JGLMSet120713

Late Monday Setliste 20 Jahre Hexenwäldchen (13.7.2012)

1. Set

1. It never rains in Southern California

Albert Hammond

	Bm	E	A
Got on	board a west-bound	seven-forty-	seven,

	Bm	E	A
didn't	think before de	ciding what to	do.

	Bm	E
All, that	talk of oppor	tunities,

	A	F#m	Bm	E	A
	TV-breaks and	movies rang	true,	sure rang	true.

	Bm	E	A
Seems it	never rains in	Southern Cali	fornia.

	Bm	E	A
Seems I've	often heard that	kind of talk be	fore.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

	Bm	E	A	F#m
Out of	work I'm out of my	head, out of	self-respect, I'm out of	bread,

	Bm	E	A
I'm under	talked, I'm under	fed, I wanna go	home.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

Will you tell the folks at home, I nearly made it.

Got offers but don't know which one to take.

Please don't tell'em, how you found me,

don't tell me how they found me,

gimmie a break, gimmie a break.

Seems it never rains in Southern California.

Seems I've often heard that kind of talk before.

It never rains in California, but girl don't they warn you,

it pours, man, it pours.

Out of work I'm out of my head, out of self-respect, I'm out of bread,

I'm undertalked, I'm underfed, I wanna go home.

It never rains in Califonia, but girl don't they warn you,

it pours, man, it pours.

2. Horse With No Name

America

	Em	D6add9
	On the first part of the	journey

I was lookin at all the life

There were plants and birds and rocks and things

There were sand and hills and rings

The first thing I met was a fly with a buzz

and the sky with no clouds

the heat was hot and the ground was dry

but the air was full of sound

	Em9	Dmaj9
	I've been through the desert on a	horse with no name

it felt good to be out of the rain

in the desert you can remember your name

'cause there ain't no one for to give you no pain

la la la la lalala la la la la la

After two days in the desert sun

my skin began to turn red

After three days in the desert fun

I was looking at a river bed

And the story it told of a river that flowed

made me sad to think it was dead

I've been through the desert ...

After nine days I let the horse run free

'cause the desert had turned to sea

there were plants and birds and rocks and things

there were sand and hills and rings

The ocean is a desert with it's life underground

and the perfect disguise above

Under the cities lies a heart made of ground

but the humans will give no love

I've been through the desert ...

G--------------|-------------| D--------------|-------------| A--7--5--7--5--|-7-----5-----| E--------------|----7-----5--|

3. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

	G	Bm	C	Am
	From Hank to	Hendrix, I	walked these streets with	you.

	Em	G	C	Am
	Here I am with this	old guitar,	doing what I	do.

	G	Bm	C	Am
	I always ex	pected that	you would see me	through.

	Em	G	C	Am	G
	I never believed in	much, but	I believed in	you.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

	G	Bm	C	Am
	From Marilyn to	Madonna, I	always loved your	smile,

	Em	G	C	Am
	Now we're headed for the	big divorce,	California	style.

	G	Bm	C	Am
	I found myself	singin'	like a long lost	friend

	Em	G	C	Am	G
	The same thing that	makes you live can	kill you in the	end.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

harp solo:

	G	Bm	C	Am
	Sometimes it's dis	torted	not clear to	you.

	Em	G	C	Am
	Sometimes the	beauty of love just	comes ringin'	through.

	G	Bm	C	Am
	New glass in the	window,	new leaf on the	tree,

	Em	G	C	Am	G
	new distance	between us	you and	me.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

4. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

	\|:	Am			G	F	G		:\|
		////	/		/	////	/	/

	Am	G	F	G	Am
	"There must be some	kind of way	out of here,"	/ / / /	/

	G	F	G	Am
Said the	joker to the	thief:	/ / / /	/

"There's too much confusion,

I can't get no relief.

Businessmen, they drink my wine;

Plowmen dig my earth.

None of them along the line -

Know what any of it is worth!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

“No reason to get excited,”

The thief, he kindly spoke:

“There are many here among us

Who feel that life is but a joke.

But you and I, we’ve been through that,

And this is not our fate!

So let us not talk falsely now,

the hour is getting late!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

Outside in the distance

A wildcat did growl.

Two riders were approaching,

And the wind began to howl.

All along the watchtower

Princess kept the view

While all the women came and went

Barefoot servants too

All along the watchtower

5. Knockin' on Heaven's Door

Bob Dylan

	G		D		Am7		G		D		C

Am7

Oooh

	G	D	Am7
	Mama take this	badge off of	me,

	G	D	C
	I can't	use it any	more.

	G	D	Am7
	It's getting	dark, too dark for me to	see;

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Mama, put my	guns in the	ground.

	G	D	C
	I can't	shoot them any	more.

	G	D	Am7
	That long black	cloud is comin'	down.

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7	G	D	C
	Ooh -	ooh -	ooh - ooh	Ooh -	ooh -	ooh ...

Bass

G / / / D / / / Am7 / / / G / / / D / / / C / / D G-0---0-0-|---------|------------|-0---0-0-|---------|-------------| D---------|-0---0-0-|------------|---------|-0---0-0-|----------0--| A---------|---------|-0----2-3-2-|---------|---------|-3--2--0-----| E---------|---------|------------|---------|---------|-------------|

6. Joanna

Jon Allen / Sweet Defeat (2011)

	G		C		G		C		G	C
									From the dying arms of twilight, let's	run into the night.

