Am Em7 G D/F#
e-----------|-----------|-----------|-----------|
B-----1--0--|-----0--3--|-----3--3--|-----3--0--|
G-----2--0--|-----0--0--|-----0--2--|-----2--0--|
D-----------|-----------|-----------|-----------|
A-0-0-------|-----------|-----------|-----------|
E-----------|-0-0-------|-3-3-------|-2-2-------|
Oh no, Here comes that sun again
That means another day without you my friend
And it hurts me to look into the mirror at myself
And it hurts even more to have to be with somebody else
And it's so hard to do - And so easy to say-
But sometimes, sometimes - You just have to walk away -
Walk away.
So many people to love in my life
Why do i worry about one
But'a you put the happy in my ness
You put the good times into my fun
And it's so hard to do - And so easy to say.
But sometimes, sometimes - You just have to walk away;
Walk away - And head for the door.
Bridge
We've tried the goodbyes - So many days.
We walk in the same direction
So that we could never stray.
They say if you love somebody
Then you have got to set them free.
But I would rather be locked to you
Verse
than live in this pain and mise-
ry
They say that time will make all this go away;
But its time that has taken my tomorrows and turned them into yesterdays.
And once again that rising sun is a'droppin' on down,
And once again you, my friend, are nowhere to be found.
And it's so hard to do - And so easy to say.
But sometimes, sometimes - You just have to walk away;
Walk away - And head for the door.
19. Amen Omen
Ben Harper
Intro
Am
F
C
G
Am
F
What
started as a
whisper
C
G
Slowly
turned into a
scream
Am
F
Searching for an
answer
C
G
Where the
question is un
seen
I don't know where you came from
And I don't know where you've gone
Old friends become old strangers
Between the darkness and the dawn
F
C
Amen
Omen
G
Am
Will I see your
face again
F
C
Amen
Omen
G
Am
Can I find the
place within
F
C
G
Bb
F
Ab
Bb
To
live my
life with
out
you
I still hear you saying
All of life is a chance
And is sweetest
When at a glance
But I live a hundred
Lifetimes in a day
But I die a little
In every breath that I take
Amen Omen
Will I see your face again
Amen Omen
Can I find the place within
To live my life without you
I listen to a whisper
Slowly drift away
Silence is the loudest
Parting word you never say
I put your world
Into my veins
Now a voiceless sympathy
Is all that remains
Amen Omen
Will I see your face again
Amen Omen
Can I find the place within
To live my life without you
20. Flake
Jack Johnson
Intro/Strophe
Dm
F
Bb
F
I know she said it's alright
You can make it up next time
I know she knows it's not right
There ain't no use in lying
Maybe she thinks I know something
Maybe maybe she thinks it's fine
Maybe she knows something I don't
I'm so, I'm so tired, I'm so tired of trying
F
C
It seems to me that
maybe
Dm
A
It pretty much always
means no
Bb
C
F
So don't tell me you
might just let it
go
F
C
And often times we're
lazy
Dm
A
It seems to stand in
my way
Bb
C
F
'Cause no one, no, not
no one likes to be let
down
I know she loves the sunrise
No longer sees it with her sleeping eyes and
I know that when she said she's gonna try
Well it might not work because of other ties and
I know she usually has some other ties and
I wouldn't wanna break 'em, nah, I wouldn't wanna break 'em
Maybe she'll help me to untie this but
Until then, well, I'm gonna have to lie to her
It seems to me that maybe
It pretty much always means no
So don't tell me you might just let it go
And often times we're lazy
It seems to stand in my way
'Cause no one, no, not no one likes to be let down
21. Bubble Toes
Jack Johnson
D
A
It's as
simple as something that
nobody knows
Em
C
that her
eyes are as big as her
bubbly toes
on the feet of a queen of the hearts of the cards
G
and her feet are all covered with tar balls - and
scars.
It's as common as something that nobody knows
that her beauty will follow wherever she goes
up the hill in the back of her house in the wood
she'd love me forever, I know - she could.
I remember when, you and me, Mmmmh how we used to be -
G
C
D
just good friends, wouldn't give me none, But all I wanted was -
some
G
She's got a whole lot of reasons, she cant think of a
C
D
single one that can
justify leaving
and he got none but he thinks he got so many
problems and he got, too much time to - waste.
His dreams are like commercials, but her dreams are picture perfect and our
Dreams are so related though they're often underestimated.
Zwischenspiel
G
C
D
It's as simple as something that nobody knows
that her eyes are as big as her bubbly toes
On the feet of the queen of the hearts of the cards
her feet are infested with tar balls, and
La da da da da da - La da da da da da da - La da da da da da - La da da da da da da
Well I was eating lunch at the D. L. G.
When this little girl came and she sat next to me
never seen nobody move the way she did
Well she did and she does and she'll do it again
When you move like a jellyfish, rhythm don't mean nothing
You go with the flow, you don't stop
Move like a jellyfish, rhythm is nothing
You go with the flow, you don't stop - Mmmmh...
