JGLMSet150517

Late Monday Kulturbrunch Unna-Massen (17.5.2015)

1. Teil

1. Horse With No Name

America

	Em	D6add9
	On the first part of the	journey

I was lookin at all the life

There were plants and birds and rocks and things

There were sand and hills and rings

The first thing I met was a fly with a buzz

and the sky with no clouds

the heat was hot and the ground was dry

but the air was full of sound

	Em9	Dmaj9
	I've been through the desert on a	horse with no name

it felt good to be out of the rain

in the desert you can remember your name

'cause there ain't no one for to give you no pain

la la la la lalala la la la la la

After two days in the desert sun

my skin began to turn red

After three days in the desert fun

I was looking at a river bed

And the story it told of a river that flowed

made me sad to think it was dead

I've been through the desert ...

After nine days I let the horse run free

'cause the desert had turned to sea

there were plants and birds and rocks and things

there were sand and hills and rings

The ocean is a desert with it's life underground

and the perfect disguise above

Under the cities lies a heart made of ground

but the humans will give no love

I've been through the desert ...

G--------------|-------------| D--------------|-------------| A--7--5--7--5--|-7-----5-----| E--------------|----7-----5--|

2. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

	\|:	Am			G	F	G		:\|
		////	/		/	////	/	/

	Am	G	F	G	Am
	"There must be some	kind of way	out of here,"	/ / / /	/

	G	F	G	Am
Said the	joker to the	thief:	/ / / /	/

"There's too much confusion,

I can't get no relief.

Businessmen, they drink my wine;

Plowmen dig my earth.

None of them along the line -

Know what any of it is worth!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

“No reason to get excited,”

The thief, he kindly spoke:

“There are many here among us

Who feel that life is but a joke.

But you and I, we’ve been through that,

And this is not our fate!

So let us not talk falsely now,

the hour is getting late!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

Outside in the distance

A wildcat did growl.

Two riders were approaching,

And the wind began to howl.

All along the watchtower

Princess kept the view

While all the women came and went

Barefoot servants too

All along the watchtower

3. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

Intro

	Em	C	D	G
	I wanna	live,	I wanna	give,

	Em	C	D	G
	I've been a	miner for a	heart of	gold.

	Em	C	D	G
	It's these ex	pressions	I never	give

	Em	G
	that keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	G
	Keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	C	D	G
	I've been to	Hollywood,	I've been to	Redwood,

	Em	C	D	G
	I'd cross the	ocean for a	heart of	gold,

	Em	C	D	G
	I've been in	my mind,	it's such a	fine line

	Em	G
	that keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old,

	Em	G
	Keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	D	Em
	Keep me searchin' for a	heart of	gold,

	D	Em
You keep me searchin' and I'm	growin'	old.

	D	Em
Keep me searchin' for a	heart of	gold,

	G	C	Bm	Am	G
I've been a miner for a	heart of gold	.

Capo I

4. Midnight Special

Huddie Leadbetter

	G#	C#	G#
	Well, you wake up in the	morning Hear the ding-dong	ring

	D#7	G#	G#7
Go marching to the	table, See the same old	thing!

	G#	C#	G#
	Well, it's on the	table, Knife and fork and a	pan!

	D#7	G#	G#7
If you say anything a-	bout it You're in trouble with the	man

	C#	G#
\|: Let the minight	special Shine it's light on	me;

	D#7	G#	G#7
Let the midnight	special Shine it's everloving light on	me!	:\|

	G#	C#	G#
	If you ever go to	Houston, Boy you'd better walk	right.

	D#7	G#	G#7
You better not	stagger And you better not	fight.

	C#	G#
'Cause the Sheriff will ar	rest you And he'll carry you	down;

	D#7	G#	G#7
You can bet your bottom	dollar: You're Sugarland	bound!

Let the minight special ...

	G#	C#	G#
	Yonder came Doc'	Melton, Just the day	before,

	C#	G#
And he gave me a	tablet, when he opend the	door.

	G#	C#	G#
	But there never was a	doctor Trav'llin' over the	land,

	G#	C#	G#
	that could cure the	fever of a convict	man.