	G	C
Let's	fly like straight shot arrows across the	sky.

	G	C
From the	ashes of an old life, let's	catch this newborn flame;

	G	C
	Hold it close and never let it	die.

	Am7	D	G	C
	Go with me Jo	anna,	go with me in	time;

	Am	D	G
A	pair of chancers	on an open	road.

	Am7	D	G	C
	We'll train our feet to	follow the	footprints of our	dreams.

	Am	D	G	G		C		G		C
	Put your hand in	my hand and let's	go.

Let's sail upon the evening, now the wind is getting high.

Let's go outside and drink the air like wine.

This time we'll make a clean break; there'll be no looking back.

We'll leave these streets of sorrow far behind.

Go with me Joanna, go with me in time;

Let's get away before we get too old.

We'll cut across the border, into unclaimed land.

Put your hand in my hand and let's go.

Bridge:

	Em	C	D	Em	C	D
	Somewhere there's a	place to	be;	Where all we have is	all we	need.

only guitar

	G	C
	Maybe there's a reason that	lies beyond these walls;

	G	C
	Maybe there's a meaning to be	found.

	G	(+bass)	C
'	Cause I	can't escape this feeling, this	vision in my mind,

	G	C
Of the	day we put down roots in virgin	ground.

Go with me Joanna, go with me in time;

I'll take you where the wild flowers grow.

We'll ride on through the darkness, and get there with the dawn;

Put your hand in my hand - let's go.

Capo II

7. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

Intro: harp

	A	Bm	C#m	Bm	E	A
	They say everything can be re	placed -	That every	distance	is not	near.

	A	Bm	C#m	Bm	E	A
	So I remember every	face -	Of every	man who	put me	here.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	E	A
	They say every man needs pro	tection,	They say every	man must	rise and	fall.

	A	Bm	C#m	Bm	E	A
	Yet I swear I see my re	flection,	Placed so	high a	bove this	wall.

	A	Bm	C#m	Bm	E	A
I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

harp solo

	A	Bm	C#m	Bm	E	A
	Right here next to me in this	lonely crowd,	There's a	man who	swears he's not to	blame.

	A	Bm	C#m	Bm	E	A
	All day long I hear him	cry so loud,	Callin'	out that	he's been	framed.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

KD: Capo II MB: -

8. Death of a Clown

Ray Davies, Dave Davies / the Kinks: Something Else by the Kinks (1967)

	D		A		G		D		A		A7

	D	A	A7
My	makeup is dry and it	cracks on my	chin

	G	D	A
I'm	drowning my sorrows in	whiskey and	gin

	D	A	A7
The	lion tamer's whip doesn't	crack any	more

	G	D	A
The	lions they won't bite and the	tigers won't	roar

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
The	old fortune teller	lies dead on the	floor

	G	D	A
	Nobody needs fortunes	told any	more

	D	A	A7
The	trainer of insects is	crouched on his	knees

	G	D	A
And	frantically looking for	runaway	fleas

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
	La la la la la la	la la la	la

	G	D	A
	La la la la la la	la la la	la

	G	Em	C	F	G	D	A
	La la la	La la la	La la la	La -	let's all drink to the	death of a	clown

Capo II

9. Slip Slidin' Away

Paul Simon (1977)

intro:

F#m

	A	F#m
Slip sliding a	way, slip sliding a	way

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way

	F#m	A
Whoah and I know a	man, he came from my	hometown.

	D	E	D	D7
He wore his	passion for his	woman like a thorny	crown.

	A	F#m
He said	Dolores, I live in	fear.

	A	E	D	E	A
My love for	you's so over	powering, I'm	afraid that I	will dis	appear.

	A	F#m
Slip sliding a	way, slip sliding a	way!

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way.

I know a woman, (who) became a wife;

These are the very words she uses to describe her life.

She said a good day ain't got no rain

She said a bad day is when I lie in the bed; And I think of things that might have been

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

And I know a father who had a son.

He longed to tell him all the reasons for the things he'd done.

He came a long way just to explain;

He kissed his boy as he lay sleeping, Then he turned around and he headed home again

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

harp solo

Whoah God only knows, God makes his plan.

The information's unavailable to the mortal man.

We're workin' our jobs, collect our pay.

Believe we're gliding down the highway, when in fact we're slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

MB:Capo III | KD:Capo X

10. Matty Groves

trad. / Fairport Convention: Liege & Lief (1969)

	Gm
1.	A holiday a holiday and the first one of the year.

	F	Gm	F	Gm
_ Lord Arnold's wife came	into the church, the	gospel	for to	hear.

	Gm
2.	When the meeting it was done she cast her eyes about,

	F	Gm	F	Gm
_ And there she saw little	Matty Groves,	walking	in the	park.

Lady

3. "Come home with me, little Matty Groves, come home with me tonight.

_ Come home with me, little Matty Groves and sleep with me 'til light."

Matty

4. "Oh I can't come, I won't come and sleep with you tonight.

_ By the rings on your fingers I can tell you are Lord Arnold's wife."

Lady

5. "What if I am Lord Arnold's wife, Lord Arnold is not at home,

_ He is out in the far corn fields, bringing the yearlings home."

6. And a servant who was standing by and hearing what was said,

_ He swore Lord Arnold he would know before the sun would set.