It's as common as something that nobody knows
that her beauty will follow wherever she goes
Up the hill in the back of her house in the woods
She'll love me forever, I know she
La da da da da da - La da da da da da da - La da da da da da - La da da da da da da
If you would only listen, you might just
realize what you're missing, you're missing - me.
If you would only listen, you might just
realize what you're missing, you're missing - me.
It's as simple as something that nobody knows
that her eyes are as big as her bubbly toes
On the feet of the queen of the hearts of the cards
her feet are infested with tar balls and
La da da da da da - La da da da da da da - La da da da da da - La da da da da da da
22. F-Stop Blues
Jack Johnson
Intro:
2x
E
G#m
A
E/B
Verse:
E
B
A
Hermit crabs and cowrie shells, crushed beneath his feet as he comes towards you,
he's waving at you.
Lift him up to see what you can see, as he begins his focusing,
he's aiming at you.
And now he has, cutaways from memories and closeups of anything
that he has seen or even dreamed, and now he's finished focusing.
He's imagining lightning striking, sea sickness
away from here.
E
G#m
A
E/B
Look who's laughing now that you've wasted,
how many years and you've barely even tasted,
anything remotely close to everything you've boasted about.
Look who's crying now.
Solo:
2x
E
G#m
A
E/B
Driftwood floats after years of erosion.
Incoming tide touches roots to expose them.
Quicksand steals my shoes.
Clouds bring the F-stop blues.
Look who's laughing now that you've wasted,
how many years and you've barely even tasted,
anything remotely close to everything you've boasted about.
Look who's crying now.
23. Good People
Jack Johnson / Jack Johnson: In Between Dreams (2005)
B / / / | E / / / | C#m F# B C#m F#
e---------------------------------------------------------------------------------------------------------
B----------------------------------9--9s10--9--7--7------------------------------------7--7-----7---------
Intro : G--------9-9b10-r9p7--7------------------------7--7----------9-9b10-r9p7-----7----------------9---9--7----
D--------------------9-9------------------------------------------------9-------------------------------9-
A---------------------------------------------------------------------------------------------------------
E--7--7--------------------9-9-------------------------7--7--------------------9--9-----------------------
B / / / | E / / / |C#m/ / / |F# / / / |
e----------|-----0---|-----4---|-----2---|
B------4---|-----0---|-----5---|-----2---|
Verse : G------4---|-----1---|-----6---|-----3---|
D------4---|-----2---|-----6---|-----4---|
A--2-2-----|-----2---|-4-4-----|-----4---|
E----------|-0-0-----|---------|-2-2-----|
Because it's important to you, it's not important to
me.
F
E
B
C
C#
E
But way down by the
edge of your reason
It's beginning to show and all I
really want to know is...
F#
B
E
C#m
F#
B
E
C#m
Where'd all the good people
go?
- I've been
changing channels and I don't
see them on the
TV shows.
F#
B
E
C#m
F#
B
E
C#m
F#
Where'd all the good people
go?
- We've got
heaps and heaps of
what we sow!
B
E
C#m
F#
They got
this and that with a
rattle a tat, Tes
ting, one, two, man
whatcha gonna do?
B
E
Bad
news misused,
give me some truth.
C#m
F#
B
You got
too much to lose, Whose
side are we on today,
anyway? (Where'd all the good people go?)
E
C#m
F#
Okay what
ever you say -
Wrong and resolute but in the
mood to obey
B
E
C#m
F#
B
Station to sta
tion, desensi
tizing the na
tion (Where'd all the good people go?) -
Going, going, gone
24. I'm Yours
Jason Mraz
A
Well,
you done done me in, you bet I felt it
E
I
tried to be chill but you're so hot that I melted
F#m
I
fell right through the cracks
D
Now I'm
trying to get back
Before the cool done run out I'll be giving it my bestest
And nothing's gonna stop me but divine intervention
I reckon it's again my turn
to win some or learn some
A
E
But
I won't hesi
tate no more,
F#m
D
no
more It cannot
wait, I'm yours
A
E
Well,
open up your mind and see like
me
F#m
Open up your plans and damn you're
free
D
Look into your heart and you'll find
love love, love, love
Listen to the music of the moment, people dance and sing
We're just one big family
And it's our God-forsaken right to be loved, love, love, loved,
B7
loved
So I won't hesitate no more, no more
It cannot wait I'm sure
There's no need to complicate
Our time is short
This is our fate, I'm yours
I've been spending way too long checking my tongue in the mirror
And bending over backwards just to try to see it clearer
But my breath fogged up the glass
And so I drew a new face and I laughed
I guess what I'll be saying is there ain't no better reason
To rid yourself of vanities and just go with the seasons
It's what we aim to do
Our name is our virtue
So I won't hesitate no more, no more
It cannot wait I'm sure
There's no need to complicate
Our time is short
This is our fate, I'm yours
25. Hey There Delilah
Plain White T's
Intro: C Em C Em
C
Em
Hey there Delilah, what's it
like in New York City?
