the	girl who came to	stay?

	Em	B7	Em	Em7
She's the	kind of girl you	want so much it	makes you	sorry

	Am	C	G		B7
	Still, you don't re	gret a single	day.

G

Bm

Am

D7

G

Bm

Am

D7

Ah

gi-i

rl,

gi-i

rl.

When I think of all the times I've tried so hard to leave her,

She will turn to me and start to cry.

And she promises the earth to me and I believe her,

after all this time I don't know why.

Ah, girl, girl.

bridge

	Am	E	Am		E		Am
	She's the kind of girl who puts you	down when friends are there, you feel a	fool.

	Am	E	Am	C
	When you say she's looking good she	acts as if it's understood.	She's coo-oo-	ool!

G

Bm

Am

D7

G

Bm

Am

D7

gi-i

rl,

gi-i

rl.

Was she told when she was young that pain would lead to pleasure?

Did she understand it when they said:

that a man must break his back to earn his day of leisure,

Will she still believe it when he's dead?

Ah girl, girl, girl!

26. Help!

Lennon & McCartney / the Beatles: HELP! (1965)

	Am	F
	Help! I need somebody	Help! Not just anybody

	D	G
	Help! You know I need someone,	Help!

	G	Em
	When I was younger, so much	younger than today,

	C	Am	C	F	G
I	never needed	anybody's	help in	any	way.

	G	Em
	But now those days are gone I'm	not so self-assured,

	C	Am	C	F	G
	Now I find I've	changed my mind, I've	opened	up the	door.

	Am	Am/G	F	F/E
	Help me if you can I'm feeling down,	and I	do appreciate you being '	round.

	D	G	Em	G
	Help me get my feet back on the ground, won't you	please	please help	me.

And now my life has changed in oh so many ways,

My independence seemed to vanish in the haze.

But every now and then I feel so insecure,

I know that I just need you like I've never done before.

Help me if you can I'm feeling down, and I do appreciate you being 'round.

Help me get my feet back on the ground, won't you please please help me.

When I was younger, so much younger than today,

I never needed anybody's help in any way.

But now those days are gone I'm not so self-assured,

Now I find I've changed my mind, I've opened up the door.

Help me if you can I'm feeling down, and I do appreciate you being 'round.

Help me get my feet back on the ground, won't you please please help me.

Help me, help me, oooh.

27. Here Comes the Sun

George Harrison / the Beatles: Abbey Road (1969)

	G	Cmaj7
	Here comes the sun, do do do do.

	A7	G	C	G	C	G	D7	G	G7
Here comes the	sun, and I say; it's	all right

	G	C6	D7
	Little darling,, it's been a	long, cold, lonely	winter.

	G	C6	D7
	Little darling, it feels like	years since it's been	here.

Here comes the sun, do do do do.

Here comes the sun, and I say, it's all right.

Little darling, the smiles returning to their faces.

Little darling, it feels like years since it's been here.

Here comes the sun, do do do do.

Here comes the sun, and I say, it's all right.

Bridge

	Bb	F	C	G	D7
	Su-	un,	sun,	sun, here it	comes!

Su-un, sun, sun, here it comes!

Little darling, I feel that ice is slowly melting.

Little darling, it feels like years since it's been clear.

Here comes the sun, do do do do.

Here comes the sun, and I say, it's all right.

Sun, sun, sun, here it comes.

Sun, sun, sun, here it comes...

28. Here There and Everywhere

Lennon & McCartney / the Beatles: Revolver (1966)

	G	Bm	Bb		Am11	D7
	To lead a	better life,		I need my love to be	here.

	G	Am7	Bm	C	G	Am7
	Here,		making each	day of the	year;

	Bm	C	F#m7	B7
	Changing my	life with a	wave of her	hand,

	F#m7	B7	Em	Am	Am7	D7
	Nobody	can de	ny that there's	something	there.

	G	Am7	Bm	C	G	Am7
	There,		running my	hands through her	hair;

	Bm	C	F#m7	B7
	Both of us	thinking how	good it can	be,

	F#m7	B7	Em	Am	Am7	D7
	Someone is	speaking, but	she doesn't	know he's	there.

	Bb	Gm
I want her	everywhere

	Cm	D7	Gm
And if	she's beside me	I know I need	never care.

	Cm	D7	G	Am7
	But to love her	is to need her	every	where.

	Bm	C	G	Am7
	Knowing that	love is to	share,

	Bm	C	F#m7	B7
	Each one be	lieving that	love never	dies,

	F#m7	B7	Em	Am	Am7	D7
	Watching her	eyes, and	hoping I'm	always	there!

	Bb	Gm
I want her	everywhere

	Cm	D7	Gm
And if	she's beside me	I know I need	never care.

	Cm	D7	G	Am7
	But to love her	is to need her	every	where.

	Bm	C	G	Am7
	Knowing that	love is to	share,

	Bm	C	F#m7	B7
	Each one be	lieving that	love never	dies,

	F#m7	B7	Em	Am	D7sus4	D7
	Watching her	eyes, and	hoping I'm	always	there,

	G	Am		Bm	C
will be	there,		and	every	where.

	G	Am7	Bm	C	G
	Here,	there, and	every	where.

29. Hey Jude

Lennon & McCartney / the Beatles (1967)

	G	D	D7	D7sus4	D7	G
Hey	Jude, don't make it	bad, take a	sad	song and	make it	better!

	C	G	D7	G
Re	member to let her into your	heart, Then you can	start to make it	better.

	G	D	D7	D7sus4	D7	G
Hey	Jude, don't be a	fraid, you were	made to	go	out and	get her!

	C	G	D7	G
The	minute you let her under your	skin, Then you be	gin to make it	better!

	G7	C	C/B	Am	D7	G
	And anytime you feel the	pain, Hey	Jude, re	frain, Don't carry the	world upon your	shoulders!

	G7	C	C/B	Am	D7	G
	For well now you know that it's a	fool who	plays it	cool By making his	world a little	colder.

	G	G7	D7
	Na-na-na	na-na	na-na-na

	G	D	D7	D7sus4	D7	G
Hey	Jude, don't let me	down, You have	found	her, now	go and	get her!

	C	G	D7	G
Re	member to let her into your	heart, Then you can	start, to make it	better!

	G7	C	C/B	Am	D7	G
So	let it out and let it	in, Hey	Jude, be	gin; You're waiting for	someone to per	form with!

	G7	C	C/B	Am	D7	G
	And don't you know that it's just	you, Hey	Jude, You'll	do, The movement you	need is on your	shoulders.

	G	G7	D7
	Na-na-na	na-na	na-na-na, yeah!

	G	D	D7	D7sus4	D7	G
Hey	Jude, don't make it	bad, take a	sad	song and	make it	better!

	C	G	D7	G
Re	member to let her into your	heart, Then you can	start to make it	better, better, better, better! Oooh!

	G	F	C	G	F
	Na-na-na	Nana-na-na,	Nana-na-na, Hey	Jude! Na-na-na	Nana-na-na, ...

30. I Am The Walrus

Lennon, McCartney/the Beatles: Magical Mystery Tour (1967)

(intro)

B

A

D

G

F

Bb

E

E7

D

D7

|

/ / / / | / /

/

/ |

/ /

/

/ |

/ / / / |

	A	A/G	C	D	E	A	A/G
	I am he as	you are he as	you are me and	we are	all to	gether

	C	D	A
	See how they run like pigs from a gun see	how they fly; I'm	crying!

	A	A/G	D/F#	Fmaj7	G	A	A/G
	Sitting on a cornflake			waiting for the	van to	come.

	F	B
	Corporation tee shirt, stupid bloody Tuesday,	Man you've been a naughty boy you let your face grow long!

	C	D	E
I am the	egg-man, they are the	egg-men, I am the	Walrus - Goo goo g'joob!

	A	A/G	C	D	E	A	A/G
	Mister city	p'liceman sitting	pretty little	p'lice men in a	row;

	C	D	A
	See how they fly like Lucy in the Sky see	how they run: I'm	crying!

	Dsus4	A	E	D	D7
I'm cry-	ing I'm	crying - I'm	cry-	ing!

	A	A/G	D/F#	Fmaj7	G	A	A/G
	Yellow matter custard			dripping from a	dead dog's	eye.

	F	B
	Crab a locker fishwife, pornographic priestess,	Boy you been a naughty girl you let your knickers down!

C

D

E

B

A

D

G

F

Bb

E

E7

D

D7

I am the

egg-man, they are the

egg-men, I am the

Walrus - Goo goo g'joob!

	B	A	G	F	E
	Sitting in an	English	garden waiting	for the	sun.

	F	B7
	If the sun don't	come you get a tan from standing in the English rain

	C	D	E
I am the	egg-man, they are the	egg-men, I am the	Walrus - Goo goo g'joob!

	A	A/G	C	D	E	A	A/G
	Expert, texpert,	choking smokers,	don't you think the	joker laughs at	you?

	C	D	A
	See how they smile like pigs in a sty, see	how they snied: I'm	crying!

	A	A/G	D/F#	Fmaj7	G	A	A/G
	Semolina Pilchard			climbing up the	Eiffel	Tower.

	F	B
	Element'ry penguin singing Hare Krishna.	Man you should have seen them kicking Edgar Allan Poe!

	C	D	E
I am the	egg-man, they are the	egg-men, I am the	Walrus - Goo goo g'joob!

Goo goo g'joob! Goo goo goo...

31. I'm Only Sleeping

Lennon & McCartney / the Beatles: Revolver (1966)

	Em	Am	G	C	G	B7
	When I wake up early in the	morning;	Lift my	head	I'm still	yawning.

	Em	Am	G	C	G	C	Am
	When I'm in the middle of a	dream;	Stay in	bed	Float up	stream.

	G	Am	Bm	Am
	Please don't wake me;	No, don't shake me;	Leave me where I	am,

	Am	Cmaj7	(Bass-Riff)
	I'm only	sleeping...

	Em	Am	G	C	G	B7
	Everybody seems to think I'm	lazy;	I don't	mind, I	think they're	crazy.

	Em	Am	G	C	G	C	Am
	Running everywhere at such a	speed; '	Til they	find,	There's no	need.

	G	Am	Bm	Am
	Please don't spoil my	day, I'm miles	away, And after	all,

	Bm	Cmaj7
	I'm only	sleeping...

Bridge

	Dm7	E	Am	Am/G	F
	Keeping an eye on the	world going by my	window,		taking my time

	E7	Am	G	C	G	B7
	Lying there and staring at the	ceiling;	Waiting	for - a	sleepy	feeling

Solo

	Em	Am	G	C	G	C

	G	Am	Bm	Am
	Please don't spoil my	day; I'm miles	away, And after	all:

	C
I'm only	sleeping...

	E7	Am	G	C	G	B7
	When I wake up early in the	morning;	Lift my	head	I'm still	yawning.

	Em	Am	G	C	G	C	Am
	When I'm in the middle of a	dream;	Stay in	bed	Float up	stream.

	G	Am	Bm	Am
	Please don't wake me;	No, don't shake me;	Leave me where I	am,

	Am	Cmaj7
	I'm only	sleeping...

32. I'm so Tired

Lennon & McCartney / the Beatles: White Album (1968)

	A	G#7	D	E7	A	F#m7	D	E7
I'm	so	tired, I	haven't slept a	wink, I'm	so	tired, my	mind is on the	blink.

	A	E+	F#m	Dm
I	wonder should I	get up and	fix myself a	drink, no, no, no!

	A	G#7	D	E7	A	F#m7	D	E7
I'm	so	tired, I	don't know what to	do, I'm	so	tired, my	mind is set on	you.

	A	E+	F#m	Dm
I	wonder should I	call you but I	know what you would	do...

	A
	You say, I'm putting you on but it's no joke, it's doing me harm, you know I

	E7
	can't sleep, I can't stop my brain, you know it's three weeks, I'm going insane,

	D	A
you know I'd	give you everything I've got for a little peace of	mind.

	A	G#7	D	E7	A	F#m7	D	E7
I'm	so	tired, I'm	feeling so up	set. Al	though I'm so	tired, I'll	have another ciga	rette

	A	E+	F#m	Dm
and	curse Sir Walter	Raleigh, he was	such a stupid	get.

	A
	You say, I'm putting you on but it's no joke, it's doing me harm, you know I

	E7
	can't sleep, I can't stop my brain, you know it's three weeks, I'm going insane,

	D	A
you know I'd	give you everything I've got for a little peace of	mind.

	D	A
	Give you everything I've got for a little peace of	mind.

33. In My Life

Lennon, McCartney / the Beatles: Rubber Soul (1965)

	E	B	E	B
	/ /	/	/ /	/

	E	E6	E7	A6	Am	E
There are	places I'll re	member	- all my	li- -	ife though	some have changed,

	E	E6	E7	A6	Am	E
Some for	ever not for b	etter;	some have	go- -	one and	some remain.

	E6	A6	D	E
All these	places had their	moments, with	lovers and friends I	still can recall,

	E6	A6	Am	E	B
Some are	dead and some are	living, in	my life I've l	oved them all.

	E	E6	E7	A6	Am	E
But of	all these friends and	lovers,	there is	no	one com	pares with you,

	E	E6	E7	A6	Am	E
And these	memories lose their	meaning,	when I	think of	love as	something new.

	E6	A6	D	E
Though I	know I'll never lose af	fection for	people and things that	went before,

	E6	A6	Am	E	B
I	know I'll often stop and think a	bout them, in	my life I'll	love you more.

(Piano/Harpsichord solo)

	E	E6	E7	A6	Am	E

	E6	A6	D	E
Though I	know I'll never lose af	fection for	people and things that	went before,

	E6	A6	Am	E	B
I	know I'll often stop and think a	bout them, in	my life I'll	love you more.

	Am	E	B	B7	E
In	my life I'll love you	more.

Am6

34. Lady Madonna

Lennon/ McCartney

	E	A	E	A
	Lady Ma	donna,	children at your	feet

	E	A	E	C	D	E
	Wonder how you	manage	to make		ends	meet

	A	E	A
Who finds the	money	when you pay the	rent

	E	A	E	C	D	E
	Did you think that	money	was	hea	ven	sent?

