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Jürgen & Michael Maitage Herdecke (06.05.2018)
_________________ 1. Teil _________________
1. Summertime Blues
Eddie Cochran
| E | A | B7 | E | A | B7 | E |
| / / / | / | / / / | / / / / | / | / / / | / |
| E | E | A | B7 | E |
| I'm a-gonna raise a fuss, I'm a-gonna raise a holler. | | | | |
| E | E | A | B7 | E |
About a- | workin' all summer, just to try to earn a dollar. | | | | |
| A |
| Every time I call my baby, try to get a date; |
| - | E | - |
My boss says: | No dice son, you gotta work late. | / / | |
| A |
| Sometimes I wonder what I'm a-gonna do, |
| E | - |
But there | ain't | no cure for the summertime blues! |
| E | A | B7 | E | A | B7 | E |
| / / / | / | / / / | / / / / | / | / / / | / |
| E | E | A | B7 | E |
| Well my ma' and pappa told me: Son, you gotta make some money | | | | |
| E | E | A | B7 | E |
| If you wanna use the car to go a-ridin' next sunday. | | | | |
| A |
| Well I didn't go to to work, told the boss I was sick! |
| - | E | - |
So | you can't use the car 'cause you didn't work a lick! | / / | |
Sometimes I wonder what I'm a-gonna do, | |
But there ain't no cure for the summertime blues! | |
| E | E | A | B7 | E |
| I'm gonna take two weeks, gonna have a fine vacation. | | | | |
| E | E | A | B7 | E |
| I'm gonna take my problem to the United Nations. | | | | |
| A |
| Well I called my congressman and he said; quote: |
| - | E | - |
I'd | like to help you son, but you're too young to vote! | / / | |
Sometimes I wonder what I'm a-gonna do, | |
But there ain't no cure for the summertime blues! | |
2. Folsom Prison Blues
Johnny Cash/Johnny Cash (1955)
| E |
I | hear the train a-comin'; it's rollin' 'round the bend, |
| E | E7 |
And | I ain't seen the sunshine since I | don't know when, |
| A7 | E |
I'm | stuck at Folsom Prison and time keeps draggin' | on. |
| B7 | E |
But that | train keeps a-rollin' on down to San An | tone. |
| E |
When | I was just a baby my momma told me: "Son, |
| E | E7 |
| Always be a good boy; don't | ever play with guns." |
| A7 | E |
But I | shot a man in Reno, just to watch him | die. |
| B7 | E |
When I | hear that whistle blowin', I hang my head and | cry. |
| E |
I | bet there's rich folk eatin' in a fancy dining car. |
| E | E7 |
They're | prob'ly drinkin' coffee and | smokin' big cigars. |
| A7 | E |
But I | know I had it comin', I know I can't be | free. |
| B7 | E |
But those | people keep a-movin', and that's what tortures | me. |
| E |
Well if they | freed me from this prison, if that railroad train was mine, |
| E | E7 |
I | bet I'd move it all a little | farther down the line. |
| A7 | E |
| Far from Folsom Prison, that's where I want to | stay. |
| B7 | E |
And I'd | let that lonesome whistle blow my blues a | way. |
3. Lola
Ray Davies / the Kinks: Lola vs. Powerman and the Moneygoround, Part I (1970)
| E |
I | met her in a club down in old Soho where you |
| A | D | E | A | Asus4 |
| drink champagne and it | tastes just like cherry | cola C-O-L-A | co | la |
| E |
She | walked up to me and she asked me to dance |
| A | D |
I | asked her her name and in a | dark brown voice she said |
| E | A | D | C | C////// | D/ | E | (riff) |
| Lola L-O-L-A | Lola | Lo lo lo lo | Lo - la | | | | |
Well I'm not the world's most physical guy, but when she squeezed me tight she nearly broke my spine | |
You know my Lola; Lo Lo Lo Lo Lola! | |
Well I'm not dumb but I can't understand - Why she walked like a woman but talked like a man: | |
Oh, my Lola, Lo Lo Lo Lo Lola, Lo Lo Lo Lo Lola | |
| B7 | F#7 |
Well we | drank champagne and danced all night | under electric candle light |
| A | A | A7 |
She | picked me up and sat me on her knee and | said " | Dear boy won't you come home with me?" |
Well, I'm not the world's most passionate guy, but when I looked in her eyes, well I almost fell for my | |
Lola Lo lo lo lo Lo - la Lo lo lo lo Lo - la -- Lola Lo lo lo lo Lo - la Lo lo lo lo Lo - la | |
| A | E | B | A | E | B | A | E | B |
I | pushed | her a | way I | walked | to the | door I | fell | to the | floor |
| E | G#7 | C#m | B | B13 | E |
I got | down | on my | knees Then | I looked at her and she at | me | |
Well, that's the way that I want it to stay, And I always want it to be that way for | |
my Lola - Lo Lo Lo Lo Lola | |
Girls will be boys and boys will be girls, It's a mixed up muddled up shook up world, | |
Except for Lola - Lo Lo Lo Lo Lola | |
Well I left home just a week before, And I've never ever kissed a woman before | |
But Lola smiled and took me by the hand, Said: Dear boy, I'm gonna make you a man. | |
Well I'm not the world's most passionate man, | |
But I know what I am and I'm glad I'm a man and so is Lola. | |
Lola Lo lo lo lo Lo - la Lo lo lo lo Lo - la | |
Lola Lo lo lo lo Lo - la Lo lo lo lo Lo - la | |
4. Tonight Will be Fine
Leonard Cohen : Songs from a Room (1969)
| A | E | A |
| Sometimes I find I get to | thinking of the | past. |
| A | E | A |
We | swore to each other then that our | love would surely | last. |
| E | A |
You kept right on loving, | I went on a | fast, |
| E | A |
Now I am too thin and your | love is too | vast. |
