JGLMSet120608

Late Monday Setliste Fairventure (8. Juni 2012)

1. Set

1. It never rains in Southern California

Albert Hammond

	Bm	E	A
Got on	board a west-bound	seven-forty-	seven,

	Bm	E	A
didn't	think before de	ciding what to	do.

	Bm	E
All, that	talk of oppor	tunities,

	A	F#m	Bm	E	A
	TV-breaks and	movies rang	true,	sure rang	true.

	Bm	E	A
Seems it	never rains in	Southern Cali	fornia.

	Bm	E	A
Seems I've	often heard that	kind of talk be	fore.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

	Bm	E	A	F#m
Out of	work I'm out of my	head, out of	self-respect, I'm out of	bread,

	Bm	E	A
I'm under	talked, I'm under	fed, I wanna go	home.

	Bm	E	A	F#m
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Bm	E	A
it	pou-	ours, man, it	pours.

Will you tell the folks at home, I nearly made it.

Got offers but don't know which one to take.

Please don't tell'em, how you found me,

don't tell me how they found me,

gimmie a break, gimmie a break.

Seems it never rains in Southern California.

Seems I've often heard that kind of talk before.

It never rains in California, but girl don't they warn you,

it pours, man, it pours.

Out of work I'm out of my head, out of self-respect, I'm out of bread,

I'm undertalked, I'm underfed, I wanna go home.

It never rains in Califonia, but girl don't they warn you,

it pours, man, it pours.

2. Horse With No Name

America

	Em	D6add9
	On the first part of the	journey

I was lookin at all the life

There were plants and birds and rocks and things

There were sand and hills and rings

The first thing I met was a fly with a buzz

and the sky with no clouds

the heat was hot and the ground was dry

but the air was full of sound

	Em9	Dmaj9
	I've been through the desert on a	horse with no name

it felt good to be out of the rain

in the desert you can remember your name

'cause there ain't no one for to give you no pain

la la la la lalala la la la la la

After two days in the desert sun

my skin began to turn red

After three days in the desert fun

I was looking at a river bed

And the story it told of a river that flowed

made me sad to think it was dead

I've been through the desert ...

After nine days I let the horse run free

'cause the desert had turned to sea

there were plants and birds and rocks and things

there were sand and hills and rings

The ocean is a desert with it's life underground

and the perfect disguise above

Under the cities lies a heart made of ground

but the humans will give no love

I've been through the desert ...

G--------------|-------------| D--------------|-------------| A--7--5--7--5--|-7-----5-----| E--------------|----7-----5--|

3. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

	G	Bm	C	Am
	From Hank to	Hendrix, I	walked these streets with	you.

	Em	G	C	Am
	Here I am with this	old guitar,	doing what I	do.

	G	Bm	C	Am
	I always ex	pected that	you would see me	through.

	Em	G	C	Am	G
	I never believed in	much, but	I believed in	you.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

	G	Bm	C	Am
	From Marilyn to	Madonna, I	always loved your	smile,

	Em	G	C	Am
	Now we're headed for the	big divorce,	California	style.

	G	Bm	C	Am
	I found myself	singin'	like a long lost	friend

	Em	G	C	Am	G
	The same thing that	makes you live can	kill you in the	end.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

harp solo:

	G	Bm	C	Am
	Sometimes it's dis	torted	not clear to	you.

	Em	G	C	Am
	Sometimes the	beauty of love just	comes ringin'	through.

	G	Bm	C	Am
	New glass in the	window,	new leaf on the	tree,

	Em	G	C	Am	G
	new distance	between us	you and	me.

	F	C	G
	Can we get it together, can we	still stand side by	side.

	F	C	G
	Can we make it last,	like a musical	ride?

4. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

	\|:	Am			G	F	G		:\|
		////	/		/	////	/	/

	Am	G	F	G	Am
	"There must be some	kind of way	out of here,"	/ / / /	/

	G	F	G	Am
Said the	joker to the	thief:	/ / / /	/

"There's too much confusion,

I can't get no relief.

Businessmen, they drink my wine;

Plowmen dig my earth.

None of them along the line -

Know what any of it is worth!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

“No reason to get excited,”

The thief, he kindly spoke:

“There are many here among us

Who feel that life is but a joke.

But you and I, we’ve been through that,

And this is not our fate!

So let us not talk falsely now,

the hour is getting late!”

All along the watchtower,

Princes kept the view.

While all the women came and went,

Barefoot servants, too!

Outside in the distance

A wildcat did growl.

Two riders were approaching,

And the wind began to howl.

All along the watchtower

Princess kept the view

While all the women came and went

Barefoot servants too

All along the watchtower

5. Joanna

Jon Allen / Sweet Defeat (2011)

	G		C		G		C		G	C
									From the dying arms of twilight, let's	run into the night.

	G	C
Let's	fly like straight shot arrows across the	sky.

	G	C
From the	ashes of an old life, let's	catch this newborn flame;

	G	C
	Hold it close and never let it	die.

	Am7	D	G	C
	Go with me Jo	anna,	go with me in	time;

	Am	D	G
A	pair of chancers	on an open	road.

	Am7	D	G	C
	We'll train our feet to	follow the	footprints of our	dreams.

	Am	D	G	G		C		G		C
	Put your hand in	my hand and let's	go.

Let's sail upon the evening, now the wind is getting high.

Let's go outside and drink the air like wine.

This time we'll make a clean break; there'll be no looking back.

We'll leave these streets of sorrow far behind.

Go with me Joanna, go with me in time;

Let's get away before we get too old.

We'll cut across the border, into unclaimed land.

Put your hand in my hand and let's go.

Bridge:

	Em	C	D	Em	C	D
	Somewhere there's a	place to	be;	Where all we have is	all we	need.

only guitar

	G	C
	Maybe there's a reason that	lies beyond these walls;

	G	C
	Maybe there's a meaning to be	found.

	G	(+bass)	C
'	Cause I	can't escape this feeling, this	vision in my mind,

	G	C
Of the	day we put down roots in virgin	ground.

Go with me Joanna, go with me in time;

I'll take you where the wild flowers grow.

We'll ride on through the darkness, and get there with the dawn;

Put your hand in my hand - let's go.

6. Knockin' on Heaven's Door

Bob Dylan

	G		D		Am7		G		D		C

Am7

Oooh

	G	D	Am7
	Mama take this	badge off of	me,

	G	D	C
	I can't	use it any	more.

	G	D	Am7
	It's getting	dark, too dark for me to	see;

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Mama, put my	guns in the	ground.

	G	D	C
	I can't	shoot them any	more.

	G	D	Am7
	That long black	cloud is comin'	down.

	G	D	C	D
	I feel I'm	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7
	Knock, knock,	knockin' on heaven's	door.

	G	D	C	D
	Knock, knock,	knockin' on heaven's	door.

	G	D	Am7	G	D	C
	Ooh -	ooh -	ooh - ooh	Ooh -	ooh -	ooh ...

Bass

G / / / D / / / Am7 / / / G / / / D / / / C / / D G-0---0-0-|---------|------------|-0---0-0-|---------|-------------| D---------|-0---0-0-|------------|---------|-0---0-0-|----------0--| A---------|---------|-0----2-3-2-|---------|---------|-3--2--0-----| E---------|---------|------------|---------|---------|-------------|

Capo II

7. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

Intro: harp

	A	Bm	C#m	Bm	E	A
	They say everything can be re	placed -	That every	distance	is not	near.

	A	Bm	C#m	Bm	E	A
	So I remember every	face -	Of every	man who	put me	here.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	E	A
	They say every man needs pro	tection,	They say every	man must	rise and	fall.

	A	Bm	C#m	Bm	E	A
	Yet I swear I see my re	flection,	Placed so	high a	bove this	wall.