	Am	D
	Friday night arrives without a	suitcase

	G	Em
	Sunday morning creeping like a	nun

	Am	D7
	Monday's child has learned to tie his	bootlace

	G	Am6	B7
	See	how they'll	run

	E	A	E	A
	Lady Ma	donna,	baby at your	breast

	E	A	E	A
	Wonder how you	manage to	feed the	rest

	E	A	E	A
	Lady Ma	donna,	lying in your	bed

	E	A	E	C	D	E
	Listen to the	music	playing	in	your	head

	Am	D
	Tuesday afternoon is never	ending

	G	Em
	Wednesday morning papers didn't	come

	Am	D
	Thursday night your stockings needed	mending

	G	Am6	B7
	See	how they'll	run

	E	A	E	A
	Lady Ma	donna,	children at your	feet

	E	A	E	A
	Wonder how you	manage to	make ends	meet

35. Let it be

Lennon, McCartney / the Beatles: Let it Be (1970)

	C	G
When I	find myself in	time of trouble

	Am	F
	Mother Mary	comes to me

	C	G	F	F/E		F/D		C
	Speaking words of	wisdom let it	be	.

	C	G
And	in my hours of	darkness,

	Am	F
she is	standing right in	front of me

	C	G	F	F/E		F/D		C
	Speaking words of	wisdom let it	be	.

	Am	G	F	C
Let it	be, let it	be, let it	be, let it	be!

	G	F	F/E		F/D		C
Whisper words of	wisdom: let it	be.

And when the broken hearted people living in the world agree

There will be an answer, let it be

but though they may be parted

There is still a chance that they will see

There will be an answer, let it be

Let it be, let it be, let it be, let it be!

Whisper words of wisdom: let it be.

And when the night is cloudy

there is still a light that shines on me

Shines on still tomorrow, let it be

I wake up to the sound of music

Mother Mary comes to me

Speaking words of wisdom: let it be.

Let it be, let it be, let it be, let it be!

Speaking words of wisdom: let it be.

36. Maxwell's Silver Hammer

Lennon, McCartney / the Beatles: Abbey Road (1969)

	D	B7	Em
	Joan was quizzical,	studied pataphysical	science in the home,

	A7	D	A
	late night all alone with a test tube,	oh, oh, oh,	oh.

	D	B7	Em
	Maxwell Edison,	majoring in medicine,	calls her on the phone.

	A7	D	A
	Can I take you out to the pictures,	Jo-o-o-o	an?

	E7	A7
But,	as she's getting ready to go, a	knock comes from the door:

	D	E7
	Bang! Bang! Maxwell's silver hammer came	down upon her head.

	A7	Em	A7	D
	Clang! Clang! Maxwell's silver hammer made	sure that	she was	dead.

	D	B7	Em
	Back in school again,	Maxwell plays the fool again,	teacher gets annoyed.

	A7	D	A
	Wishing to avoid an unpleasant	sce-e-e-	ene.

	D	B7	Em
	She tells Max to stay	when the class has gone away,	so he waits behind.

	A7	D	A
	Writing fifty times "I must not be	so-o-o-	o.

	E7	A7
But,	when she turns her back on the boy, he	creeps up from behind:

	D	E7
	Bang! Bang! Maxwell's silver hammer came	down upon her head.

	A7	Em	A7	D
	Clang! Clang! Maxwell's silver hammer made	sure that	she was	dead.

	D	B7	Em
	P.C. thirtyone	said "We've caught a dirty one.",	Maxwell stands alone.

	A7	D	A
	Painting testimonial pictures,	oh - oh, oh -	oh.

	D	B7	Em
	Rose and Valerie,	screaming from the gallery,	say he must go free.

	A7	D	A
The	judge does not agree And he tells them	so-o-o-	o.

	E7	A7
But,	as the words are leaving his lips, a	noise came from behind:

	D	E7
	Bang! Bang! Maxwell's silver hammer came	down upon his head.

	A7	Em	A7	D
	Clang! Clang! Maxwell's silver hammer made	sure that	he was	dead.

37. Michelle

Lennon & McCartney / the Beatles: Rubber Soul (1966)

	Em		Em7+		Em7		Em6		Am7		B7

	E	Am7	D6	C	B7	C7	B7
	Michelle,	ma belle,	these are words that	go together	well,	my Mi	chelle!

	E	Am7	D6	C	B7	C7	B7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Em	G7	C
I	love you, I love you, I love you,	that's all I want to	say,

	B7	Em	B7	Em	Am7	Em	Em7+	Em7	Em6	Am7	B7
	until I	find	a	way -	I will	say the	only	words I	know that	you'll under	stand:

	E	Am7	D6	C	B7	C7	B7
	Michelle,	ma belle,	these are words that	go together	well,	my Mi	chelle!

	E	Am7	D6	C	B7	C7	B7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Em	G7	C
I	need to, I need to, I need to,	I need to make you	see,

B7

Em

B7

Em

Am7

Em

Em7+

Em7

Em6

Am7

B7

oh, what you

mean

to

me -

un- -

til I

do I'm

hoping

you will

know what I

mean:

	E
		I love you...

guitar

E

Am7

D

C

B7

C7

B7

	Em	G7	C
I	want you, I want you, I want you,	I think you know by	now,

B7

Em

B7

Em

Am7

Em

Em7+

Em7

Em6

Am7

B7

I'll get to

you

some--

how -

un- -

til I

do I'm

telling

you so

you'll under

stand:

	E	Am7	D6	C	B7	C7	B7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Em	Em7+	Em7	Em6	Am7	B7	E
And I will	say the	only	words I	know that	you'll under	stand, my Miche	lle...

guitar

|:

E

Am7

D

C

B7

C7

B7

:|

38. Norwegian Wood

Lennon, McCartney / the Beatles (1965)

	E	A	E	A	E	A	E	A	E
	I	once had a	girl	or should I	say	she once had	me?

	E	A	E	A	E	A	G	A	E
	She	showed me her	room	isn't it	good	Norwegian	wood?

	Em	A
She	asked me to stay and she told me to sit any	where.

	Em	F#m	B7
So	I looked around and I noticed there wasn't a	chair.

	E	A	E	A	E	A	E
	I	sat on a	rug	biding my	time	drinking her	wine

	E	A	E	A	E	A	E
	We	talked until	two	and then she	said	it's time for	bed

	\|:	E	A	E	A	E	A	E	:\|

	Em	A
She	told me she worked in the morning and started to	laugh

	Em	F#m	B7
I	told her I didn't and crawled off to sleep in the	bath

	E	A	E	A	E	A	E
	And	when I	awoke	I was	alone	this bird had	flown

	E	A	E	A	E	A	E
	So	I lit a	fire	isn't it	good	Norwegian	wood

39. Nowhere Man

John Lennon/Paul McCartney

	C	G	F	C
	He's a real	nowhere man,	Sitting in his	nowhere land,

	F	Fm	C
	Making all his	nowhere plans for	nobody.

	C	G	F	G
	Doesn't have a	point of view,	Knows not where he's	going to,

	F	Fm	C
	Isn't he a	bit like you and	me?

	Em	F	Em	F
Nowhere	man, please	listen, You don't	know what you're	missing,

	Em	F	G
Nowhere	man, the	world is at your command.

guitar

C

G

F

C

F

Fm

C

	C	G	F	C
	He's as blind as	he can be,	Just sees what he	wants to see,

	F	Fm	C
	Nowhere man can	you see me at	all?

	Em	F	Em	F
Nowhere	man, don't	worry, Take your	time, don't	hurry,

	Em	F	G
Leave it	all 'till	somebody else lends you a hand.

	C	G	F	C
	Doesn't have a	point of view,	Knows not where he's	going to,

	F	Fm	C
	Isn't he a	bit like you and	me?

	Em	F	Em	F
Nowhere	man, please	listen, You don't	know what you're	missing,

	Em	F	G
Nowhere	man, the	world is at your command.

	C	G	F	C
	He's a real	nowhere man,	Sitting in his	nowhere land,

	F	Fm	C
	Making all his	nowhere plans for	nobody,

	F	Fm	C
	Making all his	nowhere plans for	nobody,

	F	Fm	C
	Making all his	nowhere plans for	nobody.

40. Ob-La-Di Ob-La-Da

Lennon & Paul McCartney / the Beatles: White Album (1968)

	D		A		G		D7	G
						Desmond has a barrow in the	market place, Molly is the singer in a	band.

	C	G	D7	G
Desmond says to Molly, girl I	like your face and Molly	says this as she	takes him by the	hand:

	\|:		G	Bm	Em	G	D7	G	:\|
		Ob-la-	di, ob-la-da, life goes	on -	Bra -	Bra la how the	life goes	on.

	G	D7	G
	Desmond takes a trolley to the	jeweller's store, buys a twenty carat golden	ring.

	C	G	D7	G
Takes it back to Molly, waiting	at the door, and as he	gives it to her	she begins to	sing.

	\|:		G	Bm	Em	G	D7	G	:\|
		Ob-la-	di, ob-la-da, life goes	on -	Bra -	Bra la how the	life goes	on.

Bridge

	C	G
	In a couple of years they have built a home sweet	home -

	C	G	D7
	with a couple of kids running in the yard of	Desmond and Molly	Jones.

	G	D7	G
	Happy ever after in the	market place, Desmond lets the children lend a	hand.

	G7	C	G	D7	G
Molly stays at	home and does her	pretty face, and in the	evening she still	sings it with the	band.

	\|:		G	Bm	Em	G	D7	G	:\|
		Ob-la-	di, ob-la-da, life goes	on -	Bra -	Bra la how the	life goes	on.

Bridge

	C	G
	In a couple of years they have built a home sweet	home -

	C	G	D7
	with a couple of kids running in the yard of	Desmond and Molly	Jones.

	G	D7	G
	Happy ever after in the	market place, Molly lets the children lend a	hand.

	G7	C	G	D7	G
Desmond stays at	home and does his	pretty face, and in the	evening she's a	singer with the	band.

	\|:		G	Bm	Em	G	D7	G	:\|
		Ob-la-	di, ob-la-da, life goes	on -	Bra -	Bra la how the	life goes	on.

	C	D7	G
And if you	want some fun: Sing	Ob-La-Di-La-	Da!

Capo IV

41. Octopus's Garden

Richard Starkey / the Beatles: Abbey Road (1969)

	C	Am
	I'd like to be	under the sea

	F	C	G7
In an	Octopus's	Garden in the	shade.

	C	Am
	He'd let us in,	knows where we've been,

	F	C	G7
In his	Octopus's	Garden in the	shade.

	Am	G
	I'd ask my friends to come and see

	F	G7
	An Octopus's	Garden with me.

	C	Am
	I'd like to be	under the sea

	F	G7	C
In an	Octopus's	Garden in the	shade.

We would be warm below the storm

In our little hideaway beneath the waves.

Resting our head on the sea bed

In an Octopus's Garden near a cave.

We would sing and dance around

Because we know we can't be found.

I'd like to be under the sea

In an Octopus's Garden in the shade.

Solo

We would shout and swim about

The coral that lies beneath the waves.

Oh, what joy for every girl and boy

Knowing they're happy and they're safe.

We would be so happy, you and me.

No one there to tell us what to do.

I'd like to be under the sea

In an Octopus's Garden with you.

42. Paperback Writer

Lennon & McCartney / the Beatles: Revolver (1966)

	n.c.
	Paperback writer!

	G
	Dear Sir or Madam, will you read my book?

It took me years to write, will you take a look

It's based on a novel by a man named Lear

	C	D		G
And I need a job so I want to be a paperback	writer	-	Paperback	writer

It's a dirty story of a dirty man

And his clinging wife doesn't understand

His son is working for the Daily Mail

	C	D		G
It's a steady job but he wants to be a paperback	writer	-	Paperback	writer!

It's a thousand pages, give or take a few

I'll be writing more in a week or two

I can make it longer if you like the style

	C	D		G
I can change it 'round and I want to be a paperback	writer	-	Paperback	writer!

If you really like it you can have the rights

It could make a milion for you overnight

If you must return it you can send it here

	C	D		G
But I need a break and I want to be a paperback writer -	writer	-	Paperback	writer!

	C	G
	Paperback	writer!

43. Penny Lane

John Lennon/Paul McCartney

	A	Bm7	E7
In Penny	Lane there is a barber showing	photographs

	A	Am7
Of every	head he's had the pleasure to	know.

	Am6	Fmaj7	E7
And all the	people that come and	go - Stop and	say hello.

	A	Bm7	E7
On the	corner is a banker with a	motor car,

	A	Am7
The little	children laugh at him behind	his back.

	Am6	Fmaj7	E7	D
And the	banker never wears a	mack - In the	pouring rain -	very strange.

	G	C
Penny	Lane is in my ears and in my	eyes.

	G	C	E	E7
	There beneath the blue suburban	skies I sit and	meanwhile	back.

	A	Bm7	E7
In Penny	Lane there is a fireman with an	hourglass.

	A	Am7
And in his	pocket is a portrait of the	queen.

	Am6	Fmaj7	E7
He likes to	keep his fire engine	clean - It's a	clean machine.

trumpet

	G	C
Penny	Lane is in my ears and in my	eyes.

	G		C	E	E7
		Four of fish and finger	pies - in summer,	meanwhile	back.

	A	Bm7	E7
Behind the	shelter in the middle of a	roundabout

	A	Am7
A pretty	nurse is selling poppies from a	tray,

	Am6	Fmaj7	E7
And though she	feel as if she's in a	play - she is	anyway.

	A	Bm7	E7
In Penny	Lane the barber shaves another	customer.

	A	Am7
We see the	banker sitting waiting for a	trim.

	Am6	Fmaj7	E7
And the	fireman rushes in - From the	pouring rain -	very strange

	G	C
Penny	Lane is in my ears and in my	eyes.

	G	C	E	E7
	There beneath the blue suburban	skies I sit and	meanwhile	back.

	A	D
Penny	Lane is in my ears and in my	eyes.

	A	D	A
	There beneath the blue suburban	skies, Penny	Lane.