| D | A | D | A |
But I | know from your | eyes, And I | know from your | smile: |
| D | A |
That to | night will be | fine, will be fine, will be fine, |
| E | E7 | A |
Will be | fine | for a | while. |
| A | E | A |
| I choose the rooms that I | live in with | care. |
| A | E | A |
The | windows are small and the | walls almost | bare. |
| E | A |
There's only one bed and there's | only one | prayer. |
| E | A |
I listen all night for your | step on the | stair. |
| D | A | D | A |
But I | know from your | eyes, And I | know from your | smile: |
| D | A |
That to | night will be | fine, will be fine, will be fine, |
| E | E7 | A |
Will be | fine | for a | while. |
| A | E | A |
| Oh sometimes I see her un | dressing for | me. |
| A | E | A |
She's the | soft naked lady love | meant her to | be. |
| E | A |
And she's moving her body so | brave and so | free. |
| E | A |
If I've got to remember that's a | fine memo | ry. |
| D | A | D | A |
But I | know from your | eyes, And I | know from your | smile: |
| D | A |
That to | night will be | fine, will be fine, will be fine, |
| E | E7 | A |
Will be | fine | for a | while. |
5. Sunny Afternoon
R. D. Davies / the Kinks: Face to Face (1966)
| |: | Dm | Dm/C | Dm/B | Dm/Bb | A | A/G | A/F | A/E | :| |
| | | | | | | | | | |
| Dm | C7 | F | C7 |
The | taxman's taken | all my dough And | left me in my | stately home, |
| A | A/G | A/F | A/E | Dm |
| Lazin' | on a | sunny | after | noon. |
| Dm | C7 | F | C7 |
| And I can't | sail my yacht, He's | taken every | thing I've got, |
| A | A/G | A/F | A/E | Dm |
| All I've | got's this | sunny | after | noon. |
| D7 | G7 | C7 | F | A7 |
| Save me, save me, save me from this gr | eed; I got a big | fat mama tryin' to break | me. | |
| Dm | G7 | Dm | G7 | C7 |
And I | love to live so | pleasantly - | Live this life of | luxu | ry; |
| F | A7 | Dm | Dm/C | Dm/B | Dm/Bb | A | A/G | A/F | A/E |
| Lazin' on a | sunny after | noon | | | - In the | summer | time. | | |
My girlfriend's run off with my car And gone back to her ma and pa, | |
Tellin' tales of drunkenness and cruelty. | |
Now I'm sittin' here, Sippin' at my ice-cooled beer; | |
Lazing on a sunny afternoon. | |
Help me, help me, help me sail away. Who give me two good reasons why I are to stay? | |
'Cause I love to live so pleasantly - Live this life of luxury; | |
Lazin' on a sunny afternoon - In the summertime. | |
Save me, save me, save me from this greed, I got a big fat mama tryin' to break me. | |
And I love to live so pleasantly - Live this life of luxury; | |
Lazin' on a sunny afternoon - In the summertime. | |
6. It's All Over Now, Baby Blue
Bob Dylan
| D | G |
You | must leave now, take what you need you | think will last. |
| D | G |
But | whatever you wish to keep you better | grab it fast! |
| D | C | G |
| Yonder stands your | orphan with his | gun; |
| D | C | G |
| Crying like a | fire in the | sun. |
| B7 | D |
| Look out the Saints are comin' | through: |
| |: | Am | C | G | :| |
| | It's all over | now, Baby | Blue. | |
The highway is for gamblers, better use your sense. | |
Take what you have gathered from coincidence. | |
The empty handed painter from your streets | |
Is drawing crazy patterns on your sheets. | |
This sky too, is folding under you: | |
It's all over now, Baby Blue; It's all over now, Baby Blue. | |
All your seasick sailors, they are rowing home. | |
All your reindeer armies, are all going home. | |
The lover who just walked out your door | |
Has taken all his blankets from the floor. | |
The carpet too, is moving under you: | |
It's all over now, Baby Blue; It's all over now, Baby Blue. | |
Leave your stepping stone behind, something calls for you. | |
Forget the dead you've left, they will not follow you. | |
The vagabond who's rapping at your door | |
Is standing in the clothes that you once wore. | |
Strike another match, go start anew: | |
It's all over now, Baby Blue; It's all over now, Baby Blue. | |
7. Catch the Wind
Donovan
| D5 | G5/9 |
In the | chilly hours and | minutes |
| D5 | G5/9 |
of un | certainty I | want to be |
| D5 | G | A | D | A |
| in the warm hold | of your | lovin' | mind. | |
| D5 | G5/9 |
To | feel you all a | round me, |
| D5 | G5/9 |
and to | take your hand a | long the sand, |
| D5 | G | A | D | A |
Ah, | but I may as well | try and | catch the | wind. | |
| Em | Bm | G | A | A7 |
| De de de dee, de | De de de dee, de | De de de dee, de | Dee de | Dee |
When sundown pales the sky | |
I want to hide a while behind your smile | |
And ev'rywhere I'd look, your eyes I'd find. | |
would be the sweetest thing, t'would make me sing, | |
Ah, but I may as well try and catch the wind. | |
When rain has hung the leaves with tears | |
I want you near to kill my fears | |
To help me to leave all my blues behind. | |
is where I want to be and long to be, | |
Ah, but I may as well try and catch the wind. | |
8. Eight Days A Week
Lennon, McCartney / the Beatles: Beatles for Sale (1965)
| A/ - / | A4/ | A/ - | B/A / - / | B4/A / | B/A / - | D/A / - / | D4/A / | D/A / - | A / |
| | | | | | | | | | |
| A | Bm | D | A |
| Ooh, I need your | love, babe, | guess you know it's | true. |