Let the minight special ...

	G#	C#	G#
	Yonder comes Miss	Rosie, Tell me, how do you	know?

	D#7	G#
I can tell it by her	apron And the dress she	wore.

	C#	G#
Umbrella on her	shoulder, Piece of paper in her	hand.

	D#7	G#
She's a-sayin' to the	captain: "I want my lifetime	man!"

Let the minight special ...

5. Joanna

Jon Allen / Sweet Defeat (2011)

	G		C		G		C		G	C
									From the dying arms of twilight, let's	run into the night.

	G	C
Let's	fly like straight shot arrows across the	sky.

	G	C
From the	ashes of an old life, let's	catch this newborn flame;

	G	C
	Hold it close and never let it	die.

	Am7	D	G	C
	Go with me Jo	anna,	go with me in	time;

	Am	D	G
A	pair of chancers	on an open	road.

	Am7	D	G	C
	We'll train our feet to	follow the	footprints of our	dreams.

	Am	D	G	G		C		G		C
	Put your hand in	my hand and let's	go.

Let's sail upon the evening, now the wind is getting high.

Let's go outside and drink the air like wine.

This time we'll make a clean break; there'll be no looking back.

We'll leave these streets of sorrow far behind.

Go with me Joanna, go with me in time;

Let's get away before we get too old.

We'll cut across the border, into unclaimed land.

Put your hand in my hand and let's go.

Bridge:

	Em	C	D	Em	C	D
	Somewhere there's a	place to	be;	Where all we have is	all we	need.

only guitar

	G	C
	Maybe there's a reason that	lies beyond these walls;

	G	C
	Maybe there's a meaning to be	found.

	G	(+bass)	C
'	Cause I	can't escape this feeling, this	vision in my mind,

	G	C
Of the	day we put down roots in virgin	ground.

Go with me Joanna, go with me in time;

I'll take you where the wild flowers grow.

We'll ride on through the darkness, and get there with the dawn;

Put your hand in my hand - let's go.

Capo II

6. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

	Intro:	D	A		G		A		D

peter

	D	A	G	A	D
Some say	love it is a	river that	drowns the ten	der	reed,

	D	A7	G	A	D
Some say	love it is a	razor that	leeds your	soul to	bleed.

	F#m	Bm7	G	A7sus4		A7
Some say	love it is a	hunger an	endless aching	need,

	A7	D	A	G	A	D
	I say	love it is a	flower and	you it's	only	seed.

+jürgen

	D	A	G	A	D
It's the	heart afraid of	breaking that	never	learns to	dance,

	A	G	A	D
It's the dream afraid of	waking but	never	takes the	chance.

	F#m	Bm7	G	A7sus4		A7
It's the	one who won't be	taken who	cannot seem to	give,

	D	A	G	A	D
And the	soul afraid of	dying that	never	learns to	live

solo

all

	D	A	G	A	D
When the	night has been too	lonely and the	road has	been too	long,

	D	A	G	A	D
And you	think that love is	only for the	lucky	and the	strong.

	F#m	Bm7	G	A7sus4		A7
Just	remember in the	winter, far	beneath the bitter	snows,

	D	A	G	A	(n.c.)	D
Lies the	seed that with the	sun's love in the	spring	bec	omes the	rose.

KD: Capo IV MB: Capo VI

8 Takte guitar => + Bass/Cajon

7. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

Intro riff

	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	F#6	:\|
		// /	/	/	//	/	/	/	/	/

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see a	bad	moon a-	risin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	trouble's	on the	way.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	earth	quakes and	lightnin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	bad	times	today.

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	F#	F#6	F#	F#6	F#
	There's a	bad moon on the	rise!

I hear hurricanes a blowin'

I know the end is comin' soon.

I feel the river's overflowin'

I hear the voice of rage and ruin.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	Solo:	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	:\|

	B	F#	C#	B	F#	F#6	F#	F#6	F#	Intro riff

Hope you got your things together.

Hope you're quite well prepared to die.

Looks like we're in for nasty weather.

One eye is taken for an eye.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	C#	B	F#	(Intro Riff)
	There's a	bad moon on the	rise!