44. Something

George Harrison

Riff 1: F Bb G C Riff 2: F Bb G A e|-------------------|-0--0--0--0-| e|-------------------|-0--0--0--0-| b|-----1---------0---|-1--1--1--1-| b|-----1---------0---|-2--2--2--2-| G|---2-2-2---3---0---|-0--0--0--0-| G|---2-2-2---3---0---|-2--2--2--2-| D|---3---3---3-------|-2--2--2--2-| D|---3---3---3-------|-2--2--2--2-| A|-------------1-----|-3--3--3--3-| A|-------------1-----|-0--0--0--0-| E|-1---------------3-|-x--x--x--x-| E|-1---------------3-|-0--0--0--0-|

	C	Em
	Something in the way she	moves

	Bb	F
	Attracts me like no other	lover.

	D7	G
	Something in the way she	woos me:

	Am
	I don't want to leave her now

	Am/G
	You know I believe and how!

Riff 1

Somewhere in her smile she knows

That I don't need no other lover.

Something in her style that shows me:

I don't want to leave her now

You know I believe and how!

Riff 2

	A	F#m
	You're asking me, will my love	grow?

	D	G	A
I don't	know,	I don't	know!

	A	F#m
	You stick around now it may	show:

	D	G	C
I don't	know,	I don't	know!

Zwischenspiel(Akkorde wie Strophe)

Riff 1

Something in the way she knows - And all I have to do is think of her.

Something in the things she shows me:

I don't want to leave her now - You know I believe and how!

Riff 2

Riff 1

45. Strawberry Fields Forever for Dummies

Lennon, McCartney/the Beatles: Magical Mystery Tour (1967)

	C	Gm	A
	Let me take you down, 'cause I'm going	to Strawberry Fields,	Nothing is real,

	F	A	F	C
And	nothing to get	hung about -	Strawberry Fields for	ever

	G	Bm	Dm	Am	Am/G	F
	Living is	easy with	eyes closed,	Misunder	standing all you	see .

	F	G	C	Am	F	G	C
	It's getting	hard to be some	one but it all works	out,	It doesn't	matter much to	me.

	C	Gm	A
	Let me take you down, 'cause I'm going	to Strawberry Fields,	Nothing is real,

	F	A	F	C
And	nothing to get	hung about -	Strawberry Fields for	ever

	G	Bm	Dm	Am	Am/G	F
	No one I	think is in	my tree,	I mean it	must be high or	low;

	F	G	C	Am	F	G	C
	That is, you	can't you know tune	in but it's all	right,	That is, I	think it's not too	bad.

	C	Gm	A
	Let me take you down, 'cause I'm going	to Strawberry Fields,	Nothing is real,

	F	A	F	C
And	nothing to get	hung about -	Strawberry Fields for	ever

	G	Bm	Dm	Am	Am/G	F
	Always	know, some	times think it's me,	But you know I	know when it's a	dream.

	F	G	C	Am	F	G	C
	I think a "	No" will be a "	Yes", but it's all	wrong,	That is, I	think I dis	agree.

	C	Gm
	Let me take you down, 'cause I'm going	to Strawberry Fields

	A	F	A	F	C
	Nothing is real, and	nothing to get	hung about -	Strawberry Fields for	ever

	F	C	F	C
	Strawberry Fields for	ever -	Strawberry Fields for	ever

46. The Fool on the Hill

Lennon & McCartney / the Beatles: Magical Mystery Tour (1968)

	D	G	D	(	Bm	)	G
	Day after day,	alone on a hill, The	man with the foolish		grin	is keeping	perfectly still,

	Em	A	D	Bm	Em	A
But	nobody wants to	know him, they can	see that he's just a	fool, And	he never gives an	answer.

	Dm	Bb
But the	fool on the hill sees the	sun going down

	C	Am	Dm	D
And the	eyes in his head see the	world spinning	round...

	D	G	D	G
	Well on the way	head in a cloud, the	man of thousand voices talking	perfectly loud,

	Em	A	D	Bm	Em	A
But	nobody ever	hears him, or the	sound he appears to	make, And	he never seems to	notice.

	Dm	Bb
But the	fool on the hill sees the	sun going down

	C	Am	Dm	D
And the	eyes in his head see the	world spinning	round...

flute

	D	G	D	G

	Em	A	D	Bm	Em	A
And	nobody seems to	like him, they can	tell what he wants to	do, And	he never shows his	feelings.

	Dm	Bb
But the	fool on the hill sees the	sun going down

	C	Am	Dm	D
And the	eyes in his head see the	world spinning	round...

	D	G	D	G
	Oh,	around and round -	Oh,	around and round...

	Em	A	D	Bm	Em	A
	he never listens	to them, he	knows that they're the	fools -	They don't	like him.

	Dm	Bb
But the	fool on the hill sees the	sun going down

	C	Am	Dm	D
And the	eyes in his head see the	world spinning	round...

	D	G	D	G
	Oh,	around and round -	Oh,	around and round...

47. We Can Work It Out

Lennon & McCartney / the Beatles

	D	Em	D	Em	C	D
	Try to see it	my	way - Do I have to	keep on talking	till I can't go	on?

	D	Em	D	Em	C	D
	While you see it	your	way - Run the risk of	knowing that our	love may soon be	gone!

	G	D	G	A
	We can work it	out -	We can work it	out!

	D	Em	D	Em	C	D
	Think of what you're	say-	ing - You can get it	wrong and still you	think that it's all	right!

	D	Em	D	Em	C	D
	Think of what I'm	say-	ing - We can work it	out and get it	straight or say good	night!

	G	D	G	A
	We can work it	out -	We can work it	out!

Bridge

	Bm	G	F#7
	Life is very short and there's no	ti--	me

	Bm	Bm/A	Bm/G	Bm/F#
For fussing and	fighting my	friend.

	Bm	G	F#7
	I have always thought that it's a	cri--	me

	Bm	Bm/A	Bm/G	Bm/F#
So I will	ask you	once	again:

	D	Em	D	Em	C	D
	Try to see it	my	way - Only time will	tell if I am	right or I am	wrong.

	Em	D	Em	C	D
While you see it	your	way - There's a chance that	we might fall a	part before too	long!

	G	D	G	A
	We can work it	out -	We can work it	out!

Bridge

	Bm	G	F#7
	Life is very short and there's no	ti--	me

	Bm	Bm/A	Bm/G	Bm/F#
For fussing and	fighting my	friend.

	Bm	G	F#7
	I have always thought that it's a	cri--	me

	Bm	Bm/A	Bm/G	Bm/F#
So I will	ask you	once	again:

	D	Em	D	Em	C	D
	Try to see it	my	way - Only time will	tell if I am	right or I am	wrong.

	Em	D	Em	C	D
While you see it	your	way - There's a chance that	we might fall a	part before too	long!

	G	D	G	A
	We can work it	out -	We can work it	out!

	D	Em	D

48. When I'm Sixty-Four

Lennon, McCartney / the Beatles (1967)

	C	G7	C		G7
				When I get older, losing my hair, many years from	now,

	C
will you still be sending me a Valentine, birthday greetings,	bottle of wine?

	C7	F
If I'd been out 'til quarter to three,	would you lock the	door?

	Ab7	C	A7	D7	G7	C
Will you still	need me,	will you still	feed me,	when I'm	sixty-	four?

	Am	G	Am		E7	Am
				You'll be older,	too. (Aaah-	aah)

	Dm	F	G7	C	G7
And if you	say the word,	I could	stay with	you.

	C		G7
		I could be handy, mending a fuse, when your lights have	gone.

	C
You can knit a sweater by the fireside, sunday mornings,	go for a ride.

	C7	G7
Doing the garden, digging the weeds,	who could ask for	more?

	Ab7	C	A7	D7	G7	C
Will you still	need me,	will you still	feed me,	when I'm	sixty-	four?

	Am	G	Am
	Every summer we can rent a cottage in the Isle of	Wight, if it's not to	dear.

	E7	Am
We shall scrimp and	save. (and	save)

	Dm	F	G7	C	G7
Grandchildren	on your knee,	Vera,	Chuck, and	Dave.

	C		G7
		Send me a postcard, drop me a line stating point of	view.

	C
Indicate precisely what you mean to say, yours sincerely	wasting away.

	C7	G
Give me your answer, fill in a form -	mine forever	more.

	Ab7	C	A7	D7	G7	C	G7	C
Will you still	need me,	will you still	feed me,	when I'm	sixty-	four?

Am7/G

Am/F#

E/b

E/c#

E/b

E/e

49. While My Guitar Gently Weeps

George Harrison

Intro:

Am

Am7/G

Am/F#

F

Am

G

D

E7

	Am	Am7/G	Am/F#	F
I	look at you	all see the	love there that's	sleeping

	Am	G	D	E7
	While my gui	tar gently	weeps

	Am	Am7/G	Am/F#	F
I	look at the	floor and I	see it needs	sweeping

	Am	G	C	E7
	Still my gui	tar gently	weeps

	barre:	A	C#m	F#m	C#m	Bm	E/b	E/c#	E/d	E/e
		I don't know	why	nobody	told you -	how to unfold your	love

	A	C#m	F#m	C#m	Bm	E/b	E/c#	E/d	E/e
	I don't know	how	someone contr	olled you -	They bought and sold	you

	Am	Am/G	Am/F#	F
I	look at the	world and I	notice it's	turning

	Am	G	D	E7
	While my	guitar gently	weeps

	Am	Am/G	Am/F#	F
With	every mis	take we must	surely be	learning

	Am	G	C	E7
	Still my	guitar gently	weeps

Solo over verse

	A	C#m	F#m	C#m	Bm	E/b	E/c#	E/d	E/e
	I don't know	how	you were di	verted -	You were perverted	too

	A	C#m	F#m	C#m	Bm	E/b	E/c#	E/d	E/e
	I don't know	how	you were in	verted -	No one aler	ted you

	Am	Am7/G	Am/F#	F
I	look at you	all see the	love there that's	sleeping

	Am	G	D	E7
	While my gui	tar gently	weeps

	Am	Am7/G	Am/F#	F	Am	G	D	E7
	..Look at you	all		-	Still my gui	tar gently	weeps

Solo to the end...

50. With a Little Help from my Friends

Lennon & McCartney / the Beatles: Sergeant Pepper's Lonely Hearts Club Band (1967)

	C	G	Dm	G	C
	What would you	think if I	sang out of tune, Would you	stand up and walk out on	me?

	C	G	Dm	G	C
	Lend me your	ears and I'll	sing you a song, And I'll	try not to sing out of	key.

	C	Bb	F	C
	Oh, I get	by with a little	help from my	friends,

	C	Bb	F	C
	Mm, I get	high with a little	help from my	friends.

	C	Bb	F	C
	Mm, gonna	try with a little	help from my	friends.

	G

	C	G	Dm	G	C
	What do I	do when my	love is away, Does it	worry you to be a	lone?

	C	G	Dm	G	C
	How do I	feel by the	end of the day, Are you	sad because you're on your	own?

	C	Bb	F	C
	No, I get	by with a little	help from my	friends,

	C	Bb	F	C
	Mm, I get	high with a little	help from my	friends.

	C	Bb	F	C
	Mm, gonna	try with a little	help from my	friends.

bridge

	Am	D	C	Bb	F
Do you	need any	body? - I	need some	body to	love.

	Am	D	C	Bb	F
Could it	be any	body? - I	want some	body to	love.

	C	G	Dm	G	C
	Would you be	lieve in a	love at first sight? Yes, I'm	certain that it happens all the	time.

	C	G	Dm	G	C
	What do you	see when you	turn out the light? I can't	tell you but I know it's	mine.

	C	Bb	F	C
	Oh, I get	by with a little	help from my	friends,

	C	Bb	F	C
	Mm, I get	high with a little	help from my	friends.

	C	Bb	F	C
	Oh, Im gonna	try with a little	help from my	friends.

bridge

	Am	D	C	Bb	F
Do you	need any	body? - I	need some	body to	love.

	Am	D	C	Bb	F
Could it	be any	body? - I	want some	body to	love.

	C	Bb	F	C
	Oh, I get	by with a little	help from my	friends,

	C	Bb	F	C
	Mm, gonna	try with a little	help from my	friends.

	C	Bb	F	C
	Oh, I get	high with a little	help from my	friends.

	C	Bb	F
	Yes, I get	by with a little help from my	friends,

	Ab	Bb	C
With a little help from my	frie-	ee-	ends.

51. Yellow Submarine

Lennon & McCartney / the Beatles: Revolver (1966)

	F	G	F	C
	In the	town where	I was	born

	Am	Dm	F	G
	Lived a	man who	sailed to	sea.

	F	G	F	C
	And he	told us	of his	life

	Am	Dm	F	G
	In the	land of	subma	rines.

	F	G	F	C
	So we	sailed up	to the	sun

	Am	Dm	F	G
	Till we	found the	sea of	green.

	F	G	F	C
	And we	lived be	neath the	waves

	Am	Dm	F	G
	In our	yellow	subma	rine.

	C	G	G7	C
	We all live in a	yellow submarine,	Yellow submarine,	yellow submarine!

	C	G	G7	C
	We all live in a	yellow submarine,	Yellow submarine,	yellow submarine!

And our friends are all on board - Many more of them live next door.

And the band begins to play!

Trumpet: Tat ta ta ta...

We all live in a yellow submarine, Yellow submarine, yellow submarine!

"Full speed ahead, Mr. Barkley, full speed ahead!"

"Full speed over here, Sir!" - "All together! All together!"

"Aye, aye, Sir, fire!" - "Captain! Captain!"

As we live a life of ease - Everyone of us has all we need.

Sky of blue and sea of green - In our yellow submarine

We all live in a yellow submarine, Yellow submarine, yellow submarine!

52. Yesterday

Lennon & McCartney / Beatles: Help (1965)

	F	Em7	A4	Dm	C		Bb
	Yesterday,	all my	troubles seemed so	far away.

	C	F
Now it	looks as though they're	here to stay.

	C	Dm	G	Bb	F
	Oh	I be-	lieve in	yester	day.

Suddenly, I'm not half the man I used to be.

There's a shadow hanging over me.

Oh yesterday came suddenly.

	A4	A7	Dm	C	Bb	C	F
	Why	she	had	to	go I don't	know she wouldn't	say

	A4	A7	Dm	C	Bb	C	F
	I	said	some	thing	wrong now I	long for yester	day.

Yesterday, love was such an easy game to play.

Now I need a place to hide away,

oh I believe in yesterday.

Why she had to go I don't know she wouldn't say

I said something wrong now I long for yesterday.

Yesterday, love was such an easy game to play.