	A	Bm	C#m	Bm	E	A
I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

harp solo

	A	Bm	C#m	Bm	E	A
	Right here next to me in this	lonely crowd,	There's a	man who	swears he's not to	blame.

	A	Bm	C#m	Bm	E	A
	All day long I hear him	cry so loud,	Callin'	out that	he's been	framed.

	\|:		A	Bm	C#m	Bm	E	A
		I	see my light come	shining -	From the	west un	to the	east.

	A	Bm	C#m	Bm	A	:\|
	Any day now,	Any way now,	I shall	be re	leased!

	A	Bm	C#m	Bm	A
	Any day now,	Any way now,	I shall	be re	leased!

KD: Capo II MB: -

8. Death of a Clown

Ray Davies, Dave Davies / the Kinks: Something Else by the Kinks (1967)

	D		A		G		D		A		A7

	D	A	A7
My	makeup is dry and it	cracks on my	chin

	G	D	A
I'm	drowning my sorrows in	whiskey and	gin

	D	A	A7
The	lion tamer's whip doesn't	crack any	more

	G	D	A
The	lions they won't bite and the	tigers won't	roar

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
The	old fortune teller	lies dead on the	floor

	G	D	A
	Nobody needs fortunes	told any	more

	D	A	A7
The	trainer of insects is	crouched on his	knees

	G	D	A
And	frantically looking for	runaway	fleas

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La - So	let's all drink to the	death of a	clown

	D	A	A7	G	D	A
	Won't someone help me to	break up this	crown -	Let's all drink to the	death of a	clown

	G	Em	C	F	Em	D	A
	La la la	La la la	La la la	La -	Let's all drink to the	death of a	clown

	D	A	A7
	La la la la la la	la la la	la

	G	D	A
	La la la la la la	la la la	la

	G	Em	C	F	G	D	A
	La la la	La la la	La la la	La -	let's all drink to the	death of a	clown

Capo II

9. Slip Slidin' Away

Paul Simon (1977)

intro:

F#m

	A	F#m
Slip sliding a	way, slip sliding a	way

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way

	F#m	A
Whoah and I know a	man, he came from my	hometown.

	D	E	D	D7
He wore his	passion for his	woman like a thorny	crown.

	A	F#m
He said	Dolores, I live in	fear.

	A	E	D	E	A
My love for	you's so over	powering, I'm	afraid that I	will dis	appear.

	A	F#m
Slip sliding a	way, slip sliding a	way!

	A	E	D	E	A
You know the	near your desti	nation, the	more you slip	sliding a	way.

I know a woman, (who) became a wife;

These are the very words she uses to describe her life.

She said a good day ain't got no rain

She said a bad day is when I lie in the bed; And I think of things that might have been

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

And I know a father who had a son.

He longed to tell him all the reasons for the things he'd done.

He came a long way just to explain;

He kissed his boy as he lay sleeping, Then he turned around and he headed home again

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

harp solo

Whoah God only knows, God makes his plan.

The information's unavailable to the mortal man.

We're workin' our jobs, collect our pay.

Believe we're gliding down the highway, when in fact we're slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Slip sliding away, slip sliding away.

You know the nearer your destination, the more you slip sliding away.

Capo II

10. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

	Bm		D	E	Bm	D	E	Bm
		I	hurt my	self to	day - to	see if	I still	feel.

	D	E	Bm	D	E	Bm
I	focus	on the	pain - the	only	thing that's	real.

	D	E	Bm	D	E	Bm
The	needle	tears a	hole - the	old fa	miliar	sting.

	D	E	Bm	D	E	A	Bm
Try to	kill it	all a	way - but I re	member	every	thing	!

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A	D
	I will let you	down -	I will make you	hurt	!

Solo

	Bm	...	D

	D	E	Bm	D	E	Bm
	I wear this	crown of	thorns - u	pon my	liars	chair

	D	E	Bm	D	E	Bm
	Full of	broken	thoughts -	I can	not re	pair

	D	E	Bm	D	E	Bm
Be	neath the	stains of	time - the	feelings	disap	pear

	D	E	Bm	D	E	A	Bm
	You are	someone	else -	I am	still right	here	.

	Bm	G	D	A
	What have I be	come -	my sweetest	friend?

	Bm	G	D	A
	Everyone I	know - goes a	way in the	end!

	Bm	G	D	A
	And you could have it	all -	my empire of	dirt.

	Bm	G	D	A
	I will let you	down -	I will make you	hurt!

	Bm	G	D	A
	If I could start a	gain -	A million miles a	way

	Bm	G	D	A
	I would keep my	self -	I would find a	way

Zugabe 1

11. Get Back

Lennon & McCartney / the Beatles: Let it Be (1970)

Capo V

	Intro:		D	D	C	G
		\| :	/ / / / \|	/ /	/	/ : \|

1. Guitar => Cajon => all

	D	G	D	C	G
	Jojo was a man who thought he was a loner,	But he knew it couldn't	last.

	D	G	D	C	G
	Jojo left his home in Tuscon, Arizona	For some California	grass.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Bass Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

G|------------9-7-9/10-9/7-| D|---4-5/9-10--------------| A|-5-----------------------| E|-------------------------|

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Flute Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	D	G	D	C	G
	Sweet Loretta Martin thought she was a woman,	But she was another	man.

	D	G	D	C	G
	All the girls around her said she's got it comin',	But she gets it while she	can.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

Intro

	Guitar Solo:		D	D	G	D	C	G
		\| :	/ / / \|	/ / / \|	/ / / \|	/ /	/	/ : \|

	D	G	D	C	G
	Jojo was a man who thought he was a loner,	But he knew it couldn't	last.

	D	G	D	C	G
	Jojo left his home in Tuscon, Arizona	For some California	grass.

	D	G	D	C	G
	Get back, get back! Get	back to where you once be	longed

	D	G	C	G
	Get back, get back! Get	back to where you once belonged

	D
	- Get back Jo!

2. Set

Martin: Capo V

12. Copper Kettle

Albert Frank Beddoe / Bob Dylan: Self Portrait (1970)

	G	Am7	G	Am7		G	Am7	G		Am7
	Get you a	copper	kettle,			get you a	copper	coil,

	G	Am7	G		Am7		C	Cmaj7	Am
	Fill it with	new-made	corn mash			and	never	more you'll	toil.

	C	G	C	G
You'll just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
	Build you a	fire with	hickory,			hickory,	ash and	oak,

	G	Am7	G	Am7		C	Cmaj7	Am
	Don't use no	green or	rotten wood;		they'll	get you	by the	smoke.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

Cmaj7

Am7

Watch them

jugs a-

filling - in the

pale moon

light.

	G	Am7	G	Am7		G	Am7	G		Am7
My	daddy,	he made	whiskey;			my granddaddy,	he did	too.

	G	Am7	G	Am7	C	Cmaj7	Am
	We ain't	paid no	whiskey	tax since	seventeen-	ninety-	two.

	C	G	C	G
We just	lay there by the	juniper,	while the moon is	bright,

	C	Cmaj7	Am	Am7	G
	Watch them	jugs a-	filling - in the	pale moon	light,

	Am7	G		Am7		G		Am7		G	...
In the	pale moon	light.

13. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

Intro

	Em	C	D	G
	I wanna	live,	I wanna	give,

	Em	C	D	G
	I've been a	miner for a	heart of	gold.

	Em	C	D	G
	It's these ex	pressions	I never	give

	Em	G
	that keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	G
	Keep me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	C	D	G
	I've been to	Hollywood,	I've been to	Redwood,

	Em	C	D	G
	I'd cross the	ocean for a	heart of	gold,

	Em	C	D	G
	I've been in	my mind,	it's such a	fine line

	Em	G
	that keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old,

	Em	G
	Keeps me searchin' for a	heart of gold,

	C	Bm	Am	G
	And I'm gettin' old.