C
Em
I'm a
thousand miles away, but girl, to
night you look so pretty
Am
Am/G
F
G
Am
G
Yes you
do,
Times Square can't
shine as bright as
you, I swear it's
true
Hey there Delilah, don't you worry about the distance,
I'm right there if you get lonely, give this song another listen.
Close your eyes, Listen to my voice, it's my disguise, I'm by your side
C
C/G
Am
Am/B
C
C/G
Am
Am/B
Oh it's what you
do to
me
-
Oh it's what you
do to
me
C
C/G
Am
Am/B
C
C/G
Am
Am/B
C
C/G
Oh it's what you
do to
me
-
Oh it's what you
do to
me, What you do
to
me
Hey there Delilah, I know times are getting hard
But just believe me, girl someday I'll pay the bills with this guitar
We'll have it good, we'll have the life we knew we would, my word is good
Hey there Delilah, I've got so much left to say
If every simple song I wrote to you, would take your breath away
I'd write it all, even more in love with me you'd fall, we'd have it all
Oh it's what you do to me - Oh it's what you do to me
C
C/G
Am
Am/G
Oh it's what you do to me -
Oh it's what you
do to
me
Bridge:
F
G
A thousand miles seems pretty far, but
they've got planes and trains and cars
C
C/B
Am
Am/G
I'd
walk to you if I had no
other
way
F
G
Our friends would all make fun of us and
we'll just laugh along because
C
C/B
Am
Am/G
we
know that none of them have
felt this
way
F
G
Delilah I can promise you, that
by the time we get through
Am
G
The
world will never ever be the same and you're to
blame
Hey there Delilah, you be good and don't you miss me
Am
Am/G
Two more years and you'll be done with school and I'll be making history like I
do
F
G
Am
Am/G
You'll know it's
all because of
you
F
G
Am
Am/G
We can do what
ever we want
to
F
G
Am
G
Hey there Delil
ah here's to
you, this ones for
you
Oh it's what you do to me - Oh it's what you do to me - Oh it's what you do to me - Oh it's what you do to me
|:
C
C/G
Am
Am/B
:| (4x)
C
C/G
C
Oh
Oh
Oh
26. St. James Infirmary
trad.
Em
Am
Em
C
B7
I went
down to
old Joe's
barroom, On the corner
by the
square.
Em
Am
Em
C
B7
Em
Am
Well, the
drinks were
served as
usual, And the
usual
crowd was
there,
Em
B7
Em
And the
usual
crowd was
there.
Em
Am
Em
C
B
In a
corner stood
old Joe Mc
Kennedy, His eyes all
bloodshot and
red.
Em
Am
Em
C
B7
Em
Am
He
turned to the
crowd a
round him, And
these were the
words he
said,
Em
B7
Em
And
these were the
words he
said:
Em
Am
Em
C
B7
I
went to
St. James in
firmary, I saw my
baby
there.
Em
Am
Em
She was
layed out on a
long white
table,
C
B7
Em
Am
Em
B7
Em
So
sweet, so
cold, so
fair,
So
sweet, so
cold, so
fair!
Went up to see the doctor, "She's very low," he said;
Went back to see my baby:
Good God! She's lying there dead! Good God! She's lying there dead!
"Let her go, let her go, God bless her, Wherever she may be!
She can search this wide world over,
And never find a man like me, And never find a man like me!
Well, if I die, please won't you bury me With my high top Stetson hat!
Put a twenty Dollar gold piece on my watchchain,
to let the boys know that I'm standing pat, to let the boys know that I'm standing pat!
Get six gamblers to carry my coffin, Let six pretty girls sing me a song!
Put a dixieland band behind my hearse wagon,
To raise Hell while they roll me along, To raise Hell while they roll me along
Now that's the end of my story; Let's have another round of booze
And if anyone should ask you:
I've got the St. James Infirmary blues, I've got the St. James Infirmary blues!
Let her go, let her go, God bless her,...
27. Schlaflied für Anne
trad. - Arr. Vahle / Griechenland
Em
Am
B7
Em
Schlaf, Anne,
schlaf nur ein,
bald kommt die
Nacht.
D7
G
Hat sich aus
Wolken Pantoffeln ge
macht.
Am
B7
Em
Kommt von den Bergen,
kommt von ganz
weit.
B7
Em
Schlaf, Anne,
schlaf nur ein, s'ìst Schlafens
zeit.
Em
Am
B7
Em
Schlaf, Anne,
schlaf nur ein,
bald kommt der
Mond,
D7
G
der draußen
hinter den Birnbäumen
wohnt,
Am
B7
Em
einer davon kitzelt
ihn sanft am
Kinn.
B7
Em
Lächelt der
Mond und zieht leise da
hin.
Em
Am
B7
Em
Schlaf, Anne,
schlaf nur ein,
bald kommt ein
Traum.
D7
G
Schlupft dir zum
Ohr hinein, merkst ihn erst
kaum,
Am
B7
Em
fährst auf dem Traumschiff ans
Ende der
Nacht,
B7
Em
bis dir der
Morgen die Augen auf
macht.