| Bm | D | A |
Hope you need my | love, babe, | just like I need | you. |
| F#m | Bm | F#m | B |
| Hold me, | love me, | hold me, | love me; |
| A | Bm | D | A |
| Ain't got nothing but | love, babe, | eight days a | week. |
| E | G | E | G | G7 |
| Eight days a week, I | lo-o-ove you - | Eight days a week, is | not enough to | show I care! |
| A | Bm | D | A |
| Love you every | day, girl, | always on my | mind. |
| Bm | D | A |
One thing I can | say, girl, | love you all the | time. |
| F#m | Bm | F#m | B |
| Hold me, | love me, | hold me, | love me; |
| A | Bm | D | A |
| Ain't got nothing but | love, babe, | eight days a | week. |
| E | G | E | G | G7 |
| Eight days a week, I | lo-o-ove you - | Eight days a week, is | not enough to | show I care! |
| A | Bm | D | A |
| Ooh, I need your | love, babe, | guess you know it's | true. |
| Bm | D | A |
Hope you need my | love, babe, | just like I need | you. |
| F#m | Bm | F#m | B |
| Hold me, | love me, | hold me, | love me; |
| A | Bm | D | A |
| Ain't got nothing but | love, babe, | eight days a | week! |
| D | A | | | D | A | A/ - / | A4/ | A/ - | B/A / - / | B4/A / | B/A / - | D/A / - / | D4/A / | D/A / - | A / |
| Eight days a | week! | - | | Eight days a | week! | | | | | | | | | | |
9. Me and Bobby McGee
Kris Kristofferson / Janis Joplin
| D |
| Busted flat in Baton Rouge, headin' for the trains, |
| A7 |
feelin' nearly faded as my | jeans. |
Bobby thumbed a diesel down just before it rains, | |
| D |
Took us all the way to New Or | leans. |
I took my harpoon out of my dirty red bandana | |
| D7 | G |
And was blowin' sad while | Bobby sang the | blues. |
| G | D |
With them | Windshield wipers slappin' time, and | Bobby clappin' hands we finely |
| A7 | D |
| sang up every song that driver | knew. |
| G | D |
| Freedom's just another word for | nothing left to lose. |
| A7 | D |
| Nothing ain't worth nothing but it's | free. |
| G | D |
| Feeling good was easy, Lord, when | Bobby sang the blues. |
| A7 |
| Feeling good was good enough for me, |
| D | E |
Good enough for me and Bobby Mc | Gee. | |
From the coal mines of Kentucky to the California sun | |
| B7 |
Bobby shared the secrets of my | soul. |
Standin' right beside me, Lord, through everything I've done, | |
| E |
Every Night she kept me from the | cold. |
| E |
Then | somewhere near Salinas, Lord, I let her slip away; |
| E7 | A |
Lookin' for the | home and I hope she'll | find! |
| E |
And I'd trade all my tomorrows for a | single yesterday, |
| B7 | E |
| Holding Bobby's body close to | mine. |
| A | E |
| Freedom's just another word for | nothing left to lose. |
| B7 | E |
| Nothing ain't worth nothing, But it's | free. |
Feeling good was easy, Lord, when Bobby sang the blues. | |
Feeling good was good enough for me, | |
Good enough for me and Bobby McGee. | |
10. You Ain't Goin' Nowhere
Bob Dylan / Bob Dylan: Basement Tapes (1967/1975)
| G | Am | C | G |
| Clouds so swift - | Rain won't lift - | Gate won't close - | Railings froze. |
| G | Am | C | G |
| Get your mind off | wintertime - | You ain't goin' no | where. |
| G | Am | C | G |
| Whoo-ee! | Ride me high - To | morrow's the day My | bride's gonna come. |
| G | Am | C | G |
| Oh, oh, are | we gonna fly, | Down in the easy | chair! |
I don't care - How many letters they sent - Morning came and morning went. | |
Pick up your money - And pack up your tent - You ain't goin' nowhere. | |
Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come. | |
Oh, oh, are we gonna fly, Down in the easy chair! | |
Buy me a flute - And a gun that shoots - Tailgates and substitutes. | |
Strap yourself - To the tree with roots - You ain't goin' nowhere. | |
Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come. | |
Oh, oh, are we gonna fly, Down in the easy chair! | |
Genghis Khan - He could not keep - All his kings - Supplied with sleep. | |
We'll climb that hill no matter how steep - When we get up to it. | |
Whoo-ee! Ride me high - Tomorrow's the day My bride's gonna come. | |
Oh, oh, are we gonna fly, Down in the easy chair! | |
11. Sitting on a Fence
Jagger, Richard / the Rolling Stones (1965)
| C | D | C | G |
| Since I was | young I've been | very hard to | please |
| C | D | G | G7 |
| And I | don't know wrong from | right | |
| C |
| But ther is one thing I could never understand |
| D |
| Some of the sick things that a girl does to a man |
| G | C | D | G | C | D |
| So I'm just | sitting on a | fence, | you can | say I got no | sense. |
| G | A | D | G | C | D | G |
| Tryin' to make | up my mind, it | really is so | hard to find, | I'm just | sitting on a | fence. |
| C | D | C | G |
| All of my | friends at school grew | up and settled | down. |
| C | D | G | G7 |
| And they | mortgaged up their | lives | |
| C |
| One things not said too much, but I thin it's true: |
| D |
| They just get married 'cause there's nothing else to do! |
So I'm just sitting on a fence, you can say I got no sense. | |
Tryin' to make up my mind, it really is so hard to find, I'm just sitting on a fence. | |
So I'm just sitting on a fence, you can say I got no sense. | |
Tryin' to make up my mind, it really is so hard to find, I'm just sitting on a fence. | |