G--------------------------| D--4--4--------4--4--2--4--| A--------4--2--------------| E--------------------------|

KD Capo IV - MB: Capo II

8. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

	Intro:	\|:	C#m	B	A	B	:\|

Verse 1: (Willie Nelson / Martin)

C#m

C#m7

/ / /

I was a

highway

man

long the

coach roads

I did

ride,

Sword

and

pistol

by my

side,

	F#m	/	C#m	/	B	/	A	/ / /
	Many	a	young maid	lost her	baubles	to my	trade,

	F#m	/	C#m	/	B	/	A	/ / /
	Many	a	soldier	shed his	lifeblood	on my	blade,

C#m

/ | / /

/ / /

| / / / /

The

basterds

hung me

in the

spring of

twenty-

five,

But

I am

still a

live...

Verse 2: (Kris Kristofferson / Klausdieter)

	C#m	B	A	C#m7	B	A	B
	I was a	sailor, I was	born upon the	tide,	With the	sea I did a	bide,

	F#m	C#m	B	A
	I sailed a	schooner round the	horn of Mexi	co,

	F#m	C#m	B	A
	I went a	loft and furled the	main sail in a	blow,

	C#m		B	A	C#m	E	B
		And when the	yards broke off they	said that	I've got	killed, But I am living	still...

Verse 3: (Waylon Jennings / Jürgen)

	C#m	B	A	C#m7	B	A	B
	I was a	dam builder,	across the river deep and	wide,	Where steel and	water did col	lide,

	F#m	C#m	B	A
	A place called	Boulder on the	wild Colora	do,

	F#m	C#m	B	A
	I slipped and	fell into the	wet concrete be	low,

	C#m		B	A	C#m	E	B
		They buried	me in that gray	tomb that	knows no	sounds, But I am still a	round...

E/D#

C#m7

E/G#

F#m

/ / /

I'll always be a

round, and a

round

	solo: \|:	C#m	B	A	B	:\|

Verse 4: (Johnny Cash / Peter)

	C#m	B	A	C#m7	B	A	B
	I'll fly a	starship '	cross the universe di	vide,	And when I	reach the other	side,

	F#m	C#m	B	A
	I'll find a	place to rest my	spirit if I	can,

	F#m	C#m	B	A
	Perhaps I	may become a	highwayman a	gain,

	C#m		B	A	C#m	E	B
		Or I may	simply be a	single	drop of	rain, But I will re	main...

E/D#

C#m7

E/G#

F#m

/ / /

And I'll be back a

gain, and a

gain

9. Roll in My Sweet Baby's Arms

trad.

	G	D
	Roll in my sweet baby's arms, Roll in my sweet baby's	arms!

	G	C
Gonna	lay 'round this shack till the	mail train comes back,

	D	G
And	roll in my sweet baby's	arms!

	G	D
I	ain't gonna work on the railroad, Ain't gonna work on the	farm.

	G	C
Gonna	lay 'round this shack 'til the	mail train comes back

	D	G
And	roll in my sweet baby's	arms!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Where were you last Friday night - While I was lying in jail?

Walking the street with another man, Wouldn't even go my bail!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

I know your parents don't like me - They turn me away from your door.

If I had my life to live over - I wouldn't go there no more!

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Mama was a beauty operator, Sister could weave and spin.

Daddy's got an interest in an old cotton mill - Watch that money roll in.

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

Sometimes there's a change in the ocean, Sometimes there's a change in the sea.

Sometimes there's a change in my own true love - But there'll never be a change in me.

Roll in my sweet baby's arms, Roll in my sweet baby's arms!

Gonna lay 'round this shack till the mail train comes back,

And roll in my sweet baby's arms!

2. Teil

10. Worried Man Blues

trad.

	G	G7
It	takes a worried man to	sing a worried song,

	C	G
It	takes a worried man to sing a worried	song!

	G	G7
It	takes a worried man to	sing a worried song,

	Am	D7	D	G
I'm worried	now but I	won't be	worried	long

Klausdieter

	G	G7
I	went across the river, and	I laid down to sleep.