7. And in his hurry to carry the news, he filled his breast and ran,

_ And when he came to the broad mill stream he took off his shoes and swam.

solo I

8. Little Matty Groves, he lay down and took a little sleep.

_ When he awoke, Lord Arnold he was standing at his feet.

9. Saying "How do you like my feather bed and how do you like my sheets?

_ And how do you like my lady, who lies in your arms asleep?"

Matty

10. "Oh well I like your feather bed, and well I like your sheets.

_ But better I like your lady gay who lies in my arms asleep."

	Gm
11. "	Well Get Up! Get Up!" Lord Arnold cried, "Get Up as quick as you can!

	F	Gm	F	Gm
_ It'll never be said in	fair England I	slew a	naked	man!"

Matty

	Gm
12. "	Oh I won't get up, I won't get up, I can't get up for my life.

	F	Gm	F	Gm
_ For you have two long	beaten swords and	I not a	pocket	knife."

13. "Well it's true I have two beaten swords, they cost me deep in the purse.

_ But you will have the better of them and I will have the worst.

solo II

14. "And you will strike the very first blow and strike it like a man.

_ I will strike the very next blow and I'll kill you if I can."

15. So Matty struck the very first blow and he hurt Lord Arnold sore.

_ Lord Arnold struck the very next blow and Matty struck no more.

16. And then Lord Arnold he took his wife and sat her on his knee,

_ Saying "Who do you love the best of us, Your Matty Groves or me?"

Lady

17. And then spoke up his own dear wife never heard to speak so free:

_ "I'd rather a kiss from dead Matty's lips than you or your finery."

18. Lord Arnold he jumped up and loudly he did bawl,

_ He stuck his wife right through the heart and pinned her against the wall.

19. "Oh, a grave! A grave!" Lord Arnold cried, "To put these lovers in.

_ But bury my lady at the top for she was of noble kin."

Bass: G|--------------|--------------|--------------|--------------| D|-----0-----0--|-----0-----0--|--------------|-----0-----0--| A|--------------|--------------|-----3--------|--------------| E|--3-----3-----|--3-----3-----|--1-----3--1--|--3-----3-----|

Capo II

11. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Bm		D	E	Bm	D	E	Bm
		I	hurt my	self to	day - to	see if	I still	feel.

	D	E	Bm	D	E	Bm
I	focus	on the	pain - the	only	thing that's	real.

	D	E	Bm	D	E	Bm
The	needle	tears a	hole - the	old fa	miliar	sting.

	D	E	Bm	D	E	A	Bm
Try to	kill it	all a	way - but I re	member	every	thing	!

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A	D
	I will let you	down -	I will make you	hurt	!

Solo

	Bm	...	D

	D	E	Bm	D	E	Bm
	I wear this	crown of	thorns - u	pon my	liars	chair

	D	E	Bm	D	E	Bm
	Full of	broken	thoughts -	I can	not re	pair

	D	E	Bm	D	E	Bm
Be	neath the	stains of	time - the	feelings	disap	pear

	D	E	Bm	D	E	A	Bm
	You are	someone	else -	I am	still right	here	.

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A
	I will let you	down -	I will make you	hurt!

	Bm	G	D	A
	If I could start a	gain -	A million miles a	way

	Bm	G	D	A
	I would keep my	self -	I would find a	way

2. Set

Martin: Capo III

12. Wild West End

Mark Knopfler / Dire Straits: Dire Straits (1978)

	4x	F	F	Gm7	A#	F	F	Gm7	A#
						Steppin' out to	Angellucci's,	for my coffee beans

	F	F	Gm7	A#
	checking out the	movies,	and the magazines

	F	F	Gm7	A#
	waitress she	watches me,	crossing from the Barocco bar

	F	F	Gm7	A#
	I'm getting a	pickup,	for my	steel guitar

	F	F	Gm7	A#
I saw you	walking out,		Shaftsbury	Avenue

	F	F	Gm7	A#
	excuse me	talking, I wanna		marry you

	F	F	Gm	A#
	this is	seventh heaven street to me,	don't you be so	proud

	F	F	Gm7	A#
	You're just another	angel,		in the crowd.

	F	F	Gm7	A#			F	F	Gm7	A#
And I'm	walking in the	wild west end			-		Walking in the	wild west end

	F	F	Gm7	A#	Cm	A#	G#	F	D#	F
	Walking with your	wild best friend

Now my conductress on the number nineteen, she was a honey (she was a honey)

pink toenails and hands all dirty with the money

greasy greasy greasy hair, easy smile

made me feel nineteen, for awhile

and I went down to Chinatown

in the backroom it's a man's world, all the money go down

Duck inside the doorway, duck to eat

just ain't no way, you and me, we can't beat

And I'm walking in the wild west end - Walking in the wild west end

Walking with your wild best friend

Now the gogo dancing girl, yes I saw her

the deejay, he say, "Here's Mandy for Ya"

I feel all right to have seen her do that stuff

She's dancing high, I move on by, the close-ups can get rough

when you're walking in the wild west end - walking in the wild west end

	3x	Cm	A#	G#	F	D#	F
Walking with your wild best friend

13. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

Intro

	Em	C	D	G
	I wanna	live,	I wanna	give,

	Em	C	D	G
	I've been a	miner for a	heart of	gold.