| C | D | C | G |
| The day may come when | you get old and | sick and tired of | life; |
| C | D | G | G7 |
| You just | never rea | lized: | |
| C |
| Maybe the choice you made wasn't really right, |
| D |
| but you go out and you don't come back at night. |
So I'm just sitting on a fence, you can say I got no sense. | |
Tryin' to make up my mind, it really is so hard to find, I'm just sitting on a fence. | |
_________________ 2. Teil _________________
12. I'm A Believer
Neil Diamond / The Monkees
| G | D | G |
| I thought love was | only true in | fairy tales. |
| G | D | G |
| Meant for someone | else but not for | me. |
| C | G |
| Love was out to | get me; |
| C | G |
| That's the way it | seemed; |
| C | G | D |
| Disappointment | haunted all my | dreams |
| D | G | C | | G | | C | | G |
| Then I saw her | face | | | Now I'm a believer | | | | |
| C | | G | | C | | G |
Not a trace | | | of doubt in my mind | | | | |
| C | G | F | D7 |
I'm in love -hoo- | hoo; I'm a be | liever, I couldn't | leave her if I | tried. |
| G | D | G |
| I thought love was | more or less | a givin' thing |
| G | D | G |
| It seems the more | I gave the less I | got |
| C | G |
| What's the use in | tryin' |
| C | G | D |
| When I needed | sunshine I got | rain. |
| D | G | C | | G | | C | | G |
| Then I saw her | face | | | Now I'm a believer | | | | |
| C | | G | | C | | G |
Not a trace | | | of doubt in my mind | | | | |
| C | G | F | D7 |
I'm in love -hoo- | hoo; I'm a be | liever, I couldn't | leave her if I | tried. |
13. Further On Up The Road
Bruce Springsteen / Johnny Cash: American V - A Hundred Highways (2006)
| Am | C |
Where the road is | dark And the seed is | sewed; |
| Am | C |
Where the gun is | cocked As the bullet's | cold. |
| Am | G | Am | G |
Where the miles are | marked | In the blood and the | gold: | |
| F | G | Am |
And I'll | meet you further | on up the | road. |
| Am | C |
Got on my dead man | suit And my smilin' skull | ring; |
| Am | C |
My lucky graveyard | boots And a song to | sing. |
| Am | G | Am | G |
I got a song to | sing | That keeps me out of the c | old; | |
| F | G | Am |
And I'll | meet you further | on up the r | oad. |
| C | Am |
Further on up the | road - Further on up the | road. |
| C | E |
Where the way is | dark - And the night is | cold. |
| Am | G | Am | G |
One sunny | mornin' | - We'll rise I | know: | |
| F | G | Am |
And I'll | meet you further | on up the | road! |
| Am | C |
Now I've been out in the | desert Just doin' my | time. |
| Am | C |
Searchin' through the | dust Lookin' for a | sign. |
| G | Am | G |
If there's a light up | ahead Well brother I don't | know; | |
| F | G | Am |
But I've | got this fever | burnin' in my | soul. |
| C | Am |
Further on up the | road - Further on up the | road. |
| C | E |
Where the way is | dark - And the night is | cold. |
| Am | G | Am | G |
One sunny | mornin' | - We'll rise I | know: | |
| F | G | Am |
And I'll | meet you further | on up the | road! |
14. Passing Through
Dick Blakeslee / Leonard Cohen: Live Songs (1972)
| C | F | C |
I saw | Jesus on the cross on a | hill called Calva | ry: |
| G |
"Do you hate mankind for what they done to | you?" |
| C | F | C |
He said, " | Talk of love, not hate, things to | do - it's getting | late. |
| G | C |
I've so little time and I'm | only passing | through." |
| C |
| Passing through, passing through. |
| C7 | F | C |
Sometimes happy, sometimes | blue, glad that | I ran into | you. |
| G | C |
Tell the people that you | saw me passing | through. |
I saw Adam leave the Garden with an apple in his hand, | |
I said "Now you're out, what are you going to do?" | |
"Plant some crops and pray for rain, maybe raise a little cane. | |
I'm an orphan now, and I'm only passing through." | |
Passing through, passing through... | |
I was with Washington at Valley Ford, shivering in the snow. | |
I said, "How come the men here suffer like they do?" | |
"Men will suffer, men will fight, even die for what is right; | |
even though they know they're only passing through." | |
Passing through, passing through... | |
I was with Franklin Roosevelt's side on the night before he died. | |
He said, "One world must come out of World War Two" (ah, the fool) | |
"Yankee, Russian, white or tan," he said, "A man is still a man. | |
We're all on one road, we're only passing through." | |
Passing through, passing through... | |
I rode with old Abe Lincoln on that train to Gettysburg, | |
I said: “What are we gonna do?” | |
He said: “All men must be unconditonally free | |
Or there is no reason to be passing through.” | |
Passing through, passing through... | |
15. Season of the Witch
Donovan Leitch / Donovan: Sunshine Superman (1966)
| A7 | D7 | A7 | D7 | A7 | D7 |
| When I look out my | window, | Many sights to | see. | And when I look in my | window, |
| A7 | D7 | A7 | D7 | A7 | D7 |
| So many different people to | be. | That it's | strange, | so | strange. |
| A7 | D7 | A7 | D7 |
| You've got to pick up every | stitch, | You've got to pick up every | stitch, |
| A7 | D7 | A | D | E | A |
| You've got to pick up every | stitch, | Mm-mmh, | must be the | season of the | witch, |
