Jürgens privates Wiki | Liederbuch / JGSet200208

1. Summertime

Dubose Heyward, Ira & George Gerswin / Janis Joplin: Cheap Thrills (1968)

	E	Am	E	Am	E	Am	E	Am	E
	Summer	time	,	and the l	ivin' is	easy,

	E	Dm	Dsus	Dm	E	E7
	Fish are	jum	pin',	and the cotton is	high.

	Am	E		Am	E	Am	E		Am	D7
Oh your daddy's	rich,			and your	ma, she's good	lookin',

	C	Am	Dm	E	Am	E	Am	E
So h	ush little	baby,	don't	you	cry.

One of these mornings, you're gonna wake up singing,

And you'll spread your wings, and you'll take to the sky.

But 'till that morning, there ain't nothing to harm you,

Your mamma and your papa gonna be standing by.

Summertime, and the livin' is easy,

Fish are jumpin', and the cotton is high.

Oh your daddy's rich, and your ma, she's good lookin',

So hush little baby, don't you cry.

2. Wayfairing Stranger

trad. / Johnny Cash: American III: Solitary Man (2000)

	Dm
	I'm just a poor wayfaring stranger,

	Gm	Dm
Travelling	through this world be	low.

There is no sickness, no toil, nor danger,

	Gm	A	Dm
In that bright	land	To which I	go.

	Bb	F
I'm going	there to see my	father,

	Bb	A	A7	A
And all my	loved ones who've gone	on

	Dm	Gm	A	Dm
I'm just	going over Jordan, I'm just	going	over	home.

solo

	Dm	Gm	A	Dm	Dm	Gm	A	Dm

I know dark clouds will gather round me,

I know my way is hard and steep.

But beauteous fields arise before me,

Where God's redeemed their vigils keep.

I'm going there to see my mother,

She said she'd meet me when I come.

I'm just going over Jordan, I'm just going over home.

I'm just going over Jordan, I'm just going over home...

3. Nights in White Satin

Justin Hayward / Moody Blues: Days of Future Passed (1967)

	Bm	A	Bm	A
	Nights in white	satin	Never reaching the	end.

	G	D	C	Bm
	Letters I've	written	Never meaning to	send.

	Bm	A	Bm	A
	Beauty I've	always missed	With these eyes	before.

	G	D	C	Bm
	Just what the	truth is,	I can't say any	more

	E	G	Bm	A	Bm	A
'Cause I	love you, - Yes, I	love you, Oh, how I	love you!

Gazing at people, Some hand in hand,

Just what I'm going through They can't understand.

Some try to tell me Thoughts thay cannot defend.

Just what you want to be You will be in the end.

'Cause I love you, Yes, I love you, Oh, how I love you! Oh.

Nights in white satin Never reaching the end.

Letters I've written Never meaning to send.

Beauty I've always missed, With these eyes before,

Just what the truth is, I can't say anymore

'Cause I love you, Yes, I love you, Oh, how I love you, Oh, how I love you!

4. Michelle

Lennon & McCartney / the Beatles: Rubber Soul (1966)

	Fm		Fm7+		Fm7		Fm6		Bbm7		C7

	F	Bbm7	Eb6	Db	C7	Db7	C7
	Michelle,	ma belle,	these are words that	go together	well,	my Mi	chelle!

	F	Bbm7	Eb6	Db	C7	Db7	C7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Fm	Ab7	Db
I	love you, I love you, I love you,	that's all I want to	say,

	C7	Fm	C7	Fm	Bbm7	Fm	Fm7+	Fm7	Fm6	Bbm7	C7
	until I	find	a	way -	I will	say the	only	words I	know that	you'll under	stand:

	F	Bbm7	Eb6	Db	C7	Db7	C7
	Michelle,	ma belle,	these are words that	go together	well,	my Mi	chelle!

	F	Bbm7	Eb6	Db	C7	Db7	C7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Fm	Ab7	Db
I	need to, I need to, I need to,	I need to make you	see,

C7

Fm

C7

Fm

Bbm7

Fm

Fm7+

Fm7

Fm6

Bbm7

C7

oh, what you

mean

to

me -

un- -

til I

do I'm

hoping

you will

know what I

mean:

	F
		I love you...

guitar

F

Bbm7

Eb

Db

C7

Db7

C7

	Fm	Ab7	Db
I	want you, I want you, I want you,	I think you know by	now,

C7

Fm

C7

Fm

Bbm7

Fm

Fm7+

Fm7

Fm6

Bbm7

C7

I'll get to

you

some--

how -

un- -

til I

do I'm

telling

you so

you'll under

stand:

	F	Bbm7	Eb6	Db	C7	Db7	C7
	Michelle,	ma belle,	sont les mots qui '	vont tres bien en	semble,	tres bien en	semble!