	Em	C	D	G
	It's these ex	pressions	I never	give

	Em	G
	that keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	G
	Keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	C	D	G
	I've been to	Hollywood,	I've been to	Redwood,

	Em	C	D	G
	I'd cross the	ocean for a	heart of	gold,

	Em	C	D	G
	I've been in	my mind,	it's such a	fine line

	Em	G
	that keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old,

	Em	G
	Keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	D	Em
	Keep me searchin' for a	heart of	gold,

	D	Em
You keep me searchin' and I'm	growin'	old.

	D	Em
Keep me searchin' for a	heart of	gold,

	G	C	Bm	Am	G
I've been a miner for a	heart of gold	.

14. Worried Man Blues

trad.

	G	G7
It	takes a worried man to	sing a worried song,

	C	G
It	takes a worried man to sing a worried	song!

	G	G7
It	takes a worried man to	sing a worried song,

	Am	D7	D	G
I'm worried	now but I	won't be	worried	long

Klausdieter

	G	G7
I	went across the river, and	I laid down to sleep.

	C	G
I	went across the river, and I laid down to	sleep.

	G	G7
I	went across the river, and	I laid down to sleep.

	Am	D7	D	G
When I woke	up I had	shackles	on my	feet!

It takes a worried man to sing a worried song - It takes ...

Martin

Twenty-nine links of chain around my leg,

I had, twenty-nine links of chain around my leg!

Twenty-nine links of chain around my leg,

And on each link An initial of my name!

It takes a worried man to sing a worried song - It takes ...

Jürgen

I asked the judge, What's gonna be my fine?

"Twenty-one years On the Rocky Mountain line."

It takes a worried man to sing a worried song - It takes ...

Peter

The train pulled in, a sixteen coaches long.

The girl I love, she's on that train and gone.

It takes a worried man to sing a worried song - It takes ...

Alle

I looked down the track, as far as I could see,

I looked down the track, as far as I could see.

Little Baby's hand was waving after me.

It takes a worried man to sing a worried song - It takes ...

	Am	(n.c.)	G
I'm worried	now but I	won't be worried	long!

Capo II

15. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

	Intro:	D	A		G		A		D

peter

	D	A	G	A	D
Some say	love it is a	river that	drowns the ten	der	reed,

	D	A7	G	A	D
Some say	love it is a	razor that	leeds your	soul to	bleed.

	F#m	Bm7	G	A7sus4		A7
Some say	love it is a	hunger an	endless aching	need,

	A7	D	A	G	A	D
	I say	love it is a	flower and	you it's	only	seed.

+jürgen

	D	A	G	A	D
It's the	heart afraid of	breaking that	never	learns to	dance,

	A	G	A	D
It's the dream afraid of	waking but	never	takes the	chance.

	F#m	Bm7	G	A7sus4		A7
It's the	one who won't be	taken who	cannot seem to	give,

	D	A	G	A	D
And the	soul afraid of	dying that	never	learns to	live

solo

all

	D	A	G	A	D
When the	night has been too	lonely and the	road has	been too	long,

	D	A	G	A	D
And you	think that love is	only for the	lucky	and the	strong.

	F#m	Bm7	G	A7sus4		A7
Just	remember in the	winter, far	beneath the bitter	snows,

	D	A	G	A	(n.c.)	D
Lies the	seed that with the	sun's love in the	spring	bec	omes the	rose.

16. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

	Am	C	D	F	-	G	Am	C		D
In the	white room	with black	curtains			near the	stations.

Blackroof

country,

no gold

pavements

tired

starlings,

Silver

horses

run down

moonbeams

in your

dark eyes.

Dawnlight

smiles

on your

leaving

my con

tentment.

	F	G	D	F	E
	I'll	wait in this	place where the	sun never	shines.

	G	D	F	G	A	A
	Wait in this	place where the	shadows	run from them	selves.

You said no strings could secure you at the stations.

Platform ticket, restless diesels, goodbye windows.

I walked into such a sad time at the station.

As I walked out felt my own need just beginning.

I'll wait in the queue when the trains come back.

I'll wait for you where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

At the party she was kindness in the hard crowd.

Consolation from the old wound now forgotten.

Yellow tigers crouched in jungles in her dark eyes.

She's just dressing, goodbye windows, tired starlings.

I'll sleep in this place with the lonely crowd,

Lie in the dark where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em	Am
	Ah	Ah	Ah	Ah -	Ah	Ah	Ah	Ah	Ah	Ah

Solo:

	\|:	Am	C	D	F	-	G	:\|

repeat & fade out

KD: Capo I

	\|Einsatz
While they're	standing in the ...

Cadd9

Dsus4

17. Talkin' 'Bout A Revolution

Tracy Chapman: Tracy Chapman (1988)

	G#	C#add9	D#	D#sus4	G#	C#add9	D#	D#sus4
	Don't you	know -	They're talkin' about	a revolu	tion (It	sounds -	like	a whisper).

	G#	C#add9	D#	D#sus4	G#	C#add9	D#	D#sus4
	Don't you	know -	They're talkin' about	a revolu	tion (It	sounds -	like	a whisper).

While they're standing in the welfare lines

Crying at the doorsteps of those armies of salvation

Wasting time in the enemployment lines

Sitting around waiting for a promotion

Don't you know - They're talkin' about a revolution (It sounds - like a whisper).

Poor people gonna rise up - And get their share.

Poor people gonna rise up - And take what's theirs.

Don't you know - You better Run, run, run, run, ...