	Em	D	Em
	Keep me searchin' for a	heart of	gold,

	D	Em
You keep me searchin' and I'm	growin'	old.

	D	Em
Keep me searchin' for a	heart of	gold,

	G	C	Bm	Am	G
I've been a miner for a	heart of gold	.

14. Worried Man Blues

trad.

	G	G7
It	takes a worried man to	sing a worried song,

	C	G
It	takes a worried man to sing a worried	song!

	G	G7
It	takes a worried man to	sing a worried song,

	Am	D7	D	G
I'm worried	now but I	won't be	worried	long

Klausdieter

	G	G7
I	went across the river, and	I laid down to sleep.

	C	G
I	went across the river, and I laid down to	sleep.

	G	G7
I	went across the river, and	I laid down to sleep.

	Am	D7	D	G
When I woke	up I had	shackles	on my	feet!

It takes a worried man to sing a worried song - It takes ...

Martin

Twenty-nine links of chain around my leg,

I had, twenty-nine links of chain around my leg!

Twenty-nine links of chain around my leg,

And on each link An initial of my name!

It takes a worried man to sing a worried song - It takes ...

Jürgen

I asked the judge, What's gonna be my fine?

"Twenty-one years On the Rocky Mountain line."

It takes a worried man to sing a worried song - It takes ...

Peter

The train pulled in, a sixteen coaches long.

The girl I love, she's on that train and gone.

It takes a worried man to sing a worried song - It takes ...

Alle

I looked down the track, as far as I could see,

I looked down the track, as far as I could see.

Little Baby's hand was waving after me.

It takes a worried man to sing a worried song - It takes ...

	Am	(n.c.)	G
I'm worried	now but I	won't be worried	long!

Capo II

15. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

	Intro:	D	A		G		A		D

peter

	D	A	G	A	D
Some say	love it is a	river that	drowns the ten	der	reed,

	D	A7	G	A	D
Some say	love it is a	razor that	leeds your	soul to	bleed.

	F#m	Bm7	G	A7sus4		A7
Some say	love it is a	hunger an	endless aching	need,

	A7	D	A	G	A	D
	I say	love it is a	flower and	you it's	only	seed.

+jürgen

	D	A	G	A	D
It's the	heart afraid of	breaking that	never	learns to	dance,

	A	G	A	D
It's the dream afraid of	waking but	never	takes the	chance.

	F#m	Bm7	G	A7sus4		A7
It's the	one who won't be	taken who	cannot seem to	give,

	D	A	G	A	D
And the	soul afraid of	dying that	never	learns to	live

solo

all

	D	A	G	A	D
When the	night has been too	lonely and the	road has	been too	long,

	D	A	G	A	D
And you	think that love is	only for the	lucky	and the	strong.

	F#m	Bm7	G	A7sus4		A7
Just	remember in the	winter, far	beneath the bitter	snows,

	D	A	G	A	(n.c.)	D
Lies the	seed that with the	sun's love in the	spring	bec	omes the	rose.

16. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

	Am	C	D	F	-	G	Am	C		D
In the	white room	with black	curtains			near the	stations.

Blackroof

country,

no gold

pavements

tired

starlings,

Silver

horses

run down

moonbeams

in your

dark eyes.

Dawnlight

smiles

on your

leaving

my con

tentment.

	F	G	D	F	E
	I'll	wait in this	place where the	sun never	shines.

	G	D	F	G	A	A
	Wait in this	place where the	shadows	run from them	selves.

You said no strings could secure you at the stations.

Platform ticket, restless diesels, goodbye windows.

I walked into such a sad time at the station.

As I walked out felt my own need just beginning.

I'll wait in the queue when the trains come back.

I'll wait for you where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em
	Ah	Ah	Ah	Ah -	Ah A	h	Ah	Ah	Ah

At the party she was kindness in the hard crowd.

Consolation from the old wound now forgotten.

Yellow tigers crouched in jungles in her dark eyes.

She's just dressing, goodbye windows, tired starlings.

I'll sleep in this place with the lonely crowd,

Lie in the dark where the shadows run from themselves.

	Dm	C	Am	G	Dm	C	Am	G	Em	Am
	Ah	Ah	Ah	Ah -	Ah	Ah	Ah	Ah	Ah	Ah

Solo:

	\|:	Am	C	D	F	-	G	:\|

repeat & fade out

KD: Capo I

	\|Einsatz
While they're	standing in the ...

Cadd9

Dsus4

17. Talkin' 'Bout A Revolution

Tracy Chapman: Tracy Chapman (1988)

	G#	C#add9	D#	D#sus4	G#	C#add9	D#	D#sus4
	Don't you	know -	They're talkin' about	a revolu	tion (It	sounds -	like	a whisper).

	G#	C#add9	D#	D#sus4	G#	C#add9	D#	D#sus4
	Don't you	know -	They're talkin' about	a revolu	tion (It	sounds -	like	a whisper).

While they're standing in the welfare lines

Crying at the doorsteps of those armies of salvation

Wasting time in the enemployment lines

Sitting around waiting for a promotion

Don't you know - They're talkin' about a revolution (It sounds - like a whisper).

Poor people gonna rise up - And get their share.

Poor people gonna rise up - And take what's theirs.

Don't you know - You better Run, run, run, run, ...

Oh I said - You better - Run, run, run, run, ...

Cause Finally the tables are starting to turn - Talking about a revolution

Yes, Finally the tables are starting to turn - Talking about a revolution, oh no.

Talking about a revolution, oh no.

While they're standing in the welfare lines

Crying at the doorsteps of those armies of salvation

Wasting time in unemployment lines

Sitting around waiting for a promotion

Don't you know you're talking about a revolution (It sounds - like a whisper).

And finally the tables are starting to turn - Talking about a revolution.

Yes, Finally the tables are starting to turn - Talking about a revolution, oh no.

Talking about a revolution, oh no. Talking about a revolution, oh no!

Capo I

18. Midnight Special

Huddie Leadbetter

	G#	C#	G#
	Well, you wake up in the	morning Hear the ding-dong	ring

	D#7	G#	G#7
Go marching to the	table, See the same old	thing!

	G#	C#	G#
	Well, it's on the	table, Knife and fork and a	pan!

	D#7	G#	G#7
If you say anything a-	bout it You're in trouble with the	man

	C#	G#
\|: Let the minight	special Shine it's light on	me;

	D#7	G#	G#7
Let the midnight	special Shine it's everloving light on	me!	:\|

	G#	C#	G#
	If you ever go to	Houston, Boy you'd better walk	right.

	D#7	G#	G#7
You better not	stagger And you better not	fight.

	C#	G#
'Cause the Sheriff will ar	rest you And he'll carry you	down;

	D#7	G#	G#7
You can bet your bottom	dollar: You're Sugarland	bound!

Let the minight special ...

	G#	C#	G#
	Yonder came Doc'	Melton, Just the day	before,

	C#	G#
And he gave me a	tablet, when he opend the	door.

	G#	C#	G#
	But there never was a	doctor Trav'llin' over the	land,

	G#	C#	G#
	that could cure the	fever of a convict	man.

Let the minight special ...

	G#	C#	G#
	Yonder comes Miss	Rosie, Tell me, how do you	know?

	D#7	G#
I can tell it by her	apron And the dress she	wore.

	C#	G#
Umbrella on her	shoulder, Piece of paper in her	hand.

	D#7	G#
She's a-sayin' to the	captain: "I want my lifetime	man!"

Let the minight special ...

KD: Capo V

19. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	D	G	D	C	G
	Come all without,	come all with	in - You'll not see n	othing like the	Mighty	Quinn

	G	C	G	C
	Ev'rybody's	building	ships and	boats

	G	C	G	C
	Some are building	monuments,	others jotting down	notes.