	Fm	Fm7+	Fm7	Fm6	Bbm7	C7	F
And I will	say the	only	words I	know that	you'll under	stand, my Miche	lle...

guitar

|:

F

Bbm7

Eb

Db

C7

Db7

C7

:|

5. Hey Jude

Lennon & McCartney / the Beatles (1967)

	C	G	G7	G7sus4	G7	C
Hey	Jude, don't make it	bad, take a	sad	song and	make it	better!

	F	C	G7	C
Re	member to let her into your	heart, Then you can	start to make it	better.

	C	G	G7	G7sus4	G7	C
Hey	Jude, don't be a	fraid, you were	made to	go	out and	get her!

	F	C	G7	C
The	minute you let her under your	skin, Then you be	gin to make it	better!

	C7	F	F/E	Dm	G7	C
	And anytime you feel the	pain, Hey	Jude, re	frain, Don't carry the	world upon your	shoulders!

	C7	F	F/E	Dm	G7	C
	For well now you know that it's a	fool who	plays it	cool By making his	world a little	colder.

	C	C7	G7
	Na-na-na	na-na	na-na-na

	C	G	G7	G7sus4	G7	C
Hey	Jude, don't let me	down, You have	found	her, now	go and	get her!

	F	C	G7	C
Re	member to let her into your	heart, Then you can	start, to make it	better!

	C7	F	F/E	Dm	G7	C
So	let it out and let it	in, Hey	Jude, be	gin; You're waiting for	someone to per	form with!

	C7	F	F/E	Dm	G7	C
	And don't you know that it's just	you, Hey	Jude, You'll	do, The movement you	need is on your	shoulders.

	C	C7	G7
	Na-na-na	na-na	na-na-na, yeah!

	C	G	G7	G7sus4	G7	C
Hey	Jude, don't make it	bad, take a	sad	song and	make it	better!

	F	C	G7	C
Re	member to let her into your	heart, Then you can	start to make it	better, better, better, better! Oooh!

	C	Bb	F	C	Bb
	Na-na-na	Nana-na-na,	Nana-na-na, Hey	Jude! Na-na-na	Nana-na-na, ...

6. Yesterday

Lennon & McCartney / Beatles: Help (1965)

	C	Bm7	E4	Am	G		F
	Yesterday,	all my	troubles seemed so	far away.

	G	C
Now it	looks as though they're	here to stay.

	G	Am	D	F	C
	Oh	I be-	lieve in	yester	day.

Suddenly, I'm not half the man I used to be.

There's a shadow hanging over me.

Oh yesterday came suddenly.

	E4	E7	Am	G	F	G	C
	Why	she	had	to	go I don't	know she wouldn't	say

	E4	E7	Am	G	F	G	C
	I	said	some	thing	wrong now I	long for yester	day.

Yesterday, love was such an easy game to play.

Now I need a place to hide away,

oh I believe in yesterday.

Why she had to go I don't know she wouldn't say

I said something wrong now I long for yesterday.

Yesterday, love was such an easy game to play.

Now I need a place to hide away,

oh I believe in yesterday.

Hm Hm Hm Hm...

7. Sunny Afternoon

R. D. Davies / the Kinks: Face to Face (1966)

Intro:

	\|:	Dm	Dm/C	Dm/B	Dm/Bb	A	A/G	A/F	A/E	:\|

	Dm	C7	F	C7
The	taxman's taken	all my dough And	left me in my	stately home,

	A	A/G	A/F	A/E	Dm
	Lazin'	on a	sunny	after	noon.

	Dm	C7	F	C7
	And I can't	sail my yacht, He's	taken every	thing I've got,

	A	A/G	A/F	A/E	Dm
	All I've	got's this	sunny	after	noon.

	D7	G7	C7	F	A7
	Save me, save me, save me from this gr	eed; I got a big	fat mama tryin' to break	me.

	Dm	G7	Dm	G7	C7
And I	love to live so	pleasantly -	Live this life of	luxu	ry;

	F	A7	Dm	Dm/C	Dm/B	Dm/Bb	A	A/G	A/F	A/E
	Lazin' on a	sunny after	noon			- In the	summer	time.

My girlfriend's run off with my car And gone back to her ma and pa,

Tellin' tales of drunkenness and cruelty.

Now I'm sittin' here, Sippin' at my ice-cooled beer;

Lazing on a sunny afternoon.

Help me, help me, help me sail away. Who give me two good reasons why I are to stay?

'Cause I love to live so pleasantly - Live this life of luxury;

Lazin' on a sunny afternoon - In the summertime.