Oh I said - You better - Run, run, run, run, ...

Cause Finally the tables are starting to turn - Talking about a revolution

Yes, Finally the tables are starting to turn - Talking about a revolution, oh no.

Talking about a revolution, oh no.

While they're standing in the welfare lines

Crying at the doorsteps of those armies of salvation

Wasting time in unemployment lines

Sitting around waiting for a promotion

Don't you know you're talking about a revolution (It sounds - like a whisper).

And finally the tables are starting to turn - Talking about a revolution.

Yes, Finally the tables are starting to turn - Talking about a revolution, oh no.

Talking about a revolution, oh no. Talking about a revolution, oh no!

18. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

	Intro:	\|:	Bm	A	G	A	:\|

Verse 1: (Willie Nelson / Martin)

Bm7

/ / /

I was a

highway

man

long the

coach roads

I did

ride,

Sword

and

pistol

by my

side,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	young maid	lost her	baubles	to my	trade,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	soldier	shed his	lifeblood	on my	blade,

/ | / /

/ / /

| / / / /

The

basterds

hung me

in the

spring of

twenty-

five,

But

I am

still a

live...

Verse 2: (Kris Kristofferson / Klausdieter)

	Bm	A	G	Bm7	A	G	A
	I was a	sailor, I was	born upon the	tide,	With the	sea I did a	bide,

	Em	Bm	A	G
	I sailed a	schooner round the	horn of Mexi	co,

	Em	Bm	A	G
	I went a	loft and furled the	main sail in a	blow,

	Bm		A	G	Bm	D	A
		And when the	yards broke off they	said that	I've got	killed, But I am living	still...

Verse 3: (Waylon Jennings / Jürgen)

	Bm	A	G	Bm7	A	G	A
	I was a	dam builder,	across the river deep and	wide,	Where steel and	water did col	lide,

	Em	Bm	A	G
	A place called	Boulder on the	wild Colora	do,

	Em	Bm	A	G
	I slipped and	fell into the	wet concrete be	low,

	Bm		A	G	Bm	D	A
		They buried	me in that gray	tomb that	knows no	sounds, But I am still a	round...

D/C#

Bm7

D/F#

/ / /

I'll always be a

round, and a

round

	solo: \|:	Bm	A	G	A	:\|

Verse 4: (Johnny Cash / Peter)

	Bm	A	G	Bm7	A	G	A
	I'll fly a	starship '	cross the universe di	vide,	And when I	reach the other	side,

	Em	Bm	A	G
	I'll find a	place to rest my	spirit if I	can,

	Em	Bm	A	G
	Perhaps I	may become a	highwayman a	gain,

	Bm		A	G	Bm	D	A
		Or I may	simply be a	single	drop of	rain, But I will re	main...

D/C#

Bm7

D/F#

/ / /

And I'll be back a

gain, and a

gain

Capo I

19. Midnight Special

Huddie Leadbetter

	G#	C#	G#
	Well, you wake up in the	morning Hear the ding-dong	ring

	D#7	G#	G#7
Go marching to the	table, See the same old	thing!

	G#	C#	G#
	Well, it's on the	table, Knife and fork and a	pan!

	D#7	G#	G#7
If you say anything a-	bout it You're in trouble with the	man

	C#	G#
\|: Let the minight	special Shine it's light on	me;

	D#7	G#	G#7
Let the midnight	special Shine it's everloving light on	me!	:\|

	G#	C#	G#
	If you ever go to	Houston, Boy you'd better walk	right.

	D#7	G#	G#7
You better not	stagger And you better not	fight.

	C#	G#
'Cause the Sheriff will ar	rest you And he'll carry you	down;

	D#7	G#	G#7
You can bet your bottom	dollar: You're Sugarland	bound!

Let the minight special ...

	G#	C#	G#
	Yonder came Doc'	Melton, Just the day	before,

	C#	G#
And he gave me a	tablet, when he opend the	door.

	G#	C#	G#
	But there never was a	doctor Trav'llin' over the	land,

	G#	C#	G#
	that could cure the	fever of a convict	man.

Let the minight special ...

	G#	C#	G#
	Yonder comes Miss	Rosie, Tell me, how do you	know?

	D#7	G#
I can tell it by her	apron And the dress she	wore.

	C#	G#
Umbrella on her	shoulder, Piece of paper in her	hand.

	D#7	G#
She's a-sayin' to the	captain: "I want my lifetime	man!"

Let the minight special ...

KD: Capo V

20. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	D	G	D	C	G
	Come all without,	come all with	in - You'll not see n	othing like the	Mighty	Quinn

	G	C	G	C
	Ev'rybody's	building	ships and	boats

	G	C	G	C
	Some are building	monuments,	others jotting down	notes.

	G	C	G	C
	Ev'rybody's	in despair,	ev'ry girl and	boy

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna jump for	joy.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
I	like to do just	like the rest, I	like my sugar	sweet

	G	C	G	C
But	jumping queues and	making haste, just	ain't my cup of	meat.

	G	C	G	C
	Ev'ryone's	beneath the trees, feeding	pigeons on a	limb

	G	D	C	G
But when	Quinn the Eskimo	gets here, All the	pigeons gonna rum to	him.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

Bass-Solo

/ |

Oh,

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
	Let me do what I	wanna do, I	can recite 'em	all

	G	C	G	C
Just	tell me where it	hurts and I'll	tell you who to	call.