	G	C	G	C
	Ev'rybody's	in despair,	ev'ry girl and	boy

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna jump for	joy.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
I	like to do just	like the rest, I	like my sugar	sweet

	G	C	G	C
But	jumping queues and	making haste, just	ain't my cup of	meat.

	G	C	G	C
	Ev'ryone's	beneath the trees, feeding	pigeons on a	limb

	G	D	C	G
But when	Quinn the Eskimo	gets here, All the	pigeons gonna rum to	him.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

Bass-Solo

/ |

Oh,

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	G	C	G	C
	Let me do what I	wanna do, I	can recite 'em	all

	G	C	G	C
Just	tell me where it	hurts and I'll	tell you who to	call.

	G	C	G	C
	Nobody can	get no sleep, there's	someone on ev'ryones	toes.

	G	D	C	G
But when	Quinn the Eskimo	gets here, Ev'ry	body's gonna wanna	doze.

Come all without, come all within - You'll not see nothing like the Mighty Quinn

	n.c.	G
	Come all without, come all within - You'll not see nothing like the Mighty	Quinn

Capo V

20. Feelin' Groovy

Paul Simon

	\|:	F		C/E		Csus2		C	:\|

	F	C/E	Csus2	C
	Slow	down, you	move too	fast.

	F	C/E	Csus2	C
	You got to	make the	morning	last.

		F	C/E	Csus2	C
Just -		Kickin'	down the	cobble	stones,

C/E

Csus2

C/E

Csus2

Lookin' for

fun and

feelin'

groovy.

C/E

Csus2

C/E

Csus2

Ba-Da-Da

Da-Da

Da-Da -

Feelin'

groovy

	F	C/E	Csus2	C
	Hello	lamppost,	what' you	knowin'.

	F	C/E	Csus2	C
	I've come to	watch your	flowers	growing.

	F	C/E	Csus2	C
	Ain't you	got no	rhymes	for me?

C/E

Csus2

C/E

Csus2

Do-od

Doo-Doo -

Feelin'

groovy

C/E

Csus2

C/E

Csus2

Ba-Da-Da

Ba-Da

Da-Da -

Feelin'

groovy

	F	C/E	Csus2	C
I got	no deeds to	do, no	promises to	keep.

	F	C/E	Csus2	C
I'm	dappled and	drowsy and	ready to	sleep.

	F	C/E	Csus2	C
Let the	morning time	drop all it's	petals on	me.

	F	C/E	Csus2	C
	Life, I	love you.	All is	groovy.

Ba-Da- Da-Da Ba-Da Da-Da...

Bass:

F D/E Csus2 C | F D/E Csus2 C | G-----------------|-----------------| D-------------5---|------7------5---| A-8----7----5---3>s>8----7----5---3>s E-----------------|-----------------|

KD: Capo IV MB: Capo VI

8 Takte guitar => + Bass/Cajon

21. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

Intro riff

	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	F#6	:\|
		// /	/	/	//	/	/	/	/	/

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see a	bad	moon a-	risin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	trouble's	on the	way.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	earth	quakes and	lightnin'.

	F#	C#	B	F#	F#	F#6	F#	F#6	F#
	I see	bad	times	today.

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	F#	F#6	F#	F#6	F#
	There's a	bad moon on the	rise!

I hear hurricanes a blowin'

I know the end is comin' soon.

I feel the river's overflowin'

I hear the voice of rage and ruin.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	Solo:	\|:	F#	C#	B	F#	F#6	F#	F#6	F#	:\|

	B	F#	C#	B	F#	F#6	F#	F#6	F#	Intro riff

Hope you got your things together.

Hope you're quite well prepared to die.

Looks like we're in for nasty weather.

One eye is taken for an eye.

Don't go round tonight, it's bound to take your life,

There's a bad moon on the rise!

	B	F#
	Don't go round tonight, it's	bound to take your life,

	C#	B	F#	C#	B	F#	(Intro Riff)
	There's a	bad moon on the	rise!

G--------------------------| D--4--4--------4--4--2--4--| A--------4--2--------------| E--------------------------|

Zugabe 2

KD: Capo VI, MB: Capo IV

22. The Spanish Lady

Paddy Reilly

	F#	D#m	B	F#	G#m	C#
	As I went down to	Dublin City	At the	hour of	twelve at	night;

	F#	D#m	B	F#	G#m	C#
	Who should I see but a	Spanish Lady,	Washing her	feet by	candle	light

	F#	C#7	F#	C#7
	First she washed them,	then she dried them	Over a fire of	amber coals

	F#	D#m	B	F#	G#m	C#
In	all my life I	never did see a	maid so	sweet a	bout the	soul!

	F#	D#m	B	F#	G#m	C#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	C#	F#
	Whack for the Toora	Loora Laddy -	Whack for the	Toora	Loora	Lay!

	F#	D#m	B	F#	G#m	C#
	As I came back through	Dublin city	at the	hour of	half past	eight;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	brushing her	hair in	broad day	light

	F#	C#7	F#	C#7
	First she tossed it,	then she combed it	on her lap was a	silver comb

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	fair since	I did	roam!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

	F#	D#m	B	F#	G#m	C#
	As I went back through	Dublin city	as the	sun be	gan to	set;

	F#	D#m	B	F#	G#m	C#
	Who should I see but the	Spanish lady,	catching a	moth in a	golden	net!

	F#	C#7	F#	C#7
	When she saw me	then she fled me	lifting her pettycoat	over her knee

	F#	D#m	B	F#	G#m	C#
	In all my life I	never did see a	maid so	shy as the	Spanish La	dy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

As I was leaving Dublin city On that morning sad of heart;

Lonely was I for the Spanish lady, Now that forever we must part!

But still I always will remember All the hours we did enjoy

But then she left me sad at parting Gone forever was my joy!

Whack for the Toora Loora Laddy - Whack for the Toora Loora Lay...

Kandidaten

23. Wild West End

Mark Knopfler / Dire Straits: Dire Straits (1978)

	4x	D	D	Em7	G	D	D	Em7	G
						Steppin' out to	Angellucci's,	for my coffee beans

	D	D	Em7	G
	checking out the	movies,	and the magazines

	D	D	Em7	G
	waitress she	watches me,	crossing from the Barocco bar

	D	D	Em7	G
	I'm getting a	pickup,	for my	steel guitar

	D	D	Em7	G
I saw you	walking out,		Shaftsbury	Avenue

	D	D	Em7	G
	excuse me	talking, I wanna		marry you

	D	D	Em	G
	this is	seventh heaven street to me,	don't you be so	proud

	D	D	Em7	G
	You're just another	angel,		in the crowd.

	D	D	Em7	G			D	D	Em7	G
And I'm	walking in the	wild west end			-		Walking in the	wild west end

	D	D	Em7	G	Am	G	F	D	C	D
	Walking with your	wild best friend

Now my conductress on the number nineteen, she was a honey (she was a honey)

pink toenails and hands all dirty with the money

greasy greasy greasy hair, easy smile

made me feel nineteen, for awhile

and I went down to Chinatown

in the backroom it's a man's world, all the money go down

Duck inside the doorway, duck to eat

just ain't no way, you and me, we can't beat

And I'm walking in the wild west end - Walking in the wild west end

Walking with your wild best friend

Now the gogo dancing girl, yes I saw her

the deejay, he say, "Here's Mandy for Ya"

I feel all right to have seen her do that stuff

She's dancing high, I move on by, the close-ups can get rough

when you're walking in the wild west end - walking in the wild west end

	3x	Am	G	F	D	C	D
Walking with your wild best friend

KD: Capo II Martin: Capo IX

24. The Letter

Wayne Carson Thompson / the Box Tops (1967); Joe Cocker (1970)

	(n.c.)
	Give me a ticket for an aeroplane, Ain't got time to take the fastest train.