In the summertime

Save me, save me, save me from this greed, I got a big fat mama tryin' to break me.

And I love to live so pleasantly - Live this life of luxury;

Lazin' on a sunny afternoon - In the summertime.

In the summertime...

8. You Ain't Goin' Nowhere

Bob Dylan / Bob Dylan: Basement Tapes (1967/1975)

	G	Am	C	G
	Clouds so swift -	Rain won't lift -	Gate won't close -	Railings froze.

	G	Am	C	G
	Get your mind off	wintertime -	You ain't goin' no	where.

	G	Am	C	G
	Whoo-ee!	Ride me high - To	morrow's the day My	bride's gonna come.

	G	Am	C	G
	Oh, oh, are	we gonna fly,	Down in the easy	chair!

I don't care - How many letters they sent - Morning came and morning went.

Pick up your money - And pack up your tent - You ain't goin' nowhere.

Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come.

Oh, oh, are we gonna fly, Down in the easy chair!

Buy me a flute - And a gun that shoots - Tailgates and substitutes.

Strap yourself - To the tree with roots - You ain't goin' nowhere.

Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come.

Oh, oh, are we gonna fly, Down in the easy chair!

Genghis Khan - He could not keep - All his kings - Supplied with sleep.

We'll climb that hill no matter how steep - When we get up to it.

Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come.

Oh, oh, are we gonna fly, Down in the easy chair!

9. House of the Rising Sun

traditional / Animals (1964)

	Am	C	D	F	Am	C	E
	There is a	house in	New Or	leans They	call the	rising	sun.

	Am	C	D	F	Am	E	Am	E7
And its	been the	ruin of	many a poor	boy, And	me, oh	Lord, I'm	one.

	Am	C	D	F	Am	C	E
	My mother	she's a	tailor,	She	sewed those	new blue	jeans.

	Am	C	D	F	Am	E	Am	E7
My	father	he's a	gamblin'	man - Drinks	down in	New Or	leans.

	Am	C	D	F	Am	C	E
Now the	only	things a	gambler	needs Is a	suitcase	and a	trunk.

	Am	C	D	F	Am	E	Am	E7
And the	only	time that	he's satis	fied Is	when he's	on a	drunk.

	Am	C	D	F	Am	C	E
There's	one foot	on the	platform,	The	other foot	on the	train.

	Am	C	D	F	Am	E	Am	E7
I'm	goin'	back to	New Or	leans To	wear that	ball and	chain.

	Am	C	D	F	Am	C	E
Go	mother	tell your	children:	Not to	do what	I have	done.

	Am	C	D	F	Am	E	Am	E7
	Spend your	life sin-	cere in mise	ry In the	House of the	Rising	Sun.

There is a house...

10. Ring of Fire

June Carter & Merle Kilgore / Johnny Cash (1963); Eric Burdon (1969)

Intro:

G

C

G

C

G

|:

/

|

/

:|

	G	C	G	C	G	C	G	C	G
	Love is a	burnin'	thing and	it	makes a	fiery	ring.

	G	C	G	C	G	C	G
	Bound by	wild de	sire		I fell into your	ring of	fire

	D	C	G
	I fell into a	burnin' ring of	fire

	D	C	G
I went	down, down, down and the	flames, they got	higher

	C	G	Am	G
And it burns, burns, burns, that	ring of	fire, that	ring of	fire.

Solo

I fell into a burnin' ring of fire

I went down, down, down and the flames, they got higher

And it burns, burns, burns, that ring of fire, that ring of fire.

The taste of love is sweet, when hearts like ours meet.

I fell for you like a child, Oooh, but the fire went wild.

I fell into a burnin' ring of fire

I went down, down, down and the flames, they got higher

And it burns, burns, burns, that ring of fire, that ring of fire.

11. First we Take Manhattan

Leonard Cohen

	Dm	Am
They	sentenced me to twenty years of	boredom,

	Dm	Am
For	trying to change the system from	within.

	Dm	Am
I'm	coming now I'm coming to	reward them:

	G	F	E	Am
	First we take Man	hattan,	then we take Ber	lin.

I'm guided by a signal in the heavens. I'm guided by this birthmark on my skin.

I'm guided by the beauty of our weapons: First we take Manhattan, then we take Berlin.

	C	G	F
I'd	really like to live beside you,	baby.

	C	Am
I love your	body and your spirit and your	clothes,

	C	Am
But you	see that line there moving through the	station.

	G	F	E	Am
I	told you - I	told you - I	told you I was one of	those.

You loved me as a loser but now you're worried that I just might win.

You know the way to stop me but you don't have the discipline.

How many nights I prayed for this: to let my work begin:

First we take Manhattan, then we take Berlin.

I don't like your fashion business, mister. I don't like these drugs that keep you thin.