Now I need a place to hide away,

oh I believe in yesterday.

Hm Hm Hm Hm...

53. You've Got to Hide Your Love Away

Lennon & McCartney / the Beatles: Help (1965)

	G	D	F	G	C	F	C
	Here I	stand	head in	hand,	turn my face to the	wall

	G	D	F	G	C	F	C	D
	If she's	gone I	can't go	on,	feeling two foot	sm	al	l

	G	D	F	G	C	F	C
	Every	where	people	stare	each and every	way

	G	D	F	G	C	F	C	D	D/C	D/B	D/A
	I can	see them	laugh at	me	and I hear them	say

	G	C	Dsus	D	D6	D
	Hey you got to	hide your love	away

	G	C	Dsus	D	D6	D
	Hey you got to	hide your love	away

	G	D	F	G	C	F	C
	How can	I	even	try,	I can never	win

	G	D	F	G	C	F	C	D
	Hearing	them	seeing	them	in the state I'm	in

	G	D	F	G	C	F	C
	How could	she	say to	me	love will find	away

	G	D	F	G	C	F	C	D
	Gather	round	all you	clown,	let me hear you	say	ay	ay

	G	C	Dsus	D	D6	D
	Hey you got to	hide your love	away

	G	C	Dsus	D	D6	D
	Hey you got to	hide your love	away

54. Morning of my Life

Bee Gees

	G	C	G
In the	morning when the	moon is at it's	rest,

	Em	C	G
you will	see me at the	time I love the	best,

	Am	Bm
watching	rainbows, play on	sunlight,

	Am	Bm	Am
pools of	water iced from	cold night, in the	morning.

	C		D	C	G
		'Tis the morning of my	life. 'tis the	morning of my	life.

In the daytime I will meet you as before.

You will find me waiting by the ocean floor,

building castles in the shifting sands

in a world that no one understands, in the morning.

	C		D	C	G
		'Tis the morning of my	life. 'tis the	morning of my	life.

	G	Am
In the	morning of my	life

	C	D	G
the	minutes take so	long to drift a	way.

	G	Am
Please be	patient with your	life,

	C	D	G
it's only	morning and you're	still to live your	day.

In the evening I will fly you to the moon,

to the top right hand corner of the ceiling in my room,

where we'll stay until the sun shines,

another day to swing on clothes lines, I'll be yawning.

	C	D	C	G
It is the	morning of my	life. It is the	morning of my	life.

	G
In the	morning, In the morning.

55. Spicks and Specks

Barry Gibb / Bee Gees: Spicks and Specks (1966)

	G	D	Em	Bm
	Where is the	sun that	shone on my	head?

	C	G	A	D
	The sun in my	life, it is	dead, it is	dead.

	G	D	Em	Bm
	Where is the	light that would	stay in my	street,

	C	G	D	G	D
	And where are the	friends I could	meet, I could	meet?

	G	D	Em	Bm
	Where are the	girls I	left far	behind?

	C	G	D	G	D
	The spicks and the	specks of the	girls on my	mind?

	G	D	Em	Bm
	Where is the	sun that	shone on my	head?

	C	G	D	G	D	D#
	The sun in my	life, it is	dead, it is	dead

	G#	D#	Fm	Cm
	Where are the	girls I	left far be	hind,

	C#	G#	D#	G#	E
	The spicks and the	specks of the	girls on my	mind?

	A	E	F#m	C#m
	Where are the	girls I	left far be	hind,

	D	A	E	A
	The spicks and the	specks of the	girls on my	mind?

	A	E	F#m	C#m
	Where is the	girl I have	loved all a	long?

	D	A	E	A
	The girl that I	love, she is	gone, she is	gone!

	A	E	F#m	C#m
	All of my	life I've	tossed with the	day,

	D	A	E	A	E
	The spicks and the	specks of my	life gone a	way!

	A	E	F#m	C#m
	All of my	life I've	tossed with the	day,

	D	A	E	A	E
	The spicks and the	specks of my	life gone a	way!

	A	E	F#m	C#m
	Where is the	sun that	shone on my	head?

	D	A	E	A
	The sun in my	life, it is	dead, it is	dead!

56. To Love Somebody

Barry & Robin Gibb / Bee Gees: Bee Gees 1st (1967), Eric Burdon & the Animals: Love Is (1968)

	G	Am
	There's a light, a	certain kind of light,

	C	G	F	G
	That never shone on	me.	I want my life to	be -

	D	C
Here with with	you - To live with	you!

	G	Am
	There's a way - I know	everybody says:

	C	G	F	G
	Just to do every thing that I	can!	But what good will it	do -

	D	C
If I can't have	you - if I can't have	you, Baby!

	G	D	C	G
	You don't know what it's	like, You	just don't know what it's	like!

	D	C	G
To love some	body, to love some	body - The way I	love you.

solo

	G	Am
	Mmm, in my brain - I	see your face again.

	C	G	F	G
	I know my frame of	mind,	you ain't got to be so	blind -

	D	C
And I'm	blind, so so so very	blind!

	G	Am
	I'm a man, can't you	see what I am?

	C	G	F	G
I	live and I breathe for	you!	But what good does it	do -

	D	C
If I ain't got	you - Ain't got	you, Baby!

You don't know what it's like, You just don't know what it's like!

To love somebody - To love somebody - The way I love you.

You don't know what it's like, You just don't know what it's like!

	D	G
To love somebody - To love somebody - The way I love you.	No no no no no	no

You don't know what it's like, You just don't know what it's like!

To love somebody - To love somebody - The way I love you.

57. Bye Bye Johnny

Chuck Berry / Chuck Berry: Rockin' at the Hops (1960)

	C
	She drew out all her money at the Southern Trust

And put her little boy upon a Greyhound bus.

	F
	Leaving Louisiana for the golden west -

	C
	Down came the tears from her happiness.

	G
Her	own little son named Johnny B. Goode -

	C
Was going to	make some motion pictures out in Hollywood.

	C	F	C
	Bye bye bye bye,	Bye bye bye	bye;

	G	F	C
	Bye-bye Johnny,	Goodbye Johnny B.	Goode!

	C
	She remembered taking money earnt from gathering crop

And buying Johnny's guitar at a broker's shop.

	F
As	long as he would play it by the railroad side -

	C
He	wouldn't get in trouble, he was satisfied.

	G
But	never thought there'd ever come a day like this -

	C
When she would	have to give her son a goodbye kiss.

	C	F	C
	Bye bye bye bye,	Bye bye bye	bye;

	G	F	C
	Bye-bye Johnny,	Goodbye Johnny B.	Goode!

SOLO

	C
	She finally got the letter she'd been dreaming of

Johnny wrote and told her he had fell in love.

	F
As	soon as he was married he would bring her back -

	C
And	build a mansion for them by the railroad track.

	G
So	every time they heard the locomotive roar

	C
They'd be	standing and waving in the kitchen door.

	C	F	C
	Bye bye bye bye,	Bye bye bye	bye;

	G	F	C
	Bye-bye Johnny,	Goodbye Johnny B.	Goode!

58. Johnny B. Goode

Chuck Berry (1958)

	A
Deep	down in Louisiana, close to New Orleans,

Way back up in the woods among the evergreens,

	D
There	stood a log cabin made of earth and wood

	A
Where	lived a country boy named Johnny B. Goode

	E
Who	never ever learned to read or write so well,

	A
But he could	play the guitar just like a ringin' a bell.

	A
	Go! Go! Go, Johnny, go! Go!

	D
Go, Johnny, go! Go	!

	A
Go, Johnny, go!	Go!

	E	A
Go, Johnny, go! Go!	Johnny B.	Goode!

He used to carry his guitar in a gunny sack,

And sit beneath the tree by the railroad track.

Living in the city sittin' in the shade,

Strummin' to the rhythm that the drivers made.

When people passed him by they would stop and say,

"Oh my but that little country boy could play".

Go! Go! Go, Johnny, go! Go!

Go, Johnny, go! Go!

Go, Johnny, go! Go! Johnny B. Goode!

His mother told him: "Someday you will be a man,

And you will be the leader of a big old band.

Many people coming from miles around

To hear you play your music when the sun goes down.

Maybe some day your name will be in lights -

Saying Johnny B. Goode tonight!"

Go! Go! Go, Johnny, go! Go!

Go, Johnny, go! Go!

Go, Johnny, go! Go! Johnny B. Goode!

59. Memphis Tennessee

Chuck Berry / Chuck Berry: Back in the U.S.A (1959)

	G	D
	Long-	distance information, get me Memphis, Tennessee.

Help me find the party who tried to get in touch with me.

	G
She	could not leave her number, but I know who placed the call.

	D7	C	G
'Cause my uncle took a	message and he	wrote it on the	wall.

Help me, information, get in touch with my Marie.

She's the only one who called me here from Memphis, Tennessee.

Her home is on the south side, high upon the ridge;

Just a half a mile from the Mississippi bridge.

Solo

Help me, information, more than that I cannot add,

Only that I miss her and all the fun we had.

But we were pulled apart because her mom would not agree,

Tore apart our happy home in Memphis, Tennessee.

Last time I saw Marie she was wavin' me goodbye;

With hurry-home drops on her cheeks that trickled from her eyes.

Marie is only six years old; information please:

Try to put me through to her in Memphis, Tennessee!

60. Rock And Roll Music

Chuck Berry / Chuck Berry (1957)

	A	A
	Just let me hear some of that	Rock And Roll Music,

Any old way you choose it;

	D7
It's got a	back beat, you can't loose it,

	A	A7
	Any old time you	use it.

	E7
It's	gotta be Rock Roll Music,

	E7	A
	if you wanna dance with	me,

	E7	A
	if you wanna dance with	me.

	A	E7
	I've got no kick against	modern jazz

	A
unless they try to play it	too darn fast

	D
and change the beaty of the	melody

	E7
until it sounds just like a	symphony

That's why I go just for that Rock and Roll Music,

Any old way you choose it;

It's got a back beat, you can't loose it,

Any old time you use it.

It's gotta be Rock Roll Music,

if you wanna dance with me,

if you wanna dance with me.

I took my love on over 'cross the tracks

So she could hear a man a-wailin' sax.

I must admit they had a rockin' band

And they were blowin' like a hurrican'.

That's why I go just for that Rock And Roll Music...

Way down south they had a jubilee

the rockin' folks they gave a jamburee

drinkin' home-brewn from a wooden cup

man, you should have seen them all shook up!

That's why I go just for that Rock And Roll Music...

Don't care to hear 'em play a tango,

I'm in the mood to dig a mambo;

It's way to early for a congo,

So keep a rockin' that piano

So I can hear some of that Rock And Roll Music...

That's why I go just for that Rock And Roll Music...

61. Roll Over Beethoven

Chuck Berry

	E	E
	I'm gonna write a little letter,	Gonna mail it to my local DJ.

	A	A	E
It's a	rockin' rhythm record I	want my jockey to	play.

	B	B	E
Roll	over Beethoven, I	gotta hear it again to	day.

You know, my temperature's risin' And the jukebox blows a fuse.

My heart's beatin' rhythm And my soul keeps on singin' the blues.

Roll over Beethoven and tell Tchaikovsky the news.

I got the rockin' pneumonia, I need a shot of rhythm and blues.

I think I'm rollin' arthritis Sittin' down by the rhythm review.

Roll over Beethoven rockin' in two by two.

bridge

	E	E
	well, if you feel you like it -	go get your lover, then reel and rock it.

	E	A	A	E
	roll it over and	move on up just -	a trifle further and	reel and rock it, roll it over,

	E	B
	roll	over Beethoven rockin' in two by two.

Well, early in the mornin' I'm a-givin' you a warnin'

Don't you step on my blue suede shoes.

Hey diddle diddle, I am playin' my fiddle, Ain't got nothin' to lose.

Roll over Beethoven and tell Tchaikovsky the news.

You know she wiggles like a glow worm, Dance like a spinnin' top.

She got a crazy partner, Oughta see 'em reel and rock.

Long as she got a dime the music will never stop.

Roll over Beethoven,

Roll over Beethoven and dig these rhythm and blues.

62. Sweet Little Sixteen

Chuck Berry (1958)

Intro: E-8-8-6-6-4-4-3-3-1---| B-9-9-7-7-6-6-5-5-2---| G---------------------| D---------------------| A---------------------| E---------------------|

	Db7	Ab7	Db7
	They're really rockin' in	Boston - In Pittsburgh, P.	A.

	Ab7	Db7
Deep in the heart of	Texas - And 'round the Frisco	Bay.

	Gb7	Db7
All over St.	Louis - Way down in New Or	leans:

	Ab7	Db7
All the cats wanna	dance with - Sweet little six	teen!

	n.c.	Ab7	n.c.	Db7
	Sweet little six	teen -	Shes just got to	have,

	Ab7	n.c.	Db7
About half a	million -	Framed auto	graphs!

	n.c.	Gb7	n.c.	Db7
	Her wallet's filled with	pictures -	She gets 'em one by	one.

	n.c.	Ab7	n.c.	Db7
	She gets so ex	cited -	Watch her look at her	run!

	Gb7	Db7
Oh mommy	mommy, Please may I	go!

	Ab7	Db7
It's such a sight to	see - Somebody steal the	show.

	Gb7	Db7
Oh daddy	daddy, I beg of	you:

	Ab7	Db7
Whisper to	mommy - It's all right with	you.

'Cause they'll be rockin on bandstand - In Philadelphia P.A.

Deep in the heart of Texas - And 'round the Frisco Bay.

All over St. Louis - Way down in New Orleans:

All the cats wanna dance with - Sweet little sixteen!

Piano solo

'Cause they'll be rockin on bandstand - In Philadelphia P.A.

Deep in the heart of Texas - And round the Frisco Bay.

All over St. Louis - Way down in New Orleans:

All the cats wanna dance with - Sweet little sixteen!

Sweet little sixteen - She's got the grown up blues.

Tight dress and lipstick - She's sportin' high heel shoes.

Oh, but tomorrow morning - She'll have to change her trend:

And be sweet sixteen - And back in class again!

'Cause they'll be rockin on bandstand - In Philadelphia P.A.

Deep in the heart of Texas - And 'round the Frisco Bay.

All over St. Louis - Way down in New Orleans:

All the cats wanna dance with - Sweet little sixteen!