	F#m
Lonely days are gone, I'm a-goin' home, My baby just wrote me a	letter.

	Intro:		perc.	F#m	(Bass-Intro)
		\|	/ / / / \|	/	/ / / \|

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train.

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	F#m	D	E	B
	I don't care how much money I	gotta spend,	Got to get back to my	baby again!

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	A	E	D	A	E	E
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	A	E	D	A	E	C#7
	Listen mister	can't you see I	got to get	back to my	baby once more. -	Anyway.

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train!

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter.

	A	E	D	A	E	E
Well she	wrote me a	letter Said she	couldn't	live with	out me no more.

	A	E	D	A	E	C#7
	Listen mister	can't you see I	got to get	back to my	baby once more.	Anyway.

	F#m	D	E	B
	Give me a ticket for an	aeroplane,	Ain't got time to take the	fastest train

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter!

	F#m	D	E	B
	I don't care how much money I	gotta spend,	Got to get back to my	baby again.

	F#m	D	C#7	F#m
	Lonely days are gone,	I'm a-goin' home, My	baby just wrote me a	letter - I said,

	(n.c.)	F#m
My	baby just wrote me a	letter.

25. Cool Change

Glenn Shorrock / Little River Band: First Under the Wire (1979)

Intro (piano w/bass and acoustic guitar):

	A	G/A	D/A	A/C#	D	D/E
\|	/ / / / \| / / / / \|	/ / / / \| / / / / \|	/ / / / \| / / / / \|	/ /	/ / \|	/

	D/E	A	G
	If there's one	thing in my life that's missing - It's the	time that I spend alone

	D/F#	A
	Sailing on the cool and bright clear	water.

	A	G
There's	lots of those friendly people - They're	showing me ways to go;

	D/F#	A
But I	never want to lose their inspi	ration.

	D	A	D	A
	Time	for -	Cool	change!

	D	A	E	A
	I know that it's	time - For a	cool	change!

	D	A	D	A
And	now that my	life -	Is so prear	ranged

	D	A	E	D/E	E
	I know that it's	time for a -	Cool change!

Well, I was born in the sign of water - And it's there that I feel my best.

The albatross and the whales they are my brothers.

It's kind of a special feeling - When you're out on the sea alone,

Staring at the full moon like a lover.

Time for - Cool change! I know that it's...

Bridge:

	C	A
I've	never been romantic - And	sometimes I don't care.

	C	E	A
I	know it may sound selfish - But	let me breathe the air.

Sax solo (verse chords; end as intro)

	D/E	A	G	D/F#	A	G	D/F#	A	A/C#	D	D/E

	D/E	A	G
	If there's one	thing in my life that's missing - It's the	time that I spend alone.

	D	A	D	D/E
	Sailing on the cool and bright clear	water.

	A	G
It's	kind of a special feeling - Out	on the sea alone,

	D/F#	A
	Staring at the full moon like a	lover.

Time for - Cool change! I know that it's...

26. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

	Intro:	\|:	Bm	A	G	A	:\|

Verse 1: (Willie Nelson / Martin)

Bm7

/ / /

I was a

highway

man

long the

coach roads

I did

ride,

Sword

and

pistol

by my

side,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	young maid	lost her	baubles	to my	trade,

	Em	/	Bm	/	A	/	G	/ / /
	Many	a	soldier	shed his	lifeblood	on my	blade,

/ | / /

/ / /

| / / / /

The

basterds

hung me

in the

spring of

twenty-

five,

But

I am

still a

live...

Verse 2: (Kris Kristofferson / Klausdieter)

	Bm	A	G	Bm7	A	G	A
	I was a	sailor, I was	born upon the	tide,	With the	sea I did a	bide,

	Em	Bm	A	G
	I sailed a	schooner round the	horn of Mexi	co,

	Em	Bm	A	G
	I went a	loft and furled the	main sail in a	blow,

	Bm		A	G	Bm	D	A
		And when the	yards broke off they	said that	I've got	killed, But I am living	still...

Verse 3: (Waylon Jennings / Jürgen)

	Bm	A	G	Bm7	A	G	A
	I was a	dam builder,	across the river deep and	wide,	Where steel and	water did col	lide,

	Em	Bm	A	G
	A place called	Boulder on the	wild Colora	do,

	Em	Bm	A	G
	I slipped and	fell into the	wet concrete be	low,

	Bm		A	G	Bm	D	A
		They buried	me in that gray	tomb that	knows no	sounds, But I am still a	round...

D/C#

Bm7

D/F#

/ / /

I'll always be a

round, and a

round

	solo: \|:	Bm	A	G	A	:\|

Verse 4: (Johnny Cash / Peter)

	Bm	A	G	Bm7	A	G	A
	I'll fly a	starship '	cross the universe di	vide,	And when I	reach the other	side,

	Em	Bm	A	G
	I'll find a	place to rest my	spirit if I	can,

	Em	Bm	A	G
	Perhaps I	may become a	highwayman a	gain,

	Bm		A	G	Bm	D	A
		Or I may	simply be a	single	drop of	rain, But I will re	main...

D/C#

Bm7

D/F#

/ / /

And I'll be back a

gain, and a

gain

KD: Capo II, MB: Capo IV

27. Lay Lady Lay

Bob Dylan

	\|:	B		D#m		A		C#m	:\|

	B	D#m	A	C#m	B		D#m		A		C#m
	Lay, lady,	lay,	lay across my	big brass bed

	B	D#m	A	C#m	B		D#m		A		C#m
	Lay, lady,	lay,	lay across my	big brass bed

	F#	G#m	B
	Whatever	colours you have	in your mind

	F#	G#m	B
	I'll show them	to you	and you'll see them shine

Lay, lady, lay, lay across my big brass bed

Stay, lady, stay, stay with your man awhile

Until the break of day, let me see you make him smile

His clothes are dirty but his hands are clean

And you're the best thing that he's ever seen

Stay, lady, stay, stay with your man awhile

	D#m	F#	B
	Why wait any longer for the	world to	begin

	D#m	C#m	B
	You can have your cake and eat	it	too

	D#m	F#	B
	Why wait any longer for the	one you	love

	D#m	C#m
When he's stan	ding in front of	you

Lay, lady, lay, lay across my big brass bed

Stay, lady, stay, stay while the night is still ahead

I long to see you in the morning light

I long to reach for you in the night

D#m

C#m

D#m

C#m

Stay, lady,

stay,

stay while the night is

still ahead

Intro Verses x4 |: x2 x2 :| G|---|---|---|---||---|---|---|---||-----|------|----------||---|---|---|---|| D|---|---|-7-|---||---|---|-7-|---||-4-4-|-6--6-|----------||---|---|-7-|---|| A|---|-6-|---|-4-||---|-6-|---|-4-||-----|------|----------||---|-6-|---|-4-|| E|-7-|---|---|---||-7-|---|---|---||-----|------|-7-2-7-77-||-7-|---|---|---|| Bridge |: |1 :|2 :| G|-----|------|----------|-----|--------|--------------|----|---|| D|-----|------|-4-4------|-----|--------|--------44-4--|----|---|| A|-6-6-|-66-4-|----2-245-|-6-6-|-6-6-65-|-4-2-2-2----2-|-6--|-4-|| E|-----|------|----------|-----|--------|--------------|--6-|---|| Outro G|------|------|------|------|------|| D|------|------|------|------|------|| A|------|-2----|-4----|-5----|-7----|| E|-5----|------|------|------|------||

Capo KD: II M: II

28. Banks of the Ohio

trad. / Joan Baez: Vol. 1

	D	A	A7	D
I asked my	love,to take a	walk; Take a	walk, just a little	walk.