Am
B7
Em
Fährst auf dem Traumschiff ans
Ende der
Nacht,
B7
Em
bis dir der
Morgen die Augen auf
macht.
28. Something
George Harrison
Riff 1: F Bb G C Riff 2: F Bb G A
e|-------------------|-0--0--0--0-| e|-------------------|-0--0--0--0-|
b|-----1---------0---|-1--1--1--1-| b|-----1---------0---|-2--2--2--2-|
G|---2-2-2---3---0---|-0--0--0--0-| G|---2-2-2---3---0---|-2--2--2--2-|
D|---3---3---3-------|-2--2--2--2-| D|---3---3---3-------|-2--2--2--2-|
A|-------------1-----|-3--3--3--3-| A|-------------1-----|-0--0--0--0-|
E|-1---------------3-|-x--x--x--x-| E|-1---------------3-|-0--0--0--0-|
F
Am
Something in the way she
moves
D#
A#
Attracts me like no other
lover.
G7
C
Something in the way she
woos me:
Dm
I don't want to leave her now
Dm/C
You know I believe and how!
Riff 1
Somewhere in her smile she knows
That I don't need no other lover.
Something in her style that shows me:
I don't want to leave her now
You know I believe and how!
Riff 2
D
Bm
You're asking me, will my love
grow?
G
C
D
I don't
know,
I don't
know!
D
Bm
You stick around now it may
show:
G
C
F
I don't
know,
I don't
know!
Zwischenspiel(Akkorde wie Strophe)
Riff 1
Something in the way she knows - And all I have to do is think of her.
Something in the things she shows me:
I don't want to leave her now - You know I believe and how!
Riff 2
Riff 1
29. Strawberry Fields Forever for Dummies
Lennon, McCartney/the Beatles: Magical Mystery Tour (1967)
F
Cm
D
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
A#
D
A#
F
And
nothing to get
hung about -
Strawberry Fields for
ever
C
Em
Gm
Dm
Dm/C
A#
Living is
easy with
eyes closed,
Misunder
standing all you
see .
A#
C
F
Dm
A#
C
F
It's getting
hard to be some
one but it all works
out,
It doesn't
matter much to
me.
F
Cm
D
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
A#
D
A#
F
And
nothing to get
hung about -
Strawberry Fields for
ever
C
Em
Gm
Dm
Dm/C
A#
No one I
think is in
my tree,
I mean it
must be high or
low;
A#
C
F
Dm
A#
C
F
That is, you
can't you know tune
in but it's all
right,
That is, I
think it's not too
bad.
F
Cm
D
Let me take you down, 'cause I'm going
to Strawberry Fields,
Nothing is real,
A#
D
A#
F
And
nothing to get
hung about -
Strawberry Fields for
ever
C
Em
Gm
Dm
Dm/C
A#
Always
know, some
times think it's me,
But you know I
know when it's a
dream.
A#
C
F
Dm
A#
C
F
I think a "
No" will be a "
Yes", but it's all
wrong,
That is, I
think I dis
agree.
F
Cm
Let me take you down, 'cause I'm going
to Strawberry Fields
D
A#
D
A#
F
Nothing is real, and
nothing to get
hung about -
Strawberry Fields for
ever
A#
F
A#
F
Strawberry Fields for
ever -
Strawberry Fields for
ever
Am7/G
Am/F#
E/b
E/c#
E/b
E/e
30. While My Guitar Gently Weeps
George Harrison
Intro:
Dm
Dm7/C
Dm/B
A#
Dm
C
G
A7
Dm
Dm7/C
Dm/B
A#
I
look at you
all see the
love there that's
sleeping
Dm
C
G
A7
While my gui
tar gently
weeps
Dm
Dm7/C
Dm/B
A#
I
look at the
floor and I
see it needs
sweeping
Dm
C
F
A7
Still my gui
tar gently
weeps
barre:
D
F#m
Bm
F#m
Em
A/b
A/c#
A/d
A/e
I don't know
why
nobody
told you -
how to unfold your
love
D
F#m
Bm
F#m
Em
A/b
A/c#
A/d
A/e
I don't know
how
someone contr
olled you -
They bought and sold
you
Dm
Dm/C
Dm/B
A#
I
look at the
world and I
notice it's
turning
Dm
C
G
A7
While my
guitar gently
weeps
Dm
Dm/C
Dm/B
A#
With
every mis
take we must
surely be
learning
Dm
C
F
A7
Still my
guitar gently
weeps
Solo over verse
D
F#m
Bm
F#m
Em
A/b
A/c#
A/d
A/e
I don't know
how
you were di
verted -
You were perverted
too
D
F#m
Bm
F#m
Em
A/b
A/c#
A/d
A/e
I don't know
how
you were in
verted -
No one aler
ted you
Dm
Dm7/C
Dm/B
A#
I
look at you
all see the
love there that's
sleeping
Dm
C
G
A7
While my gui
tar gently
weeps
Dm
Dm7/C
Dm/B
A#
Dm
C
G
A7
..Look at you
all
-
Still my gui
tar gently
weeps
Solo to the end...