	G	C	G	C
	Nobody can	get no sleep, there's	someone on ev'ryones	toes.

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna wanna	doze.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty	Quinn

Capo V

21. Feelin' Groovy

Paul Simon

	\|:	F		C/E		Csus2		C	:\|

	F	C/E	Csus2	C
	Slow	down, you	move too	fast.

	F	C/E	Csus2	C
	You got to	make the	morning	last.

		F	C/E	Csus2	C
Just -		Kickin'	down the	cobble	stones,

C/E

Csus2

C/E

Csus2

Lookin' for

fun and

feelin'

groovy.

C/E

Csus2

C/E

Csus2

Ba-Da-Da

Da-Da

Da-Da -

Feelin'

groovy

	F	C/E	Csus2	C
	Hello	lamppost,	what' you	knowin'.

	F	C/E	Csus2	C
	I've come to	watch your	flowers	growing.

	F	C/E	Csus2	C
	Ain't you	got no	rhymes	for me?

C/E

Csus2

C/E

Csus2

Do-od

Doo-Doo -

Feelin'

groovy

C/E

Csus2

C/E

Csus2

Ba-Da-Da

Ba-Da

Da-Da -

Feelin'

groovy

	F	C/E	Csus2	C
I got	no deeds to	do, no	promises to	keep.

	F	C/E	Csus2	C
I'm	dappled and	drowsy and	ready to	sleep.

	F	C/E	Csus2	C
Let the	morning time	drop all it's	petals on	me.

	F	C/E	Csus2	C
	Life, I	love you.	All is	groovy.

Ba-Da- Da-Da Ba-Da Da-Da...

Bass:

F D/E Csus2 C | F D/E Csus2 C | G-----------------|-----------------| D-------------5---|------7------5---| A-8----7----5---3>s>8----7----5---3>s E-----------------|-----------------|

KD: Capo IV MB: Capo VI

8 Takte guitar => + Bass/Cajon

22. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

Intro riff

	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	F#6	:\|
		// /	/	/	//	/	/	/	/	/

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see a	bad	moon a-	risin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	trouble's	on the	way.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	earth	quakes and	lightnin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	bad	times	today.

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	F#	F#6	F#	F#6	F#
	There's a	bad moon on the	rise!

I hear hurricanes a blowin'

I know the end is comin' soon.

I feel the river's overflowin'

I hear the voice of rage and ruin.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	Solo:	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	:\|

	B	F#	C#	B	F#	F#6	F#	F#6	F#	Intro riff

Hope you got your things together.

Hope you're quite well prepared to die.

Looks like we're in for nasty weather.

One eye is taken for an eye.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	C#	B	F#	(Intro Riff)
	There's a	bad moon on the	rise!

G--------------------------| D--4--4--------4--4--2--4--| A--------4--2--------------| E--------------------------|

Martin: Capo V

23. Copper Kettle

Albert Frank Beddoe / Bob Dylan: Self Portrait (1970)

	G	Am7	G	Am7		G	Am7	G		Am7
	Get you a	copper	kettle,			get you a	copper	coil,

	G	Am7	G		Am7		C	Cmaj7	Am
	Fill it with	new-made	corn mash			and	never	more you'll	toil.

	C	G	C	G
You'll just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
	Build you a	fire with	hickory,			hickory,	ash and	oak,

	G	Am7	G	Am7		C	Cmaj7	Am
	Don't use no	green or	rotten wood;		they'll	get you	by the	smoke.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
My	daddy,	he made	whiskey;			my granddaddy,	he did	too.

	G	Am7	G	Am7	C	Cmaj7	Am
	We ain't	paid no	whiskey	tax since	seventeen-	ninety-	two.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

	C	Cmaj7	Am	Am7	G
	Watch them	jugs a-	filling - in the	pale moon	light,

	Am7	G		Am7		G		Am7		G	...
In the	pale moon	light.

Zugabe 2

KD: Capo VI, MB: Capo IV

24. The Spanish Lady

Paddy Reilly

	F#	D#m	B	F#	G#m	C#
	As I went down to	Dublin City	At the	hour of	twelve at	night;

	F#	D#m	B	F#	G#m	C#
	Who should I see but a	Spanish Lady,	Washing her	feet by	candle	light

	F#	C#7	F#	C#7
	First she washed them,	then she dried them	Over a fire of	amber coals

	F#	D#m	B	F#	G#m	C#
In	all my life I	never did see a	maid so	sweet a	bout the	soul!

	F#	D#m	B	F#	G#m	C#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	C#	F#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	G#m	C#
	As I came back through	Dublin city	at the	hour of	half past	eight;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	brushing her	hair in	broad day	light

	F#	C#7	F#	C#7
	First she tossed it,	then she combed it	on her lap was a	silver comb

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	fair since	I did	roam!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

	F#	D#m	B	F#	G#m	C#
	As I went back through	Dublin city	as the	sun be	gan to	set;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	catching a	moth in a	golden	net!

	F#	C#7	F#	C#7
	When she saw me	then she fled me	lifting her pettycoat	over her knee

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	shy as the	Spanish La	dy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

As I was leaving Dublin city On that morning sad of heart;

Lonely was I for the Spanish lady, Now that forever we must part!

