BeOK Nachbarschaftsband Thealozzi (30.10.2021)
__________________ Setliste __________________
1. Fly me to the Moon - In Other Words
Bart Howard / Kaye Ballard (1954) - Frank Sinatra (1964)
| Dm7 | Gm7 | C7 | Fmaj7 |
| Fly me to the | moon and let me | play among the | stars, |
| Bbmaj7 | Em7(b5) | A7(b9) | Dm7 |
| Let me see what | spring is like on | Jupiter and | Mars. |
| Gm7 | C7 | Fmaj7 | Am7(b5) | D7 | Gm7 | C7 | F6 | Em7b5 | A7(b9) |
In | other words: | "Hold my | hand!" | | In | other words: " | Darling | kiss me!" | | |
| Dm7 | Gm7 | C7 | Fmaj7 |
| Fill my heart with | song, and let me | sing for ever | more, |
| Bbmaj7 | Em7(b5) | A7(b9) | Dm7 |
| You are all I | long for, all I | worship and a | dore. |
| Gm7 | C7 | Fmaj7 | Am7(b5) | D7 | Gm7 | C7 | F6 | Em7b5 | A7(b9) |
In | other words: | "Please be | true!" | | In | other words: | "I love | You!" | | |
| Dm7 | Gm7 | C7 | Fmaj7 |
| Fly me to the | moon and let me | play among the | stars, |
| Bbmaj7 | Em7(b5) | A7(b9) | Dm7 |
| Let me see what | spring is like on | Jupiter and | Mars. |
| Gm7 | C7 | Fmaj7 | Am7(b5) | D7 | Gm7 | C7 | F6 | Em7b5 | A7(b9) |
In | other words: | "Hold my | hand!" | | In | other words: " | Darling | kiss me!" | | |
| Dm7 | Gm7 | C7 | Fmaj7 |
| Fill my heart with | song, and let me | sing for ever | more, |
| Bbmaj7 | Em7(b5) | A7(b9) | Dm7 |
| You are all I | long for, all I | worship and a | dore. |
| Gm7 | C7 | Fmaj7 | Am7(b5) | D7 | Gm7 | C7 | F6 | Em7b5 | A7(b9) |
In | other words: | "Hold my | hand!" | | In | other words: " | Darling | kiss me!" | | |
| Gm7 | C7 | Fmaj7 | Am7(b5) | D7 | Gm7 | C7 | Fmaj7 |
In | other words: | "Please be | true!" | | In | other words: | "I love | You." |
2. Blame it on the Boogie
Mick Jackson, Dave Jackson, Elmar Krohn / the Jacksons (1978)
| D | Bm7 | G |
| D D F# F# | B B F# F# | E E F# F# G G G# A |
| Bm7 | D |
My | baby's always dancin', And it | wouldn't be a bad thing: |
| G | D |
But | I don't get no loving, And that's no | lie. |
| Bm7 | D |
We | spent the night in Frisco At | every kind of disco, |
| G | A |
And | from that night I kissed Our love good | bye. |
| |: | D | Bbmaj7 |
| |:Don't blame it on | sunshine - Don't blame it on | moonlight - |
| C | D | :| |
Don't blame it on | good times - Blame it on the | boogie. | :| |
| Bm7 | D |
That | nasty boogie bugs me, But | somehow it has drugged me. |
| G | D |
| Spellbound rhythm gets me On my | feet. |
| Bm7 | D |
I've | changed my life completely, I've | seen the lightning leave me. |
| G | Asus4 |
My | baby just can't take Her eyes off | me. |
| |: | D | Bbmaj7 |
| |:Don't blame it on | sunshine - Don't blame it on | moonlight - |
| C | D | :| |
Don't blame it on | good times - Blame it on the | boogie. | :| |
| |: | D | D/A | D/A | Asus4 | :| 4x |
| |: | I just can't - | I just can't - | I just can't control my feet | | :| |
| |: | D | Bbmaj7 |
| |:Don't blame it on | sunshine - Don't blame it on | moonlight - |
| C | D | :| |
Don't blame it on | good times - Blame it on the | boogie. | :| |
| D | Bm7 | G |
| D D F# F# | B B F# F# | E E F# F# G G G# A |
| Bm7 | D |
This | magic music grooves me, That | dirty rhythm moves me, |
| G | D |
The | devil's gotten to me Through this | dance. |
| Bm7 | D |
I'm | full of funky fever, And | fire burns inside me. |
| G | Asus4 |
| Boogie's got me in a Super | trance. |
| |: | D | Bbmaj7 |
| |:Don't blame it on | sunshine - Don't blame it on | moonlight - |
| C | D | :| |
Don't blame it on | good times - Blame it on the | boogie. | :| |
| |: | D | Bbmaj7 | C | D | :| |
| |: | Sunshine - | Moonlight - | Good times - | Boogie. | :| |
| D | Bbmaj7 |
| Sunshine (You just gotta) - | Moonlight (You just wanna) - |
| C | D |
| Good times (Yeah, ohh) - | Boogie. (blame it on yourself) |
| D | Bbmaj7 |
| Sunshine (Ain't nobody's fault) - | Moonlight (But yours and that boogie)- |