	C	G
I	went across the river, and I laid down to	sleep.

	G	G7
I	went across the river, and	I laid down to sleep.

	Am	D7	D	G
When I woke	up I had	shackles	on my	feet!

It takes a worried man to sing a worried song - It takes ...

Martin

Twenty-nine links of chain around my leg,

I had, twenty-nine links of chain around my leg!

Twenty-nine links of chain around my leg,

And on each link An initial of my name!

It takes a worried man to sing a worried song - It takes ...

Jürgen

I asked the judge, What's gonna be my fine?

"Twenty-one years On the Rocky Mountain line."

It takes a worried man to sing a worried song - It takes ...

Peter

The train pulled in, a sixteen coaches long.

The girl I love, she's on that train and gone.

It takes a worried man to sing a worried song - It takes ...

Alle

I looked down the track, as far as I could see,

I looked down the track, as far as I could see.

Little Baby's hand was waving after me.

It takes a worried man to sing a worried song - It takes ...

	Am	(n.c.)	G
I'm worried	now but I	won't be worried	long!

Capo II

11. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

Intro: harp

	A	Bm	C#m	Bm	E	A
	They say everything can be re	placed -	That every	distance	is not	near.

	A	Bm	C#m	Bm	E	A
	So I remember every	face -	Of every	man who	put me	here.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	E	A
	They say every man needs pro	tection,	They say every	man must	rise and	fall.

	A	Bm	C#m	Bm	E	A
	Yet I swear I see my re	flection,	Placed so	high a	bove this	wall.

	A	Bm	C#m	Bm	E	A
I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

harp solo

	A	Bm	C#m	Bm	E	A
	Right here next to me in this	lonely crowd,	There's a	man who	swears he's not to	blame.

	A	Bm	C#m	Bm	E	A
	All day long I hear him	cry so loud,	Callin'	out that	he's been	framed.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

Capo II

12. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Bm		D	E	Bm	D	E	Bm
		I	hurt my	self to	day - to	see if	I still	feel.

	D	E	Bm	D	E	Bm
I	focus	on the	pain - the	only	thing that's	real.

	D	E	Bm	D	E	Bm
The	needle	tears a	hole - the	old fa	miliar	sting.

	D	E	Bm	D	E	A	Bm
Try to	kill it	all a	way - but I re	member	every	thing	!

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A	D
	I will let you	down -	I will make you	hurt	!

Solo

	Bm	...	D

	D	E	Bm	D	E	Bm
	I wear this	crown of	thorns - u	pon my	liars	chair

	D	E	Bm	D	E	Bm
	Full of	broken	thoughts -	I can	not re	pair

	D	E	Bm	D	E	Bm
Be	neath the	stains of	time - the	feelings	disap	pear

	D	E	Bm	D	E	A	Bm
	You are	someone	else -	I am	still right	here	.

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A
	I will let you	down -	I will make you	hurt!

	Bm	G	D	A
	If I could start a	gain -	A million miles a	way

	Bm	G	D	A
	I would keep my	self -	I would find a	way

13. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

	G	Bm	C	Am
	From Hank to	Hendrix, I	walked these streets with	you.

	Em	G	C	Am
	Here I am with this	old guitar,	doing what I	do.

	G	Bm	C	Am
	I always ex	pected that	you would see me	through.

	Em	G	C	Am	G
	I never believed in	much, but	I believed in	you.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

	G	Bm	C	Am
	From Marilyn to	Madonna, I	always loved your	smile,

	Em	G	C	Am
	Now we're headed for the	big divorce,	California	style.

	G	Bm	C	Am
	I found myself	singin'	like a long lost	friend

	Em	G	C	Am	G
	The same thing that	makes you live can	kill you in the	end.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

harp solo:

	G	Bm	C	Am
	Sometimes it's dis	torted	not clear to	you.

	Em	G	C	Am
	Sometimes the	beauty of love just	comes ringin'	through.

	G	Bm	C	Am
	New glass in the	window,	new leaf on the	tree,

	Em	G	C	Am	G
	new distance	between us	you and	me.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

KD: Capo III MB: Capo V

14. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

	C	Am	F	C
Down the	street the dogs are	barkin' - And the	day is a-gettin'	dark.