I don't like what happened to your sister: First we take Manhattan, then we take Berlin.

I'd really like to live beside you, baby.

I love your body and your spirit and your clothes.

But you see that line there moving through the station:

I told you - I told you - I told you I was one of those.

And I thank you for those items that you sent me. The monkey and the plywood violin.

I practiced every night and now I'm ready: First we take Manhattan, then we take Berlin.

Remember me, I used to live for music. Remember me, I brought your groceries in.

It's Father's Day and everybody's wounded: First we take Manhattan, then we take Berlin.

12. St. James Infirmary

trad.

	Em	Am	Em	C	B7
I went	down to	old Joe's	barroom, On the corner	by the	square.

	Em	Am	Em	C	B7	Em	Am
Well, the	drinks were	served as	usual, And the	usual	crowd was	there,

	Em	B7	Em
And the	usual	crowd was	there.

	Em	Am	Em	C	B
In a	corner stood	old Joe Mc	Kennedy, His eyes all	bloodshot and	red.

	Em	Am	Em	C	B7	Em	Am
He	turned to the	crowd a	round him, And	these were the	words he	said,

	Em	B7	Em
And	these were the	words he	said:

	Em	Am	Em	C	B7
I	went to	St. James in	firmary, I saw my	baby	there.

	Em	Am	Em
She was	layed out on a	long white	table,

	C	B7	Em	Am	Em	B7	Em
So	sweet, so	cold, so	fair,	So	sweet, so	cold, so	fair!

Went up to see the doctor, "She's very low," he said;

Went back to see my baby:

Good God! She's lying there dead! Good God! She's lying there dead!

"Let her go, let her go, God bless her, Wherever she may be!

She can search this wide world over,

And never find a man like me, And never find a man like me!

Well, if I die, please won't you bury me With my high top Stetson hat!

Put a twenty Dollar gold piece on my watchchain,

to let the boys know that I'm standing pat, to let the boys know that I'm standing pat!

Get six gamblers to carry my coffin, Let six pretty girls sing me a song!

Put a dixieland band behind my hearse wagon,

To raise Hell while they roll me along, To raise Hell while they roll me along

Now that's the end of my story; Let's have another round of booze

And if anyone should ask you:

I've got the St. James Infirmary blues, I've got the St. James Infirmary blues!

Let her go, let her go, God bless her,...

13. Folsom Prison Blues

Johnny Cash/Johnny Cash (1955)

	E
I	hear the train a-comin'; it's rollin' 'round the bend,

	E	E7
And	I ain't seen the sunshine since I	don't know when,

	A7	E
I'm	stuck at Folsom Prison and time keeps draggin'	on.

	B7	E
But that	train keeps a-rollin' on down to San An	tone.

	E
When	I was just a baby my momma told me: "Son,

	E	E7
	Always be a good boy; don't	ever play with guns."

	A7	E
But I	shot a man in Reno, just to watch him	die.

	B7	E
When I	hear that whistle blowin', I hang my head and	cry.

	E
I	bet there's rich folk eatin' in a fancy dining car.

	E	E7
They're	prob'ly drinkin' coffee and	smokin' big cigars.

	A7	E
But I	know I had it comin', I know I can't be	free.

	B7	E
But those	people keep a-movin', and that's what tortures	me.

	E
Well if they	freed me from this prison, if that railroad train was mine,

	E	E7
I	bet I'd move it all a little	farther down the line.

	A7	E
	Far from Folsom Prison, that's where I want to	stay.

	B7	E
And I'd	let that lonesome whistle blow my blues a	way.

14. Season of the Witch

Donovan Leitch / Donovan: Sunshine Superman (1966)

	\|:	A7	D7	:\|

	A7	D7	A7	D7	A7	D7
	When I look out my	window,	Many sights to	see.	And when I look in my	window,

	A7	D7	A7	D7	A7	D7
	So many different people to	be.	That it's	strange,	so	strange.

	A7	D7	A7	D7
	You've got to pick up every	stitch,	You've got to pick up every	stitch,

	A7	D7	A	D	E	A
	You've got to pick up every	stitch,	Mm-mmh,	must be the	season of the	witch,

	D	E	A	D	E	A7	D7		A7		D7
	must be the	season of the	witch, yeah,	must be the	season of the	witch.		-		-

When I look over my shoulder, What do you think I see? Some old cat looking over

His shoulder at me. And he's strange, Sure he's strange.

You've got to pick up every stitch, You've got to pick up every stitch, yeah,

Beatniks are out to make it rich, Oh no, must be the season of the witch,

must be the season of the witch, yeah, must be the season of the witch.