31. Les champs élysées
Pierre Delanoe / Joe Dassin
intro:
Gm
C7
F
Dm
Gm
C
F
F
A7
Dm
F7
Je m'
baladais sur l'
avenue,
le coeur ouvert à l'
inconnu.
A#
F
G7
C7
J'
avais envie de
dire bonjour à n'
importe
qui
F
A7
Dm
F7
N'
importe qui et
ce fut toi, je
t'ai dit n'
importe quoi,
A#
F
Gm
C7
F
Il
suffisait de
te parler, pour t'
appri
voi
ser.
F
A7
Dm
F7
A#
F
G7
C7
Aux
Champs-Ély
sées,
--
aux
Champs-Ély
sées!
F
A7
Dm
F7
Au soleil,
sous la pluie,
à midi ou
à minuit,
A#
F
Gm
C7
F
Il y a tout ce que
vous voulez aux
Champs-
Ély
sées.
F
A7
Dm
F7
Tu m'as dit "J'ai
rendez-vous dans
un sous-sol a
vec des fous,
A#
F
G7
C7
Qui
vivent la
guitare à la main, du
soir au ma
tin".
F
A7
Dm
F7
A
lors je t'ai ac
compagnée, on
a chanté, on
a dansé
A#
F
Gm
C7
F
Et l'
on n'a même
pas pensé à
s'em
bras
ser
Aux Champs-Élysées, -- aux Champs-Élysées!
Au soleil, sous la pluie, à midi ou à minuit,
Il y a tout ce que vous voulez aux Champs-Élysées.
F
A7
Dm
A7
Hi
er soir deux
inconnus et
ce matin sur l'
avenue,
A#
F
G7
C7
Deux
amoureux tout
étourdis par
la longue
nuit.
F
A7
Dm
F
Et
de l'Étoile à
la Concorde, un
orchestre à
mille cordes,
A#
F
Gm
C7
F
Tous
les oiseaux du
point du jour, chan
tent
l'a
mour
Aux Champs-Élysées...
G5
C5/9
32. Catch the Wind
Donovan
C5
F5/9
In the
chilly hours and
minutes
C5
F5/9
of un
certainty I
want to be
C5
F
G
C
G
in the warm hold
of your
lovin'
mind.
C5
F5/9
To
feel you all a
round me,
C5
F5/9
and to
take your hand a
long the sand,
C5
F
G
C
G
Ah,
but I may as well
try and
catch the
wind.
Dm
Am
F
G
G7
De de de dee, de
De de de dee, de
De de de dee, de
Dee de
Dee
When sundown pales the sky
I want to hide a while behind your smile
And ev'rywhere I'd look, your eyes I'd find.
For me to love you now
would be the sweetest thing, t'would make me sing,
Ah, but I may as well try and catch the wind.
De de de dee...
When rain has hung the leaves with tears
I want you near to kill my fears
To help me to leave all my blues behind.
Standin' in your heart
is where I want to be and long to be,
Ah, but I may as well try and catch the wind.
33. Hurdy Gurdy Man
Donovan Leitch / Donovan: Hurdy Gurdy Man (1968)
C
Em
F
G
Thrown like a star in
my vast sleep I
open my eyes to t
ake a peep
C
Em
F
G
To find that I was
by the sea
gazing with tran
quility
A#
F
C
'Twas
then that the Hurdy
Gurdy Man came
singing songs of love.
A#
F
C
n.c.
C
Then when the Hurdy
Gurdy Man came
singing songs
of
love.
A#
F
C
C
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
A#
F
C
C
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
A#
F
C
C
A#
F
C
Hurdy gurdy, hurdy
gurdy, hurdy gurdy
gurdy he
sang.
C
Em
F
G
Histories of
ages past
unenlightened
shadows cast.
C
Em
F
G
Down through all e
ternity the
crying of hu
manity.
A#
F
C
'Tis
then that the Hurdy
Gurdy Man comes
singing songs of love.
A#
F
C
n.c.
C
Then that the Hurdy
Gurdy Man comes
singing songs
of
love.
Hurdy gurdy, hurdy gurdy, hurdy gurdy gurdy he sang...
3rd verse by George Harrison
C
Em
F
G
When the truth gets
buried deep Be
neath a thousand
years of sleep,
C
Em
F
G
Time demands a
turn-around And
once again the
truth is found:
A#
F
C
A
wakening the Hurdy
Gurdy Man Who comes
singing songs of love.
A#
F
C
n.c.
C
A
wakening the Hurdy
Gurdy Man Who comes
singing songs
of
love.
Hurdy gurdy, hurdy gurdy, hurdy gurdy gurdy he sang...
34. Belle Isle
trad. / Bob Dylan: Self Portrait (1970)
F
A#
F
C
F
One
evening for pleasure I
rambled to view the
fair fields
all a
lone.