	C	Am	F	G7
As the	night comes in a-	fallin', The	dogs'll lose their	bark.

	C	G7	F	C
An' the	silent night will	shatter - From the	sounds inside my	mind,

	C	Am	F	G7	C	F	G7	C
For I'm	one too many	mornings - And a	thousand	miles be	hind.

	C	Am	F	C
From the	crossroads of my	doorstep - My	eyes they start to	fade,

	C	Am	F	G7
As I	turn my head back	to the room - Where my	love and I have	laid.

	C	G7	F	C
An' I	gaze back to the	street, The	sidewalk and the	sign;

	C	Am	F	G7	C
And I'm	one too many	mornings - An' a	thousand	miles be	hind.

harp solo

	C	Am	F	C
It's a	restless hungry	feeling - That don't	mean no one no	good,

	C	Am	F	G7
When	ev'rything I'm a-	sayin' - You can	say it just as	good.

	C	G7	F	C
You're	right from your	side, I'm	right from	mine.

	C	Am	F	C	F	G7	C
We're both	just too many	mornings - An' a	thousand miles	behind.

Capo II

15. Slip Slidin' Away

Paul Simon (1977)

intro:

F#m

	A	F#m
Slip sliding a	way, slip sliding a	way

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way

	F#m	A
Whoah and I know a	man, he came from my	hometown.

	D	E	D	D7
He wore his	passion for his	woman like a thorny	crown.

	A	F#m
He said	Dolores, I live in	fear.

	A	E	D	E	A
My love for	you's so over	powering, I'm	afraid that I	will dis	appear.

	A	F#m
Slip sliding a	way, slip sliding a	way!

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way.

I know a woman, (who) became a wife;

These are the very words she uses to describe her life.

She said a good day ain't got no rain

She said a bad day is when I lie in the bed; And I think of things that might have been

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

And I know a father who had a son.

He longed to tell him all the reasons for the things he'd done.

He came a long way just to explain;

He kissed his boy as he lay sleeping, Then he turned around and he headed home again

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

harp solo

Whoah God only knows, God makes his plan.

The information's unavailable to the mortal man.

We're workin' our jobs, collect our pay.

Believe we're gliding down the highway, when in fact we're slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

16. My My, Hey Hey (Out of the Blue)

Neil Young & Jeff Blackburn / Neil Young & Crazy Horse: Rust Never Sleeps (1978)

	Am	G	Fmaj7	Am	G	Fmaj7

	Am	G	Fmaj7	Am	G	Fmaj7
	My	My, Hey	Hey -	Rock and	roll is here to	stay.

	C	G	Am	F	Am	G	Fmaj7
	It's better to	burn out than to	fade a	way -	My	My, Hey	Hey.

	Am	G	Fmaj7
	Out of the	blue and into the	black.

	Am	G	Fmaj7
	They give you	this, but you pay for	that.

	C	G	Am	F
	And once you're	gone you can	never come	back.

	Am	G	Fmaj7
When you're	out of the	blue And into the	black.

solo:

Fmaj7

	Am	G	Fmaj7
	The king is	gone but he's not for	gotten.

	Am	G	Fmaj7
	Is this the	story of Johnny	Rotten?

	C	G	Am	F
	It's better to	burn out than it	is to	rust.

	Am	G	Fmaj7
	The king is	gone but he's not for	gotten.

	Am	G	Fmaj7	Am	G	Fmaj7
	Hey	Hey, My	My -	Rock and	roll will never	die.

	C	G	Am	F	Am	G	Fmaj7
	There's more to the	picture than	meets the	eye -	Hey	Hey, My	My.

KD: Capo VI, MB: Capo IV

17. The Spanish Lady

Paddy Reilly

	F#	D#m	B	F#	G#m	C#
	As I went down to	Dublin City	At the	hour of	twelve at	night;

	F#	D#m	B	F#	G#m	C#
	Who should I see but a	Spanish Lady,	Washing her	feet by	candle	light

	F#	C#7	F#	C#7
	First she washed them,	then she dried them	Over a fire of	amber coals

	F#	D#m	B	F#	G#m	C#
In	all my life I	never did see a	maid so	sweet a	bout the	soul!