Solo

You've got to pick up every stitch, Two rabbits running in the ditch,

Beatniks are out to make it rich, Oh no, must be the season of the witch,

must be the season of the witch, must be the season of the witch. When I go.

When I look out my window, What do you think I see? And when I look in my window,

So many different people to be. It's strange, surely strange.

You've got to pick up every stitch, You've got to pick up every stitch,

Two rabbits running in the ditch, Oh no, must be the season of the witch,

must be the season of the witch, yeah, must be the season of the witch. When I look.

When I look...

Bass:

Verse Chorus / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / G|————|—————————|—————————||———————————|——————————|——————————|——————————|——————————|————| D|————|—7—5—————|—5—7—————||———————————|——————————|——————————|——————————|——————————|————| A|————|—————5———|—————————||—5———57—75—|——————————|—55557777—|——————————|—555577———|————| E|5———|—————————|—————5———||———————————|—55555555—|——————————|—55555555—|———————03—|—5——|

15. The Little Tin Soldier

Shawn Phillips / Donovan: Fairytale (1965)

/ / / / / / / / / / / / / / / / Intro: e |--7--5--3--2--0--------|--7--5--3--2--0--------|-----3--------3--|--------3----------3--| B |--0--0--0--0--0--3--2--|--0--0--0--0--0--3--2--|--1--0--------0--|--------0----------0--| G |--0--0--0--0--0--0--0--|--0--0--0--0--0--0--0--|--0--0--------0--|--------0----------0--| D |-----------------0--0--|-----------------0--0--|--0--0--0--0--0--|--0--0--0----0--0--0--| A |-----------------------|-----------------------|-----2--0--0--2--|--0--0--2----0--0--2--| E |-----------------------|-----------------------|-----3--3--3--3--|--3--3--3----3--3--3--|

	G	Em	C	D
	Once in a town in the	Blackforest a	little white toy shop	stood,

	G	Em	C	D
And a	little tin soldier with	only one leg	lived in a castle of	wood.

	C	D	C	D
And	across the room on an	other shelve stood a	tiny glass	case,

	G	Em	C		D
And a	tiny ballerina	lived in there	-	all in a dress of	lace.

	C	D	C	D
And	from where the little tin	soldier stood they could	see each other so	clear,

	G	Em	C	D
And the	little tin soldier watched	over her	with a love so deep and	dear.

	Gm	Bm	Gm	Bm
	Then one day,	sadness came.	The tiny ballerina was	sold.

	Gm	Bm	Am
	The little tin soldier was thrown away, and	into the gutter he	rolled.

	Am	Em	Am	Em
	The water carried him	to the sea and	many far-off	lands;

	Am	Em	Am	Em
	He made many	children happy as he	passed through their tiny	hands

	G	Em	G	Em
And	then one day they	met again in a	town in the land of	Eire.

	G	Em	C	Am	D
And as the	clocks on the wall struck the	midnight hour they	jumped in	to the	fire.

	G	Em	G	Em
And	in that fire	they shall stay, Lord, for	ever and a	day.

	G	Em	C	D	intro
'Cause that	fire, oh Lord, is the	fire of love, just	like the	peace of	thy.

16. The Continuing Story of Bungalow Bill

Lennon & McCartney / Beatles: White Album (1968)

	C	G	C	Fm	C	Fm	G
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
He	went out tiger	hunting with his	elephant and gun.

	Am	C	Fm	G
	In case of	accidents he	always took his mom.

	Em	G	Am	Fm	-
He's the	all american	bullet headed	saxon mother's	son!

	-	-	C	G	C	Fm	C	Fm	G
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
	Deep in the	jungle where the	mighty tiger lies

	Am	C	Fm	G
	Bill and his	elephant were	taken by surprise.

	Em	G	Am	Fm	-
	So Captain	Marvel zapped him	right between the	eyes!

	-	-	C	G	C	Fm	C	Fm	G
	All the children sing	:	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	Am	C	Fm	G
	The children	asked him if to	kill was not a sin?

	Am	C	Fm	G
	"Not when he	looked so fierce" his	mommy butted in!

	Em	G	Am	Fm	-
	If looks could	kill it would have been	us instead of	him!

	-	-	\|:		C	G	C	Fm	C	Fm	G
	All the children sing	:			Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

	A	E7	A	Dm	A	Dm	E7	:\|
	Hey	Bungalow	Bill,	what did you	kill,	Bungalow	Bill?

C

G

C

Fm

C

Fm

G

A

E7

A

Dm

A

Dm

E7

(wh

istle

)

-

17. Alabama Song

Brecht, Weill / the Doors: the Doors (1967)

	Am	F#m	D7	F#m	D7
Well,	show me the way To the next whiskey bar -	Oh, don't ask	why;	Oh, don't ask	why!