63. Speedy Gonzales

Kaye, Hill, Lee / Pat Boone (1962)

It was a moonlight night in old Mexico

I walked along between some old adobe haciendas

Suddenly, I heard the plaintive cry of a young Mexican girl:

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

	D	Bm
You'd better come home, Speedy Gon	zales - Away from Cannery	Row

	G	A7
Stop all your	drinkin' - With that floozie named	Flo

	D	Bm
Come on home to your a	dobe - And slap some mud on the	wall

	G	A7		D
The roof is leakin' like a	strainer	-	There's lots of roaches in the	hall

	G	D
Speedy Gon	zales (Speedy Gonzales) - Why don't you come	home?

	G	A
Speedy Gon	zales (Speedy Gonzales) - How come you leave me all a	lone?

Hey, Rosita! I have to go shopping downtown for my mother. She needs some tortillas and chili peppers!

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

	D	Bm
Your dog is gonna have a	puppy - And we're runnin' out of	Coke

	G	A7
No enchiladas in the	icebox - And the television's	broke

	D	Bm
I saw some lipstick on your	sweatshirt - I smell some perfume in your	ear

	G	A7		D
Well, if you're gonna keep a-	messin'	-	Don't bring your business back-a	here

	G	D
Speedy Gon	zales (Speedy Gonzales) - Why don't you come	home?

	G	A
Speedy Gon	zales (Speedy Gonzales) - How come you leave me all a	lone?

Hey, Rosita, come quick! Down at the Cantina they've got some green stamps with tequila!

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

Capo IV

64. I'm the Urban Spaceman

N. Innes / Bonzo Dog Band: Tadpoles (1969)

	G	A	C	D	G

	G	A	C	D	G
	I'm the urban spaceman baby,	I've got speed;	I've got	everything I	need.

	G	A	C	D	G
	I'm the urban spaceman, baby,	I can fly; I'm a	super	sonic	guy.

	Em	C	G
	I don't need pleasure, I	don't feel	pain.

	C	G	A	D
	If you were to	knock me down - I'd	just get up	again!

	G	A	C	D	G	G	A	C	D	G
	I'm the urban spaceman babe and -	I'm making out -	I'm	all a	bout!

	Em	C	G
I	wake up every morning with a	smile upon my	face.

	C	G	A	D	G	A	C	D	G
My	natural ex	uberance spills	out all over the	place.

	G	A	C	D	G
	I'm the urban spaceman I'm	intelligent and clean,	Know	what I	mean?

	G	A	C	D	G
	I'm the urban spaceman, as a	lover second to none,	It's a	lot of	fun!

	Em	C	G
	I never let my friends down, I've	never made a	boob.

	C	G	A	D
	I'm a glossy	magazine, an	advert in the	tube.

	G	A	C	D	G	G	A	C	D	G
	I'm the urban spaceman babe, but	here comes the twist:	I	don't e	xist!

65. Tent

Vivian Stanshall / Bonzo Dog Band: Keynsham (1969)

	spoken
	So, you've no rejection, shall we say... with the ladies...

Well, uh, sometimes I want to... All right, all right, ah ah ah ah ah...

	n.c.	C
	I'm gonna get you in my	tent tent tent tent tent;

	G
Where we can both experi	ment -ment -ment -ment -ment.

	A	C
Yeah yay, it's so conveni	ent -ent -ent -ent -	ent.

	n.c.	G	C7	G
	Let's take a taxi through my tent

	n.c.	C	G
	Oh, yay, my love is so in	scrutable, In a stoic sort of	way.

	A	C	n.c.	D
But, by baby, it's as	beautiful	-	As a tourniquet.

	n.c.
	I'm gonna I'm gonna I'm gonna I'm gonna I'm gonna I'm gonna

	C
I'm gonna get you in my	tent tent tent tent tent.

	G
Whoa whoa, it's only common	sense sense sense.

	A	C	n.c.
I know that you won't mind the	stench stench stench	-	Of the sacrament!

	Solo:	C7	G7	C7	G7	D7	C7	G	C7	G

	n.c.	C	G
	I won't let this love de	stroy her, I can't control this para	noia.

	A	C	n.c.
I'll have to get a show biz	lawyer	-	To stop me!

	G	C7	G	C7	G	C7
	Kill smash	smash thrill	spill drive	fight bite	trap scream	tear

	G	n.c.
scritch shout		Tent! Tent! Tent! Tent!

	n.c.	C	G
	You'll be laughing like a	lunatic, That just got a	way.

	A	C	n.c.	D
Howling like a	hypocrite	-	At an auto-da-fe.

	n.c.	C
	I'm gonna get you in my	tent tent tent tent tent.

	G
We'll find out where the woozle	went went went went went.

	A	C
We'll fill his footprints with ce	ment -ment -ment -ment;

	n.c.	C7	G7	C7	G7
	We'll dance the tango in my tent!

66. The Letter

Wayne Carson Thompson / the Box Tops (1967); Joe Cocker (1970)

	(n.c.)
	Give me a ticket for an aeroplane, Ain't got time to take the fastest train.

	Am
Lonely days are gone, I'm a-goin' home, My baby just wrote me a	letter.

	Intro:		perc.	Am	(Bass-Intro)
		\|	/ / / / \|	/	/ / / \|

	Am	F	G	D
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train.

	Am	F	E7	Am
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	Am	F	G	D
	I don't care how much money I	gotta spend,	Got to get back to my	baby again!

	Am	F	E7	Am
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	C	G	F	C	G	G
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	C	G	F	C	G	E7
	Listen mister	can't you see I	got to get	back to my	baby once more. -	Anyway.

	Am	F	G	D
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train!

	Am	F	E7	Am
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	C	G	F	C	G	G
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	C	G	F	C	G	E7
	Listen mister	can't you see I	got to get	back to my	baby once more.	Anyway.

	Am	F	G	D
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train

	Am	F	E7	Am
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter!

	Am	F	G	D
	I don't care how much money I	gotta spend,	Got to get back to my	baby again.

	Am	F	E7	Am
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter - I said,

	(n.c.)	Am
My	baby just wrote me a	letter.

67. House of the Rising Sun

traditional / Animals (1964)

	Am	C	D	F	Am	C	E
	There is a	house in	New Or	leans They	call the	rising	sun.

	Am	C	D	F	Am	E	Am	E7
And its	been the	ruin of	many a poor	boy, And	me, oh	Lord, I'm	one.

	Am	C	D	F	Am	C	E
	My mother	she's a	tailor,	She	sewed those	new blue	jeans.

	Am	C	D	F	Am	E	Am	E7
My	father	he's a	gamblin'	man - Drinks	down in	New Or	leans.

	Am	C	D	F	Am	C	E
Now the	only	things a	gambler	needs Is a	suitcase	and a	trunk.

	Am	C	D	F	Am	E	Am	E7
And the	only	time that	he's satis	fied Is	when he's	on a	drunk.

	Am	C	D	F	Am	C	E
There's	one foot	on the	platform,	The	other foot	on the	train.

	Am	C	D	F	Am	E	Am	E7
I'm	goin'	back to	New Or	leans To	wear that	ball and	chain.

	Am	C	D	F	Am	C	E
Go	mother	tell your	children:	Not to	do what	I have	done.

	Am	C	D	F	Am	E	Am	E7
	Spend your	life sin-	cere in mise	ry In the	House of the	Rising	Sun.

There is a house...

68. San Franciscan Nights

Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals

Intro: v v v v v v v v v v v v v -----------------|---------|-----------------|------------- -----------------|---------|-----------------|------------- -----------------|---------|-----------------|------------- -----------------|---------|-----------------|------------- -----------------|---------|-----------------|-3*---------- *doubled w/bass -0-----3-2--0----|---------|-0-----3-2---0---|-------------

Spoken:

	Em
	This following program is dedicated to the city and people of San Francisco

Who may not know it, but they are beautiful - and so is their city

This is a very personal song, so if the viewer cannot understand it -

particularly those of you who are European residents - save up

all your bread and fly Trans-Love Airways to San Francisco, USA

Then maybe you'll understand the song

It will be worth it - if not for the sake of this song

But for the sake of your own peace of mind

	C	Em/B	Am	G
	/	/ / /	/ /	/ /

	C	Em/B	Am	G	C	Em/B	Am	G
	Strobe light's	beam	creates	dreams	Walls	move	minds do	too

	D	F	C
On a	warm San Fran	ciscan	night

	C	Dm	F	C	D	F	C
	Old child,	young child,	feel all	right On a	warm San Fran	ciscan	night

Angels sing, leather wings Jeans of blue, Harley-Davidsons too

On a warm San Franciscan night

Old angels, young angels feel all right On a warm San Franciscan night

	Fm	Em
	I wasn't born there -	Perhaps I'll die there

	F	G	G/F		G/D		G/B		G/G
	There's no place left to	go	-						San Francisco...

Instrumental break

	D	F	C	C	D	F	C	Dm	F	C
	/ /	/ /	/ / / /	/ /	/ /	/ /	/ /	/ /	/ /	/ / / /

Cop's face is filled with hate Heavens above, he's on a street called Love

When will they ever learn

Old cop, young cop feel all right On a warm San Franciscan Night

The children are cool - They don't raise fools

It's an American dream - Includes Indians, too

Capo: III

69. Sky Pilot

Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals

(a capella)

He blesses the boys as they stand in line

They smell of gun grease and their bayonets they shine

He's there to help them all that he can

To make them feel wanted, he's a good holy man

	G	C	G	G	C	G	Am	G
	Sky -	pi	lot,	Sky -	pi	lot!	How high can you	fly?

	Am	G
You'll	never (never) (never) reach the	sky!

	Am	C
He	smiles at the young soldiers, tells	them it's all right

	Am	C
He	knows of their fear in the	forthcoming flight

	Am	C
	Soon there'll be blood and	many will die

	Am	D
	Mothers and fathers back	home they will cry

Sky-pilot, Sky-pilot! How high can you fly?

You'll never (never) (never) reach the sky!

He mumbles a prayer and it ends with a smile

The order is given, they move down the line

But he stay'll behind and he'll meditate

But it won't stop the bleeding or ease the hate

As the young men move out into the battle zone

He feels good, with God you're never alone

He feels so tired and he lays on his bed

Hopes the men will find courage in the words that he said

Sky-pilot, Sky-pilot! How high can you fly?

You'll never (never) (never) reach the sky!

Interlude (guitar, pipes, strings)

G

|

C

(repeat 4x)

|

Db

(repeat 4x)

|

.

/ / / / / / /

/

/ / / / / / /

/

You're soldiers of God, you must understand

The fate of your country is in your young hands

May God give you strength, do your job real well

If it all was worth it, only time it will tell

In the morning they returned with tears in their eyes

The stench of death drifts up to the skies

A young soldier so ill looks at the Sky Pilot

Remembers the words, "Thou shalt not kill"

|: Sky-pilot, Sky-pilot! How high can you fly?

You'll never (never) (never) reach the sky! :|

	Am	C	G
You'll	never (never)	(never) reach the	sky...

70. We Gotta Get out of this Place

B. Mann, C. Weil / Animals

Bass Intro & Repeat over Verse:

G ---------------------| D ---0---3--2---0------| A ------------------3--| E -3---3---------------|

In this dirty old part of the city

Where the sun refuse to shine

	G		F		G
People tell me there ain't no use in tryin'

	G		F		G
Now my little girl you're so young and pretty

	G		F		G
And One thing I know is true

	G		F		G
You'll be dead before your time is due - I know

Watched my daddy in bed a-dyin'

watched his hair did turn a-gray

He's been working in slavery his life away, oh yes I know!

He's been workin' so hard, yeah

I've been working too, babe

Every Night and Day, Yeah, Yeah, Yeah, Yeah!

	C	F	G
	We gotta get	out of this	place

	C	D	G
	If it's the last thing we	ever	do

	C	F	G
	We gotta get	out of this	place

	Am	\|:	C		Bb		F		G		:\|
	Girl there's a better life for me and You

My little girl you're so young and pretty

And one thing I know is true

You'll be dead before your time is due

See my daddy in bed a-dying

See his hair a turning grey

He's been working in slavery his life away

I know he's been workin' so hard

(Yeah!) I've been workin' too, babe

(Yeah!) Every day, babe

(Yeah!) Whoooa! (Yeah, yeah, yeah, yeah!)

We gotta get out of this place...

Somewhere, baby - Somehow, I know it!

We gotta get out of this place...

Believe me, baby - I know it, baby!

You know it, too...

71. When I Was Young

Burdon, Briggs, Weider, Jenkins, McCulloch / Eric Burdon & the new Animals

RIFF: (Em) v v v v e ------------12-14-12---10-12-10---9--10--9----|-7-- B ------------10-12-10---8--10-8----7--8---7----|-5-- G ----------------------------------------------|---- D ----------------------------------------------|---- A ----------------------------------------------|---- E ----------------------------------------------|----

	\|:	Em	(riff)	:\|		Em	D
					The	rooms were so much	colder then;

	Em	D	Em	D
My	father was a	soldier then; And	times were very	hard

	Em	(riff)	Em/D	Em	(riff)
When I was	young	- When	I was	young

I smoked my first cigarette at ten;

And for girls I had a bad yen;

And I had quite a ball - When I was young

	G	Em
When	I was young it was	more important

	G	Em	D
	Pain more painful,	laughter much louder,	yeah

	Em	(riff)	D	Em	(riff)
When I was	young	- When	I was	young

I met my first love at thirteen

She was brown and I was pretty green

And I learned quite a lot

When I was young - When I was young

Instrumental break

	Gm		F	Gm		F	Gm		F		Gm
	/ / / /		/ / / /	/ / / /		/ / / /	/ / / /		/ / / /		/ / / / / / / /

	Bb	Gm
When	I was young it was	more important

	Bb	Gm	F
	Pain more painful,	laughter much louder,	yeah

	Gm	(riff)
When I was	young

	Gm	F	Gm	F
My	faith was so much	stronger then;	I believed in	fellow men

	Gm	F	Gm
	And I was so much	older then - When I was	young

	F	Gm
	When I was	young - When I was young...