	F#	D#m	B	F#	G#m	C#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	C#	F#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	G#m	C#
	As I came back through	Dublin city	at the	hour of	half past	eight;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	brushing her	hair in	broad day	light

	F#	C#7	F#	C#7
	First she tossed it,	then she combed it	on her lap was a	silver comb

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	fair since	I did	roam!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

	F#	D#m	B	F#	G#m	C#
	As I went back through	Dublin city	as the	sun be	gan to	set;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	catching a	moth in a	golden	net!

	F#	C#7	F#	C#7
	When she saw me	then she fled me	lifting her pettycoat	over her knee

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	shy as the	Spanish La	dy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

As I was leaving Dublin city On that morning sad of heart;

Lonely was I for the Spanish lady, Now that forever we must part!

But still I always will remember All the hours we did enjoy

But then she left me sad at parting Gone forever was my joy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

Capo II

18. Wagon Wheel

Bob Dylan, Ketcham Secor / Old Crow Medicine Show: Old Crow Medicine Show (2004)

	\|:	A	E	F#m	D	A	E	D	:\|

	A	E	F#m	D
	Headed down south to the	land of the pines, And I'm	thumbin' my way into	North Caroline.

	A	E	D
	Starin' up the road - And pray to	God I see	headlights.

	A	E	F#m	D
I	made it down the coast in	seventeen hours,	Pickin' me a bouquet of	dogwood flowers,

	A	E	D
And I'm a	hopin' for Raleigh - I can	see my baby to	night.

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

	A	E	D	A	E	F#m	D	A	E	D
	Hey,	mama	rock me!

	A	E	F#m	D
	Runnin' from the cold	up in New England I was	born to be a fiddler in an	old-time stringband.

	A	E	D
My	baby plays the guitar -	I pick a banjo	now.

	A	E	F#m	D
Oh, the	North country winters keep a	gettin' me now, Lost my	money playin' poker so I	had to up and leave.

	A	E	D
But I	ain't a turnin' back - To	livin' that old life	no more!

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

F#m

Hey,

mama

rock me!

	A	E	F#m	D
	Walkin' to the south	out of Roanoke - I caught a	trucker out of Philly. Had a	nice long talk.

	A	E	D
But	he's a headed west from the	Cumberland Gap - To	Johnson City, Tennessee

	A	E	F#m	D
And I	gotta get a move on	before the sun, I hear my	baby callin' my name and I	know that she's the only one.

	A	E	D
And	if I die in Raleigh - At	least I will die	free!

	A	E	F#m	D	A	E	D
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	A	E	F#m	D	A	E	D	A
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -	Hey,	mama	rock me!

Bass A / / / | E / / / | F#m / / | D / / + / | A / / / | E / / / | D / / + / | D / / + / | G|---------|---------|---------|-----------|---------|---------|-----------|-----------| D|-----2---|-----2---|-----4---|-0---------|-----2---|-----2---|-0---------|-0---------| A|-0-------|-2-------|-4-------|---2-0-0-2-|-0-------|-2-------|---2-0-0-2-|---2-0-0-2-| E|---------|---------|---------|-----------|---------|---------|-----------|-----------|

Martin: Capo V

19. Copper Kettle

Albert Frank Beddoe / Bob Dylan: Self Portrait (1970)

	G	Am7	G	Am7		G	Am7	G		Am7
	Get you a	copper	kettle,			get you a	copper	coil,

	G	Am7	G		Am7		C	Cmaj7	Am
	Fill it with	new-made	corn mash			and	never	more you'll	toil.

	C	G	C	G
You'll just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
	Build you a	fire with	hickory,			hickory,	ash and	oak,

	G	Am7	G	Am7		C	Cmaj7	Am
	Don't use no	green or	rotten wood;		they'll	get you	by the	smoke.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
My	daddy,	he made	whiskey;			my granddaddy,	he did	too.