	Am	F#m	D7	F#m	D7
	Show me the way To the next whiskey bar -	Oh, don't ask	why;	Oh, don't ask	why!

	Am	F#m	D7
	For if we don't find The next whiskey bar;	I tell you we must	die,

	F#m	D7	F#m	D7
	I tell you we must	die -	I tell you, I tell you, I tell you we must	die!

	F	B
	Oh, moon of Alabama, We now must say	goodbye.

	G	Gm	C	C7	F
We've	lost our good old	mama	And must have	whiskey, oh, you know	why.

	F	E
Oh,	moon of Alabama, We now must say	goodbye.

	Eb	F	C	C7	F
We've	lost our good old	mama	And must have	whiskey, oh, you now	why! - Yeah

Show me the way to the next pretty girl - Oh, don't ask why, oh, don't ask why

Show me the way to the next pretty girl - Oh don't ask why, oh, don't ask why

For if we don't find the next pretty girl - I tell you we must die, I tell you we must die

I tell you - I tell you - I tell you we must die.

F

B

G

Gm

C

C7

F

Oh, moon of Alabama We now must say goodbye

We've lost our good old mama - And must have whiskey, oh, you now why - Yeah!

Show me the way to the next little dollar - Oh, don't ask why, oh, don't ask why

For if we don't find the next little dollar -I tell you we must die, I tell you we must die,

I tell you - I tell you - I tell you we must die.

F

B

G

Gm

C

C7

F

Oh, moon of Alabama We now must say goodbye

We've lost our good old mama - And must have whiskey, oh, you now why - Yeah!

18. Eight Days A Week

Lennon, McCartney / the Beatles: Beatles for Sale (1965)

Intro

	D/ - /	D4/	D/ -	E/D / - /	E4/D /	E/D / -	G/D / - /	G4/D /	G/D / -	D /

	D	Em	G	D
	Ooh, I need your	love, babe,	guess you know it's	true.

	Em	G	D
Hope you need my	love, babe,	just like I need	you.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week.

	A	C	A	C	C7
	Eight days a week, I	lo-o-ove you -	Eight days a week, is	not enough to	show I care!

	D	Em	G	D
	Love you every	day, girl,	always on my	mind.

	Em	G	D
One thing I can	say, girl,	love you all the	time.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week.

	A	C	A	C	C7
	Eight days a week, I	lo-o-ove you -	Eight days a week, is	not enough to	show I care!

	D	Em	G	D
	Ooh, I need your	love, babe,	guess you know it's	true.

	Em	G	D
Hope you need my	love, babe,	just like I need	you.

	Bm	Em	Bm	E
	Hold me,	love me,	hold me,	love me;

	D	Em	G	D
	Ain't got nothing but	love, babe,	eight days a	week!

G

D

G

D

D/ - /

D4/

D/ -

E/D / - /

E4/D /

E/D / -

G/D / - /

G4/D /

G/D / -

D /

Eight days a

week!

-

Eight days a

week!

19. Die Moritat von Mackie Messer

B.Brecht / K. Weill (1920)

	C6	Dm	G7	C6
Und der	Haifisch der hat	Zähne, und die	trägt er im Ge	sicht,

	Am	Dm	G7	C6
Und Ma	cheath der hat ein	Messer, doch das	Messer sieht man	nicht.

Ach, es sind des Haifischs Flossen Rot, wenn dieser Blut vergießt!

Mackie Messer trägt 'nen Handschuh D'rauf man keine Untat liest.

An 'nem schönen blauen Sontag Liegt ein toter Mann am Strand.

Und ein Mensch geht um die Ecke Den man Mackie Messer nennt.

Und schmul Meier bleibt verschwunden Und so mancher reiche Mann.

Und sein Geld hat Mackie Messer Dem man nichts beweisen kann.

Jenny Towler ward gefunden mit 'nem Messer in der Brust.

Und am Kai geht Mackie Messer Der von allem nichts gewußt!

Und das große Feuer in Soho Sieben Kinder und ein Greis;

In der Menge Mackie Messer, den Man nichts fragt und der nichts weiß.

Und die minderjährige Witwe Deren Namen jeder weiß.

Wachte auf und war geschändet Mackie, welches war dein Preis?

Und die Fische, sie verschwinden Doch zum Kummer des Gerichts.

Man zitiert am End den Haifisch Doch der Haifisch weiß von nichts.

Und er kann sich nicht erinnern Und man kann nicht an ihn ran.

Denn ein Haifisch ist kein Haifisch Wenn man's nicht beweisen kann.

20. Nowhere Man

John Lennon/Paul McCartney

	C	G	F	C
	He's a real	nowhere man,	Sitting in his	nowhere land,

	F	Fm	C
	Making all his	nowhere plans for	nobody.