	D7	G	D	A7	D
Down be	side where the waters	flow; Down by the	banks	of the Ohi	o.

	D	A7	D
And only	say, that you'll be	mine. In no others arms en	twine.

	D7	G	D	A7	D
Down be	side where the waters f	low, down by the	banks	of the Ohi	o.

	D	A	A7	D
I held a	knife against her	breast, as in	to my arms she	pressed.

	D7	G	D	A7	D
She cried: "	Oh Willie, don't murder	me, I'm not pre	pared	for eterni	ty".

	D	A7	D
And only	say, that you'll be	mine. In no others arms en	twine.

	D7	G	D	A7	D
Down be	side where the waters f	low, down by the	banks	of the Ohi	o.

Solo

	D	A	A7	D
I started	home 'tween twelve and	one, I cried: "My	God, what have I	done?

	D7	G	D	A7	D
Killed the	only woman I	loved, because she	would	not be my	bride".

	D	A7	D
And only	say, that you'll be	mine. In no others arms en	twine.

	D7	G	D	A7	D
Down be	side where the waters f	low, down by the	banks	of the Ohi	o.

Capo III

29. Venus

Robbie van Leeuwen / Shocking Blue (1969)

Intro (clean guitar)

D7sus4

//// // / / //// // / /

// /

//// // // //// // / /

// /

	Gm	C	Gm	C
A	goddess on a	mountain	top

	Gm	C	Gm	C
was	burning like a	silver	flame,

	Gm	C	Gm	C
the	summit of	beauty and	love,

(bass riff)

and

Venus was her

name!

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire - at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

(Solo1)

	Gm	C	Gm	C
Her	weapons are her	crystal	eyes

	Gm	C	Gm	C
	making every	man	mad

	Gm	C	Gm	C
	Black as the	dark night	she was,

(bass riff)

got what

no one else

had!

WOW!

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

Bridge

	C	(riff2) (riff2)	D	(riff2) (riff2)

	Gm	C	Gm	C	Gm	C	Gm	C	(+Lead3)
	Aaaaaaa	aaaah	-aaaaaaa	ah-aaaa	ah-aaaaa	-aaa-aa	ah

(bass riff)

Aaaaaaa

aaaah

-aaaaaaa

ah-aaaa

ah-aaaaa

-aaa-aa

	Cm	F	Cm	F	Gm	C	Gm	C
She's	got it,		yeah	baby, she's	got it			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire			Well

	D#	D7	Gm	C	Gm	C
	She's my Venus,	She's my fire at	my desire

Bass-riff G------------------------| D------------------------| A------------3--5--5--3--| E--3--3-h-6--------------|

30. Living with the Blues

Brownie McGhee / Brownie McGhee and Sonny Terry

E+

Rocks is my

pillow; cold, cold ground my bed.

	A7
Blue sky is my	blanket, moonlight my spread.

	E7	A7	A	A/G#	A/G	A/F#	E7	B7
I'm not a	shamed, ain't that	news,	I've	been	living	with the	blues.

	E7	A7
You ever been	down? - You know how I feel, Feel like an	engine, ain't got no driving wheel.

	E7	A7	A	A/G#	A/G	A/F#	E7	B7
I'm not a	shamed, ain't that	news,	I've	been	living	with the	blues.

	A	E	A	E
	Rocks have been my	pillow,	cold ground has been our	bed;

	G#7	A7	B7
Blue	skies have been our	blanket, we're using	moonlight for our spread! (Oh,yes)

	E7	A7
You ever been	down? - You know how I feel, Feel like an	engine, ain't got no driving wheel.

	E7	A7	A	A/G#	A/G	A/F#	E7	B7
I'm not a	shamed, ain't that	news,	I've	been	living	with the	blues.

Harp solo

	A	E	A	E
	Rocks have been my	pillow,	cold ground has been our	bed;

	G#7	A7	B7
Blue	skies have been our	blanket, we're using	moonlight for our spread! (Oh,yes)

	E7	A7
Don't believe	I'm sinking, look what a hole I'm in; Don't believe I	love you, look what a fool we've been!

	E7	A7	A	A/G#	A/G	A/F#	E7
I'm not a	shamed, ain't that	news,	I've	been	living	with the	blues.

	G#7	A	A	A/G#	A/G	A/F#	E7
I'm not a	shamed, oh no, ain't that	news,	I've	been	living	with the	blues.

G#7

A/G#

A/G

A/F#

E+

I'm not a

shamed, oh no, ain't that

news,

I've

been

living

with the

blues.

Martin: Capo V

31. You And Me (in my Pocket)

Jonathan Vandenbroeck / Milow: North and South (2011)

	Intro:	\|:	D	F#m	E	A	:\|

	D	F#m	E	A	D	F#m	E	A
	I wish you	smelled a	little	funny,	Not just	funny	really	bad.

	D	F#m	E	A	D	F#m	E	A
	We could	roam the	streets for	ever,	Just like	cats but	we'd never	stray.

	D	F#m	E	A	D	F#m	E	A
	I sometimes	wish you	were a	mermaid,	I could	raise you in the	tub at	home.

	D	F#m	E	A	D	F#m	E	A
	We could	take a	swim	together,	On weekly	daytrips	to the	bay.

F#m

Oh-

oh,

you and

me,

It would be

only

you and

me.

You

and

	D	F#m	E	A	D	F#m	E	A
I	wish you	were a	little	bigger,	Not just	big but	really really	fat.

	D	F#m	E	A	D	F#m	E	A
	Doors you	would no	longer	fit through,	In my	bed you would	have to	stay.

	D	F#m	E	A	D	F#m	E	A
	I often	wish that	you had	feathers,	I'd keep	you in a	giant	cage.

	D	F#m	E	A	D	F#m	E	A
	All day	long I'd	sit and	watch you,	And sing for	you and that	would be	okay.

F#m

Oh-

oh,

you and

me,

It would be

only

you and

me.

You

and

Bridge

	C#m	F#m	D	E	C#m	F#m	D	E
	People	say there are	plenty of	fish,	In the	sea, Baby,	all I do is	wish.

n.C.

F#m

- I wish,

- I wish

	D	F#m	E	A	D	F#m	E	A
I	wish you	were a	little	slower,	Not just	slow but	para	lyzed.

	D	F#m	E	A	D	F#m	E	A
	Then I could	plug you	into a	socket	So you could	never	run a	way.

	D	F#m	E	A	D	F#m	E	A
I	really	wish that	you were	smaller.	Not just	small but	really, really	short.

	D	F#m	E	A	D	F#m	E	A
So	I could	put you	in my	pocket	And carry	you a	round all	day.

	\|:	D	F#m	E	A	D	F#m	E	A	:\|
		Oh-	oh,	you and	me,	It would be	only	you and	me.

It would be

only

you and

me.

You

and

KD: Capo IV

32. Don't Think Twice, It's All Right

Bob Dylan / The Freewheelin' Bob Dylan (1963)

	E	B7	C#m	A	E	B7
It	ain't no use to	sit and wonder	why, babe,	if you don't know by	now.

	E	B7	C#m	F#7	B
And it	ain't no use to	sit and wonder	why, babe,	It'll never do, some	how.

	E	E7
When your	rooster crows at the	break of dawn,

	A	F#7
	Look out your window and	I'll be gone.

	E	B	C#m	A	E	B	E
	You're the	reason I'm	travelling	on, But,	don't think	twice, it's all	right.

	E	B7	C#m	A	E	B7
And it	ain't no use in	turnin' on your	light, babe,	The light I never	knowed.

	E	B7	C#m	F#7	B
And it	ain't no use in	turnin' on your	light, babe,	I'm on the dark side of the	road.

	E	E7
But I	wish there were something you would	do or say;

	A	F#7
	To try and make me change my	mind and stay.