A#
C
C
Down by the banks of
Loch Eiron where
beauty and pleasure were
known.
a
e
a
C
I
spied a fair maid at her
labour which
caused me to stay for a
while.
F
a
e
A#
f
F
And I thought of a
goddess of
beauty
bloomin bright
star of bright
isle.
F
a
e
A#
C
F
I
humbled
myself to her
beauty "Fair
maiden, where
do you be-
long?
F
a
e
d
A#
C
Are
you from
heaven de
scended a
biding in
cupids fair
throne?"
a
e
a
e
"Young
man, I will tell you a
secret It's
true I'm a maid that is
poor.
F
a
A#
f
And to
part from my vows and my
promise Is
more than my heart can
endure.
F
e
a
e
C
There
fore I re
main at my ser
vice And
go through all my hardship and
toil
F
e
a
A#
C
F
And
wait for the
lad that has
left me All
alone on the
banks of belle
isle".
F
a
e
A#
C
F
"Young
maiden I
wish not to
banter It's
true I come
here in dis
guise.
F
e
a
d
C
I came
here to ful
fill our last
promise And
hope to give you a sur
prise.
a
C
a
e
C
I've
known you're a maid I love
dearly And you've
been in my
heart all the
while.
F
e
a
A#
C
F
For
me there is
no other
damsel Than my
bloomin bright
star of belle
isle".
35. Further On Up The Road
Bruce Springsteen / Johnny Cash: American V - A Hundred Highways (2006)
Dm
F
Where the road is
dark And the seed is
sewed;
Dm
F
Where the gun is
cocked As the bullet's
cold.
Dm
C
Dm
C
Where the miles are
marked
In the blood and the
gold:
A#
C
Dm
And I'll
meet you further
on up the
road.
Dm
F
Got on my dead man
suit And my smilin' skull
ring;
Dm
F
My lucky graveyard
boots And a song to
sing.
Dm
C
Dm
C
I got a song to
sing
That keeps me out of the c
old;
A#
C
Dm
And I'll
meet you further
on up the r
oad.
F
Dm
Further on up the
road - Further on up the
road.
F
A
Where the way is
dark - And the night is
cold.
Dm
C
Dm
C
One sunny
mornin'
- We'll rise I
know:
A#
C
Dm
And I'll
meet you further
on up the
road!
Dm
F
Now I've been out in the
desert Just doin' my
time.
Dm
F
Searchin' through the
dust Lookin' for a
sign.
C
Dm
C
If there's a light up
ahead Well brother I don't
know;
A#
C
Dm
But I've
got this fever
burnin' in my
soul.
F
Dm
Further on up the
road - Further on up the
road.
F
A
Where the way is
dark - And the night is
cold.
Dm
C
Dm
C
One sunny
mornin'
- We'll rise I
know:
A#
C
Dm
And I'll
meet you further
on up the
road!
36. Another Travelin' Song
Bright Eyes: I'm Wide Awake, It's Morning (2005)
A
A
D
Well I’m
changing all my strings, I’m gonna write another travelin'
song.
A
E
about all the billion highways and the cities at the break of
dawn.
A
D
Well I guess the
best that I can do now is pretend that I’ve done nothing
wrong.
E
D
A
and
dream about a train that’s gonna
take me back where I be
long.
A
D
Now the
ocean speaks and spits and I can hear it from the inter
state -
A
E
and I’m
screaming at my brother on the cell phone, he is far
away.
A
D
And I’m saying "
nothing in the past or future ever will feel like to
day -
E
D
A
until we’re
parking in an alley, just
hoping that our shit is
safe".
D
A
So I go
back and forth for
ever;
D
A
All my
thoughts, they come in
pairs.
D
C#m
Bm
Well I
will, I won’t, I
doubt, I don’t, I’m
not surprised;
D
E
A
But I
never feel
quite pre
pared.
A (muted)
D (muted)
Now I’m
hunched over a typewriter, I guess you’d call that painting in a
cave.
A (muted)
E (muted)
And there’s a
word I can’t remember and a feeling I can not es
cape
A (muted)
D (muted)
And now my
ashtray’s overflowing I’m still staring at a clean white
page.
E
D
A
And morning’s at my window and she is
sending me to bed a
gain.
A
D
Well I
dreamed of dark on the horizon, I dreamed a desert where the dead laid
down.
A
D
I
dreamed a prostituted child touching an old man in a fast food
crowd.
A
D
Oh Yeah I
dreamt a ship was sinking, there was people screaming all a
round.
E
D
A
And I a
woke to my alarm clock, it was a
pop song, it was playing
loud.
D
A
So I will
find my fears and
face them
D
A
Or I will
cower like a
dog.
D
C#m
I will
kick and scream or
kneel and plead,
Bm
D
E
A
I will
fight like hell to
hide that I’m
giving
up.
37. Let her go
Mike Rosenberg / Passenger: All the little things (2012)
F
G
|:
Am
G
F
G
:
|
Am
| (
3x)
|
F
C
Well you only need the
light when it's burning
low,
G
Am
Only miss the
sun when it starts to
snow.