| D | E | A | D | E | A7 | D7 | | A7 | | D7 |
| must be the | season of the | witch, yeah, | must be the | season of the | witch. | | - | | - | |
When I look over my shoulder, What do you think I see? Some old cat looking over | |
His shoulder at me. And he's strange, Sure he's strange. | |
You've got to pick up every stitch, You've got to pick up every stitch, yeah, | |
Beatniks are out to make it rich, Oh no, must be the season of the witch, | |
must be the season of the witch, yeah, must be the season of the witch. | |
You've got to pick up every stitch, Two rabbits running in the ditch, | |
Beatniks are out to make it rich, Oh no, must be the season of the witch, | |
must be the season of the witch, must be the season of the witch. When I go. | |
When I look out my window, What do you think I see? And when I look in my window, | |
So many different people to be. It's strange, surely strange. | |
You've got to pick up every stitch, You've got to pick up every stitch, | |
Two rabbits running in the ditch, Oh no, must be the season of the witch, | |
must be the season of the witch, yeah, must be the season of the witch. When I look. | |
Verse Chorus
/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /
G|————|—————————|—————————||———————————|——————————|——————————|——————————|——————————|————|
D|————|—7—5—————|—5—7—————||———————————|——————————|——————————|——————————|——————————|————|
A|————|—————5———|—————————||—5———57—75—|——————————|—55557777—|——————————|—555577———|————|
E|5———|—————————|—————5———||———————————|—55555555—|——————————|—55555555—|———————03—|—5——|
16. Those Were The Days
Gene Raskin
| Am | Am7 |
| Once upon a time there was a | tavern, |
| A7 | Dm |
| where we used to raise a glass or | two. |
| Am7 |
Remember how we laughed away the | hours, |
| B7 | E |
and | dreamed of all the great things we would | do. |
| Am | Dm |
Those were the | days, my friend, we thought they'd | never end, |
| G | G7 | C |
we'd sing and | dance for | ever and a da | y; |
| Dm | Am |
We'd live the | life we choose, we'd fight and | never loose, |
| E7 | Am |
For we were | young, and sure to have our | way. |
| A7 | Dm |
La la la la la la la | la la | la la la |
| E7 | Am |
Those were the | days, oh yes those were the d | ays. |
Then the busy years went rushing by us. | |
We lost our starty notions on the way. | |
If by chance I'd see you in the tavern, | |
we'd smiled at one another, and we'd say: | |
Just tonight I stood before the tavern. | |
Nothing seemed the way it used to be. | |
In the glass I saw a strange reflection, | |
was that lonley woman really me? | |
Through the door there came familiar laughter. | |
I saw your face and heard you call my name. | |
Oh, my friend, we're older, but no wiser. | |
For in our hearts the dream are still the same. | |
17. St. James Infirmary
trad.
| Em | Am | Em | C | B7 |
I went | down to | old Joe's | barroom, On the corner | by the | square. |
| Em | Am | Em | C | B7 | Em | Am |
Well, the | drinks were | served as | usual, And the | usual | crowd was | there, | |
| Em | B7 | Em |
And the | usual | crowd was | there. |
| Em | Am | Em | C | B |
In a | corner stood | old Joe Mc | Kennedy, His eyes all | bloodshot and | red. |
| Em | Am | Em | C | B7 | Em | Am |
He | turned to the | crowd a | round him, And | these were the | words he | said, | |
| Em | B7 | Em |
And | these were the | words he | said: |
| Em | Am | Em | C | B7 |
I | went to | St. James in | firmary, I saw my | baby | there. |
| Em | Am | Em |
She was | layed out on a | long white | table, |
| C | B7 | Em | Am | Em | B7 | Em |
So | sweet, so | cold, so | fair, | So | sweet, so | cold, so | fair! |
Went up to see the doctor, "She's very low," he said; | |
Went back to see my baby: | |
Good God! She's lying there dead! Good God! She's lying there dead! | |
"Let her go, let her go, God bless her, Wherever she may be! | |
She can search this wide world over, | |
And never find a man like me, And never find a man like me! | |
Well, if I die, please won't you bury me With my high top Stetson hat! | |
Put a twenty Dollar gold piece on my watchchain, | |
to let the boys know that I'm standing pat, to let the boys know that I'm standing pat! | |
Get six gamblers to carry my coffin, Let six pretty girls sing me a song! | |
Put a dixieland band behind my hearse wagon, | |
To raise Hell while they roll me along, To raise Hell while they roll me along | |
Now that's the end of my story; Let's have another round of booze | |
And if anyone should ask you: | |
I've got the St. James Infirmary blues, I've got the St. James Infirmary blues! | |
Let her go, let her go, God bless her,... | |
18. Dream a Little Dream of me
Gus Khan/ the Mamas & the Papas: the Papas & the Mamas (1968)
| C | B7 | Ab7 | G7 | C | A7 |
| Stars | shining bright a | bove | you; | Night breezes seem to | whisper: I love you. |
| F | Fm | C | Ab7 | G7 |
| Birds singing in the | sycamore tree: | Dream a little | dream of | me! |
| C | B7 | Ab7 | G7 | C | A7 |
| Say: | nighty night! and | kiss | me; | Just hold me tight and | tell me you miss me. |
| F | Fm | C | Ab7 | G7 | C | E |