	E	B	C#m	A	E	B	E
	We never	did too much	talkin' any	way.	Don't think	twice, it's all	right.

	E	B7	C#m	A	E	B7
No it	ain't no use in	callin' out my	name, gal,	Like you never done be	fore.

	E	B7	C#m	F#7	B
And it	ain't no use in	callin' out my	name, gal,	I can't hear you any	more.

	E	E7
I'm a-	thinkin' and a-wonderin'	Walking down the road,

	A	F#7
I	once loved a woman, a	child I am told.

	E	B	C#m	A	E	B	E
I	give her my	heart but she	wanted my	soul,	Don't think	twice, it's all	right.

	B7	C#m	A	E	B7
So lo-o-	ong, honey	babe,	Where I'm bound, I can't	tell.

	E	B7	C#m	F#7	B
	Goodbye is	too good a	word, babe,	So I'll just say, "fare thee	well".

	E	E7
I ain't	sayin' you treated	me unkind,

	A	F#7
You	could have done better, but,	I don't mind.

	E	B	C#m	A	E	B	E
	You just kinda	wasted my	precious	time,	Don't think	twice, it's all	right.

33. Country Honk

Jagger & Richards / the Rolling Stones: Let it Bleed (1969)

	G	C	G	D	D7	G
	//// //// //// ////	//// //// //// ////	//// /////	//	//	////

	G	C
	I'm sittin' in a bar tippling a jar in	Jackson

	G	A	D	D7
And	on the street the	summer sun it	shines

	G	C
There's	many a bar-room queen I've had in	Jackson

	G	D	D7	G
But I	just can't seem to	drink you	off my	mind

	G	D	D7	G
	It's the	ho-ho-ho-	honky tonk	women

	D	D7	G
Gimme, gimme,	gimme the	honky tonk	blues

	G	C
	I laid a divorcee in New York	City

	G	A	D	D7
I h	ad to put up	some kind of a	fight

	G	C
The	lady she all dressed me up in	roses

	G	D	D7	G
She	blew my nose and	then she	blew my	mind

	G	D	D7	G
	It's the	ho-ho-ho-	honky tonk	women

	D	D7	G
Gimme, gimme,	gimme the	honky tonk	blues

Solo: over verse chords

	G	D	D7	G
	It's the	ho-ho-ho-	honky tonk	women

	D	D7	G
Gimme, gimme,	gimme the	honky tonk b	lues

	G	D	D7	G
	It's the	ho-ho-ho-	honky tonk	women

	D	D7	G	C	G
Gimme, gimme,	gimme the	honky tonk	blues

Guitar (Intro & Verse) (Verse->Chorus Riff) |: G :|: C :| (G) e|-3-3-3-3-3-3-3-3-|-0-0-0-0-0-0-0-0-| |-3-2-0-------------| b|-0-0-0-0-0-0-0-0-|-1-1-1-1-1-1-1-1-| |-------3-0-3-----0-| g|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-| |-------------0-3---| d|-0-0-0-0-0-0-0-0-|-2-0-2-3---3-2-3-| |-------------------| A|-2-0-2-3---3-2-3-|-----------------| |-------------------| E|-----------------|-----------------| |-------------------|

34. At this Point in my Life

David Ribeiro / Tracy Chapman: A Living Legend (1995)

	D	A
	Done so many things wrong I don't know if I can do right	Oh I, Oh I've

F#m

Done so many things wrong I don't know if I can do right

	A
	At this point in my life

	D	F#m	D
I've	done so many things wrong	I don't know if I can do	right

	A	D	F#m
If you p	ut your trust in me I hope I	won't let you down

	D	A
If you give me a chance	I'll try

	F#m	D	A	E
You see it's been a	hard road,		the road I'm	traveling on

	F#m	D	A	E
And if I	take your hand		I might lead you down the	path to ruin

	F#m	D	A	F#m
I've had a	hard life		I'm just saying it so you'll	understand

	D	E
That	right now, right now, I'm	doing the best I can

	A	D	A	D
At	this point in my life	- At	this point in my life

	D	F#m
Although I've	mostly walked in the shadows

	D
I'm still searching for the	light

	A
Won't you	put your faith in me

	D	F#m
We both know	that's what matters

	D	A
If you give me a chance	I'll try

	F#m	D	A	E
You see I've been	climbing stairs		but mostly	stumbling down

	F#m	D	A	E
I've been	reaching high		always	losing ground

	F#m	D	A	F#m
You see I've	conquered hills		but I still have	mountains to climb

	D	E
And	right now right now I'm	doing the best I can

	A	D	A
At	this point in my life

	A
	Before we take a step

	D
Before we walk down that path

Before I make any promises

	F#m
Before you have regrets

Before we talk commitment

Let me tell you of my past

	D
	All I've seen and all I've done

	E
The t	hings I'd like to forget

	A	D
	At this point in my life

	A	D
	At this point in my life

	D	F#m
I'd like to	live as if only love mattered

	F#m	D
	As if redemption was in	sight

	A
As if the	search to live honestly

	D	F#m
Is all that	anyone needs

	D	A
No matter if you	find it

	F#m	D	A
You see when I've	touched the sky

	E
The earth's gravity has	pulled me down

	F#m	D	A
But	now I've recon	ciled that in this world

	E
Birds and angels get the	wings to fly

	F#m	D	A
If you can be	lieve in this	heart of mine

	E
If you can	give it a try

	D
Then I'll	reach inside and find and give you

	E
All the	sweetness that I have

	A
At	this point in my life

	D	A
At	this point in my life

G+
²

Am-

35. Old Love

R. Cray / Eric Clapton: Unplugged (1992)

Am7

Dm7

G+

Am7

F/Dm7

G+

I can feel your body

When I'm lying in bed

	Am7		Dm7	G+	G	Am7		F/Dm7	G+	G
			There's too much con	fusi	on			Going around	through my head

	F	E7	Am	Am-		Am7		D7
	And it makes me so angry	- To know that the flame still	burns

	F	E7	F	E7
	Why can't I get over?	- When will I ever	learn

Am7

Dm7

G+

Am7

Dm7

G+

Old

love,

leave me

alone

Am7

Dm7

G+

Am7

Dm7

G+

Old

love,

go on

home

Am7

Dm7

G+

Am7

F/Dm7

G+

I can see your face

But I know that it's not real

Am7

Dm7

G+

Am7

F/Dm7

G+

It's just an illusion

Caused by how I used to feel

	F	E7	Am	Am-		Am7		D7
	And it makes me so angry	- To know that the flame will always	burn

	F	E7	F	E7
	I'll never get over	- I know now that I'll never	learn

Am7

Dm7

G+

Dm7

G+

Old

love,

leave me alone

	Am7	G+		G		Am7	Dm7		G+		G
Old	love,				go on	home

36. Weather With You

Neil & Tim Finn / Crowded House: Woodface (1991)

	Intro:		Em7	Asus4	Em7	Asus4	Em7	Asus4	Em7	Asus4

	Em7	Asus4
Walking 'round the	room singing Stormy	Weather

	Em7	Asus4
At Fifty-	Seven Mount Pleasant	Street

	Em7	Asus4
Now it's the	same room but everything's	different

	Em7	Asus4
You can fight the	sleep but not the	dream

Bridge

	Dm	C	Dm	C
	Things ain't	cookin' -	in my	kitchen

	Dm	C	F
	Strange af	fliction wash	over me

	Dm	C	Dm	C
	Julius	Caesar -	and the Roman	Empire

	Dm	C	F	G	Em7	Asus4	Em7	Asus4
	Couldn't	conquer the	blue	sky

	Em7	Asus4
There's a	small boat made of	china

	Em7	Asus4
Going	nowhere on the mantle	piece

	Em7	Asus4
Do I	lie like a loungeroom	lizard

	Em7	Asus4	A7sus4
Or do I	sing like a bird re	leased?