F
C
G
Only know your
lover when you let her
go!
F
C
Only know you've been
high when you're feeling
low.
G
Am
Only hate the
road when you re missin'
home,
F
C
Only know your
lover when you've let her
go,
G
Am
F
G
Em
Am
F
G
And you
let her go!
Am
F
Staring at the bottom of your
glass
G
Em
Hoping
one day you will make a dream
last.
Am
F
G
The dreams come
slow and go
so fast!
Am
F
You
see her when you close your
eyes,
G
Em
Maybe
one day you will understand
why.
Am
F
G
Everything you
touch all it
dies.
F
C
Because you only need the
light when it s burning
low,
G
Am
Only miss the
sun when it starts to
snow.
F
C
G
Only know your
lover when you let her
go!
F
C
Only know you've been
high when you're feeling
low,
G
Am
Only hate the
road when you're missin'
home,
F
C
G
Only know your
lover when you've let her
go!
Am
F
Staring at the ceiling in the
dark
G
Em
Same old
empty feeling in your
heart;
Am
F
G
Love comes
slow and it goes so
fast!
Am
F
Well you
see her when you fall a
sleep,
G
Em
But to never to
touch and never to
keep
Am
Because you loved her too
much!
F
G
And you dive too
deep...
F
C
Because you only need the
light when it's burning
low,
G
Am
Only miss the
sun when it s starts to
snow.
F
C
G
Only know your
lover when you let her
go!
F
C
Only know you've been
high when you're feeling
low,
G
Am
Only hate the
road when you're missin'
home;
F
C
G
Only know your
lover when you've let her
go!
Am
F
G
And you let her
go - Ooh-
ooh-
ooh
Am
F
G
And you let her
go - Oooh-
ooh-
ooh
Am
F
G
Em
Am
F
G
And you let her
go
F
C
Because you only need the
light when it's burning
low,
G
Am
Only miss the
sun when it starts to
snow.
F
C
G
Only know your
lover when you let her
go!
F
C
Only know you ve been
high when you're feeling
low,
G
Am
Only hate the
road when you're missin'
home;
F
C
Only know your
lover when you ve let her
go,
G
And you let her
go!
F
C
Because you only need the
light when it's burning
low,
G
Am
Only miss the
sun when it starts to
snow.
F
C
G
Only know your
lover when you let her
go!
F
C
Only know you've been
high when you're feeling
low,
G
Am
Only hate the
road when you're missin'
home;
F
C
Only know your
lover when you ve let her
go,
G
Am
And you let her go!
38. Denkmal
Wir Sind Helden: Reklamation
G
Em
Komm mal ans Fenster,
komm her zu mir.
G
Em
Siehst du da
drüben gleich da hinterm
Wellblechzaun?
G
Em
Da
drüben auf dem Platz vor
Aldi haben sie
G
Em
G
unser
Abbild in Stein ge
haun.
Em
Komm auf die Straße, komm
her zu mir.
G
Em
Überall
Blumen und Girlanden
halb zerknüllt.
G
Em
Sieht so
aus als hätten die unser Den
kmal heute Nacht
G
Em
schon
ohne uns enthüllt.
D
G
Hol den
Vorschlaghammer
Em
Bm
C
G
Sie haben
uns
ein
Denkmal ge
baut
Em
Bm
und jeder
Vollidiot
weiß
C
G
dass das die
Liebe ver
saut!
Bm
C
Ich werd die
schlechtesten
Sprayer
D
G
dieser
Stadt enga
gieren,
Bm
C
Die sollen
Nachts noch die
Trümmer
mit Parolen beschmieren!
instrumental
|:
E
C#m
:|
Komm auf die Beine komm her zu mir.
Es wird bald hell und wir haben nicht ewig Zeit.
Wenn uns jetzt hier wer erwischt sind wir für immer vereint
in Beton und Seligkeit.
Hol den Vorschlaghammer
Sie haben uns ein Denkmal gebaut
und jeder Vollidiot weiß
dass das die Liebe versaut!
Ich werd die schlechtesten Sprayer
dieser Stadt engagieren,
Die sollen Nachts noch die Trümmer
D
mit Parolen be
schmieren!
C
G
Em
Bm
D
Siehst du die Inschrift da
unten bei den
Schuhen?
C
G
Em
D
C
Da steht in goldener
Schrift wir sollen in Ewigkeit
ruhen!
Hol den Vorschlaghammer
Sie haben uns ein Denkmal gebaut
und jeder Vollidiot weiß
dass das die Liebe versaut!
Ich werd die schlechtesten Sprayer
dieser Stadt engagieren,
Die sollen Nachts noch die Trümmer
mit Parolen beschmieren!
Sie haben uns ein Denkmal gebaut
und jeder Vollidiot weiß
dass das die Liebe versaut!
Ich werd die schlechtesten Sprayer
dieser Stadt engagieren,
Die sollen Nachts noch die Trümmer
mit Parolen beschmieren!