72. Wasn't Born To Follow

Carol King & Gerry Goffin / the Byrds: The Notorious Byrd Brothers (1968)

	\| :	C		G	:\|	C

	G	C	G	C
Oh I'd	rather go and	journey where the	diamond crests are	flowing and

	G	C	G	C
	Run across the	valley be	neath the sacred	mountains

	D
and	Wander through the forest

	C
Where the	trees have leaves of prisms and break the light in colors

	D	G		C		G		C
That	no-one knows the	names of.

	G	C	G	C
And	when it's time I'll	go and wait bes	ide a legend	ary fountain

	G	C	G	C
	Till I see your	form reflected	in it's clear and	jeweled water

	D
And	if you think I'm ready

	C
You may	lead me to the castles where the rivers of our vision

	D	G		C		G		C
Flow	into one an	other.

	\|	D	/ / / \| / / / / \| . . .	\|	\| :	C		G	:\|	C
	\|		(solo)	\|

	G	C	G	C
	I will want to	die beneath the	white cascading	waters

	G	C	G	C
She may	beg she may	plead she may	argue with her	logic

	D
And	then she'll know the things I lose

	C
That	really have no value in the end she will surely know

	D	G		C		G		C
I	wasn't born to fol	low.

Capo I

73. A Boy named Sue

Shel Silverstein / Johnny Cash: At San Quentin (1969)

	A	D7
Well My	daddy left home when I was three -- And he	didn't leave much to Ma and me

	E7	A
Just	this old guitar and an empty bottle of	booze. -- Now, I don't blame him cause he run and hid

	D7	E7	A
But the	meanest thing that he ever did -- Was be	fore he left, he went and named me '	Sue'.

Well, he must have thought that that was quite a joke -- And it got a lot of laughs from a' lots of folks,

It seems I had to fight my whole life through. -- Some gal' would giggle and I'd get red

And some guy'd laugh and I'd bust his head, -- I tell you, life ain't easy for a boy named 'Sue'.

Well, I grew up quick and I grew up mean, -- My fist got hard and my wits got keen,

I'd roam from town to town to hide my shame. -- But I made me a vow to the moon and stars

That I'd search the honky-tonks and bars -- And kill that man that give me that awful name.

Well, it was Gatlinburg in mid-July -- And I just hit town and my throat was dry,

I thought I'd stop and have myself a brew. -- At an old saloon on a street of mud,

There at a table, dealing stud, -- Sat the dirty, mangy dog that named me 'Sue'.

Well, I knew that snake was my own sweet dad -- From a worn-out picture that my mother'd had,

And I knew that scar on his cheek and his evil eye. -- He was big and bent and gray and old,

And I looked at him and my blood ran cold -- And I said: "My name is 'Sue'! how do you do?

Now you gonna die!" - Yeah, that's what I told him!

Well, I hit him hard right between the eyes -- And he went down, but, to my surprise,

He come up with a knife and cut off a piece of my ear. -- But I busted a chair right across his teeth

And we crashed through the wall and into the street -- Kicking and a' gouging in the mud and the blood and the beer.

I tell you, I've fought tougher men -- But I really can't remember when,

He kicked like a mule and he bit like a crocodile. -- I heard him laugh and then I heard him cuss,

He went for his gun and I pulled mine first, -- He stood there lookin' at me and I saw him smile.

He said: "Son, this world is rough -- And if a man's gonna make it, he's gotta be tough

And I know I wouldn't be there to help you along. -- So I give you that name and I said good-bye

I knew you'd have to get tough or die -- And it's that name that helped to make you strong."

He said: "Now you just fought one hell of a fight -- And I know you hate me, and you got the right

To kill me now, and I wouldn't blame you if you do. -- But you ought to thank me, before I die,

For the gravel in ya' guts and the spit in ya' eye -- Cause I'm the son-of-a-bitch that named you 'Sue'."

Yeah; what could I do? What could I do?

I got all choked up and I threw down my gun -- And I called him my pa, and he called me his son,

And I come away with a different point of view. -- And I think about him, now and then,

Every time I try and every time I win, -- And if I ever have a son, I think I'm gonna name him

Bill or George! Any damn' thing but Sue! -- I still hate that name!

74. Big River

Johnny Cash / Johnny Cash Sings the Songs that made him Famous (1958)

	F
Now I	taught the weeping willow how to cry,

	G7	C7
and I showed the clouds how to cover up a	clear blue	sky.

	F	Bb
And the	tears that I cried for that woman are gonna	flood you Big River.

	F	C7	F
Then	I'm gonna sit right	here until I	die.

I met her accidentally in St. Paul Minnesota.

And it tore me up ev'ry time I heard her drawl, Southern drawl.

Then I heard my dream was back downstream cavortin' in Davenport,

And I followed you, Big River, when you called.

Then you took me to St. Louis later on down the river.

A freighter said she's been here but she's gone, boy, she's gone.

I found her trail in Memphis, but she just walked up the block.

She raised a few eyebrows and then she went on down alone.

Now, won't you batter down by Baton Rouge, River Queen, roll it on.

Take that woman on down to New Orleans, New Orleans.

Go on, I've had enough; dump my blues down in the gulf.

She loves you, Big River, more than me.

Now I taught the weeping willow how to cry...

75. Bonanza

Ray Evans & Jay Livingston / Johnny Cash (1962)

INTRO: (--no strumming--) G D G E---------------------------------------------------- B----------------------0----------------------------- G--------------------0----------------------------0-- D-0-0-0-0-0-0-0-0-0------0-0-0--0-0-0-0--0-0-0-2-4--- A---------------------------------------------------- E----------------------------------------------------

	G
	The claim we hold is a good as gold Bonanza!

	D	G
	Hand in hand we built this land The Ponderosa	Ranch

	C
	Our birthright is this Cartright Bonanza!

	G	C
	We here belong and standin' strong wrong ain't got a	chance

	G	C	G	D
	Day by day,	work or play,	finish side by	side

	G	C	G	A	D
	Hello friend,	come on in, the	gate is	open	wide

	G
	Bound to be a fightin' free Bonanza!

	D	G
	Swingin' pines are boundary lines for the Ponderosa	Ranch

SOLO: G D G E---------------------------------------------------- B----------------------0----------------------------- G--------------------0-----------------------------0- D-0-0-0-0-0-0-0-0-0------0-0-0--0-0-0-0--0-0-0-2-4--- A---------------------------------------------------- E---------------------------------------------------- C G C E----------------------0----------------------------- B--------------------1---------------------------0-1- G-0-0-0-0-0-0-0-0-0------0-0-0--0-0-0-0--0-0-0-2----- D---------------------------------------------------- A---------------------------------------------------- E---------------------------------------------------- |:D/ G/ D/ A :| E---------------3-------------- B-0-3-------------------0------ G-----0-------0-------0---0-2-- D----------2--------0---------- A---------------3-------------- E------------------------------ G D G E---------------------------------------------------- B----------------------0----------------------------- G--------------------0-----------------------------0- D-0-0-0-0-0-0-0-0-0------0-0-0--0-0-0-0--0-0-0-2-4--- A---------------------------------------------------- E----------------------------------------------------

Every tree and flower is part of our Bonanza!

The stars of night, and the mornin' light, water in the branch

We ride along four men strong together

Every plain and ridge is our heritage, The Ponderosa Ranch

Day by day, work or play, finish side by side

Hello friend, come on in, the gate is open wide

Bound to be a fightin' free Bonanza!

Swingin' pines are boundary lines for the Ponderosa Ranch

OUTRO: D A D G---------------------------------------------------- D--------------------0-4---------------------------0- A-0-0-0-0-0-0-0-0-0------0-0-0--0-0-0-0--0-0-0-2-4--- E----------------------------------------------------

76. Cry! Cry! Cry!

Johnny Cash / Johnny Cash with his Hot and Blue Guitar (1957)

Capo I

	E	A	B7	E

	E
	Everybody knows where you go when the sun goes down.

	A	B7
I think you only live to see the	lights up	town.

	E
I	wasted my time when I would try, try, try;

	A	B7	E
'	Cause when the lights have lost their glow you	Cry! Cry!	Cry!

	E
	Soon your sugar-daddies will all be gone.

	A	B7
You'll wake up some cold day and	find you're	alone.

	E
You'll	call for me but I'm gonna tell you: "Bye, bye, bye."

	A	B7	E
	When I turn around and walk away, you'll	Cry! Cry!	Cry!

	E
	You're gonna cry, cry, cry and you'll cry alone,

	A	E
	When everyone's forgotten and you're	left on your own.

	B7	E
You're gonna	Cry! Cry!	cry!

solo

I lie awake at night and wait 'til you come in.

You stay a little while and then you're gone again.

Every question that I ask, I get a lie, lie, lie.

For every lie you tell, you're gonna Cry! Cry! Cry!

When your fickle love gets old, no one will care for you.

Then you'll come back to me for a little love that's true.

I'll tell "you know" and then you'll ask me "Why, why, why?"

When I remind you of all of this, you'll Cry! Cry! Cry!

	E
	You're gonna cry, cry, cry and you'll want me then,

	A	E
	It'll hurt when you think of the	fool you've been.

	B7	E
You're gonna	Cry! Cry!	Cry!

77. Folsom Prison Blues

Johnny Cash/Johnny Cash (1955)

	E
I	hear the train a-comin'; it's rollin' 'round the bend,

	E	E7
And	I ain't seen the sunshine since I	don't know when,

	A7	E
I'm	stuck at Folsom Prison and time keeps draggin'	on.

	B7	E
But that	train keeps a-rollin' on down to San An	tone.

	E
When	I was just a baby my momma told me: "Son,

	E	E7
	Always be a good boy; don't	ever play with guns."

	A7	E
But I	shot a man in Reno, just to watch him	die.

	B7	E
When I	hear that whistle blowin', I hang my head and	cry.

	E
I	bet there's rich folk eatin' in a fancy dining car.

	E	E7
They're	prob'ly drinkin' coffee and	smokin' big cigars.

	A7	E
But I	know I had it comin', I know I can't be	free.

	B7	E
But those	people keep a-movin', and that's what tortures	me.

	E
Well if they	freed me from this prison, if that railroad train was mine,

	E	E7
I	bet I'd move it all a little	farther down the line.

	A7	E
	Far from Folsom Prison, that's where I want to	stay.

	B7	E
And I'd	let that lonesome whistle blow my blues a	way.

78. Four Strong Winds

Ian Tyson

	G	Am	D	G

	C	Em	D	D

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

Think I'll go down to Alberta, weather's good there in the fall,

Got some friends that I could go to workin' for.

Still I wish you'd change your mind, if I asked you one more time,

But we've been through that a hundred times or more.

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

If I get there 'fore the snow flies, and if things are goin' good,

You could meet me if I sent you down the fare.

But by then it would be winter, not much for you to do,

And those winds sure blow cold, way out there.

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

79. I Won't Back Down

Tom Petty, Jeff Lynne/Tom Petty: Full Moon Ever (1989); Johnny Cash: American III (2000)

	Em	D	G	Em	D	G
Well I	won't	back	down, no I	won't	back	down.

	Em	D	C
You can	stand me	up at the	gates of hell,

	Em	D	G
But I	won't	back	down.

	Em	D	G	Em	D	G
I'm gonna	stand	my	ground, won't be	turned	a-	round.

	Em	D	C
And I'll	keep this w	orld from	draggin' me down,

	Em	D	G	Em	D	G
Gonna	stand	my	ground, and I	won't	back	down.

	C	D	C	D
	Hey	baby,	there ain't no easy way	out!

	C	D	Em	D	G	Em	D	G
	Hey,	I will	stand	my	ground, and I	won't	back	down.

	Em	D	G	Em	D	G
Well I	know	what's	right, and I got	just	one	life.

	Em	D	C
In a	world that	keeps on	pushin' me around,

	Em	D	G	Em	D	G
But I'll	stand	my	ground, and I	won't	back	down.

	C	D	C	D
	Hey	baby,	there ain't no easy way	out!

	C	D	Em	D	G	Em	D	G
	Hey,	I will	stand	my	ground, and I	won't	back	down.

Solo

	\|:	Em	D	G		Em	D	G		:\|

	C	D	C	D
	Hey	baby,	there ain't no easy way	out!

	C	D	Em	D	G	Em	D	G
	Hey,	I will	stand	my	ground, and I	won't	back	down.

	Em	D	G
No, I	won't	back	down.

80. Further On Up The Road

Bruce Springsteen / Johnny Cash: American V - A Hundred Highways (2006)

	Am	C
Where the road is	dark And the seed is	sewed;

	Am	C
Where the gun is	cocked As the bullet's	cold.

	Am	G	Am	G
Where the miles are	marked	In the blood and the	gold:

	F	G	Am
And I'll	meet you further	on up the	road.

	Am	C
Got on my dead man	suit And my smilin' skull	ring;

	Am	C
My lucky graveyard	boots And a song to	sing.

	Am	G	Am	G
I got a song to	sing	That keeps me out of the c	old;

	F	G	Am
And I'll	meet you further	on up the r	oad.

	C	Am
Further on up the	road - Further on up the	road.

	C	E
Where the way is	dark - And the night is	cold.

	Am	G	Am	G
One sunny	mornin'	- We'll rise I	know:

	F	G	Am
And I'll	meet you further	on up the	road!

	Am	C
Now I've been out in the	desert Just doin' my	time.

	Am	C
Searchin' through the	dust Lookin' for a	sign.

	G	Am	G
If there's a light up	ahead Well brother I don't	know;

	F	G	Am
But I've	got this fever	burnin' in my	soul.

	C	Am
Further on up the	road - Further on up the	road.

	C	E
Where the way is	dark - And the night is	cold.

	Am	G	Am	G
One sunny	mornin'	- We'll rise I	know:

	F	G	Am
And I'll	meet you further	on up the	road!

81. Ghost Riders In The Sky

Stan Jones / Johnny Cash: Silver (1979)

	Am	C
An	old cowboy went ridin' out one	dark and windy day.

	Am	C
U	pon a ridge he rested as he	went along his way.

	Am
	When all at once a mighty herd of red eyed cows he saw:

	F	Am
	Plowin' through the ragged skies, and	up a cloudy draw.

	Am	C
	Their brands were still on fire and their	hoofs were made of steel.

	Am	C
Their	horns were black and shiny and their hot	breath he could feel.