| While I'm alone and | blue as can be: | Dream a little | dream | of | me! | |
| A | F#m | Bm | E7 | A | F#m | Bm | E7 |
| Stars | fading, but I | linger | on, dear; | Still | craving your | kiss. | |
| A | F#m | Bm | E7 | A | F#m | Ab7 | G7 |
| I'm | longing to | linger till | dawn, dear; | Just | saying | this... | |
Sweet dreams till sunbeams find you; Sweet dreams that leave all worries behind you. | |
But in your dreams whatever they be: Dream a little dream of me! | |
Stars fading, but I linger on, dear; Still craving your kiss. | |
I'm longing to linger till dawn, dear; Just saying this... | |
Sweet dreams till sunbeams find you; Sweet dreams that leave all worries behind you. | |
But in your dreams whatever they be: Dream a little dream of me! | |
19. Waterloo Sunset
R. D. Davies / the Kinks: Something else (1967)
| G7 | C | G | | F |
| (Guitar-Bass-Line) (Guitar- | Melody) | | | |
| F | C | G | F |
| Dirty old | river, must you keep | rolling, rolling in | to the night! |
| C | G | F |
People so | busy make me feel | dizzy, taxi lights | shine so bright! |
| Dm | A | F | G |
But I | don't | need no | friend, | |
| C | G | F |
As long as I | gaze on Waterloo | Sunset, I am in | paradise. |
| D | G | | C |
(la-la- | la) Every day I look at the world from | my window | | |
| F | D | G7 |
( | la-la- | la) But chilly, chilly it's evening time, | Waterloo sunset's fine. |
| C | G | F |
Terry meets | Julie, Waterloo | Station, every | Friday night. |
| C | G | F |
But I am so | lazy, don't want to | wander, I stay at | home at night. |
| Dm | A | F | G |
But I | don't | feel a | fraid, | |
| C | G | F |
As long as I | gaze on Waterloo | Sunset, I am in | paradise. |
| D | G | | C |
(la-la- | la) Every day I look at the world from my | window | | |
| F | D | G7 |
( | la-la- | la) But chilly, chilly it's evening time, | Waterloo sunset's fine. |
| C | G | F |
Millions of | people swarming like | flies round Waterloo | underground. |
| C | G | F |
But Terry and | Julie cross over the | river where they feel | safe and sound. |
| Dm | A | F | G |
And they | don't | need no | friends, | |
| C | G | F |
As long as they | gaze on Waterloo | Sunset, they are in | paradise. |
| C | G | | F | | G |
| (guitar | solo) | | | | (piano-chords) |
| G |
| Waterloo sunset's fine... |
20. We Can Work It Out
Lennon & McCartney / the Beatles
| D | Em | D | Em | C | D |
| Try to see it | my | way - Do I have to | keep on talking | till I can't go | on? |
| D | Em | D | Em | C | D |
| While you see it | your | way - Run the risk of | knowing that our | love may soon be | gone! |
| G | D | G | A |
| We can work it | out - | We can work it | out! |
| D | Em | D | Em | C | D |
| Think of what you're | say- | ing - You can get it | wrong and still you | think that it's all | right! |
| D | Em | D | Em | C | D |
| Think of what I'm | say- | ing - We can work it | out and get it | straight or say good | night! |
| G | D | G | A |
| We can work it | out - | We can work it | out! |
| Bm | G | F#7 |
| Life is very short and there's no | ti-- | me |
| Bm | Bm/A | Bm/G | Bm/F# |
For fussing and | fighting my | friend. | | |
| Bm | G | F#7 |
| I have always thought that it's a | cri-- | me |
| Bm | Bm/A | Bm/G | Bm/F# |
So I will | ask you | once | again: | |
| D | Em | D | Em | C | D |
| Try to see it | my | way - Only time will | tell if I am | right or I am | wrong. |
| Em | D | Em | C | D |
While you see it | your | way - There's a chance that | we might fall a | part before too | long! |
| G | D | G | A |
| We can work it | out - | We can work it | out! |
| Bm | G | F#7 |
| Life is very short and there's no | ti-- | me |
| Bm | Bm/A | Bm/G | Bm/F# |
For fussing and | fighting my | friend. | | |
| Bm | G | F#7 |
| I have always thought that it's a | cri-- | me |
| Bm | Bm/A | Bm/G | Bm/F# |
So I will | ask you | once | again: | |
| D | Em | D | Em | C | D |
| Try to see it | my | way - Only time will | tell if I am | right or I am | wrong. |
| Em | D | Em | C | D |
While you see it | your | way - There's a chance that | we might fall a | part before too | long! |
| G | D | G | A |
| We can work it | out - | We can work it | out! |
21. Knockin' on Heaven's Door
Bob Dylan
| |: | | G | D | Am7 | | | G | D | C | | :| |
| | | Oooh | Oooh | Oooh | - | | Oooh | Oooh | Oooh | | |
| G | D | Am7 |
| Mama take this | badge off of | me, |
| G | D | C |
| I can't | use it any | more. |
| G | D | Am7 |
| It's getting | dark, too dark for me to | see; |
| G | D | C | D |
| I feel I'm | knockin' on heaven's | door. | |
| G | D | Am7 |
| Knock, knock, | knockin' on heaven's | door. |
| G | D | C | D |
| Knock, knock, | knockin' on heaven's | door. | |
| G | D | Am7 |
| Knock, knock, | knockin' on heaven's | door. |
| G | D | C | D |
| Knock, knock, | knockin' on heaven's | door. | |
| G | D | Am7 |
| Mama, put my | guns in the | ground. |
| G | D | C |
| I can't | shoot them any | more. |
| G | D | Am7 |
| That long black | cloud is comin' | down. |
| G | D | C | D |
| I feel I'm | knockin' on heaven's | door. | |
| G | D | Am7 |
| Knock, knock, | knockin' on heaven's | door. |
| G | D | C | D |