39. Nur ein Wort
Jean-Michel Tourette, Judith Holofernes, Mark Tavassol / Wir sind Helden: Von hier an blind (2005)
C
Em
Am
Ich sehe, dass du
denkst, ich denke dass du
fühlst,
F
Ich fühle dass du
willst aber ich hör dich nicht; ich
C
Em
Am
Hab mir ein Wörterbuch ge
lieh'n, dir A bis Z ins Ohr ge
schrien,
F
C
Ich stapel tausend wirre
Worte auf die dich am Ärmel
zieh'n.
C
G/B
Am
G
Und wo du
hingehen willst,
ich häng' an deinen
Beinen,
F
Dm
F
G
Wenn du schon auf den
Mund fallen musst, wa
rum dann nicht auf
meinen?
C
Em
Am
Oh bitte gib mir nur ein
Oh, Bitte gib mir nur ein
Oh,
F
C
Bitte gib mir nur ein -
Bitte, bitte gib mir nur ein
Wort.
Em
Am
F
Es ist verrückt wie schön du schweigst, wie du dein hübsches Köpfchen neigst
Und so der ganzen lauten Welt und mir die kalte Schulter zeigst.
Dein Schweigen ist dein Zelt, du stellst es mitten in die Welt,
Spannst die Schnüre und staunst stumm wenn nachts ein Mädchen drüber fällt.
Zu deinen Füssen red ich mich um Kopf und Kragen,
Ich will in deine tiefen Wasser große Wellen schlagen,
Oh bitte gib mir nur ein Oh, Bitte gib mir nur ein Oh,
Bitte gib mir nur ein - Bitte bitte gib mir nur ein Wort.
In meinem Blut werfen die Endorphine Blasen,
Wenn hinter deinen stillen Hasenaugen die Gedanken rasen...
40. Rauch Haus Song
Reiser / Ton Steine Scherben: Keine Macht für Niemand (1972)
Rauch-Haus-Song
Em7
A7
D
Der Mari
annenplatz war
blau, soviel
Bullen waren da,
Bm7
Em7
A7
d
und Mensch
Meier musste
heulen, das war
wohl das Tränengas.
Bm7
Em
Bm
Und er
fragte irgendeinen: "Sag mal,
ist hier heut 'n Fest?"
G
A
"Sowas ähnliches",
sacht einer "das Be
thanien wird besetzt."
Em7
A7
D
"Wird auch
Zeit", sagte Mensch
Meier, "Stand ja
lange genug leer.
Bm7
Em7
A7
D
Ach, wie
schön wär doch das
Leben, gäb es
keine Pollis mehr."
Bm7
Em7
Bm
Doch der
Einsatzleiter brüllte: "Räumt den
Mariannenplatz,
G
A
damit
meine Knüppelgarde genug
Platz zum Knüppeln hat!"
Em7
A7
D
Doch die
Leute im be
setzen Haus
Bm
A7
D
Bm
riefen: "
Ihr kriegt uns hier nicht raus!
G
Em
F#m
Das ist
unser Haus -
schmeißt doch endlich
G
Em7
A
D
Em
A
D
Bm
Schmidt und
Press und
Mosch aus Kreuzberg
raus."
Der Senator war stinksauer, die CDU war schwer empört,
daß die Typen sich jetzt nehmen, was ihnen sowieso gehört.
Aber um der Welt zu zeigen, wie großzügig sie sind,
sagten sie: "Wir räumen später, lassen sie erstmal drin!"
Und vier Monate später stand in Springer's heißem Blatt,
daß Georg-von-Rauch-Haus hat eine Bombenwerkstatt.
Und die deutlichen Beweise sind zehn leere Flaschen Wein
und zehn leere Flaschen können schnell zehn Mollies sein.
Doch die Leute im Rauch-Haus
riefen: "Ihr kriegt uns hier nicht raus!
Das ist unser Haus - schmeißt doch endlich
Schmidt und Press und Mosch aus Kreuzberg raus."
Letzten Montag traf Mensch Meier in der U-Bahn seinen Sohn.
Der sagte: "Die woll'n das Rauch-Haus räumen,
ich muß wohl wieder zu Hause wohnen."
"Is ja irre", sagt Mensch Meier "sind wa wieder einer mehr
in uns'rer Zwei-Zimmer-Luxus-Wohnung und das Bethanien steht wieder leer.
Sag mir eins, ha'm die da oben Stroh oder Scheiße in ihrem Kopp?
Die wohn' in den schärfsten Villen, unsereins im letzten Loch.
Wenn die das Rauch-Haus wirklich räumen,
bin ich aber mit dabei
und hau den ersten Bullen,die da auftauchen ihre Köppe ein."
Und ich schrei's laut:
"Ihr kriegt uns hier nicht raus!
Das ist unser Haus - schmeißt doch endlich
Schmidt und Press und Mosch aus Kreuzberg raus."
|: Und wir schreien's laut:
"Ihr kriegt uns hier nicht raus!
Das ist unser Haus, schmeißt doch endlich
Schmidt und Press und Mosch aus Kreuzberg raus." :|