	Am
A	bolt of fear went through him as they thundered through the sky;

	F
For he	saw the riders comin' hard, and he heard their mournful cry:

	Am	C	Am	C	F	Am
	Yippie-I-	ay,	yippie-I-	oh -- The	ghost riders in the	sky!

solo

	Am	C
Their	faces gaunt, their eyes were blurred, their	shirts all soaked with sweat.

	Am	C
He's	ridin' hard to catch that herd, but he	ain't caught 'em yet'.

	Am
'Cause they	got to ride forever on that range up in the sky,

	F	Am
On	horses snorting fire as they	ride on hear their cry!

	Am	C
As the	riders loped on by him he	heard one call his name:

	Am	C
"If you	wanna to save your soul from hell a-	ridin' on our range,

	Am
Then	cowboy change your ways today, or with us you will ride,

	F	Am
Tryin' to	catch the devil's herd a	cross these endless skies!"

Yippie-I-ay, yippie-I-oh - Ghost riders in the sky (3x)...

82. Give My Lve to Rose

Johnny Cash

Bass Intro:

--|-v-----v-----------v-----v--| A-|-0--2--3--4--4--4--3--2--0--|

	A	E	A
I	found him by the	railroad track this	morning

	A	E	A
I	could see that	he was nearly	dead

	D	A
	I knelt down beside him and I	listened

	E
	Just to hear the words the dying fellow said

	A	E	A
	He said they let me out of	prison down in	Frisco

	A	E	A
	For ten long years I've	paid for what I've	done

	D	A
	I was trying to get back to Louisi	ana

	E	A
	To see my Rose and get to know my	son

	D	A
	Give my love to Rose please won't you	mister

	E	A
	Take her all my money, tell her to	buy some pretty clothes

	D	A
	Tell my boy his daddy's so proud	of him

	E	A
	And don't forget to give my love to	Rose

	A	E	A	A	E	A
	Tell them I said	thanks for waiting	for me -	Tell my boy to	help his mom at	home

	D	A	E
	Tell my Rose to try to find	another -	For it ain't right that she should live alone

	A	E	A	A	E	A
	Mister here's a	bag with all my	money -	It won't last them	long the way it	goes

	D	A	E	A
	God bless you for finding me this	morning -	And don't forget to give my love to	Rose

	D	A
	Give my love to Rose please won't you	mister

	E	A
	Take her all my money, tell her to	buy some pretty clothes

	D	A
	Tell my boy his daddy's so proud	of him

	E	A
	And don't forget to give my love to	Rose

83. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

	Intro:	\|:	Bm	A	G	A	:\|

Verse 1: (Willie Nelson / Martin)

Bm

A

/

G

/

Bm7

/ / /

A

/

G

/

A

/ / /

I was a

highway

man

,

a

long the

coach roads

I did

ride,

Sword

and

pistol

by my

side,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	young maid	lost her	baubles	to my	trade,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	soldier	shed his	lifeblood	on my	blade,

Bm

/

A

/

G

A

D

/ | / /

/

A

/ / /

| / / / /

The

basterds

hung me

in the

spring of

twenty-

five,

But

I am

still a

live...

Verse 2: (Kris Kristofferson / Klausdieter)

	Bm	A	G	Bm7	A	G	A
	I was a	sailor, I was	born upon the	tide,	With the	sea I did a	bide,

	Em	Bm	A	G
	I sailed a	schooner round the	horn of Mexi	co,

	Em	Bm	A	G
	I went a	loft and furled the	main sail in a	blow,

	Bm		A	G	Bm	D	A
		And when the	yards broke off they	said that	I've got	killed, But I am living	still...

Verse 3: (Waylon Jennings / Jürgen)

	Bm	A	G	Bm7	A	G	A
	I was a	dam builder,	across the river deep and	wide,	Where steel and	water did col	lide,

	Em	Bm	A	G
	A place called	Boulder on the	wild Colora	do,

	Em	Bm	A	G
	I slipped and	fell into the	wet concrete be	low,

	Bm		A	G	Bm	D	A
		They buried	me in that gray	tomb that	knows no	sounds, But I am still a	round...

A

D

D/C#

Bm7

A

G

D/F#

Em

/ / /

G

A

D

I'll always be a

round, and a

round

	solo: \|:	Bm	A	G	A	:\|

Verse 4: (Johnny Cash / Peter)

	Bm	A	G	Bm7	A	G	A
	I'll fly a	starship '	cross the universe di	vide,	And when I	reach the other	side,

	Em	Bm	A	G
	I'll find a	place to rest my	spirit if I	can,

	Em	Bm	A	G
	Perhaps I	may become a	highwayman a	gain,

	Bm		A	G	Bm	D	A
		Or I may	simply be a	single	drop of	rain, But I will re	main...

A

D

D/C#

Bm7

A

G

D/F#

Em

/ / /

G

A

D

And I'll be back a

gain, and a

gain

84. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Am		C	D	Am	C	D	Am
		I	hurt my	self to	day - to	see if	I still	feel.

	C	D	Am	C	D	Am
I	focus	on the	pain - the	only	thing that's	real.

	C	D	Am	C	D	Am
The	needle	tears a	hole - the	old fa	miliar	sting.

	C	D	Am	C	D	G	Am
Try to	kill it	all a	way - but I re	member	every	thing	!

	Am	F	C	G
	What have I be	come -	my sweetest	friend?

	Am	F	C	G
	Everyone I	know - goes a	way in the	end!

	Am	F	C	G
	And you could have it	all -	my empire of	dirt.

	Am	F	C	G	C
	I will let you	down -	I will make you	hurt	!

Solo

	Am	...	C

	C	D	Am	C	D	Am
	I wear this	crown of	thorns - u	pon my	liars	chair

	C	D	Am	C	D	Am
	Full of	broken	thoughts -	I can	not re	pair

	C	D	Am	C	D	Am
Be	neath the	stains of	time - the	feelings	disap	pear

	C	D	Am	C	D	G	Am
	You are	someone	else -	I am	still right	here	.

	Am	F	C	G
	What have I be	come -	my sweetest	friend?

	Am	F	C	G
	Everyone I	know - goes a	way in the	end!

	Am	F	C	G
	And you could have it	all -	my empire of	dirt.

	Am	F	C	G
	I will let you	down -	I will make you	hurt!

	Am	F	C	G
	If I could start a	gain -	A million miles a	way

	Am	F	C	G
	I would keep my	self -	I would find a	way

85. If I Were A Carpenter

Tim Hardin / Johnny Cash

	D	C
	If I were a	carpenter

	G	D
	and you were a	lady,

	D	C
	Would you marry me	anyway?

	G	D
	Would you have my	baby?

	D	C
	If a tinker	were my trade

	G	D
	would you still	find me,

	D	C
	carrying the	pots I made,

	G	D
	following be	hind me.

	C	D
	Save my love through	loneliness,

	C	D/F#
	Save my love for	sorrow,

	D	C
	I'm givin' you my	onlyness,

	G	D
	Come give me your's to	morrow.

If I worked my hands in wood,

Would you still love me?

Answer me babe, "Yes I would,

I'll put you above me."

If I were a miller

at a mill wheel grinding,

would you miss your color box,

and your soft shoe shining?

Save my love...

If I were a carpenter

and you were a lady,

Would you marry me anyway,

Would you have my baby?

Would you marry anyway,

Would you have my baby?

86. Jackson

Johnny Cash & June Carter

	C
	We got married in a fever hotter than a pepper sprout

	C7
We've been talking 'bout Jackson	ever since the fire went out

	C	F	C
	I'm going to	Jackson, gonna mess a	round!

	F	G7	C
Yeah, I'm going to	Jackson,	look out Jackson	town!

	C
	Go on down to Jackson, go ahead and wreck your health.

	C7
Go play your hand, you big talking man, and make a	big fool of yourself!

	C	F	C
	Yeah, go to	Jackson, go comb your	hair!

	F	G7	C
Yeah, I'm gonna	snow ball Jackson,	see if I	care.

	C
	When I breeze into that city, people gonna stop and bow.

	C7
All them women gonna make me	teach 'em what they don't know how.

	C	F	C
	Aaw, I'm going to	Jackson, turn aloose of my	coat,

	F	G7	C
Yeah, I'm going to	Jackson, good	bye, that's all she	wrote.

	C
	I'm gonna laugh at you in Jackson, and I'll be dancin' on a pony keg.

	C7
They'll lead ya' round town like a scalded hound, with your	tail tucked between your legs!

	C	F	C
	Yeah, go to	Jackson, you big talking	man,

	F	G7	C
and I'll be waiting in	Jackson, be	hind my japan(Japan)	fan.

	C
	We got married in a fever hotter than a pepper sprout.

	C7
We've been talking 'bout Jackson	ever since the fire went out.

	C	F	C
	I'm going to	Jackson, and that's a	fact

	F	G7	C
yeah, I'm going to	Jackson,	ain't never comin'	back!

87. Like The 309

Johnny Cash / Jhnny Cash: American V - A Hundred Highways (2006)

	A	-
		It should be a while before I see doctor death, So it would sure be nice if I could get my breath.

	A	-
		Well I'm not the crying nor the whining kind, 'Til I hear the whistle of the Three-Oh-Nine.

	-	D	A	C	A
	Of the Three-Oh-	Nine, of the Three-Oh-	Nine. Put me and my box on the	Three-Oh-	Nine.

	A	C	A
	Take me to the depot, Put me to bed, Blow an electric fan on my	knarly old	head.

	A	C	A
	Everybody take a look, see I'm doing fine, Then load my box on the	Three-Oh-	Nine.

	D	A	C	A
On the Three-Oh-	Nine, on the Three-Oh-	Nine. Put me and my box on the	Three-Oh-	Nine.

	(solo I) \|:	A		C		A	:\|

	A	C	A
	Hey sweet baby kiss me hard, Draw my bath water,	Sweep my	yard.

	A	C	A
	Give a drink of my wine to my Jersey cow, I wouldn't give a hootin' hell for my	journey	now

	D	A
On the Three-Oh-	Nine, On the Three-Oh-	Nine.

	A	C	A
	I hear the sound of a railroad train, The whistle blows and I'm	gone	again.

	A	C	A
	It will take me higher than a Georgia pine, Stand back children it's a	Three-Oh-	Nine.

	D	A	C	A
It's a Three-Oh-	Nine, It's a Three-Oh-	Nine. Put me and my box on a	Three-Oh-	Nine.

	(solo II) \|:	A		C		A	:\|

	A	C	A
	A chicken in the pot, A turkey in the corn, I haven't felt this good since	jubilee	morn'.

	A	C	A
	Talk about luck, well I got mine, Asthma comin' down like the	Three-Oh-	Nine.

	A	C	A
	Write me a letter, sing me a song, Tell me all about it what	I did	wrong.

	A	C	A
	Meanwhile I will be doing fine, Then load my box on the	Three-Oh-	Nine.

	D	A	C	A
On the Three-Oh-	Nine, On the Three-Oh-	Nine. Gonna get outta here on the	Three-Oh-	Nine.

88. Man in Black

Johnny Cash

	G	A
Well, you	wonder why I always dress in black, Why you never see bright colors on my	back,

	C	G	C	G	A	D		D7
And	why does my ap	pearance seem to	have a sombre	tone,Well, there's a	reason for the things that I have	on.

	G	A
I	wear the black for the poor and the beaten down, Livin' in the hopeless, hungry side of	town.

	C	G	C	G	A	D		D7
I	wear it for the	prisoner, who has	long paid for his	crime, But is	there because he's a victim of the	times.

	G	A
I	wear the black for those who've never read, Or listened to the words that Jesus	said,

	C	G	C	G	A	D		D7
A	bout the road to	happiness, through	love and chari	ty, Why you'd	think he's talking straight to you and	me.

	G	A
Well, we're	doin' mighty fine, I do suppose, In our streak-of-lightnin' cars and fancy	clothes,

	C	G	C	G	A	D		D7
But	just so we're re	minded, of the	ones who are held	back, Up	front there ought'a be a man in	black.

	G	A
I	wear it for the sick and lonely old, For the reckless ones, whose bad trip left them	cold,

	C	G	C	G	A	D		D7
I	wear the black in	mournin' for the	lives that could have	been, Each	week we lose a hundred fine young	men.

	G	A
I	wear it for the thousands who have died, Believin' that the Lord was on their	side!

	C	G	C	G	A	D		D7
I	wear it for an	other hundred	thousand who have	died, Be	lievin' that we all were on their	side.

	G	A
Well, there's	things that never will be right, I know, and Things need changin' ev'rywhere you	go,

	C	G	C	G	A	D		D7
But '	til we start to	make a move, to	make a few things	right, You'll	never see me wear a suit of	white.

	G	A
Oh, I'd	love to wear a rainbow every day, and Tell the world that ev'rything's	OK!

	C	G	C	G	A	D7	G
But I'll	try to carry	off a little	darkness on my	back, 'Til things are	brighter,	I'm the man in	black.

89. One

Bono, Adam Clayton, The Edge, Larry Mullen /Johnny Cash (2000)

	Am		D		F		G
	/	/	/	/	/	/	/	/

	Am	D	F	G	Am
	Is it getting	better	Or do you feel the	same

	D	F	G
Will it make it	easier on you now	You got someone to	blame

	C	Am	F
You say	One love	- One life	-

	C
When it's one need	- in the night

	Am
It's one love - We got to	share it -

	F	C
It	leaves you baby - If you don't	care for it!

	Am / D / F / G

Did I disappoint you, Or leave a bad taste in your mouth?

You act like you never had love; And you want me to go without!

Well it's too late - tonight -

To drag the past out - into the light

We're one - but we're not the same -

We got to carry each other - carry each other

-One-

Have you come here for forgiveness, Have you come to raise the dead?

Have you come here to play Jesus To the lepers in your head?

Did I ask too much - more than a lot?

You gave me nothing - now it's all I got!

We're one - but we're not the same!

We hurt each other - then we do it again!

You say:

Bridge

	C	Am
	Love is a temple.	Love the higher law.

	C	Am
	Love is a temple.	Love the higher law.

	C	G
	You ask me to enter.	But then you make me crawl.

	F
And I can't be holding on	To what you got

	C
When all you got is	hurt

One love - One blood - One life - You got to do what you should

One life - With each other - Sisters - Brothers

One life - But we're not the same

We got to carry each other - Carry each other

One - One.