| C | D |
| Good times (all night long) - | Boogie. (But yours and that funky boogie) |
X:1
T:Blame it on the Boogie: Tenor Saxofon
M:4/4
L:1/8
K:E
"D"e e G G "Bm7"c c G G | "G" F F G G A A ^A B |]
3. Ain't Got No, I Got Life
James Rado, Gerome Ragni, Galt MacDermot / Nina Simone: 'Nuff Said (1968)
| Em | G |
I ain't got no | home, ain't got no | shoes; |
| Em | G |
Ain't got no | money, ain't got no | class; |
| D | Bm7 |
Ain't got no | skirts, ain't got no | sweater; |
| Em | C | D | G | C | G |
Ain't got no | perfume, ain't got no | bed | - Ain't | got | no | mind, |
| Em | G |
Ain't got no | mother, ain't got no | culture; |
| Em | G |
Ain't got no | friends, ain't got no | schoolin'; |
| D | Bm7 |
Ain't got no | love, ain't got no | name; |
| Em | C | D | G | C | G |
Ain't got no | ticket, ain't got no | token | - Ain't got no | god | | |
| C | Am |
| And what have I got? - | Why am I alive anyway? |
| Am | D7 |
| Yeah, what have I got? - | Nobody can take away? |
| G | C | G | C |
Got my | hair, got my | head, Got my | brains, got my | ears, |
| G | D | Am | D |
Got my | eyes, got my nose, got my | mouth - I got my | smile. | |
| G | C | G | C |
I got my | tongue, | got my chin, Got my | neck, got my | boobies, |
| G | D | Am | D |
Got my | heart, got my soul, got my | back - I got my | sex. | |
| Em | Bm | Em | Bm |
I got my | arms, got my | hands, got my | fingers, got my | legs, |
| Em | Bm | Am | D | G |
got my | feet, got my | toes, got my | liver; | - Got my | blood. |
| Am | C | D | G | C | G | C |
I've got | life, - I've got my | free | dom. I've got | life. | | | |
I've got life, and I am gonna keep it. | |
| G |
I've got life, and nobody's gonna take it away. I've got | life! |
4. These Boots are Made for Walkin'
Nancy Sinatra
| Intro: | bass: | E | Eb | D | Db | C | B | Bb | A | Ab | G | Gb | F | E |
| | | | | | | | | | | | | | | |
| E |
| You keep saying, you've got something for me, |
Something you call love, but confess. | |
| A |
| You've been messing where you shouldn't be messing, |
| E |
And now | someone else is getting all your best. |
| G | Em | G | Em |
These | boots are made for | walking - And | that's just what they'll | do, |
| G | Em | n.c. | E | ... | | E |
| One of these days these | boots | are gonna walk all over you. | - | | - | Yes! |
| E |
| You keep lying when you ought to be truthing, |
And you keep losing when you ought to not bet, | |
| A |
| You keep sameing when you ought to be a-changing, |
| E |
Now | what's right is right but you ain't been right yet. |
| G | Em | G |
These | boots are made for | walking - And | that's just what they'll do, |
| G | Em | - | E | ... | | E |
| One of these days these | boots are gonna | walk all over you. You! | - | | - | |
| E |
| You keep playing where you shouldn't be playing, and |
you keep thinking that you'll never get burned , ha! | |
| A |
| I just found me a brand new box of matches, yeah! |
| E |
And | what he knows you ain't had time to learn. |
| G | Em | G | Em |
These | boots are made for | walking - And | that's just what they'll | do, |
| G | Em | - | E | E |
| One of these days these | boots are gonna | walk all over you. | - - | |
Are you ready boots? - Start walking! | |
X:1
T:These Boots are Made for Walking: Tenor Saxofon
M:4/4
L:1/8
K:F# treble
T:2. Strophe
[|:"E"F8|F8:||:"A"d8:|:"E"F8:|:"G"^A4"Em"F4:|"G"^A4"Em"F2z|]
T:_
T:3. Strophe
[|:"E"^C=C^C/z/ =C^CC=C^C/z/|^C=C^C/z/ =C^CC=C^C/z/:|
|:"A"^B=B^B/z/ =B^BB=B^B/z/:|:"E"^C=C^C/z/ =C^CC=C^C/z/:|:"G"AA2z "Em"FF2z:|"G"AA2z"Em"Fz3|]
T:_
T:Fade Out
"E"f[|: z (3cde f z (3cde f| z (3cde f z (3cde f:|]
5. Hit The Road, Jack
Percy Mayfield / Ray Charles (1961)
| Gm | F | Eb | D |
| / / | / / | / / | / / (repeat) |
| Gm | F | Eb | D | Gm | F | Eb | D |