But still I always will remember All the hours we did enjoy

But then she left me sad at parting Gone forever was my joy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

25. Get Back

Lennon & McCartney / the Beatles: Let it Be (1970)

Capo V

	Intro:		D	D	C	G
		\| :	/ / / / \|	/ /	/	/ : \|

1. Guitar => Cajon => all

	D	G	D	C	G
	Jojo was a man who thought he was a loner,	But he knew it couldn't	last.

	D	G	D	C	G
	Jojo left his home in Tuscon, Arizona	For some California	grass.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Bass Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

G|------------9-7-9/10-9/7-| D|---4-5/9-10--------------| A|-5-----------------------| E|-------------------------|

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Flute Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	D	G	D	C	G
	Sweet Loretta Martin thought she was a woman,	But she was another	man.

	D	G	D	C	G
	All the girls around her said she's got it comin',	But she gets it while she	can.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Guitar Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	D	G	D	C	G
	Jojo was a man who thought he was a loner,	But he knew it couldn't	last.

	D	G	D	C	G
	Jojo left his home in Tuscon, Arizona	For some California	grass.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Kandidaten

KD: Capo II Martin: Capo IX

26. The Letter

Wayne Carson Thompson / the Box Tops (1967); Joe Cocker (1970)

	(n.c.)
	Give me a ticket for an aeroplane, Ain't got time to take the fastest train.

	F#m
Lonely days are gone, I'm a-goin' home, My baby just wrote me a	letter.

	Intro:		perc.	F#m	(Bass-Intro)
		\|	/ / / / \|	/	/ / / \|

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train.

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	F#m	D	E	B
	I don't care how much money I	gotta spend,	Got to get back to my	baby again!

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	A	E	D	A	E	E
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	A	E	D	A	E	C#7
	Listen mister	can't you see I	got to get	back to my	baby once more. -	Anyway.

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train!

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	A	E	D	A	E	E
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	A	E	D	A	E	C#7
	Listen mister	can't you see I	got to get	back to my	baby once more.	Anyway.

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter!

	F#m	D	E	B
	I don't care how much money I	gotta spend,	Got to get back to my	baby again.

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter - I said,

	(n.c.)	F#m
My	baby just wrote me a	letter.

27. Wagon Wheel

Bob Dylan, Ketcham Secor / Old Crow Medicine Show: Old Crow Medicine Show (2004)

	\|:	G	D	Em	C	G	D	C	:\|

	G	D	Em	C
	Headed down south to the	land of the pines, And I'm	thumbin' my way into	North Caroline.

	G	D	C
	Starin' up the road - And pray to	God I see	headlights.

	G	D	Em	C
I	made it down the coast in	seventeen hours,	Pickin' me a bouquet of	dogwood flowers,

	G	D	C
And I'm a	hopin' for Raleigh - I can	see my baby to	night.

	G	D	Em	C	G	D	C
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	G	D	Em	C
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

	G	D	C	G	D	Em	C	G	D	C
	Hey,	mama	rock me!

	G	D	Em	C
	Runnin' from the cold	up in New England I was	born to be a fiddler in an	old-time stringband.

	G	D	C
My	baby plays the guitar -	I pick a banjo	now.

	G	D	Em	C
Oh, the	North country winters keep a	gettin' me now, Lost my	money playin' poker so I	had to up and leave.

	G	D	C
But I	ain't a turnin' back - To	livin' that old life	no more!

	G	D	Em	C	G	D	C
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	G	D	Em	C
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -

Hey,

mama

rock me!

	G	D	Em	C
	Walkin' to the south	out of Roanoke - I caught a	trucker out of Philly. Had a	nice long talk.

	G	D	C
But	he's a headed west from the	Cumberland Gap - To	Johnson City, Tennessee

	G	D	Em	C
And I	gotta get a move on	before the sun, I hear my	baby callin' my name and I	know that she's the only one.

	G	D	C
And	if I die in Raleigh - At	least I will die	free!

	G	D	Em	C	G	D	C
So	rock me mama like a	wagon wheel;	Rock me mama any	way you feel -	Hey,	mama	rock me!

	G	D	Em	C	G	D	C	G
	Rock me mama like the	wind and the rain;	Rock me mama like a	south-bound train -	Hey,	mama	rock me!

28. Cool Change

Glenn Shorrock / Little River Band: First Under the Wire (1979)

Intro (piano w/bass and acoustic guitar):

	A	G/A	D/A	A/C#	D	D/E
\|	/ / / / \| / / / / \|	/ / / / \| / / / / \|	/ / / / \| / / / / \|	/ /	/ / \|	/

	D/E	A	G
	If there's one	thing in my life that's missing - It's the	time that I spend alone

	D/F#	A
	Sailing on the cool and bright clear	water.

	A	G
There's	lots of those friendly people - They're	showing me ways to go;

	D/F#	A
But I	never want to lose their inspi	ration.

	D	A	D	A
	Time	for -	Cool	change!

	D	A	E	A
	I know that it's	time - For a	cool	change!

	D	A	D	A
And	now that my	life -	Is so prear	ranged

	D	A	E	D/E	E
	I know that it's	time for a -	Cool change!

Well, I was born in the sign of water - And it's there that I feel my best.

The albatross and the whales they are my brothers.

It's kind of a special feeling - When you're out on the sea alone,

Staring at the full moon like a lover.

Time for - Cool change! I know that it's...

Bridge:

	C	A
I've	never been romantic - And	sometimes I don't care.

	C	E	A
I	know it may sound selfish - But	let me breathe the air.