	C	G	F	G
	Doesn't have a	point of view,	Knows not where he's	going to,

	F	Fm	C
	Isn't he a	bit like you and	me?

	Em	F	Em	F
Nowhere	man, please	listen, You don't	know what you're	missing,

	Em	F	G
Nowhere	man, the	world is at your command.

guitar

C

G

F

C

F

Fm

C

	C	G	F	C
	He's as blind as	he can be,	Just sees what he	wants to see,

	F	Fm	C
	Nowhere man can	you see me at	all?

	Em	F	Em	F
Nowhere	man, don't	worry, Take your	time, don't	hurry,

	Em	F	G
Leave it	all 'till	somebody else lends you a hand.

	C	G	F	C
	Doesn't have a	point of view,	Knows not where he's	going to,

	F	Fm	C
	Isn't he a	bit like you and	me?

	Em	F	Em	F
Nowhere	man, please	listen, You don't	know what you're	missing,

	Em	F	G
Nowhere	man, the	world is at your command.

	C	G	F	C
	He's a real	nowhere man,	Sitting in his	nowhere land,

	F	Fm	C
	Making all his	nowhere plans for	nobody,

	F	Fm	C
	Making all his	nowhere plans for	nobody,

	F	Fm	C
	Making all his	nowhere plans for	nobody.

21. Passing Through

Dick Blakeslee / Leonard Cohen: Live Songs (1972)

	C	F	C
I saw	Jesus on the cross on a	hill called Calva	ry:

	G
"Do you hate mankind for what they done to	you?"

	C	F	C
He said, "	Talk of love, not hate, things to	do - it's getting	late.

	G	C
I've so little time and I'm	only passing	through."

	C
	Passing through, passing through.

	C7	F	C
Sometimes happy, sometimes	blue, glad that	I ran into	you.

	G	C
Tell the people that you	saw me passing	through.

I saw Adam leave the Garden with an apple in his hand,

I said "Now you're out, what are you going to do?"

"Plant some crops and pray for rain, maybe raise a little cane.

I'm an orphan now, and I'm only passing through."

Passing through, passing through...

I was with Washington at Valley Ford, shivering in the snow.

I said, "How come the men here suffer like they do?"

"Men will suffer, men will fight, even die for what is right;

even though they know they're only passing through."

Passing through, passing through...

I was with Franklin Roosevelt's side on the night before he died.

He said, "One world must come out of World War Two" (ah, the fool)

"Yankee, Russian, white or tan," he said, "A man is still a man.

We're all on one road, we're only passing through."

Passing through, passing through...

I rode with old Abe Lincoln on that train to Gettysburg,

I said: “What are we gonna do?”

He said: “All men must be unconditonally free

Or there is no reason to be passing through.”

Passing through, passing through...

22. A Day in the Life

Lennon, McCartney/the Beatles: Sgt. Pepper (1967)

	G	Bm	Em	Em7	C	C
	(intro)

	G	Bm	Em	C	Em	Am
	I read the	news today, oh	boy,	about a	lucky man who	made the grade.

	G	Bm	Em	C	F	Em
	And thought the	news were rather	sad,	well I just	had to laugh:

	C	F	Em
	I saw the	photograph.

	G	Bm	Em	C	Em	Am
	He blew his	mind out in a	car,	he didn't	notice that the	lights had changed.

	G	Bm	Em	C	F
	A crowd of	people stood and	stared,	they'd seen his	face before:

	Em	C
	Nobody was really sure if he was from the House of	Lords.

	G	Bm	Em	C	Em	Am
	I saw a	film today, oh	boy,	the england	army had just	won the war.

	G	Bm	Em	C	F
	A crowd of	people turned a	way,	but I just	had to look

	Em	C
	Having read the	book

C

Em

F/E

F#/E

G/E

G#/E

A/E

A#/E

B/E

C/E

C#/E

D/E

D#/E

E

I'd love to

turn

you

on

Bridge

	E	C		C/D		C
	Woke up, fell out of bed, dragged a combed across my	head

	E	B7	E	B7
Found my	way downstairs and	dranked a cup, and	looking up I	noticed I was late!