	G	Am7	G	Am7	C	Cmaj7	Am
	We ain't	paid no	whiskey	tax since	seventeen-	ninety-	two.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

	C	Cmaj7	Am	Am7	G
	Watch them	jugs a-	filling - in the	pale moon	light,

	Am7	G		Am7		G		Am7		G	...
In the	pale moon	light.

Zugaben

20. Helpless

Neil Young / Crosby, Stills, Nash & Young: Déjà Vu (1970)

	Intro:		D	A	G	D	A	G

	D	A	G	D	A	G
	There is a	town in north On	tario	With dream	comfort memory to	spare,

	D	A	G	D	A	G
	And in my	mind I	still need a place to go,	All	my changes were	there.

	D	A	G	D	A	G
	Blue, blue	windows behind the	stars,	Yellow	moon on the	rise.

	D	A	G	D	A	G
	Big birds	flying across the	sky	Throwing sha	dows on our	eyes.

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G	D	A	G
	Ba	by can you hear me	now?	The	chains are locked and	tied across the door.

	D	A	G
	Ba	by, sing	with me somehow!

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less!

Solo

	D	A	G	D	A	G

	D	A	G	D	A	G
	Blue, blue	windows behind the	stars,	Yellow	moon on the	rise.

	D	A	G	D	A	G
	Big birds	flying across the	sky	Throwing sha	dows on our	eyes.

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less!

	D	A	G
	Helpless,	helpless, help	less...

21. Knockin' on Heaven's Door

Bob Dylan

	G		D		Am7		G		D		C

Am7

Oooh

	G	D	Am7
	Mama take this	badge off of	me,

	G	D	C
	I can't	use it any	more.

	G	D	Am7
	It's getting	dark, too dark for me to	see;

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Mama, put my	guns in the	ground.

	G	D	C
	I can't	shoot them any	more.

	G	D	Am7
	That long black	cloud is comin'	down.

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7	G	D	C
	Ooh -	ooh -	ooh - ooh	Ooh -	ooh -	ooh ...

Bass

G / / / D / / / Am7 / / / G / / / D / / / C / / D G-0---0-0-|---------|------------|-0---0-0-|---------|-------------| D---------|-0---0-0-|------------|---------|-0---0-0-|----------0--| A---------|---------|-0----2-3-2-|---------|---------|-3--2--0-----| E---------|---------|------------|---------|---------|-------------|

All Along The Watchtower	2
Bad Moon Rising	7
Copper Kettle	19
From Hank to Hendrix	13
Heart of Gold	3
Helpless	20
Horse With No Name	1
Hurt	12
I Shall Be Released	11
Joanna	5
Knockin' on Heaven's Door	21
Midnight Special	4
My My, Hey Hey (Out of the Blue)	16
One too many Mornings	14
Roll in My Sweet Baby's Arms	9
Slip Slidin' Away	15
The Highwayman	8
The Rose	6
The Spanish Lady	17
Wagon Wheel	18
Worried Man Blues	10

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JGLMSet150517

Late Monday Kulturbrunch Unna-Massen (17.5.2015)

________________ 1. Teil ________________

1. Horse With No Name

America

2. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

3. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

4. Midnight Special

Huddie Leadbetter

5. Joanna

Jon Allen / Sweet Defeat (2011)

6. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

7. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

8. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

9. Roll in My Sweet Baby's Arms

trad.

________________ 2. Teil ________________

10. Worried Man Blues

trad.

11. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

12. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

13. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

14. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

15. Slip Slidin' Away

Paul Simon (1977)

16. My My, Hey Hey (Out of the Blue)

Neil Young & Jeff Blackburn / Neil Young & Crazy Horse: Rust Never Sleeps (1978)

17. The Spanish Lady

Paddy Reilly

18. Wagon Wheel

Bob Dylan, Ketcham Secor / Old Crow Medicine Show: Old Crow Medicine Show (2004)

19. Copper Kettle

Albert Frank Beddoe / Bob Dylan: Self Portrait (1970)

________________ Zugaben ________________

20. Helpless

Neil Young / Crosby, Stills, Nash & Young: Déjà Vu (1970)

21. Knockin' on Heaven's Door

Bob Dylan

1. Teil

2. Teil

Zugaben