Sax solo (verse chords; end as intro)

	D/E	A	G	D/F#	A	G	D/F#	A	A/C#	D	D/E

	D/E	A	G
	If there's one	thing in my life that's missing - It's the	time that I spend alone.

	D	A	D	D/E
	Sailing on the cool and bright clear	water.

	A	G
It's	kind of a special feeling - Out	on the sea alone,

	D/F#	A
	Staring at the full moon like a	lover.

Time for - Cool change! I know that it's...

29. Jesus, etc.

Jeff Tweedy & Jay Bennett / Wilco: Yankee Hotel Foxtrot (2002)

	Am	Em	Am	F
	Jesus, don't	cry -	You can	rely on me, honey.

	C	Dm	G		Am	Em
	You can	combine anything you want		-	I'll be	around.

	Am	F	C	Dm	G		F
	You were	right about the stars,	Each	one is A setting sun.

	C	C/B	Am	Am/G	E	C	F	G	G
	Tall	buildings	shake,	voices	escape; Singing	sad,	sad	songs -	Tuned to chords.

	C	C/B	Am	Am/G	E	C	F	G
	Strum	down	your cheeks,	bitter	melodies; Turning your	or	bit	around.

	Am	Em	Am	F
	Don't	cry -	You can	rely on me, honey.

	C	Dm	G		Am	Em
	You can come	by any time you want		-	I'll be	around.

	Am	F	C	Dm	G		F
	You were	right about the stars,	Each one is A	setting sun

	C	C/B	Am	Am/G	E	C	F	G	G
	Tall	buildings	shake,	voices	escape; Singing	sad,	sad	songs -	Tuned to chords.

	C	C/B	Am	Am/G	E	C	F	G
	Strum	down	your cheeks,	bitter	melodies; Turning your	or	bit	around.

	Am	Em	Am	F	C	Dm	G
	Voices	whine -	Skyscrapers are	scraping	together, Your	voice is	smoking.

	C	C/B	Am	Am/G	E	C	F	G
	Last	cigarettes -	all you can	get	Turning your	or	bit	around.

	Am	Em	Am	F	C	Dm	G
	Our	love -	Our	Love -	Our	love is all we	have!

	Am	Em	Am	F
	Our	love -	Our love is	all of God's money!

	C	Dm	G	F
	Every	one is A burning sun

	C	C/B	Am	Am/G	E	C	F	G	G
	Tall	buildings	shake,	voices	escape; Singing	sad,	sad	songs	Tuned to chords.

	C	C/B	Am	Am/G	E	C	F	G
	Strum	down	your cheeks,	bitter	melodies; Turning your	or	bit	around.

	Am	Em	Am	F	C	Dm	G
	Voices	whine -	Skyscrapers are	scraping	together, Your	voice is	smoking.

	\|:	C	C/B	Am	Am/G	E	C	F	G	:\|
		Last	cigarettes -	all you can	get	Turning your	or	bit	around.

30. Keep the Customer Satisfied

Paul Simon / Simon & Garfunkel: Bridge Over Troubled Water (1970)

	D	n.c.	D	D7
		Gee but its great to be back	home - Home is where I want to	be.

	G
I've been on the road so	long,

	D	Em	G
And if you came along - I	know you couldn't	disa-	gree.

	D
It's the same old	story!

	G	D	A7	D	D7	G
Everywhere I	go, I get	slandered,	libelled, I hear	words I never	heard in the	bible,

	D	Bm	D	Bm
And I'm	one step ahead of the	shoe shine,	Two steps away from the	county line,

	D	D7	G	D
Just	trying to keep my	customers	satisfied, satis	fied!

	n.c.	D	D7
	Deputy sheriff said to	me: "Tell me what you come here	for, boy?

	G
You better get your	bags and flee.

	D	Em	G
You're in trouble boy and	now you're headed	into	more,

	D
It's the same old	story!"

	G	D	A7	D	D7	G
Everywhere I	go, I get	slandered,	libelled, I hear	words I never	heard in the	bible,

	D	Bm	D	Bm
And I'm	one step ahead of the	shoe shine,	Two steps away from the	county line,

	D	D7	G	D
Just	trying to keep my	customers	satisfied, satis	fied!

	D	G		D		Em		G	D
	Oh-ho-ho, Oh-ho-ho, Oh-ho-ho, Oh-ho-	ho						It's the same old sto	ry!

	G	D	A7	D	D7	G
Everywhere I	go, I get	slandered,	libelled. I hear	words I never	heard in the	bible,

	D	Bm	D	Bm
And I'm	so -	tired! I'm	oh - oh -	oh - tired!

	D	D7	G	D
Just	trying to keep my	customers	satisfied, satis	fied!

solo

	D	D7	G	D
Just	trying to keep my	customers	satisfied, satis	fied!

	D	D7	G	D
Just	trying to keep my	customers	satisfied, satis	fied!

31. Roll in My Sweet Baby's Arms

trad.

	G	D
	Roll in my sweet baby's arms, Roll in my sweet baby's	arms!

	G	C
Gonna	lay 'round this shack till the	mail train comes back,

	D	G
And	roll in my sweet baby's	arms!

	G	D
I	ain't gonna work on the railroad, Ain't gonna work on the	farm.

	G	C
Gonna	lay 'round this shack 'til the	mail train comes back

	D	G
And	roll in my sweet baby's	arms!