| Knock, knock, | knockin' on heaven's | door. | |
| G | D | Am7 |
| Knock, knock, | knockin' on heaven's | door. |
| G | D | C | D |
| Knock, knock, | knockin' on heaven's | door. | |
| G | D | Am7 | G | D | C |
| Ooh - | ooh - | ooh - ooh | Ooh - | ooh - | ooh ... |
22. In The Ghetto
Mac Davis / Elvis Presley (1969)
| C | C | C4 | C | C4 | C | | Em |
As the | snow flies | | | | | | On a | cold and gray chicago mornin' |
| F | G | C | C | C4 | C | C4 | C |
A | poor little baby | child is born - In the | ghetto | | | | | |
| C | C | C4 | C | C4 | C | | Em |
And his | mama cries | | | | | | 'cause if | there's one thing that she don't need |
| F | G | C | C | C4 | C | C4 | C |
Is an | other hungry | mouth to feed - In the | ghetto | | | | | |
| C | G | F | C |
| People, don't you | understand - The child needs a | helping | hand |
| F | G | C |
Or | he'll grow to be an | angry young man some | day |
| G | F | C |
Take a look at | you and me, Are we too | blind to | see, |
| F | G | C |
Do we | simply turn our | heads and look the | other way |
| C | C | C4 | C | C4 | C | Em |
Well the | world turns | | | | | And a | hungry little boy with a runny nose |
| F | G | C | C | C4 | C | C4 | C |
Plays | in the street as the | cold wind blows - In the | ghetto | | | | | |
| C | C | C4 | C | C4 | C | Em |
And his h | unger burns | | | | | So he | starts to roam the streets at night |
| F | G | C | C | C4 | C | C4 | C |
And he | learns how to steal And he | learns how to fight - In the | ghetto | | | | | |
| G | F | C |
| Then one night in desperation A | young man breaks | away. |
| F | G | F | G |
He | buys a gun, | steals a car, He | tries to run, but he | don't get far |
| C | C | C4 | C | C4 | C | Em |
And his | mama cries | | | | | As a | crowd gathers 'round an angry young man |
| F | G | C | C | C4 | C | C4 | C |
Face | down on the street with a | gun in his hand - In the | ghetto | | | | | |
| C | C | C4 | C | C4 | C | Em |
As her | young man dies, | | | | | On a | cold and gray chicago mornin', |
| F | G | C | C | C4 | C | C4 | C |
An | other little baby | child is born - In the | ghetto | | | | | |
| C | C | C4 | C | C4 | C |
And his | mama cries | | | | | |
23. Get Off Of My Cloud
Jagger & Richards / the Rolling Stones
| E | | A | | B | | A |
| / / | | / / / / | | / / | | / / / / |
| E | A | B | A | E | E A B A |
I | live in an | apparmtent on the | ninety-ninth | floor of my | block | |
| E | A | B | E | E A B A |
I | sit at home lookin' | out my window i | magining the world has | stopped | |
| E | A | B | E | E A B A |
Then | in flies a | guy who's all dressed | up just like a Union | Jack | |
| E | A | B | E | E A B A |
He | says "I'd 've won five | pounds if I | had this kind of detergent | pack" | |
| E | G#m | A | B |
Said I " | Hey | you get | off of my | cloud |
| E | G#m | A | B |
| Hey | you get | off of my | cloud |
| E | G#m | A | B |
| Hey | you get | off of my | cloud |
| D | B | E | E A B A |
| Don't hang around, 'cause two's a | crowd on my | cloud! | |
The telephone is ringing I say "Hi who's there on the line?" | |
A voice says "Hi hello how are you?" "Well I guess I am doin' fine!" | |
He says "It's three a.m. there's too much noise don't you people want to go to bed? | |
Just cause you feel so good, do you have to drive me out of my head?" | |
I was sick and tired, fed up with things and decided to take a drive down town. | |
It was so very quiet and peaceful, there was nobody, not a soul around. | |
I laid myself down, I was so tired and I started to dream. | |
In the morning the parking tickets were just like flags stuck on my windscreen! | |
24. Get Back
Lennon & McCartney / the Beatles: Let it Be (1970)
| Intro: | | G | G | F | C |
| | | : | / / / / | | / / | / | / : | |
| G | C | G | F | C |
| Jojo was a man who thought he was a loner, | But he knew it couldn't | last. | | |
| G | C | G | F | C |
| Jojo left his home in Tucson, Arizona | For some California | grass. | | |
| G | C | G | F | C |
| Get back, get back! Get | back to where you once be | longed | | |
| G | C | F | C |
| Get back, get back! Get | back to where you once belonged | | |
| Solo: | | G | G | C | G | F | C |
| (Piano) | | : | / / / | | / / / | | / / / | | / / | / | / : | |
| G | C | G | F | C |
| Get back, get back! Get | back to where you once be | longed | | |
| G | C | F | C |
| Get back, get back! Get | back to where you once belonged | | |
| G | C | G | F | C |
| Sweet Loretta Martin thought she was a woman, | But she was another | man. | | |
| G | C | G | F | C |
| All the girls around her said she's got it comin', | But she gets it while she | can. | | |
| G | C | G | F | C |
| Get back, get back! Get | back to where you once be | longed | | |
| G | C | F | C |
| Get back, get back! Get | back to where you once belonged | | |
| Solo: | | G | G | C | G | F | C |
| (Guitar) | | : | / / / | | / / / | | / / / | | / / | / | / : | |
| G | C | G | F | C |
| Get back, get back! Get | back to where you once be | longed | | |
| G | C | F | C |
| Get back, get back! Get | back to where you once belonged | | |
25. Wish You were Here
Waters, Gilmour / Pink Floyd: Wish you were Here (1975)