90. Ring of Fire

June Carter & Merle Kilgore / Johnny Cash (1963); Eric Burdon (1969)

Intro:

G

C

G

C

G

|:

/

|

/

:|

	G	C	G	C	G	C	G	C	G
	Love is a	burnin'	thing and	it	makes a	fiery	ring.

	G	C	G	C	G	C	G
	Bound by	wild de	sire		I fell into your	ring of	fire

	D	C	G
	I fell into a	burnin' ring of	fire

	D	C	G
I went	down, down, down and the	flames, they got	higher

	C	G	Am	G
And it burns, burns, burns, that	ring of	fire, that	ring of	fire.

Solo

I fell into a burnin' ring of fire

I went down, down, down and the flames, they got higher

And it burns, burns, burns, that ring of fire, that ring of fire.

The taste of love is sweet, when hearts like ours meet.

I fell for you like a child, Oooh, but the fire went wild.

I fell into a burnin' ring of fire

I went down, down, down and the flames, they got higher

And it burns, burns, burns, that ring of fire, that ring of fire.

Capo I

91. Rock Island Line

Huddie Ledbetter/ Johnny Cash with his Hot and Blue Guitar (1957)

spoken

	E
	Now this here's a story about the Rock Island Line.

Well the Rock Island Line she runs down into New Orleans.

There's a big tollgate down there and you know

If you got certain things on board when you go through the tollgate

Well you don't have to pay the man no toll.

Well a train driver he pulled up to the tollgate

And a man hollered and asked him what all he had on board and said:

"I got livestock - I got livestock - I got cows, I got pigs

I got sheep, I got mules - I got all live stock!"

spoken

Well he said: "You're alright boy you don't have to pay no toll

You can just go right on through!" So he went on through the tollgate.

Faster

And as he went through he started pickin' up a little bit of speed

Pickin' up a little bit of steam

He got on through he turned and looked back at the man he said:

"Well I fooled you - I fooled you - I got pigiron

I got pigiron - I got old pigiron."

	E
	Down the Rock Island Line she's a mighty good road

	B7	E
Rock Island Line it's the	road to	ride - Rock Island Line it's a mighty good road

Well if you ride it you got to ride it like you find it

	B7	E
Get your ticket at the station for the	Rock Island	Line

Looked cloudy in the west and it looked like rain - Round the curve came a passenger train.

	B7	E
North bound train on a southbound track - He's alright a leavin' but he	won't be	back.

Well the Rock Island Line she's a mighy good road

Rock Island Line it's the road to ride - Rock Island Line is a mighty good road

Well if you ride it you got to ride it like you find it

Get your ticket at the station for the Rock Island Line.

	B7	E
Well I may be right and I may be wrong - But you're gonna miss me	when I'm	gone.

Well the engineer said before he died: There were two more drinks that he'd like to try!

	B7	E
The conductor said: what could they be - A hot cup of coffee and a	cold glass of	tea!

Well the Rock Island Line she's a mighty good road

Rock Island Line is the road to ride - Rock Island Line is a mighty good road

Well if you ride it you got to ride it like you find it

Get your ticket at the station for The Rock Island Line

Capo III

92. San Quentin

Johnny Cash / Johnny Cash at San Quentin (1967)

spoken

An' - I was thinkin' about you guys yesterday.

Now, I been here three times before, an' I think I understand a little

about how you feel about some things.

It's none of my business how you feel about some other things

I don't give a damn how you feel about some other things!

But anyway, I tried to put myself in your place,

and I believe this is the way that I would feel about San Quentin.

	G	D	G
San	Quentin, you've been	livin' hell to	me

	G	C	G
You'	ve hosted me since	nineteen sixty	three

	C	G
I've	seen 'em come and go and I've seen them	die

	G	D	G
And	long ago I	stopped askin'	why!

San Quentin, I hate ev'ry inch of you.

You've cut me and you scarred me thru an' thru.

And I'll walk out a wiser weaker man;

Mister Congressman you can't understand.

solo

"San Quentin! San Quentin"

San Quentin, what good do you think you do?

Do you think I'll be different when you're through?

You bent my heart and mind and you work my soul,

And your stone walls turn my blood a little cold.

San Quentin, may you rot and burn in hell.

May your walls fall and may I live to tell.

May all the world forget you ever stood.

And may all the world regret you did no good.

San Quentin, I hate ev'ry edge of you!

93. A Thing Called Love

Jerry Hubbard / Johnny Cash

	C	Bb	F	G
		Huuh	Laah A Thing called	Love

	C
Six-foot-	six, he stood on the ground,

He weighed two hundred and thirty-five pounds,

	F	G	C
But I saw that	giant of a man brought	down to his knees by	love.

	C
	He was the kind of a man that would gamble on luck,

Look you in the eye and never back up,

	F	G	C
But I saw him	cryin' like a little whipped	pup' because of	love.

	C	F
	You can't see it with your eyes; hold it in your	hand;

	Em	Am
But like the	wind that covers our	land;

	F	G
Strong enough to	rule the heart of any man, This thing called	love.

	C	F
It can lift you	up; never let you	down;

	Em	Am
Take your	world and turn it all	around.

	C	G	C
Ever since	time nothing's ever been	found, That's stronger than	love.

	Bb	F	G
	Huuh	Laah A Thing called	Love

Most men are like me, they struggle in doubt,

They trouble their minds, they in and they out,

Too busy with livin' to worry about a little word like love.

But when I see a mother's tenderness,

As she holds her young close to her breast,

Then I thank God that the world's been blessed, With a thing called love.

You can't see it with your eyes...

Ever since time nothing's ever been found,

That's stronger than love...

94. I Walk the Line

Johnny Cash (1956)

	Intro:	E	A	D	A	E	B7	E

	E	B7	E
	I keep a	close watch on this heart of	mine

	B7	E
I keep my	eyes wide open all the	time.

	A	E
I keep the	ends out for the tie that	binds

	B7	E	A
Because you're	mine, I walk the	line!

	A	E7	A
	I find it	very, very easy to be	true

	E7	A
I find my-	self alone when each day is	through

	D	A
Yes, I'll	admit that I'm a fool for	you

	E7	A	D
Because you're	mine, I walk the	line!

	D	A7	D
	As sure as	night is dark and day is	light

	A7	D
I keep you	on my mind both day and	night

	G	D
And happi-	ness I've known proves that it's	right

	A7	D	A
Because you're	mine, I walk the	line!

	A	E7	A
	You've got a	way to keep me on your	side

	E7	A
You give me	cause for love that I can't	hide

	D	A
For you I	know I'd even try to turn the	tide

	E7	A	E
Because you're	mine, I walk the	line!

	E	B7	E
	I keep a	close watch on this heart of	mine

	B7	E
I keep my	eyes wide open all the	time.

	A	E
I keep the	ends out for the tie that	binds

	B7	E
Because you're	mine, I walk the	line!

95. Wanted Man

Johnny Cash, Bob Dylan / Johnny Cash

(Capo III)

	C		D		G		G7		F		C

	C	D
Wanted	man in California, Wanted	man in Buffalo,

	G	G7	F	C
Wanted	man in Kansas	City, Wanted	man in Ohi	o,

	C	D
Wanted	man in Mississippi, Wanted	man in ol' Cheyenne,

	G	G7	F	C
Wher	ever you might	look tonight You might	see this wanted	man!

	C	D
I might	be in Colorado, Or	Georgia by the sea;

	G	G7	F	C
Working	for some man who	may not know At	all who I might	be.

	C	D
If you	ever see me coming And if	you know who I am

	G	G7	F	C
Don't you	breathe it to no	body 'Cause you	know I'm on the	lamb.

	C	D
Wanted	man by Lucy Watson, Wanted	man by Jeannie Brown,

	G	G7	F	C
Wanted	man by Nellie	Johnson, Wanted	man in this Tex-	town.

I've had all that I wanted Of a lot of things I've had

And a lot more than I needed Of some things that turned out bad.

I got sidetracked in El Paso, Stopped to get myself a map.

Went the wrong way in Pleura with Juanita on my back.

Then I went to sleep in Shreveport, Woke up in Abilene,

Wonderin' why the hell I'm wanted At some town half way in between.

Wanted man in Albuquerque, Wanted man in Syracuse,

Wanted man in Tallahassee, Wanted man in Baton Rouge.

There's somebody set to grab me Anywhere that I might be,

And wherever you might look tonight You might get a glimpse of me.

Wanted man in California, Wanted man in Buffalo,

Wanted man in Kansas City, Wanted man in Ohio.

Wanted man in Mississippi, Wanted man in ol' Cheyenne,

Wherever you might look tonight You might see this wanted man!

96. When I'm Gray

R. Scott, H. Sanders / Johnny Cash: Legend (2005)

	A		E		A		D		A

	A	D	A
When a	rocking chair is	all that	move's me

	D	E
And a walking cane is	all I want to	lean on;

	A	D	A	F#m
When the	kids are grown and	on their own and	blackbird's have flown a	way,

	A	E	A		D		A
Will you still	love me	when I'm	gray?

When conversation's down to the weather

And the running of the mail is a real big deal;

When "I Love You" slips my mind at least every other day -

Will you still love me when I'm gray?

When I look at you I know I'll always love you,

Though the year's may make my memories fade at times.

When my body's broken down, can I count on you to stay?

Will you still love me when I'm gray?

When the thought of a cup of coffee in the morning

Does strange things to my body and my mind;

And all my arms can reach for is the place where my pills lay,

Will you still love me when I'm gray?

When I look at you I know I'll always love you.

Though the years may make my memories fade at times.

When my body's broken down, can I count on you to stay?

Will you still love me when I'm gray?

97. Hit The Road, Jack

Percy Mayfield / Ray Charles (1961)

	Am	G	F	E
	/ /	/ /	/ /	/ / (repeat)

	Am	G	F	E	Am	G	F	E
Hit the	road,	Jack and	don't you come	back no	more, no	more, no	more, no	more

	Am	G	F	E	Am	(...)
Hit the	road,	Jack and	don't you come	back no mo-	o-o-o-	ore

What'd you say?

Hit the road, Jack and don't you come back no more, no more, no more, no more

Hit the road, Jack and don't you come back no more

Woo!

Woman, oh woman, don't treat me so mean

You're the meanest old woman that I've ever seen

I guess if you say so

I'd have to pack my things and go

That's right!

Hit the road, Jack and don't you come back no more, no more, no more, no more

Hit the road, Jack and don't you come back, no more

What'd you say?

Hit the road, Jack and don't you come back no more, no more, no more, no more

Hit the road, Jack and don't you come back no more

Now baby, listen, baby, don't ya treat me this way

Cause I'll be back on my feet some day

Don't care if you do 'cause it's understood

You ain't got no money you just ain't no good

Well, I guess if you say so

I'd have to pack my things and go

That's right!

Hit the road, Jack and don't you come back no more, no more, no more, no more

Hit the road, Jack and don't you come back no more

What you say?

Hit the road, Jack and don't you come back no more, no more, no more, no more

Hit the road, Jack and don't you come back no more

Well

Don't you come back no more - Uh, what'd you say?

Don't you come back no more - I didn't understand you!

Don't you come back no more - You can't mean that!

Don't you come back no more - Oh, no baby, please!

Don't you come back no more - What you tryin' to do to me?

Don't you come back no more - Oh, don't treat me like that!

Don't you come back no more - ...

98. I Don't Need no Doctor

Ray Charles

	C	Eb	F

	C	Eb	F
	I don't need no doctor

	C	Eb	F
	My prescriptions don't get filled.

	F	Ab	Bb
	I don't need no doctor

	F	Ab	Bb
	My prescirptions don't get filled.

	C	Eb	F

	G	F#	F	n.c.	C	Eb	F
	All I	need is my	baby	cause I'm in misery.

I don't need no doctor

Cause I know what's ailing me.

I don't need no doctor

Cause I know what's ailing me.

All I need is my baby cause I'm in misery.

Well, the doctor said I need rest (ooh ooh)

Put me on a critical list (ooh ooh)

To keep me safe from harm (ooh ooh)

All I need is my baby's sweet charms. (ooh ooh)

He gave me a medicated lotion, it was no good.

99. Summertime Blues

Eddie Cochran

	E	A	B7	E	A	B7	E
	/ / /	/	/ / /	/ / / /	/	/ / /	/

	E	E	A	B7	E
	I'm a-gonna raise a fuss, I'm a-gonna raise a holler.

	E	E	A	B7	E
About a-	workin' all summer, just to try to earn a dollar.

	A
	Every time I call my baby, try to get a date;

	-	E	-
My boss says:	No dice son, you gotta work late.	/ /

	A
	Sometimes I wonder what I'm a-gonna do,

	E	-
But there	ain't	no cure for the summertime blues!

	E	A	B7	E	A	B7	E
	/ / /	/	/ / /	/ / / /	/	/ / /	/

	E	E	A	B7	E
	Well my ma' and pappa told me: Son, you gotta make some money

	E	E	A	B7	E
	If you wanna use the car to go a-ridin' next sunday.

	A
	Well I didn't go to to work, told the boss I was sick!

	-	E	-
So	you can't use the car 'cause you didn't work a lick!	/ /

Sometimes I wonder what I'm a-gonna do,

But there ain't no cure for the summertime blues!

	E	E	A	B7	E
	I'm gonna take two weeks, gonna have a fine vacation.

	E	E	A	B7	E
	I'm gonna take my problem to the United Nations.

	A
	Well I called my congressman and he said; quote:

	-	E	-
I'd	like to help you son, but you're too young to vote!	/ /

Sometimes I wonder what I'm a-gonna do,

But there ain't no cure for the summertime blues!

100. So Long, Marianne

Leonard Cohen / Songs of Leonard Cohen (1967)

	A	Bm	D	A
Come	over to the window, my little	darling,	I'd like to try to read your	palm.

	G	D	F#m	E	Esus4	E
	I used to think I was some kind of	Gypsy boy,	Before I let you take me	home.

	E7	A	F#m
		So long, Marianne,	it's time that we began to

E

Esus4

E

E7

E

Esus4

E

E7

A

Asus4

A

Asus4

A

Laugh

and

cry

and

cry

and

laugh a

bout it all a

gain.

Well you know that I love to live with you, but you make me forget so very much.

I forget to pray for the angels and then the angels forget to pray for us.