Hit the | road, | Jack and | don't you come | back no | more, no | more, no | more, no | more |
| Gm | F | Eb | D | Gm | (...) |
Hit the | road, | Jack and | don't you come | back no mo- | o-o-o- | ore |
Hit the road, Jack and don't you come back no more, no more, no more, no more | |
Hit the road, Jack and don't you come back no more | |
Woman, oh woman, don't treat me so mean | |
You're the meanest old woman that I've ever seen | |
I'd have to pack my things and go | |
Hit the road, Jack and don't you come back no more, no more, no more, no more | |
Hit the road, Jack and don't you come back, no more | |
Hit the road, Jack and don't you come back no more, no more, no more, no more | |
Hit the road, Jack and don't you come back no more | |
Now baby, listen, baby, don't ya treat me this way | |
Cause I'll be back on my feet some day | |
Don't care if you do 'cause it's understood | |
You ain't got no money you just ain't no good | |
Well, I guess if you say so | |
I'd have to pack my things and go | |
Hit the road, Jack and don't you come back no more, no more, no more, no more | |
Hit the road, Jack and don't you come back no more | |
Hit the road, Jack and don't you come back no more, no more, no more, no more | |
Hit the road, Jack and don't you come back no more | |
Don't you come back no more - Uh, what'd you say? | |
Don't you come back no more - I didn't understand you! | |
Don't you come back no more - You can't mean that! | |
Don't you come back no more - Oh, no baby, please! | |
Don't you come back no more - What you tryin' to do to me? | |
Don't you come back no more - Oh, don't treat me like that! | |
Don't you come back no more - ... | |
6. Schöner fremder Mann
Athina Hosey, Hal Gordon, Jean Nicolas / Connie Francis (1961)
| G | Em | C | D | G | Em | C | D |
( | Ah-Ha- | Ha) | Oooh- | Oh-oh-oh-oh; | Oh-Oh- | Oh | Oooh- | Oh-oh-oh-oh. |
| G | Em | C | D |
| Schöner fremder | Mann, | Du bist | lieb zu mir. |
| G | Em | C | D |
| Schöner fremder | Mann, | Denn ich | träum' von dir. |
| G | Em | C | D | G | Em | C | D |
| Doch am Tag gehst | du Mit | einer ander'n | Frau vor | bei! | | Oooh- | Oh-oh-oh-oh, ... |
| G | Em | C | D |
| Du gehörst zu | ihr | Und ich | bin allein, |
| G | Em | C | D |
| Nur in meinem | Traum | Darf ich | glücklich sein. |
| G | Em | C | D | G | C | G |
| Glücklich sein mit | dir | Denn nur im | Traum gehörst du | mi- | i- | ir! |
| C | D | G | Em | C | D | G | Em |
Und | werden auch | Jahre ver | gehen | Ich | weiß, ich | liebe nur | dich | |
| C | D | G | Em | C | D |
Es | wird, so | lange ich | lebe | | Keinen andern geben für | mich! Yeah, yeah, yeah, yeah! |
| G | Em | C | D |
| Schöner fremder | Mann, | Einmal | kommt die Zeit. |
| G | Em | C | D |
| Und dann wird mein | Traum | Endlich | Wirklichkeit! |
| G | Em | C | D | G | C | G |
| Schöner fremder | Mann, Dann | fängt für uns die | Liebe | a-- | a-- | an! |
| C | D | G | Em | C | D | G | Em |
Und | werden auch | Jahre ver | gehen, | Ich | weiß, ich | liebe nur | dich! | |
| C | D | G | Em | C | D |
Es | wird, so | lange ich | lebe, | | Keinen andern geben für | mich! Oh, oh, oh, oh! |
| G | Em | C | D |
| Schöner fremder | Mann, | Einmal | kommt die Zeit. |
| G | Em | C | D |
| Und dann wird mein | Traum | Endlich | Wirklichkeit! |
| G | Em | C | D | G |
| Schöner fremder | Mann, Dann | fängt für uns die | Liebe | an! |
| Em | C | D | G | Em | C | D |
| | Oooh- | Oh-oh-oh-oh, | Oh, | Oh-oh, | Oooh- | Oh-oh-oh-oh, ... |
7. Sympathy For The Devil
Jagger, Richards / The Rolling Stones
| F | D# | A# | F |
| Please allow me to intro | duce myself, I'm a | man of wealth and | taste. |
| D# | A# | F |
I've been around for | long, long years, stolen | many a man's soul and | faith. |
| D# | A# | F |
I was 'round when | Jesus Christ had his | moments of doubt and | pain. |
| D# | A# | F |