| G | Em | G | Em | G | Em | A7sus | Em | A7sus | G |
| | | | | | | | | | |
| C | D | Am | G |
| So, so you think you can | tell, heaven from | hell, blue skies from | pain. |
| D | C | Am |
Can you tell a green | field from a cold steel | rail, a smile from a | veil. |
| G |
Do you think you can | tell? |
And did they get you to trade your heroes for ghosts, | |
hot ashes for trees hot air for a cool breeze. | |
Cold comfort for change. And did you exchange | |
A walk in a part of the war | |
For a lead role in a cage. | |
| G | Em | G | Em | G | Em | A7sus | Em | A7sus | G | G |
| | | | | | | | | | | |
How, how I wish you were here. | |
We're just two lost souls swimming in a fish bowl year, after year. | |
Running over the same old ground, what did we found? | |
The same old fears, wish you were here. | |
| G | Em | G | Em | G | Em | A7sus | Em | A7sus | G | G |
| | | | | | | | | | | |
26. Ring of Fire
June Carter & Merle Kilgore / Johnny Cash (1963); Eric Burdon (1969)
| Intro: | | G | | C | G | | G | | C | G | |
| | |: | / | / | / | / | | | / | / | / | / | :| |
| G | C | G | C | G | C | G | C | G |
| Love is a | burnin' | thing and | it | makes a | fiery | ring. | | |
| G | C | G | C | G | C | G |
| Bound by | wild de | sire | | I fell into your | ring of | fire |
| D | C | G |
| I fell into a | burnin' ring of | fire |
| D | C | G |
I went | down, down, down and the | flames, they got | higher |
| C | G | Am | G |
And it burns, burns, burns, that | ring of | fire, that | ring of | fire. |
I fell into a burnin' ring of fire | |
I went down, down, down and the flames, they got higher | |
And it burns, burns, burns, that ring of fire, that ring of fire. | |
The taste of love is sweet, when hearts like ours meet. | |
I fell for you like a child, Oooh, but the fire went wild. | |
I fell into a burnin' ring of fire | |
I went down, down, down and the flames, they got higher | |
And it burns, burns, burns, that ring of fire, that ring of fire. | |
27. Always Look on the Bright Side of Life
Monty Python
| Am | D7 | G | Em |
Some | things in life are | bad - they can | really make you | mad. |
| Am | D7 | G | Em |
| Other things just | make you swear and | curse. | |
| Am | D7 | G | Em |
When you're | chewing on large | gristle - don't | grumble - give a | whistle |
| A7 | D |
And | whistles help things turn out for the | best: |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
And | always | look at the | bright | side of | life | | | | (whistle) | |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
| Always | look on the | light | side of | life | | | | (whistle) | |
| Am | D7 | G | Em |
If | life seems jolly | rotten - there's | something you've for | gotten |
| Am | D7 | G | Em |
And | that's to laugh and | smile and dance and | sing! | |
| Am | D7 | G | Em |
When you're | feeling in the | dumps - | don't be silly | chums |
| A7 | D |
Just | purse your lips and whistle that's the | thing: |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
And | always | look at the | bright | side of | life | | | | (whistle) | |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
Come on, | Always | look on the | bright | side of | life | | | | (whistle) | |
| Am | D7 | G | Em |
For | life is quite ab | surd - and | death's the final | word |
| Am | D7 | G | Em |
You must | always face the | curtain with a | bow. | |
| Am | D7 | G | Em |
For | get about your | sin - give the | audience a | grin |
| A7 | D |
En | joy it's your last chance any | how: |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
So | always | look on the | bright | side of | death | | | | (whistle) | |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
| Just be | fore you | draw your | terminal | breath. | | | | (whistle) | |
| Am | D7 | G | Em |
| Life's a piece of | shit - | when you look at | it, |
| Am | D7 | G | Em |
| Life's a laugh and | death's a joke - it's | true! | |
| Am | D7 | G | Em |
| You see it's all a | show - keep 'em | laughing as you | go; |
| A7 | D7 |
Just re | member that the last laugh is on | you: |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
And | always | look at the | bright | side of | life | | | | (whistle) | |
| G | Em | Am | D7 | G | | Em | | Am | D7 |
| Always | look on the | right | side of | life | | | | (whistle) | |
| A | F# | Bm | E7 | A | F# | | Bm | E7 |
| Always | look on the | right | side of | life | | | (whistle) | ... |
Always Look on the Bright Side of Life | 27 |
Catch the Wind | 7 |
Dream a Little Dream of me | 18 |
Eight Days A Week | 8 |
Folsom Prison Blues | 2 |
Further On Up The Road | 13 |
Get Back | 24 |
Get Off Of My Cloud | 23 |
I'm A Believer | 12 |
In The Ghetto | 22 |
It's All Over Now, Baby Blue | 6 |
Knockin' on Heaven's Door | 21 |
Lola | 3 |
Me and Bobby McGee | 9 |
Passing Through | 14 |
Ring of Fire | 26 |
Season of the Witch | 15 |
Sitting on a Fence | 11 |
St. James Infirmary | 17 |
Summertime Blues | 1 |
Sunny Afternoon | 5 |
Those Were The Days | 16 |
Tonight Will be Fine | 4 |
Waterloo Sunset | 19 |
We Can Work It Out | 20 |
Wish You were Here | 25 |
You Ain't Goin' Nowhere | 10 |
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