	A7sus4	D
Everywhere you	go, you always take the	weather with you

	A7sus4	D
Everywhere you	go, you always take the	weather

	A7sus4	G
Everywhere you	go, you always take the	weather with you

	F#m	Em
Everywhere you	go, you always take the	weather

	A	Em7	Asus4	Em7	Asus4	A7sus4
The	weather with	you

Everywhere you go, you always take the weather with you

Everywhere you go, you always take the weather

Everywhere you go, you always take the weather with you

	F#m	Em	A	D
Everywhere you	go, you always take the	weather - Take the	weather with	you

CAPO KD: IV M: II

37. Wonderful Tonight

Eric Clapton

	\|:	A	E	D	E	D	A	:\|

	A	E
	It's late in the	evening,

	D	E
	she's wondering what	clothes to wear.

	A	E
	She puts on her	make up

	D	E
And	brushes her	long blond hair,

	D	E	A	A/G#	F#m
and	than she	asks me "	Do I	look al	right?"

	D	E	A
And I say "	Yes, you look	wonderful to	night."

	E	D	E	\|:	A	E	D	E	D	A	:\|

We're going to a party, and every man turns to see,

this beautiful lady, who's walking around with me.

And than she asks me "Do you feel alright?"

And I say "Yes, I feel wonderful to night."

Bridge:

	D	E	A	F#m
I feel	wonderful be	cause I see the	love light in your	eyes,

	D	E	D	E
and the	wonder of it	all is that you	just don't rea	lize

	A
How much I love	you.

	A	E	D	E	D	A

Solo

It's time to go home now, and I've got an acheing head.

So I give her the car key, and she helps me to bed.

And than I tell her, As I turn out the light,

I say: "My darling, you were wonderful tonight."

	A	E	D	E	D	A

KD: Capo IV

38. Just Like a Woman

Bob Dylan: Blonde on Blonde (1966)

	E	A	B	E	E	A	B7	E
	Nobody	feels	any	pain -	Tonight as I	stand	inside the	rain

	A	B	A	B
	Everybody	knows that	baby's got new	clothes

	A	G#m	F#m	E	B7
But	late	ly	I	see her	ribbons and her bows

	C#m	E/B	B7sus4	B7	B7sus2	B7
Have	fallen	from her	curls

	E	G#m/D#	B9/C#	A
She	takes	just	like a	woman, yes she does

	E	G#m/D#	B9/C#	A
She	makes love	just	like a	woman, yes she does

	E	G#m/D#	B9/C#	A
And she	aches	just	like a	woman

	B7sus4	B7	B7sus2	B7	E
But she	breaks	just like a	little	girl	.

Queen Mary, she's my friend. Yes, I believe I'll go see her again.

Nobody has to guess that baby can't be blessed

Till she sees finally that she's like all the rest

With her fog, her amphetamine and her pearls.

She takes just like a woman, yes she does; She makes love...

	G#7
	It was rainin' from the first and I was dying there of thirst

	E	Esus4	E
So I	came in here

	G#7
	And your longtime curse hurts but what's worse

	B7sus4	B7	B7sus2	B7	B7sus4	B7	B7sus2	B7
Is this pain in here,		I can't stay	in here,		Ain't it		clear that

I just can't fit - Yes, I believe it's time for us to quit

When we meet again introduced as friends

Please don't let on that you knew me when

I was hungry and it was your world.

She takes just like a woman, yes she does; She makes love...

All Along The Watchtower	4
At this Point in my Life	34
Bad Moon Rising	21
Banks of the Ohio	28
Cool Change	25
Copper Kettle	12
Country Honk	33
Death of a Clown	8
Don't Think Twice, It's All Right	32
Feelin' Groovy	20
From Hank to Hendrix	3
Get Back	11
Heart of Gold	13
Horse With No Name	2
Hurt	10
I Shall Be Released	7
It never rains in Southern California	1
Joanna	5
Just Like a Woman	38
Knockin' on Heaven's Door	6
Lay Lady Lay	27
Living with the Blues	30
Midnight Special	18
Old Love	35
Slip Slidin' Away	9
Talkin' 'Bout A Revolution	17
The Highwayman	26
The Letter	24
The Mighty Quinn	19
The Rose	15
The Spanish Lady	22
Venus	29
Weather With You	36
White Room	16
Wild West End	23
Wonderful Tonight	37
Worried Man Blues	14
You And Me (in my Pocket)	31

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JGLMSet120608

Late Monday Setliste Fairventure (8. Juni 2012)

________________ 1. Set ________________

1. It never rains in Southern California

Albert Hammond

2. Horse With No Name

America

3. From Hank to Hendrix

Neil Young / Neil Young: Harvest Moon (1992)

4. All Along The Watchtower

Bob Dylan / Jimi Hendrix: Electric Ladyland (1967)

5. Joanna

Jon Allen / Sweet Defeat (2011)

6. Knockin' on Heaven's Door

Bob Dylan

7. I Shall Be Released

Bob Dylan / the Band: Music from Big Pink (1968)

8. Death of a Clown

Ray Davies, Dave Davies / the Kinks: Something Else by the Kinks (1967)

9. Slip Slidin' Away

Paul Simon (1977)

10. Hurt

Trent Reznor / Nine Inch Nails: The Downward Spiral (1994); Johnny Cash (2002)

______________ Zugabe 1 ______________

11. Get Back

Lennon & McCartney / the Beatles: Let it Be (1970)

________________ 2. Set ________________

12. Copper Kettle

Albert Frank Beddoe / Bob Dylan: Self Portrait (1970)

13. Heart of Gold

Neil Young/Neil Young: Harvest (1972)

14. Worried Man Blues

trad.

15. The Rose

Amanda McBroom / Bette Midler: The Rose (1980)

16. White Room

Jack Bruce, Pete Brown / Cream: Wheels of Fire (1968)

17. Talkin' 'Bout A Revolution

Tracy Chapman: Tracy Chapman (1988)

18. Midnight Special

Huddie Leadbetter

19. The Mighty Quinn

Bob Dylan/Bob Dylan: Self Portrait (1970)

Manfred Mann: Mighty Garvey! (1968)

20. Feelin' Groovy

Paul Simon

21. Bad Moon Rising

John Fogerty/Creedence Clearwater Revival: Green River (1969)

______________ Zugabe 2 ______________

22. The Spanish Lady

Paddy Reilly

________________ Kandidaten ________________

23. Wild West End

Mark Knopfler / Dire Straits: Dire Straits (1978)

24. The Letter

Wayne Carson Thompson / the Box Tops (1967); Joe Cocker (1970)

25. Cool Change

Glenn Shorrock / Little River Band: First Under the Wire (1979)

26. The Highwayman

Jimmy Webb / the Highwaymen (J. Cash et.al.): Highwayman (1985)

27. Lay Lady Lay

Bob Dylan

28. Banks of the Ohio

trad. / Joan Baez: Vol. 1

29. Venus

Robbie van Leeuwen / Shocking Blue (1969)

30. Living with the Blues

Brownie McGhee / Brownie McGhee and Sonny Terry

31. You And Me (in my Pocket)

Jonathan Vandenbroeck / Milow: North and South (2011)

32. Don't Think Twice, It's All Right

Bob Dylan / The Freewheelin' Bob Dylan (1963)

33. Country Honk

Jagger & Richards / the Rolling Stones: Let it Bleed (1969)

34. At this Point in my Life

David Ribeiro / Tracy Chapman: A Living Legend (1995)

35. Old Love

R. Cray / Eric Clapton: Unplugged (1992)

36. Weather With You

Neil & Tim Finn / Crowded House: Woodface (1991)

1. Set

Zugabe 1

2. Set

Zugabe 2

Kandidaten