	E	C		C/D
	Grabbed my coat, found my hat, made the bus in seconds	flat

	E	B7	E	B7
Found my	way upstairs and	had a smoke, and	somebody spoke and I	went into a dream

C

G

D

A

C

G

D

A

A9

A

Em

Aaaah

Ahahahah

Ahaaaa

Ahaha -

Aaaah

Ahahahah

Ahaaaa

Ahaha

	G	Bm	Em	C	Em	Am
	I read the	news today, oh	boy,	four thousand	holes in Blackburn	Lancashire

	G	Bm	Em	C	F	Em
	And though the	holes were rather	small,	they had to	count them all

	C
Now they know how many holes it takes to fill the Albert	Hall

C

Em

F/E

F#/E

G/E

G#/E

A/E

A#/E

B/E

C/E

C#/E

D/E

D#/E

E

I'd love to

turn

you

on

23. Hallelujah

Leonard Cohen / Jeff Buckley

Intro

	C	Am	C	Am

	C	Am	C	Am
Well, I	heard there was a	secret chord, That	David played, and it	pleased the Lord

	F	G	C	G
But	you don't really	care for music,	do ya?

	C	F	G	Am	F
Well, it	goes like this: the	fourth, the	fifth, The	minor fall and the	major lift,

	G	E	Am
The	baffled king com	posing Halle	lujah

	F	Am	F	C	G	C
Halle	lujah, Halle	lujah, Halle	lujah, Halle	lu		jah

Well, your faith was strong, but you needed proof, You saw her bathing on the roof

Her beauty and the moonlight overthrew ya

And she tied you to her kitchen chair, And she broke your throne and she cut your hair,

And from your lips she drew the Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, baby, I've been here before, I've seen this room and I've walked this floor

You know, I used to live alone before I knew ya

And I've seen your flag on the marble arch, And love is not a victory march,

It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, there was a time when you let me know - What's really going on below,

But now you never show that to me, do ya?

But remember when I moved in you, And the holy dove was moving too

And every breath we drew was Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, maybe there is a God above - But all I've ever learned from love,

Was how to shoot somebody who outdrew ya.

And it's not a cry that you hear at night; It's not somebody who's seen the light,

It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah,

Hallelujah, Hallelujah, Hallelujah, Hallelujah...

A Day in the Life	22
Alabama Song	17
Die Moritat von Mackie Messer	19
Eight Days A Week	18
First we Take Manhattan	11
Folsom Prison Blues	13
Hallelujah	23
Hey Jude	5
House of the Rising Sun	9
Michelle	4
Nights in White Satin	3
Nowhere Man	20
Passing Through	21
Ring of Fire	10
Season of the Witch	14
St. James Infirmary	12
Summertime	1
Sunny Afternoon	7
The Continuing Story of Bungalow Bill	16
The Little Tin Soldier	15
Wayfairing Stranger	2
Yesterday	6
You Ain't Goin' Nowhere	8

Andrea's Geburtstag (08.02.2020)

_________ Mit Christiane (Saxofon) ______________

1. Summertime

Dubose Heyward, Ira & George Gerswin / Janis Joplin: Cheap Thrills (1968)

2. Wayfairing Stranger

trad. / Johnny Cash: American III: Solitary Man (2000)

3. Nights in White Satin

Justin Hayward / Moody Blues: Days of Future Passed (1967)

4. Michelle

Lennon & McCartney / the Beatles: Rubber Soul (1966)

5. Hey Jude

Lennon & McCartney / the Beatles (1967)

6. Yesterday

Lennon & McCartney / Beatles: Help (1965)

_________ Jürgen Gitarre & Gesang ______________

7. Sunny Afternoon

R. D. Davies / the Kinks: Face to Face (1966)

8. You Ain't Goin' Nowhere

Bob Dylan / Bob Dylan: Basement Tapes (1967/1975)

9. House of the Rising Sun

traditional / Animals (1964)

10. Ring of Fire

June Carter & Merle Kilgore / Johnny Cash (1963); Eric Burdon (1969)

11. First we Take Manhattan

Leonard Cohen

12. St. James Infirmary

trad.

13. Folsom Prison Blues

Johnny Cash/Johnny Cash (1955)

14. Season of the Witch

Donovan Leitch / Donovan: Sunshine Superman (1966)

15. The Little Tin Soldier

Shawn Phillips / Donovan: Fairytale (1965)

16. The Continuing Story of Bungalow Bill

Lennon & McCartney / Beatles: White Album (1968)

17. Alabama Song

Brecht, Weill / the Doors: the Doors (1967)

18. Eight Days A Week

Lennon, McCartney / the Beatles: Beatles for Sale (1965)

19. Die Moritat von Mackie Messer

B.Brecht / K. Weill (1920)

20. Nowhere Man

John Lennon/Paul McCartney

21. Passing Through

Dick Blakeslee / Leonard Cohen: Live Songs (1972)

22. A Day in the Life

Lennon, McCartney/the Beatles: Sgt. Pepper (1967)

23. Hallelujah

Leonard Cohen / Jeff Buckley

_ Mit Christiane (Saxofon) ______

_ Jürgen Gitarre & Gesang ______