Made damn' sure that | Pilate washed his | hands and sealed his | fate. |
| C | F |
| Pleased to meet you, hope you guess my | name, |
| C | F |
But what's | puzzling you is the nature of my | game! |
I stuck around St. Petersburg when I saw it was the time for a change. | |
Killed the Tsar and his ministers, Anastasia screamed in vain. | |
I rode a tank, held a general's rank, when the blitzkrieg raged, and the bodies stank. | |
Pleased to meet you, hope you guess my name, | |
But what's puzzling you is the nature of my game! | |
I watched with glee how your kings and queens fought for ten decades for the gods they made. | |
I shouted out: "Who killed the Kennedys?", when after all, it was you and me. | |
Let me please introduce myself, I'm a man of wealth and taste, | |
And I lay traps for troubadours, who get killed before they reach Bombay. | |
Pleased to meet you, hope you guess my name, | |
But what's puzzling you is the nature of my game! | |
| |: | | F | D# | A# | F | :| (x4) |
| | ( | so | lo) | | | |
Pleased to meet you, hope you guess my name, | |
But what's puzzling you is the nature of my game! | |
Just as every cop is a criminal, and all the sinners saints. | |
As heads is tails, just call me Lucifer, 'cos I'm in need of some restraint. | |
So if you meet me have some courtesy, have sympathy and some taste. | |
Use all your well-learned politesse, or I'll lay your soul to waste. | |
Pleased to meet you, hope you guess my name, | |
But what's puzzling you is the nature of my game! | |
8. Heavy Cross
Beth Ditto, Brace Paine, Hannah Billie / Gossip: Music for Men (2009)
| Dm | C | Dm | C |
ooohh oh | ooooh, oh oh oh | ohhh - ooohh oh | ooooh, oh oh oh | ohhh |
| Dm | C |
It's a | cruel cruel world, to face on your own, A | heavy cross, to carry alone, |
| Dm | C |
The | lights are on, but everyone's gone, And it's | cruel. |
| Dm | C |
It's a | funny way, to make ends meet, when the | lights are out on every street, |
| Dm | C |
It | feels alright, but never complete, without | you, |
| Dm | C |
I trust | you, if it's already been done, | undo it, |
| Dm | C |
It takes | two, it's up to me and you, to | prove it, |
| Dm | C |
All the | rainy nights, even the coldest days, you're | moments ago, but seconds away, |
| Dm | C |
The | principal of nature, it's true but, it's a | cruel world, |
| Dm | C | Dm | C |
| ooooh oooh oohh, | ooh ooh oooh ooh, | ooo oo | wooah |
| Dm | C |
We can | play it safe, or play it cool, | follow the leader, or make up all the rules, |
| Dm | C |
| whatever you want, the choice is yours, So | choose! |
| Dm | C |
I trust | you, if it's already been done, | undo it, |
It takes two, it's up to me and you, to prove it. | |
| Dm | C |
ei ei | ei ei ei, oh oh oh oh oh, | ye oh oh, |
| Dm | C |
ei ei | ei ei ei, oh oh oh oh oh, | ye eh, ye eh, ye eh, |
| Dm | Dm | Dm | Dm | C |
| | | | I trust you, it's already been done, | undo it, |
| Dm | C |
It takes | two, it's up to me and you, to | prove it. |
| Dm | C | Dm | C |
| ei ei ei, woah wo, | yeah eh - | ei ei ei ei ei, oh oh oh oh oh - | ye eh, ye eh, ye eh, |
| Dm | C |
I trust | you, if it's already been done, | undo it, |
| Dm | C |
It takes | two, it's up to me and you, to | prove it. |
| Dm | C | Dm | C | Dm |
| ei ei ei ei ei, oh oh oh oh oh, | ye oh oh, | ei ei ei, oh oh oh oh oh, | ye eh, ye eh, ye eh, - I trust | you. |
___________________ Zugabe ___________________
9. Improvisation
| |: | Gm | | | Dm | | | F | | | A | :| |
| |: | / / / / | | | / / / / | | | / / / / | | | / / / / | :| |
Ain't Got No, I Got Life | 3 |
Blame it on the Boogie | 2 |
Fly me to the Moon - In Other Words | 1 |
Heavy Cross | 8 |
Hit The Road, Jack | 5 |
Improvisation | 9 |
Schöner fremder Mann | 6 |
Sympathy For The Devil | 7 |
These Boots are Made for Walkin' | 4 |
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